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4 All Night, All Day (A Gospel Setting)—
arr. Greg Gilpin. Charged with gospel-style
excitement, this traditional spiritual comes alive with
energy and style. A powerful chorus, hand claps, a
stacked vocal section and a key change build to a
big ending that is sure to please your singers and
audience. Highly recommended!
10499819 Three-Part Mixed . . . . . . . . . . . . 1.90
10499819E Three-Part Mixed ePrint . . . . . . . 1.90
10499821 Two-Part . . . . . . . . . . . . . . . . . . . 1.90
10499821E Two-Part ePrint. . . . . . . . . . . . . . 1.90
10499822 P/A CD . . . . . . . . . . . . . . . . . . . 26.99
H
Bridge over Troubled Water—Paul Simon/
arr. Shaw.
This is dynamite! Kirby Shaw's
phenomenal arrangement of this Simon and
Garfunkel hit ballad is contemporary choral writing
at its finest. The light, harmonic a cappella opening
is contrasted with this soaring, fresh, gospel-style
setting. Optional solos showcase special voices.
A "must" for show and concert choirs!
1743939 SATB . . . . . . . . . . . . . . . . . . . . . . . 1.95
1743947 SAB . . . . . . . . . . . . . . . . . . . . . . . . 1.95
3294418 SSA . . . . . . . . . . . . . . . . . . . . . . . . 2.25
3701797 TTBB . . . . . . . . . . . . . . . . . . . . . . . 2.50
3294419 P/A CD . . . . . . . . . . . . . . . . . . . . . 26.99
1743962 Instrumental Parts . . . . . . . . . . . . 25.00
H
Feel Good—arr. Barbara Baker &
David Elliott.
Feel Good is a contemporary Afro-
American gospel song that should be performed
with joy, exuberance and enthusiasm! Highly
rhythmic with judicious hand claps and utilizing a
secular text of positiveness and high self-esteem,
this exciting work is certain to be a favorite of
singers and audiences alike!
1874163 SSA . . . . . . . . . . . . . . . . . . . . . . . . 1.95
Here's Where I Stand—arr. Greg Gilpin.
This gospel-style power ballad from the movie
musical "Camp" builds from a soulful opening to a
powerful final chorus. Feature your best soloist for
a stirring performance in concert or as a graduation
finale. "Here in the dark, I stand before you, knowing
this is my chance to show you my heart...Here's
where I stand. Here's who I am..."
10361612 SATB. . . . . . . . . . . . . . . . . . . . . . 2.00
10361612E SATB ePrint . . . . . . . . . . . . . . . . 2.95
10361613 SAB. . . . . . . . . . . . . . . . . . . . . . . 2.00
10361613E SAB ePrint . . . . . . . . . . . . . . . . . 2.95
10361614 SSA. . . . . . . . . . . . . . . . . . . . . . . 2.00
10361614E SSA ePrint . . . . . . . . . . . . . . . . . 2.95
10361615 P/A CD . . . . . . . . . . . . . . . . . . . 27.99
10361616 Instrumental Parts . . . . . . . . . . 10.00
10361616E Instrumental Parts ePrint . . . . . 10.00
H
How Can I Keep from Singing?—
Greg Gilpin. Greg has taken the traditional
Quaker text and positively supercharged it with
his own gospel-styled music in this marvelous
new look at a timeless American poem. This one
has it all - a wide-open solo for your best gospel
singer, an accompaniment that's fine as is, or can
be embellished at will by your pianist, and hand
claps from the very first measure that'll quickly
spread through your audience or congregation.
Highly recommended!
10352316 SATB . . . . . . . . . . . . . . . . . . . . . . . 2.25
3298161 Three-Part Mixed . . . . . . . . . . . . . . 1.95
10352293 Two-Part. . . . . . . . . . . . . . . . . . . . . 2.25
10192345 SSA . . . . . . . . . . . . . . . . . . . . . . . . 2.25
3298923 Multi-Song Accomp. CD . . . . . . . 25.00
I Sing Because I'm Happy—Rollo Dilworth.
Adapted from the gospel-style interpretation of
the hymn His Eye Is on the Sparrow, originally
performed and recorded by the Georgia Mass
Choir, this setting has been lowered a step and a
bass part has been added. It will be an inspirational
choice for gospel and concert choirs, and audience
participation on the hand claps is encouraged!
10451977 SATB . . . . . . . . . . . . . . . . . . . . . . . 1.95
l
I Wish I Knew How It Would Feel to Be Free
—Billy Taylor/arr. Kirby Shaw.
This gospel/
jazz song is best known for the 1967 Nina Simone
recording. It makes a wonderful choral showcase,
testifying to the longing for freedom and justice for
all people.
10517241 SATB. . . . . . . . . . . . . . . . . . . . . . 1.95
10517242 SAB. . . . . . . . . . . . . . . . . . . . . . . 1.95
10517243 SSA. . . . . . . . . . . . . . . . . . . . . . . 1.95
10517244 P/A CD . . . . . . . . . . . . . . . . . . . 26.99
10517245E Instrumental Parts ePrint . . . . . 25.00
Jordan's Angels—Rollo Dilworth. Incorporating
the spiritual All Night, All Day, this original gospel
work by Rollo Dilworth makes a wonderful selection
for young singers. The 6/8 groove and repetitive
rhythms are easily learned and the stylized piano
accompaniment gives it an authentic flair. Appealing!
10010489 SATB . . . . . . . . . . . . . . . . . . . . . . . 1.90
3297119 SSA . . . . . . . . . . . . . . . . . . . . . . . . 1.90
3297120 Two-Part. . . . . . . . . . . . . . . . . . . . . 1.90
H
Let Everything that Hath Breath—
Jeffery L. Ames.
It is impossible not to be
inspired by this soul-stirring gospel original. The
accompaniment is rock solid, and the choral parts
are incredibly gutsy, with dramatic dynamic swells
and accents that will shake the rafters! "Magnify
the Lord with me and exalt His name together...
Let everything that hath breath praise the Lord!"
10017215 SATB . . . . . . . . . . . . . . . . . . . . . . . 2.25
4
Lift Up Your Voice!—Victor C. Johnson.
Here's a kickin' gospel original with energy to spare!
Spirited syncopations and intricate chord changes
authenticate the style, and a short piano solo paves
the way for a funky vocal stack that drives to the
end and brings it all home! With or without the
recorded track (with organ), this is a barnburner!
Highly recommended!
10512531 SATB . . . . . . . . . . . . . . . . . . . . . . . 1.90
10512533 SAB . . . . . . . . . . . . . . . . . . . . . . . . 1.90
10512534 SSA . . . . . . . . . . . . . . . . . . . . . . . . 1.90
10512543 P/A CD . . . . . . . . . . . . . . . . . . . . . 27.99
Music Down in My Soul—Moses Hogan.
Premiered at the World Choral Symposium in
Minneapolis, this gospel praise song was inspired
by the spiritual Over My Head. The dynamic piano
accompaniment adds to the excitement, making this
a fantastic choral feature or concert closer. Exuberant!
3297947 SATB . . . . . . . . . . . . . . . . . . . . . . . 1.90
8061470 SSA . . . . . . . . . . . . . . . . . . . . . . . . 1.90
Oh Happy Day—Edwin R. Hawkins/
arr. Hayes.
The Edwin Hawkins Singers had a huge
hit with this powerhouse gospel song back in 1969,
and it's still going strong! Mark Hayes' gospel-rock
arrangement captures all the excitement of the
original, and it gives you an opportunity to highlight a
favorite soloist or two in front of the choir.
10274896 SATB. . . . . . . . . . . . . . . . . . . . . . 2.25
10274896E SATB ePrint . . . . . . . . . . . . . . . . 2.95
10274897 SAB. . . . . . . . . . . . . . . . . . . . . . . 2.25
10274897E SAB ePrint . . . . . . . . . . . . . . . . . 2.95
10274898 Two-Part . . . . . . . . . . . . . . . . . . . 2.25
10274898E Two-Part ePrint. . . . . . . . . . . . . . 2.95
10274899 SSA. . . . . . . . . . . . . . . . . . . . . . . 2.25
10274899E SSA ePrint . . . . . . . . . . . . . . . . . 2.95
10274900 P/A CD . . . . . . . . . . . . . . . . . . . 29.99
10274901 Instrumental Parts . . . . . . . . . . 45.00
10274901E Instrumental Parts ePrint . . . . . 45.00
l
Overflowing—Brian Tate. Composed in
African-American gospel style, this work of joy and
commitment may be performed in both sacred and
secular settings. "My heart is overflowing, my heart
is growing in gratitude..." This will create a powerful
connection between your singers and your audience!
10511506 SATB . . . . . . . . . . . . . . . . . . . . . . . 2.25
H
Praise His Holy Name—Keith Hampton.
Captivate your choir and your audience with this
extraordinary gospel original that has become
a popular addition to concerts and festivals
nationwide. Masterfully written with all the right
ingredients, this is not an imitation, but high-energy
gospel at its finest! Electrifying!
3168358 SATB . . . . . . . . . . . . . . . . . . . . . . . 1.65
3295179 SSA . . . . . . . . . . . . . . . . . . . . . . . . 1.65
3168358C Choral Master Track . . . . . . . . . . . 4.99
4
Read 'Em, John—Paul Caldwell & Sean Ivory.
Here is an awesome ring-shout spiritual for young
singers, which harkens to the historic folk-music
style of the South Carolina Sea Islands. Call-and-
response vocals, hand claps, and a great piano part
make this a fantastic showcase for treble choirs!
Highly recommended!
10511603 Two-Part. . . . . . . . . . . . . . . . . . . . . 2.10
H
River in Judea—Linda Marcus &
Jack Feldman/arr. Leavitt.
This beautiful gospel-
styled song, based on a secular text spun from the
river-is-life metaphor, is perfect for graduation or
virtually any performance. The human's quest for
moments of peace and inspiration translates into a
riveting choral statement, and this setting conveys
its message with great sincerity and eloquence.
1766344 SATB . . . . . . . . . . . . . . . . . . . . . . . 2.25
1818574 SAB . . . . . . . . . . . . . . . . . . . . . . . . 1.95
1766351 Two-Part. . . . . . . . . . . . . . . . . . . . . 1.90
3296616 P/A CD . . . . . . . . . . . . . . . . . . . . . 26.99
1766377 Instrumental Parts
Brass & Rhythm . . . . . . . . . . . . . . 25.00
3296617 Instrumental Parts Orchestration . . 50.00
4
Rockin' Jerusalem—Rollo Dilworth.
"Ring dem bells..." is a recurring motive in this
authentic gospel-style setting of the traditional
spiritual, and the effect is fantastic! It's a song of
celebration, anticipation, freedom and hope, and the
message of the text comes through with great urgency
in the layered vocal lines, supported by an amazing
piano accompaniment! Highly recommended!
10494516 SATB . . . . . . . . . . . . . . . . . . . . . . . 1.90
Shine on Me—arr. Rollo Dilworth.
Once the gospel swing gets started, it just
never lets up in this powerful selection that is a
dynamic musical statement for today's choirs. Its
9/8 meter coupled with an expressive, hopeful
text is compelling enough, but the bluesy piano
accompaniment and the generous use of seventh
chords make this a completely irresistible choral
feature. Highly recommended!
3295344 SATB. . . . . . . . . . . . . . . . . . . . . . 1.70
3295345 SAB. . . . . . . . . . . . . . . . . . . . . . . 1.90
3295343 SSA. . . . . . . . . . . . . . . . . . . . . . . 1.90
3295346 Two-Part . . . . . . . . . . . . . . . . . . . 1.90
10092815 TBB. . . . . . . . . . . . . . . . . . . . . . . 1.90
10092815E TBB ePrint . . . . . . . . . . . . . . . . . 1.90
3304107 P/A CD . . . . . . . . . . . . . . . . . . . 26.99
3304108 Instrumental Parts . . . . . . . . . . 25.00
Total Praise—Richard Smallwood/
arr. Patrick Barrett & Doreen Rao.
"You are the
source of my strength, You are the strength of my
life..." This was a big contemporary hit a decade or
more ago, and it is still as meaningful today in this
powerful arrangement. "...I lift my hands in total
praise to you."
10280032 SATB. . . . . . . . . . . . . . . . . . . . . . 1.95
10280032E SATB ePrint . . . . . . . . . . . . . . . . 1.95
10439105 SSA. . . . . . . . . . . . . . . . . . . . . . . 1.95
10439105E SSA ePrint . . . . . . . . . . . . . . . . . 1.95
10280032C Choral Master Track . . . . . . . . . 4.99
H
Worthy to Be Praised—Byron J. Smith.
Opening rubato, this robust work soon breaks into
a driving gospel feel that will raise the roof! If you're
looking for a piece that will give your audience a
rousing experience, this is definitely worth looking at!
1896430 SATB. . . . . . . . . . . . . . . . . . . . . . 1.95
10452930 SSA. . . . . . . . . . . . . . . . . . . . . . . 1.95
GOSPEL CHORAL ARRANGEMENTS
From its roots in the American South, gospel music has gained an international audience
and cross-generational appeal. Choral groups around the globe have been captivated by
its vibrant style and upliing message. Your choirs will love these arrangements, each of
which will work beautifully as a concert feature, as a tribute to American musical history,
or as a theme for a program devoted entirely to gospel music making!
