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Viva La Musica!
David Brunner.
Now available for women's voices, Viva La Musica! is a wonderful theme
for any concert. This exuberant work opens with a strong, bold, unison
exclamation, vividly expressing the text and musical idea.
10345063 SATB . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 1.95
10345063E SATB ePrint . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 1.95
10495645 SSAA . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 2.10
10494424E SSAA ePrint . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 2.10
Wade in the Water
arr. Larry Shackley.
Larry Shackley treats the timeless spiritual with an infectious gospel-swing style
in this delightfully accessible piece for use throughout the year. Passages of call
and response create a colorful texture that your choir will love to sing.
10520082 SATB . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 2.05
Wake Me a Song
Mary Lynn Lightfoot.
This inspired and poignant setting of selected lines from the Abram Joseph
Ryan poem features sweeping melodies and an expressive accompaniment.
Replete with emotion and featuring an ending of quiet splendor, it is certain to
be both a concert and festival favorite. "Out of the silence, wake me a song...
and let the loveliest music sound along." A learning resource page is included.
10512773 SATB . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 2.10
10512774 Three-Part Mixed or SAB . . . . . . . . . . . . . . . . . . . . . . . . . 2.10
10512775 SSA . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 2.10
10512776 P/A CD . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 27.95
The Waterfall
Mark Patterson.
A waterfall is one of the most beautiful sights in the natural world, a
kaleidoscope of light and sound, carrying an ever-changing pulse of energy and
motion. This easy original work highlights that beauty and mystery through text
and melody, and the effect is simply stunning! Highly recommended!
10495638 Three-Part Treble Equal . . . . . . . . . . . . . . . . . . . . . . . . . . 1.90
10495638E Three-Part Treble Equal ePrint . . . . . . . . . . . . . . . . . . . . . 1.90
The Wayfaring Stranger
arr. Greg Gilpin.
This popular spiritual sings of a plaintive soul on the journey through life. Now
available for SATB, this best-selling arrangement has been beautifully set with
striking vocal writing, a haunting piano accompaniment and a mournful solo
violin. A unique and fresh approach to the traditional folk hymn, it will be a
stunning addition to any concert or festival program!
10503338 SATB . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 1.95
10363443 SAB . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 1.95
10363444 SSA . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 1.95
10369750 Multi-Song Accomp. CD . . . . . . . . . . . . . . . . . . . . . . . . 44.99
We Are the Music-Makers
Andy Beck.
Bookended by a majestic choral fanfare, this contemporary work is a vivid
realization of O'Shaughnessy's famous poem. A dynamic piano accompaniment
fully supports the soaring melodies and rich harmonies. A brilliant concert
opener or festival selection! "...we are the journey-takers, the bound'ry-
breakers, we are the makers of song!"
10501266 SATB . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 1.90
10501268 SAB . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 1.90
10501269 SSA . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 1.90
10515003 Multi-Song Accomp. CD . . . . . . . . . . . . . . . . . . . . . . . . 44.99
Tshepa Thapelo
arr. Ruth Morris Gray.
Here is an irresistible a cappella arrangement of an authentic Sotho folk song.
Solid choral harmonies and infectious rhythms, supported by optional percussion
patterns, create a backdrop for lead parts sung by the basses and sopranos.
With a rarely-heard slow African groove, this really creates a tribal atmosphere!
10515782 SATB . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 1.90
10515783 Three-Part Mixed. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 1.90
10515784 SSA . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 1.90
Tu Lo Sai
Giuseppe Torelli/arr. Thomas Juneau.
This gentle art song is as appropriate for choral singing as it is for vocal solo
or duet. Use this setting with your high school girls to work on breathing and
support of tone and you'll have a stunning performance piece. In Italian, with
translation and pronunciation guide.
10500872 SA . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 1.90
10500872E SA ePrint . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 1.90
Turn the World Around
arr. Mark Hayes.
Harry Belafonte cowrote and recorded this feel-good Jamaican-style piece
which is based on the idea that humanity is derived from the three basic
elements: fire, water and earth. Set in simple 5/4 meter, it's catchy and fun,
especially for younger choirs!
10511031 SATB . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 2.25
10511033 SAB . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 2.25
10511034 Two-Part. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 2.25
10511036 P/A CD . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 26.99
10511038E Instrumental Parts ePrint . . . . . . . . . . . . . . . . . . . . . . . . 25.00
Ubi Caritas
Victor C. Johnson.
A beautiful, tender setting of the traditional Latin text that features delicate
melodic lines and a fluid accompaniment. The contrasting middle section
provides interest and movement, and the echoed phrases, independent vocal
lines, and limited ranges allow for it to be easily mastered for concert or
festival. A pronunciation guide and translation are included.
10512921 Three-Part Mixed. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 2.10
10512922 Two-Part. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 1.95
10512923 P/A CD . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 27.95
Usiku Mwema (Goodnight)
Ceej Oliver.
Ceej Oliver has done it again! Last year, Sisi Ni Afrika was a hit. This year he
has written this original African lullaby for two-part with optional three-part
voices. There's plenty of rhythmic interest, and your singers will enjoy singing
in Swahili. While the percussion is optional, it will add another dimension to
your performance. The rhythmic title phrase, "Usiku Mwema," is a terrific hook
throughout the piece!
10501208 Two-Part or Three-Part . . . . . . . . . . . . . . . . . . . . . . . . . . 2.50
Veni Creator Spiritus (Come, Creator Spirit)
Anthony Bernarducci.
This is a great a cappella piece! Easy-to-feel mixed meters, djembe, and very
effective drone chords create a medieval feeling. When the chant-like section
occurs, the effect is absolutely stunning. This has tremendous educational
value, offering many teaching moments and a memorable performance
experience for everyone involved! Highly recommended!
10479645 SSAATTBB . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 2.00
