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CONCERT SELECTIONS
With a Song
Sally K. Albrecht & Jay Althouse.
"We come from many places. We come with many dreams..." Sally and Jay's
heartfelt text reminds us of the impact of singing together, which serves as a
symbol of our unity. The memorable hook and important message will engage
and inspire your singers from the first rehearsal to the final performance. Sign
language is featured on the With a Song! DVD.
10514963 SATB . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 1.90
10514964 SAB . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 1.90
10514965 Two-Part. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 1.90
10514966 P/A CD . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 27.99
10514967 DVD Choral Movement . . . . . . . . . . . . . . . . . . . . . . . . . 39.99
Yishakeni (Let Him Kiss Me)
Debra Scroggins.
Here is a sonorous love song based on the Song of Solomon, and it is
absolutely glorious! The text is in Hebrew throughout, with English translation
shown above the music. "Let him kiss me with the kisses of his mouth, for your
love is better than wine..." A lamenting oboe obbligato adds to the beauty of
this exceptional original work. Highly recommended!
10512743 SATB . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 2.35
Yo Puedo
Jim Papoulis.
The composer's strong commitment to the power of belief in oneself is
reflected in the strength and conviction of this music. Opening as a subtle
ballad, the music creates a sense of how important imagination and listening
are within one's journey. Then there is a distinct style change to a more
rhythmic and accented style that builds to an uplifting conclusion.
10519400 SSA . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 2.50
You've Got a Friend
Carole King/arr. Mac Huff.
Carole King's classic hit from 1971, made famous by James Taylor, conveys a
universal message of hope and reassurance. Featured in the Broadway musical
"Beautiful," this is quite possibly the best and most universally loved friendship
song ever written. Mac Huff's arrangement is very tasteful and true to the
original. Highly recommended!
10518716 SATB . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 1.95
10518717 SAB . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 1.95
10518718 Two-Part. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 1.95
10518719 P/A CD . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 26.99
We Are the Voices
Jim Papoulis.
"In every heart there is a place that shows us who we are." The opening phrase
presents the challenge that unfolds in this significant song: bringing our inner
voice to expression. Bound to be the highlight of a program, this piece builds to
a grand ending with the rhythmic beat of a djembe adding to the excitement.
10500447 SSAA . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 2.35
When the First Trumpet Sounds
arr. Susan Brumfield.
Your singers will feel like they are in a New Orleans jazz parade while learning
and singing this arrangement of a traditional spiritual. Commissioned by the
Florida Music Educators Association All-State Elementary Chorus, it is also
appropriate for middle and high school treble choirs. One of the unique features
of the arrangement, besides the varied rhythms and melodies, is that the second
soprano and alto get equal time singing melodies. The trumpet is not optional.
10487772 SSA . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 2.25
Who Has Seen the Wind?
Edwin T. Childs.
Christina Rossetti's intriguing poem about the mysteriousness of the wind
provides the text for this engaging, gentle concert offering for young and
developing choirs. The flute provides interesting color and a distinctive third
part when both vocal parts unite in an effective partner song format. A learning
resource page is included.
10512918 Two-Part. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 2.10
10512919 P/A CD . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 27.95
Will There Really Be a Morning?
Dan Campolieta.
"Will there really be a 'Morning?' Is there such a thing as 'Day?' Could I see it
from the mountains if I were as tall as they?" This gentle and poignant musical
setting focuses on the hope inherent in Emily Dickinson's famous poem. It
conveys the poet's timeless words with great sensitivity and beauty for a
cappella voices.
10514606 SATB . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 2.25
10514607 SSA . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 2.25
Will There Really Be a Morning?
Ruth Morris Gray.
This delightfully fresh, creative setting of the beloved Emily Dickinson poem
is joyful, hopeful and dramatic with anticipation. Complemented by a bright,
driving accompaniment and accessible ranges, this is an exceptional choice for
concert or festival use. A learning resource page is included.
10512796 SAB . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 2.10
10512797 Two-Part. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 2.10
10512798 P/A CD . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 27.95
