J.W. Pepper Catalogs

2015 Fall Choral

J.W. Pepper Music Catalog

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191 Order Toll Free! Call 1.800.345.6296 / w: jwpepper.com / e: [email protected] pop, light concert & broadway Go to cart Vocal Jazz l I've Got a Crush on YouGeorge & Ira Gershwin/arr. Jay Althouse. One of the most touching Gershwin love songs, written in 1930, this standard continues to melt hearts today. Appropriate for concert choirs as well as show and jazz groups. 10514879 SATB . . . . . . . . . . . . . . . . . . 2.00 10514880 SAB. . . . . . . . . . . . . . . . . . . 2.00 10514881 SSAA. . . . . . . . . . . . . . . . . . 2.00 10514882 P/A CD . . . . . . . . . . . . . . . 27.99 n In My LifeJohn Lennon & Paul McCartney/arr. Jasperse. Greg Jasperse meets The Beatles in this warm, relaxed arrangement, giving the song some harmonic embellishments that are chorally beautiful. A strong choice for graduation or any other occasion, it has a great lyric that conveys a timeless message. "...But of all these friends and lovers, there is no one compares with you, and these mem'ries lose their meaning , when I think of love as something new...In my life, I love you more." 10303144 SATB . . . . . . . . . . . . . . . . . . 1.95 10303145 SAB. . . . . . . . . . . . . . . . . . . 1.90 10303146 SSA . . . . . . . . . . . . . . . . . . . 1.90 10309037 P/A CD . . . . . . . . . . . . . . . 26.99 10309038E Instrumental Parts . . . . . . . 15.00 t In My LifeJohn Lennon & Paul McCartney/arr. Zegree. A superb a cappella setting of the Beatles favorite, this will be a fine showcase for pop, jazz and concert groups. 10010151 SATB . . . . . . . . . . . . . . . . . . 1.95 10455768 SSAA. . . . . . . . . . . . . . . . . . 1.95 10455769 TTBB . . . . . . . . . . . . . . . . . . 1.95 lt It Don't Mean a Thing (If It Ain't Got That Swing)Irving Mills & Duke Ellington/arr. Anders Edenroth. This challenging a cappella arrangement captures all the energy and pizzazz of Duke Ellington's original. It opens with the seldom-heard verse, in rubato tempo, then the bright swing tempo kicks in, and it's an exciting ride to the end. There's not a dull moment! 10513259 SATBB . . . . . . . . . . . . . . . . . 2.55 n It Don't Mean a Thing (If It Ain't Got That Swing)Duke Ellington/arr. Emerson. If your young vocal jazz group is ready to experience the great music of Duke Ellington, turn them loose on this arrangement. There are only eight bars of unison ensemble scat singing, and only four repeated bars of vocal harmony, so the essential syncopated figures should be easy for your students to learn. 3302388 Three-Part Mixed . . . . . . . . . 1.95 3302389 Two-Part . . . . . . . . . . . . . . . 1.95 3302390 P/A CD . . . . . . . . . . . . . . . 26.99 James Bond Themearr. Jay Althouse. Using "Ba da da da" and "Dum da ba dum dum" syllables over a solid accompaniment, Jay has created an incredibly exciting choral tapestry of the famous "James Bond" movie theme, which was first heard in the soundtrack of the movie "Dr. No." For concert choirs and vocal jazz groups, this is not to be missed! Highly recommended! 10087837 SATB . . . . . . . . . . . . . . . . . . 2.00 10087838 SAB. . . . . . . . . . . . . . . . . . . 1.95 10343499 TTBB . . . . . . . . . . . . . . . . . . 2.00 10087839 P/A CD . . . . . . . . . . . . . . . 27.99 10089166 Instrumental Parts . . . . . . . 25.00 n Jazz AlleluiaCraig Curry. From quiet to soaring, this original choir piece is lyrically simple, yet profound in the exploration of the many "moods" of praising with a single word. The word "Alleluia" or "Hallelujah" (from Hebrew) literally means "Praise ye Yah" or "Praise Jah, you people." By paying close attention to phrasing, dynamics and tempo coloring, the piece will come alive all the more in its presentation. 10428815 SATB . . . . . . . . . . . . . . . . . . 1.95 Linus and LucyVince Guaraldi/arr. Roger Emerson. From the opening strains, everyone will recognize Vince Guaraldi's jazzy theme as featured in the popular animated Peanuts television specials. This well-crafted accompanied arrangement includes "scat" lyrics above the familiar piano groove. This is essential programming during the holidays or any other time of year! Highly recommended! 10455744 SATB . . . . . . . . . . . . . . . . . . 2.25 10455745 SAB. . . . . . . . . . . . . . . . . . . 2.25 10455746 Two-Part . . . . . . . . . . . . . . . 2.25 10455747 P/A CD . . . . . . . . . . . . . . . 26.99 Ht Linus and LucyVince Guaraldi/arr. Kern. This is amazingly cool! It's the famous jazz piano piece by Vince Guaraldi, as heard on the animated Peanuts television specials, arranged with "dah dah dot" syllables for a cappella voices! Every a cappella choir will want to do this, at Christmas or any other time of year. Highly recommended! 10088509 SATB . . . . . . . . . . . . . . . . . . 2.05 10363400 SSAB. . . . . . . . . . . . . . . . . . 2.25 10363401 SSAA. . . . . . . . . . . . . . . . . . 2.25 10363402 TTBB . . . . . . . . . . . . . . . . . . 2.25 Love Is Here to StayGeorge & Ira Gershwin/ arr. Mark Hayes. This is Mark Hayes at his finest - his arrangement of the classic Gershwin ballad is simply stunning! The piano accompaniment carries the voices on a sentimental journey from the lush opening to the light swing ending, making this a top choice for vocal jazz groups or concert choirs. The song is probably best known from its use in the soundtrack of "An American in Paris." 10361666 SATB . . . . . . . . . . . . . . . . . . 1.90 10361667 SAB. . . . . . . . . . . . . . . . . . . 1.90 10361668 SSA . . . . . . . . . . . . . . . . . . . 1.90 t Moon River (from "Breakfast At Tiffany's") arr. Steve Zegree. Absolutely stunning! This dreamy setting of Henry Mancini's standard is a superb opportunity to develop technical skills, blend, phrasing and style with your group. But more than that, it's music of extraordinary quality that just begs to be sung - and heard - particularly due to the top-notch arrangement by Steve Zegree. This is what a cappella vocal jazz is all about, and we give it our highest recommendation! 3299462 SATB . . . . . . . . . . . . . . . . . . 1.95 n MoonglowWill Hudson, Eddie DeLange & Irving Mills/arr. Meader. Here is vocal jazz at its best, arranged by Darmon Meader of New York Voices fame. Set in traditional swing style, with lots of tight and tasty harmonies, this is choice material for vocal jazz groups! Highly recommended! 10068775 SATB . . . . . . . . . . . . . . . . . . 1.90 10068776 P/A CD . . . . . . . . . . . . . . . 27.99 4t My One and Only Lovearr. Paris Rutherford. Many great jazz singers and instrumentalists have performed and recorded this old standard, including Frank Sinatra. It lends itself beautifully to a cappella choral singing in this textured arrangement. From full homophonic harmonies to solo lines with vocal accompaniment, this setting is a gem. 10503385 SATB . . . . . . . . . . . . . . . . . . 1.95 Old MacDonaldarr. Roger Emerson. This childhood favorite makes an exciting, super-fast vocal jazz showcase for younger choirs. Inspired by Ella Fitzgerald, the vocal lines are easy, making it a great vehicle for developing jazz inflection and style. Complete with a kick-line ending, this will also have tremendous appeal as a fun novelty number! Highly recommended! 10437328 SATB . . . . . . . . . . . . . . . . . . 2.25 10437329 Three-Part Mixed . . . . . . . . . 2.25 10437422 Two-Part . . . . . . . . . . . . . . . 2.25 10455179 P/A CD . . . . . . . . . . . . . . . 26.99 lt Once Upon a Timearr. Paul Langford. "Once upon a time a boy with moonlight in his eyes..." This rich a cappella setting of the love ballad from the 1962 show "All American" is equally appropriate for jazz, show, and concert choirs. "...but somehow, that once upon a time never comes again." 10515000 SATB . . . . . . . . . . . . . . . . . . 2.00 t One Hand, One HeartLeonard Bernstein & Stephen Sondheim/arr. Kirby Shaw. Simple and elegant, this a cappella choral setting of Tony and Maria's famous duet from "West Side Story" captures the beauty and depth of the original, but with a gentle jazz feeling that will bring warmth and intimacy to every performance! 10455180 SATB . . . . . . . . . . . . . . . . . . 1.95 10455181 SSAA. . . . . . . . . . . . . . . . . . 1.95 10455182 TTBB . . . . . . . . . . . . . . . . . . 1.95 One Note Samba (Samba de Uma Nota So) arr. Roger Emerson. Introduce your students to the smooth sounds of Brazilian jazz with this quintessential bossa nova tune, made famous by the great jazz saxophonist Stan Getz. The melody is simple, the English words are fun, and the effect is very impressive! 10092484 Three-Part Mixed . . . . . . . . . 1.95 10092486 Two-Part . . . . . . . . . . . . . . . 1.95 10092487 Teaching P/A CD . . . . . . . . 26.99 t Pass Me the JazzAnders Edenroth. This is extremely cool! Written for the famous Swedish vocal quintet The Real Group, it's a terrific showcase for better vocal jazz ensembles. Up-tempo all the way, it features clever lyrics, ensemble scat singing, and an awesome walking bass line that could be played by a string bass. "Let's spice it up, let's amplify it. I didn't come for peace and quiet. Heat it up, it's time to fry it. Put me on a jazzy diet!" Highly recommended! 10276436 SATBB . . . . . . . . . . . . . . . . . 2.25 The Pink PantherHenry Mancini/arr. Jay Althouse. This is phenomenal! Everyone knows the catchy "Pink Panther" theme as an instrumental, but... for choir? Of course! Scat syllables do the trick! The familiar opening riff becomes "Ba dop ba da, ba dop ba da" with finger snaps. Then the voices imitate the horns and become a roaring choral big band! The piano part provides solid support throughout this awesome chart! Highly recommended! 10047569 SATB . . . . . . . . . . . . . . . . . . 1.95 10047570 SAB. . . . . . . . . . . . . . . . . . . 1.85 10047571 SSA . . . . . . . . . . . . . . . . . . . 1.95 10308711 TTBB . . . . . . . . . . . . . . . . . . 1.90 10047572 Two-Part . . . . . . . . . . . . . . . 1.90 10047573 P/A CD . . . . . . . . . . . . . . . 24.99 10047574 Instrumental Parts . . . . . . . 25.00 Play or sing along! ESSENTIALS OF JAZZ THEORY Shelton G. Berg. This resource is designed for jazz enthusiasts and musicians who want to have a better understanding of the language of jazz. To successfully navigate this all-in-one jazz theory course, you should be versed in basic music theory concepts, such as those taught in Books 1 and 2 of Alfred's Essentials of Music Theory. With these books, you will learn the essentials of jazz music through concise lessons, practice your jazz music reading and writing skills in the exercises, improve your listening and ear training skills with the CDs, and test your knowledge with the review that completes each unit. You are encouraged to play and/or sing the musical examples throughout, at first with the recording, then on your own. Welcome to an exhilarating journey into the world of jazz! 5985359 Book/CD Book 1 . . . . 13.99 5990026 Book/CD Book 2 . . . . 12.95 10005059 Book/CD Book 3 . . . . 12.95 10008027 Complete Volume with 3 CDs . . . . . . . . . 35.95 10025663 Answer Key & 3 CDs . 39.99 10027584 Complete Self-Study Course . . . . . . . . . . . . 34.99 Mini voice lessons JAZZ WARM-UPS AND VOCALISES Gary Walth. Here's a great set of warm-ups for the vocal jazz ensemble that's designed to enhance and stimulate the growth of each member's vocal and choral ability. Thinking of the warm-up as a "mini voice lesson," you can reinforce concepts with consistent encouragement, criticism, problem- solving and praise. This practical volume will help the conductor provide purposeful leadership and develop artistry in each individual through exercises that build styles such as Swing, Latin and Rock, using solfege and scat syllables as well as tone and blend in ballad style. Each exercise includes a notated keyboard accompaniment, with multiple modulations, and a professional recording of singers with a rhythm section. 10279923 Choral Book/ CD Pack . . . . . . . . . . . 24.99 10 great standards! SINGIN' WITH THE JAZZ COMBO 10 Standards for Vocalists with Combo Arr. Dave Wolpe. Singin' with the Jazz Combo offers a variety of ten great standards for solo vocalist with a nine or ten piece combo, ideal for the vocalist who needs arrangements for a small ensemble. The combo instrumentation is trumpet, alto sax, tenor sax, trombone, guitar, bass, drum set, and piano, with conductor cues for the horns. An optional baritone sax part adds additional color and texture. Superbly arranged by Dave Wolpe, the songs are in a variety of styles and tempos to provide flexibility in all musical settings. Songs include: At Last; Falling in Love with Love; A Foggy Day; Just in Time; Mack the Knife; Polka Dots and Moonbeams; Santa Claus is Coming to Town; Straighten Up and Fly Right; S'Wonderful and When I Fall in Love. 10351695 Vocal. . . . . . . . . . . . . . 10.99 10351701 Alto Saxophone . . . . . 10.99 10351703 Tenor Saxophone . . . 10.99 10351704 Baritone Sax (Opt.) . . 10.99 10351705 Trumpet . . . . . . . . . . . 10.99 10351707 Trombone. . . . . . . . . . 10.99 10351708 Guitar . . . . . . . . . . . . . 10.99 10351710 Bass . . . . . . . . . . . . . . 10.99 10351711 Drum Set . . . . . . . . . . 10.99 10351712 Complete Set (10 Books) . . . . . . . . 105.99 10351713 Piano/Conductor . . . . 12.99

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