J.W. Pepper Catalogs

17 Order Toll Free! Call 1.800.345.6296 / w: jwpepper.com / e: [email protected] string orchestra Go to cart Classical Selections medium Ghosts of BrandenburgRichard Meyer. Imagine a fantasy based on all six of the "Brandenburg Concerti!" Not just a cute novelty, but an entirely new work! It captures the spirit of the "Brandenburgs," but sets most of them in minor keys, or uses darker tones, pizzicato, and meter changes J.S. Bach would never have imagined! This is an inventive and challenging work that will take your intermediate strings on an almost nine- minute tour de force that will build their endurance along with their musicality! Highly recommended for concert and contest! 10050371 String Orchestra . . . . . . . . . 62.00 Hallelujah ChorusG.F. Handel/arr. Cerulli. Just for strings, at a perfectly playable level, this arrangement is sure to become a mainstay of your library. It is quite true to Handel's choral setting, which has become a perennial addition to holiday concerts everywhere. A true masterpiece that students will enjoy performing year after year! Outstanding! 10364913 String Orchestra . . . . . . . . . 57.00 Hoe Down (from "Rodeo")Aaron Copland/ arr. Bulla. Everyone knows this one! Hoedown has become a classic American symphonic work, and its unique sound has become a trademark of composer Aaron Copland. This new edition has been carefully crafted for string orchestra, allowing developing groups to experience the joy of performing one of the most popular works of the 20th century. 2481832 String Orchestra . . . . . . . . . 50.00 4 Hungarian Dance No. 1Johannes Brahms/arr. Douglas Stroud. Brahms referred to these dances as arrangements rather than compositions. This particular dance exhibits a wonderful warmth of scoring that shows the dance to best affect. The many tempo changes will require careful attention. 10523554 String Orchestra . . . . . . . . . 40.00 H Hungarian Dance No. 5Brahms/arr. Isaac. Great fun! And a whole lot more! This exciting, familiar work will give new life to your rehearsals and will be a standout at any concert. Enjoy! 2115814 String Orchestra . . . . . . . . . 62.00 Inverno (Scenes from Vivaldi's "Winter") Antonio Vivaldi/arr. Todd Parrish. This work uniquely transforms the beauty of the second movement of Vivaldi's famous "Winter" Concerto and weaves it into the excitement of the first movement. The perfect selection for your winter concert! 10444015 String Orchestra . . . . . . . . . 50.00 Italian Symphony (Symphony No. 4, First Movement)Felix Mendelssohn/arr. England. The bright, sunny disposition of Italy is evident in this arrangement of the first movement of Mendelssohn's "Symphony No. 4," "The Italian Symphony." Mendelssohn was a master of writing for string orchestra and this arrangement presents the major themes of the first movement in an edited version sure to keep the interest of your intermediate or advanced high school orchestra. This is a worthwhile challenge. 10050395 String Orchestra . . . . . . . . . 62.00 Jupiter (from "The Planets")Gustav Holst/ arr. Caponegro. This arrangement of Jupiter is a challenging piece for medium and medium- advanced groups. While not quite contemporary in style, the piece is modern enough in concept to allow students the chance to experience alternate treatments of themes and motifs. A perfect concert piece for any performance venue. 10063892 String Orchestra . . . . . . . . . 52.00 l La Petite DanseClaude Debussy/arr. James Meredith. A wonderful new setting of a little-known Debussy piano piece that is in the style of some of his more famous pieces like Golliwog's Cakewalk. Though influenced by ragtime music that was popular during his lifetime, it retains all of the character and charm of Debussy's music. 10522037 String Orchestra . . . . . . . . . 55.00 4 LacrymosaW.A. Mozart/arr. Loreta Fin. The "Requiem" by Mozart was left unfinished upon his death in 1791. He composed only the first eight bars of the Lacrymosa, which was later completed by a student. Mozart's original string parts have been described as "falling tears." In this arrangement, the choral parts are shared by the upper strings and the "tears" mostly fall from the celli. A truly beautiful and emotional work. 10522641 String Orchestra . . . . . . . . . 45.00 l LargoG.P. Telemann/arr. Robert Sieving. Set in 3/4 and in D major, all four voices share the theme. A lovely string setting of this first known viola concerto! 10520827 String Orchestra . . . . . . . . . 46.00 n March from Second SuiteGustav Holst/arr. Bob Lipton & J. Cameron Law. Initially written for military band, the first movement of Holst's "Second Suite in F" comprises three British folk tunes which were originally performed on string instruments. The key has been changed here to D major for ease of fingerings, and the cellos and violas will delight in long, extended melodies where they can shine. This superb arrangement is a great way for your students to experience playing the music of Holst. 10460687 String Orchestra . . . . . . . . . 50.00 n Marche SlavTchaikovsky/arr. Gruselle. Tchaikovsky's most famous march exemplifies the spirit of 19th century nationalism as it was growing in Europe. This exceptional arrangement set in A minor (a more comfortable key than the original Bb minor) has all the elements of the original and lets your orchestra shine without the need of winds and percussion. A dramatic and memorable addition to any concert! 10047947 String Orchestra . . . . . . . . . 50.00 H Mock MorrisPercy Grainger/arr. Dackow. "Always merry and bright" is how Grainger described this cheerful tune! Composed in the style of the traditional English "Morris Dance," this completely original work could be described as sort of an English "Brandenburg Concerto." Delightful! 2353696 String Orchestra . . . . . . . . . 60.00 4 MozartianaP.I. Tchaikovsky/arr. Todd Parrish. Tchaikovsky based this work on Mozart's piano variations on a theme by Gluck. While close to the original, this arrangement is very approachable. Showcasing Classical charm, these variations offer all sections lyrical melodies, romantic harmonies, and fun technical challenges. 10520835 String Orchestra . . . . . . . . . 56.00 n Music from "Carmina Burana"Carl Orff/arr. Bulla. One of the most recognizable movements of this century, Carl Orff's grand work for chorus and orchestra has been brilliantly adapted with this first-ever edition for string orchestra. Let your students enjoy the the power and grace of this symphonic masterwork! 10021818 String Orchestra, Percussion Req. . . . . . . . . . 50.00 n Nessun DormaGiacomo Puccini/arr. Ricketts. This famous aria has been done up in a grand operatic style! All the stops are pulled out as the strings use solos, bowed tremolo close to the bridge, pizzicato, divisi, and more to create all the excitement of Puccini's most famous aria. First violins have a brief but lyrical moment up in the fifth position. Timpani and percussion parts are included. 2475742 String Orchestra . . . . . . . . . 45.00 NimrodEdward Elgar/arr. Bender. This ninth variation from Elgar's "Enigma Variations" is the most played and most beautiful of the variations. Due to its overwhelming expressive quality, it has become England's counterpart to Adagio for Strings, being played when music of great emotion and dignity is called for in that country. This fine arrangement moves the key center from Eb to the more string-friendly D. With some very nice divisi writing, this makes an ideal choice for any string orchestra, and especially nice for larger or combined string orchestras. 2471555 String Orchestra . . . . . . . . . 52.00 NocturneAlexander Borodin/arr. Andrew H. Dabczynski. In this arrangement of one of the most popular tunes in all of Classical music, the marvelous melodies, counterpoint, and textures of Borodin's original composition remain, but are technically approachable, with options to accommodate varied abilities. 10453647 String Orchestra . . . . . . . . . 45.00 Organ Fugue in G Minor (The "Little") J.S. Bach/arr. Cerulli. Here is a lovely transcription of one of Bach's most famous works, instantly recognizable after the first few measures. Comfortably arranged at the medium level, this is great music that every music student should play! Highly recommended! 10092286 String Orchestra . . . . . . . . . 55.00 l Overture to a Midsummer Night's Dream Felix Mendelssohn/arr. Carrie Lane Gruselle. A moonlit evening in a forest filled with flitting fairies. Erroneously administered love potions. Imagine these scenes and more in this spectacular arrangement of Mendelssohn's overture to the Shakespeare classic. Written in the approachable key of A Major, the music includes off-the string eighth notes and the grandeur of a royal wedding. 10512576 String Orchestra . . . . . . . . . 60.00 l Overture to EuristeoChristoph Willibald von Gluck/arr. Kirk Moss. This brisk, cheerful allegro can open any concert in style. The clearly marked bowings and fingerings in this original literature will save precious rehearsal time and lead to a more professional sound. 10522603 String Orchestra . . . . . . . . . 59.00 n Overture to SemiramideGioachino Rossini/ arr. Lipton. Rossini's overture incorporates multiple themes from his opera, and contrary to convention at the time, was composed after the opera was complete. Arranger Bob Lipton's manageable arrangement let's school ensembles tell the story...from the flowing introduction to the brisk conclusion. 10091985 String Orchestra . . . . . . . . . 55.00 n PavaneGabriel Faure/arr. John O'Neill. Such an emotive arrangement for your group! John O'Neill brings this work to an accessible level for maturing players by setting it in the key of G minor, yet maintains its Impressionistic elegance. The muted intention of Faure's work begs that the pizzicato bass lines not be rushed, lest the effect be disturbed. Optional solo features may not leave a dry eye in the house! 10091983 String Orchestra . . . . . . . . . 45.00 n Peer Gynt Suite No. 1 Op. 46Edvard Grieg/arr. Gruselle. The "Peer Gynt Suite" themes are among the most recognizable in classical history - many of us have Saturday morning cartoons to thank for the initial exposure. This arrangement of the four movements by Gruselle contains: Morning Mood; Aase's Death; Anitra's Dance and In the Hall of the Mountain King. 10091979 String Orchestra . . . . . . . . . 55.00 n Pictures at an ExhibitionModest Muss- orgsky/arr. Gruselle. This ambitious setting of the 19th century masterpiece presents six of the ten movements masterfully adapted for string orchestra! Selections include: Promenade; The Gnome; The Old Castle; The Tuileries Gardens - Children Quarrelling at Play; The Ballet of the Unhatched Chicks; The Hut of Baba-Yaga and The Great Gate of Kiev. Play some or all as perfect centerpiece for your next concert. A stunning way to introduce students to Mussorgsky's masterwork! 10066379 String Orchestra . . . . . . . . . 65.00 n Prelude for String OrchestraGerald Finzi. Long a staple of state contest lists, this Finzi movement for strings has been a favorite of directors for years. Once again available in this new printing, your orchestra can enjoy the music of this 20th-century English composer. 10288419 String Orchestra . . . . . . . . . 71.00 4 PrestoW.A. Mozart/arr. Deborah Baker Monday. What better way to introduce Mozart to students than with the finale of his first symphony, written when he was eight years old? Transposed to D major, this grade 3 arrangement will provide many opportunities for teaching classical form and style. The clean harmonies combined with exhilarating dissonances and huge dynamic contrasts will motivate your students for their next concert. 10513195 String Orchestra . . . . . . . . . 52.00 4 Presto in D MajorF.J. Haydn/arr. Robert D. McCashin. Originally scored for two oboes, two horns and strings, this energetic arrangement of the first movement to Haydn's "Symphony No. 4" provides challenging passages for every player in the ensemble. Perfect as a closer or primary work for any concert! 10512578 String Orchestra . . . . . . . . . 55.00 n Procession of the NoblesNikolai Rimsky- Korsakov/arr. Deborah Baker Monday. This famous processional will bring a sense of regal pomp to your next special event. It features all the glorious fanfares, gallant melodies, and dulcet lyricism of the original, while also keeping a keen pedagogical eye on the needs of young string players. Ideal for school assemblies, graduations, and other important functions requiring a little extra pageantry. 10458743 String Orchestra . . . . . . . . . 52.00 n Queen of the Night's Aria (from "The Magic Flute")W.A. Mozart/arr. Lipton. Depicting a vengeful fit of rage, the Queen of the Night aria from Mozart's "The Magic Flute" is considered one of the most famous opera arias ever written. This arrangement uses a violin solo for the coloratura section, capturing the drama and fury of the original setting. 10366862 String Orchestra . . . . . . . . . 50.00 H The Red PonyAaron Copland/arr. Morales. The mere mention of the name Copland suggests American music, and in many cases the American West. Most familiar is his ballet suite "Rodeo," but his film score to the movie "The Red Pony" is just as enjoyably characteristic. "The Red Pony" is based on a novel by John Steinbeck, and this version is taken from the suite Copland created out of his film score. Included are the following sections: Morning On The Ranch; Dream March; Walk To The Bunkhouse and Happy Ending. Don't miss this chance to let your students play the music of one of America's greatest composers! 2438083 String Orchestra . . . . . . . . . 65.00 Requiem (The Fifth)Ludwig van Beethoven/ arr. Phillips. As performed by the Trans-Siberian Orchestra in their live concert tour titled Beethoven's Last Night, now your orchestra can play Beethoven and Mozart in a whole new way. Add the rhythm section for maximum impact. An optional electric violin/guitar part provides the perfect spot to feature an electric instrument. This one really rocks! 10310465 String Orchestra . . . . . . . . . 64.00 The Rite of Spring ThemesIgor Stravinsky/ arr. Lipton. When "The Rite of Spring" was first performed in Paris in 1913, it created shock waves not only in the theater where it was performed, but throughout the world of music. It is one of the most revolutionary and significant pieces of music of the 20th century. This arrangement tries to stay as close to Stravinsky's vision as possible while allowing the opportunity for students to perform a piece which sounds just as fresh today as it did almost a century ago. 10053860 String Orchestra . . . . . . . . . 50.00

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