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Blues & Swing
H Big Noise from Winnetka—Haggart & Bauduc/
arr. Paul Lavender. Bring the sounds of Bob
Crosby and the big band era to life again with
this fun chart for younger players! It features an
authentic sound, a flexible solo section and the
saxes get to whistle the melody for added fun.
A great experience for young players!
2481666 Jazz Ensemble . . . . . . . . . . . . . 45.00
Big Swing Face—Bill Potts/arr. Rich Sigler.
This chart, originally popularized by Buddy Rich,
has been scored at an accessible level while
maintaining the essence of the original and
more. The tempo is around 154 bpm, there are
written solos for tenor and trumpet 2, as well as
nice dynamics to show off your jazz band, plus
optional parts for expanded instrumentations.
A fun chart that you'll play for years to come!
10452096 Jazz Ensemble . . . . . . . . . . . . . 48.00
4 Blue Note Blues—Jeff Jarvis. Whether your
jazz band has some experience or is in the
developmental stages, this medium-tempo
swingin' blues chart is suitable for all performance
situations. All sections have interesting parts to
play, articulations are frequently offered, ranges
are reasonable, and rhythm parts are notated with
chord symbols provided. The easy-going, tuneful
melody is supported by accessible secondary
figures and the ranges are very reasonable.
Suggested or improvised solos are offered for
baritone sax and tenor sax. Some nice stop-time
figures and a couple of 2/4 measures add to the
appeal of this winning chart, and it's playable with
optional reduce or expanding instrumentations.
This one kicks at an accessible level!
10515802 Jazz Ensemble . . . . . . . . . . . . . 45.00
4 Blues for J—Dave Mills. Blues for J is a hot
blues shuffle in F that cooks with some serious
fire! Just a good-time swingin' chart, it features
a big beat, a great opportunity for solos over
F blues changes, a fat sax section soli after
the solos, and a piano solo before the return of
the head. All this at an accessible grade level!
Highly recommended!
10517407 Jazz Ensemble . . . . . . . . . . . . . 50.00
l Buckjump—Troy Andrews & Mike Ballard/arr.
John Wasson. Recorded by Trombone Shorty
on his 2011 sophomore album release For True,
this accessible version of Buckjump arranged by
John Wasson features a funky, New Orleans-style
groove, a moderate tempo and catchy riffs.
10556780 Jazz Ensemble . . . . . . . . . . . . . 45.00
Don't Get Around Much Anymore—Ellington
& Russell/arr. Mark Taylor. One of the classic
trademark tunes from the Duke Ellington library,
this familiar jazz standard is solidly scored for
younger players by Mark Taylor. When it comes
to accessible charts in a medium swing style, this
one can't be beat! Highly recommended!
10427404 Jazz Ensemble . . . . . . . . . . . . . 45.00
4 Flight of the Foo Birds—Neal Hefti/arr. Peter
Blair. This Peter Blair chart on the Neal Hefti/
Count Basie classic is a wonderful adaptation for
younger jazz groups. It does its Basie thing with a
light and cool swing feel, includes nice changes in
texture, has brief written or ad lib solos for alto sax
and trumpet 2, and an outstanding shout chorus
with drum fills. Played at 156 bpm, the trumpet
1 range is up to written G on top of the staff,
and optional parts are included for expanded
instrumentations. Great tune, great chart!
10513893 Jazz Ensemble . . . . . . . . . . . . . 46.00
4 Freddie Freeloader (Little Big Band)—Miles
Davis/arr. Michael Philip Mossman. In this Little
Big Band format, Michael Mossman carefully
maintains the medium swing style and flavor of
the Miles Davis version, but then adds creative
touches with counterlines and harmonic wrinkles.
Also included is a flexible solo section and a
marvelous tutti chorus for the entire ensemble.
Suggested solos are included along with scale/
chord sheets in all keys. Instrumentation:six horns
(ATB saxes, two trumpets, one trombone) plus
four rhythm with optional additional parts for alto,
tenor and trombone.
10522930 Jazz Ensemble . . . . . . . . . . . . . 45.00
H Hay Burner—Count Basie/arr. Sammy Nestico.
From the Basie-Straight Ahead album of 1968
featuring the legendary Count Basie, Harold
Jones, Grover Mitchell, Marshall Royal, and
Freddie Green. Highlights here include a recurring
alto sax/trumpet duet, a sax section soli, trumpet
plungers, piano solos, and an ensemble shout
to take it all home. The rhythm section parts are
partially notated with chords cued. The genius of
Count Basie and Sammy Nestico!
544684 Jazz Ensemble . . . . . . . . . . . . . 52.00
I'm Beginning to See the Light—arr. Paul
Baker. This is a swinger all the way! The tempo
can be anywhere between 132 - 150 bpm and
there is a written trumpet 2 solo. There's plenty
of swingin' ensemble, a great sax section soli
plus optional parts for flute, clarinet, vibes, horn,
baritone horn, and tuba. Add in trumpet plungers
and sliding trombones and it's all great stuff!
10353493 Jazz Ensemble . . . . . . . . . . . . . 48.00
H Jumpin' at the Woodside—Count Basie/arr.
Rich DeRosa. This one just builds and builds!
Rich DeRosa keeps this Count Basie signature
tune swinging all the way and includes two
optional tag endings to keep the Basie style
intact. The solos are written out for piano, tenor
sax, trumpet and trombone and the lead trumpet
range is to written G on top of the staff with an
A on the optional tag ending. Optional parts are
included for expanded instrumentation. One of
the Count's finest!
10028198 Jazz Ensemble . . . . . . . . . . . . . 52.00
Much more than a collection!
JAZZ COMBO
PLUS
Ryan Fraley.
Jazz Combo Plus is an innovative,
performance-ready collection featuring
six original charts for small jazz groups.
Additional features include flexible
instrumentation with three parts in each
wind book, free online play-along tracks
for every part, improvisation clinics, and
transcribed solos. The demonstration
solos are provided by amazing guest
musicians, and are transcribed in
actual note-for-note versions, or easier
versions. Additional instructional content
is provided in each book. This collection
does more than provide interesting
and solid performance repertoire for
intermediate groups in a variety of styles,
it also gives students and directors clear
and substantial resources for learning and
teaching all aspects of the jazz genre.
10556510 C Treble with Online
Play-Along . . . . . . M 12.95
10556511 Bb with Online
Play-Along . . . . . . M 12.95
10556512 Eb with Online
Play-Along . . . . . . M 12.95
10556513 F with Online
Play-Along . . . . . . M 12.95
10556514 Bass Clef with Online
Play-Along . . . . . . M 12.95
10556515 Guitar/Vibes with Online
Play-Along . . . . . . . M 8.95
10556516 Piano with Online
Play-Along . . . . . . . M 8.95
10556517 Bass with Online
Play-Along . . . . . . . M 8.95
10556518 Drum Set with Online
Play-Along . . . . . . . M 8.95
10556519 Score with Online
Play-Along . . . . . . M 18.95
25
ACCESSORIES
Practice Pitch and Rhythm at the same time!
KORG DIGITAL TUNER
& METRONOME
Model TM-50
The Korg TM-50 features both tuner and
metronome functions that operate simul-
taneously or independently with tempo
adjustment options as well as full tuning
range settings and memory.
10005605 Black . . . . . . . . . . . . . . . . 29.99
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