4 Editors' Choice l New Publication H Pepper Basic Library eAvailable via ePrint All Prices in U.S. Dollars & Subject To Publisher Revision
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Jazz Rock & Funk
Cupid Shuffle—arr. Rick Stitzel. Here's the hot
dance hit recorded by Cupid in a hard-hitting,
yet easy to play version for young players! The
melody is cleverly traded between sections, and
there are no solos required. A teaching unit with
exercises for rhythm and melody is included, and
it's playable with optional reduced or expanded
instrumentations.
10374186 Jazz Ensemble . . . . . . . . . VE 35.00
H Drama for Your Mama—Victor Lopez. This
fun rock chart for beginners has all the right
stuff... easy rhythms and ranges, and a solo
section that's completely notated for all the
winds. The solos can also be played as unisons
in any combination of instruments or sections.
Playable with optional reduced or expanded
instrumentations, it's easy to put together, very
effective and has great appeal for the young
player. Highly recommended!
10028048 Jazz Ensemble . . . . . . . . . VE 40.00
4 Everybody Needs Somebody to Love—arr.
Paul Murtha. Recorded in the '60s by artists
such as Wilson Pickett and The Rolling Stones,
this gospel-flavored rocker was then famously
featured in the 1980 film "The Blues Brothers."
There's a brief written solo for alto sax, an interlude
with the drummer, then guitar with the ensemble
layering back in. This rockin' chart for younger
jazz ensembles brings out all the excitement,
rhythmic energy and fun of a Blues Brothers
performance. Perfect for light programming!
10490295 Jazz Ensemble . . . . . . . . . ME 45.00
4 Footprints—Wayne Shorter/arr. Mike Tomaro.
Recorded by Miles Davis, Wayne Shorter's
hypnotic minor blues has become a true jazz
classic and required literature for jazz musicians.
Arranged here using a medium straight-eighth-
note groove, this chart makes effective use of
all the sections or the ensemble and includes
a flexible solo section for any player. Including
suggested solos, chord/scale sheets in all keys,
written bass lines and piano voicings, this one will
be fun to learn, rehearse and perform!
10522918 Jazz Ensemble . . . . . . . . . MA 50.00
Happy (from "Despicable Me 2")—Pharrell
Williams/arr. John Berry. Here's an easy yet
great-sounding chart on the hit song from
"Despicable Me 2" by Pharrell Williams that just
never seems to get old! The melody is skillfully
bounced from section to section, and there are
no solos required. Playable with optional reduced
or expanded instrumentations, this will be a real
favorite. Highly recommended!
10461390 Jazz Ensemble . . . . . . . . . . E 40.00
Happy (from "Despicable Me 2")—Pharrell
Williams/arr. Mike Tomaro. Mike Tomaro makes
sure that every section gets into the act in
this uplifting chart on the megahit by Pharrell
Williams. The breakdown section features
clapping by the band members while the
trombones carry the lead. The solo section is
open for anybody who happens to be in a happy
mood and wants to show it! Suggested solos
are included along with chord/scale sheets in all
keys. Highly recommended!
10461350 Jazz Ensemble . . . . . . . . . . M 50.00
20
jazz
ensemble
Looking for
CHANGE-OF-PACE
PROGRAMMING?
Feature a guest artist or place your vocalist in the spotlight
with these outstanding new vocal features!
All of Me—arr. Rick Stitzel. Reminiscent of the classic version by Count Basie, here is a
terrific medium swing setting of this familiar standard for vocal solo with jazz ensemble. In the
event a vocalist is not available, an optional solo part is included for tenor saxophone. Vocal in F.
10522920 Jazz Ensemble & Vocalist or Tenor Sax. . . . . . . . . . . . . . . . . . . . ME 50.00
I Can't Give You Anything But Love—arr. Mark Taylor. Penned by Jimmy McHugh and
Dorothy Fields and first introduced in 1928, this familiar song has gone on to become one of the
most recorded standards of all time, including recently by Tony Bennett with Lady Gaga. It can
also be performed as a tenor sax solo as a substitution for the vocal solo. This swinging version
for vocalist with jazz ensemble will light up any occasion! Vocal in B-flat.
10523754 Jazz Ensemble & Vocalist or Tenor Sax. . . . . . . . . . . . . . . . . . . . ME 50.00
No Moon at All—arr. Scott Ragsdale. While this arrangement is written to feature a
vocalist, it also has great instrumental appeal. The style is Latin/mambo groove, the tempo is
about 136 bpm, the ensemble accompaniment is creative and interesting, it's accessible for
both band and vocalist, and there are no instrumental solos. Optional solo parts for C, B-flat,
E-flat Instruments and Trombone are included as substitute parts for the vocal solo.
A great vocal and big band chart! Vocal in C Major.
10513928 Jazz Ensemble & Vocalist or Any Instrument. . . . . . . . . . . . . . . . ME 52.00
That's All—arr. Victor Lopez. Victor Lopez takes this iconic jazz ballad and turns it into a
beautiful setting for solo vocalist and jazz ensemble. In a medium swing, ballad style at around
88 bpm, this chart features easy ranges, no instrumental solos, an instrumental interlude, and
easy instrumental parts. Optional solo parts are included for C, B-flat, E-Flat Instruments and
Trombone to be used in lieu of the vocal solo part. The vocal range is from low A-flat to C third
space in the key of A-flat. A wonderful ballad for vocal and jazz ensemble!
10513932 Jazz Ensemble & Vocalist or Any Instrument. . . . . . . . . . . . . . . . ME 54.00
Who Walks In When I Walk Out?—arr. Rick Stitzel. Famously recorded by Ella
Fitzgerald and Louis Armstrong, here's a medium swinger from the early days of jazz that makes
a perfect showcase for an outgoing vocalist. It also works well as an optional female and male
vocal duet feature. An optional tenor saxophone solo part is included if you don't have a vocalist.
Everyone will have fun with this nostalgic romp!
10556776 Jazz Ensemble & Vocalist Opt. Female & Male Duet . . . . . . . . . ME 50.00
You Make Me Feel So Young—arr. Dave Wolpe. Dave Wolpe has created a highly
effective medium swinger for vocalist and jazz band on this great standard, arranged in both
high (E-flat, Male) and low (B-flat, Female) keys for flexibility. If a different key is desired simply
flip the page. There are no instrumental solos, but a brief trombone section soli and a nice full
band interlude are offered for contrast and variety. The lead trumpet range is to high C, and there
is an optional tenor saxophone solo part to be used as a substitute for the vocal solo.
Great tune, great chart!
10513934 Jazz Ensemble & Vocalist or Tenor Sax. . . . . . . . . . . . . . . . . . . . . M 62.00
