J.W. Pepper Catalogs

2016 Spring Instrumental

J.W. Pepper Music Catalog

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Go to cart Order Toll-Free! Call 1-800-345-6296 / FAX 1-800-260-1482 / Internet jwpepper.com / E-mail [email protected] Pop Charts H Play that Funky Music—Robert Parissi/arr. Mike Story. Yes, your young band can get funky- but only arranger Mike Story can take a pop tune like Play That Funky Music and make it come alive for the young jazz ensemble. Simple rhythms, effective and colorful harmonies, and easy written solos for trumpet and trombone are only a few highlights. Easy to assemble and great fun! Optional reduced or expanded instrumentation. 10071748 Jazz Ensemble . . . . . . . . . . . . . 42.00 4 Roar—arr. Victor Lopez. Here's a Katy Perry pop tune your jazz ensemble will enjoy playing and the audience will recognize and appreciate! The tempo is around 164 bpm, there are no solos, it's got a big ensemble sound, the trumpet 1 range is to written F top line, and the drum part has a solid back-beat. Optional parts are included for expanded instrumentations. It works great! 10452104 Jazz Ensemble . . . . . . . . . . . . . 48.00 l Rock You Like a Hurricane—arr. Paul Murtha. Recorded in 1984 by the German rock group Scorpions, this classic hard rock hit remains popular in today's culture thanks to sporting events, video games, TV and film. The features include a "shredding" introduction leading to a full ensemble statement and short written solos for alto sax, trombone and trumpet. This version for jazz band is easy to learn, yet remains true to the original and will sound great with young players. It's also playable with optional reduced or expanded instrumentations. A rock anthem! 10490305 Jazz Ensemble . . . . . . . . . . . . . 40.00 n Shut Up and Dance—arr. John Berry. Recorded by the American alternative rock band Walk the Moon, this contemporary rock hit features a driving pulse and catchy melodic lines. With the melody traded between the saxes and trumpets, this accessible chart also features plenty of solid, full-ensemble scoring. No solos are required, and a full band statement rounds out this infectious and instantly recognizable song. Playable with optional expanded or reduced instrumentations, this one will make a big splash with audiences and students! 10556784 Jazz Ensemble . . . . . . . . . . . . . 40.00 n Skyfall—Adkins & Epworth/arr. John Berry. Perfectly capturing the mood and style of earlier James Bond themes, Adele has worked her magic with the hit Skyfall. John Berry's easy version features a brief written alto sax solo, then solid scoring for the entire ensemble with the melody traded between the saxes and trumpets. Playable with optional reduced or expanded instrumentations, this is sure to be an audience favorite! Highly recommended! 10374178 Jazz Ensemble . . . . . . . . . . . . . 40.00 n Soul Bossa Nova—Quincy Jones/arr. Rick Stitzel. This infectious and immediately recognizable Quincy Jones standard was popular long before Austin Powers introduced it to a brand-new generation of fans. Easy to learn and fun to play, this will quickly become a favorite of your young players and their audiences! Arranged for full jazz ensemble, it's also playable with as few as 4 saxes, 3 trumpets, 3 trombones, piano, bass and drums. Groovy baby! 10033706 Jazz Ensemble . . . . . . . . . . . . . 40.00 H Superstition—Stevie Wonder/arr. Paul Murtha. Stevie Wonder helped bring funk to mainstream pop music in the '70s, and this is one of his most recognizable hits. This arrangement is easy to learn yet maintains the authentic groove of the original. Playable by standard jazz ensemble instrumentation, it will also sound full and complete with 4 saxes, 3 trumpets, 3 trombones and rhythm. Optional parts included for flute, 2 clarinets, horn in F and tuba. Highly recommended! 10041752 Jazz Ensemble . . . . . . . . . . . . . 40.00 n Sweet Caroline—Neil Diamond/arr. Rick Stitzel. Even before the TV series Glee, this Neil Diamond classic, first recorded in 1969, had proven its popularity and staying power. Here is a solid, yet easy treatment for jazz ensemble that requires no solos. Sure to be a favorite with students and parents alike! Optional reduced or expanded instrumentations. 10098793 Jazz Ensemble . . . . . . . . . . . . . 40.00 4 Uptown Funk!—arr. Michael Sweeney. From Mark Ronson and Bruno Mars, this monster hit is the perfect throwback to a funky R&B style! This arrangement for younger players features modest ranges and repetitive yet authentic-sounding rhythms. This outstanding chart is playable with optional reduced or expanded instrumentations, and the bass lines and piano voicings are written. No solos are required, just a little attitude! Our highest recommendation! 10522944 Jazz Ensemble . . . . . . . . . . . . . 40.00 n Yesterday—Lennon & McCartney/arr. Rick Stitzel. One of the all-time great songs from the Beatles, Yesterday truly has become a modern day standard! This well scored arrangement for young jazz ensembles features a brief tenor solo, beautiful counterlines, and an overall rich sound that will be impressive in concert or as a change of pace chart for festivals. Suggested solo and scale/chord sheet provided. Optional reduced or expanded instrumentations. Includes CD. Highly recommended! 10188524 Jazz Ensemble . . . . . . . . . . . . . 40.00 4 You Are the Sunshine of My Life—Stevie Wonder/arr. Paul Murtha. This is one of Stevie Wonder's signature hits from the 1970s, and here is a masterfully arranged easy version in a light bossa style. The trombones grab the spotlight in the beginning and again at the end. In between, the saxes and trumpets take turns with the melody, and there are short written or ad lib solos for trumpet and alto sax. Playable with optional reduced or expanded instrumentations, this one also includes bass lines and piano voicings that are completely written. It's great for programming variety, and it's highly recommended! 10522946 Jazz Ensemble . . . . . . . . . . . . . 40.00 4 You're Still a Young Man—arr. Mike Story. Here's a soulful yet accessible treatment of this Tower of Power hit song. This chart is played at about 128 bpm in 3/4 time, and the trumpet 1 range is to written E top space. Including a written tenor sax 1 melody solo, it's a superb chart in every respect. Playable with optional reduced or expanded instrumentations. Highly recommended! 10452082 Jazz Ensemble . . . . . . . . . . . . . 42.00 m e d i u m - e a s y 4 Africa—Paich & Porcaro/arr. Ralph Ford. Here's a wonderful take on the group Toto's classic rock tune from the '80s. It's solidly scored throughout and sounds amazingly like the original while remaining accessible for developing jazz bands. With nice dynamic contrasts, an uncomplicated melodic line, and a medium rock groove, this chart is one that younger players can really dig into, yet it will sound mature when performed by a more advanced group. More features include: half-note tempo of 90 bpm; written or ad lib solos for alto sax 1 and trombone 1; trumpet 1 range to written G on top of the staff; and optional parts for flute, clarinet and vibes. Great tune, fine chart! 10513875 Jazz Ensemble . . . . . . . . . . . . . 48.00 n Ain't No Sunshine—Bill Withers/arr. Rick Stitzel. Originally recorded in the 1970s, Bill Withers' distinctive slow rocker has become a classic. The minor mode adds to the flavor, and this version for younger players skillfully passes the melody from section to section. Also included is a solo for tenor sax. A suggested solo is included along with chord/scale sheets in all keys. Soulful groove! 10283144 Jazz Ensemble . . . . . . . . . . . . . 45.00 4 All About That Bass—arr. Victor Lopez. You know it, you love it! This Meghan Trainor megahit is set at around 136 bpm with a solid rock groove, has no solos, and will be a favorite with students and audiences. This Victor Lopez arrangement bounces the melody from section to section, features very easy trumpet ranges, and includes optional parts for expanded instrumentations. The rhythm section, trombone 4 and bari sax carry the bass line while the ensemble rocks along. Hey, it's all about this chart! 10513887 Jazz Ensemble . . . . . . . . . . . . . 48.00 4 Beat It—Michael Jackson/arr. Dallas Burke. From the best-selling album of all time, Thriller, this rock classic from Michael Jackson makes a superb jazz band tune your students and audiences will enjoy. The brass get a chance to shine in a range that's right in the pocket and there are short written or ad-lib solos to feature alto sax, tenor sax and trumpet. Don't miss the short, but effective a cappella section. Bass trombone and bari sax players will dig playing this bass line! 10456814 Jazz Ensemble . . . . . . . . . . . . . 65.00 n Birdland—Josef Zawinul/arr. John Higgins. Here's a solid, very playable arrangement of the modern jazz classic made famous by Weather Report and Manhattan Transfer. It includes a written solo for alto sax. The strong groove and carefully notated articulation and style markings make this a great piece to teach the jazz-rock style! 2086064 Jazz Ensemble . . . . . . . . . . . . . 45.00 Jazz Ensemble 15

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