POP TUNES
6
PEPPER
2016
MARCHING
BAND
CATALOG
All Prices in US Dollars & Subject to Publisher Revision l New for 2016 e Available via e-Print 3Editors' Choice
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e Best Day of My Life—American Authors, arr. Brian
Scott. You hear this tune everywhere - TV, the movies, and
numerous commercials - and now you can bring it to the
stands or put it on the field! American Authors' unique groove
is scored for maximum effect and really sets this chart apart
from the rest!
10445675 . . . . . . . . . . . . . . . . . . . . . . . . . . . . ME 58.00
e Best Song Ever—arr. Doug Adams. Here is the huge
pop-rock hit from One Direction in a stellar arrangement that
displays the tune in the best possible light. This full-sounding
chart features a rhythmic drive that makes it great for the
stands and for dance and drill teams.
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Bicycle Race—arr. Tom Wallace. Here is Queen's opera-
tic glam-rock tour de force in a stupendous setting for the field!
10090166 . . . . . . . . . . . . . . . . . . . . . . . . . . . . M 80.00
Billie Jean (Part 1 of the 70s and 80s Hits
Show)—Michael Jackson/arr. Dave Henning. Michael
Jackson was the true King of Pop and this is one of his most
popular and intriguing hits! Musically intense and wildly
thrilling, it makes an outstanding show opener for introducing
your band.
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Blackbird/Yesterday—Lennon & McCartney/arr.
Tom Wallace. The well-known, graceful melodies of Blackbird
and Yesterday interweave beautifully in this lyrical, up-tempo
ballad. It provides a nice change of pace in the "Beatlemania"
show or any pops show.
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Blame It on the Boogie—arr. Ishbah Cox. Recorded
most famously by The Jacksons, this rockin' hit from 1978
features a hint of disco along with its overwhelming energy
and drive!
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Blister in the Sun—arr. Tom Wallace. Who can resist
this insistent riff? Phish famously wove this Violent Femmes
hit into their songs in live jams.
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e Blurred Lines—arr. Paul Murtha. With an infectious
R&B groove, this mega hit from Robin Thicke has become
one of the hottest tunes of the year. Perfect for stands
or dance features.
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Bohemian Rhapsody—arr. Richard Saucedo.
Practically a show within itself, this production number based
on Queen's megahit varies in style from a sensitive ballad to
driving rock. A very dramatic statement!
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e Bohemian Rhapsody (Queen, Part 3)—arr.
Tom Wallace. With so many musical ideas to work with, this
arrangement provides a tremendous musical extravaganza
for the field. The combination of memorable themes, striking
contrasts and effective pacing creates the opportunity for
outstanding visual effects in addition to the great music.
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e Boogie Shoes—arr. Paul Murtha. Bring the spirited
music of KC and the Sunshine Band to all your sporting events
with this rockin' chart for the field or stands. Featuring a short
percussion break and solid brass riffs, this tune will ensure
your band will sound its best!
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Boom Boom—arr. Paul Murtha. This catchy riff is
perfect for the stands! With an infectious groove, it's hard not
be energized when you hear it!
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Born in the U.S.A.—arr. Ayatey Shabazz. This arrange-
ment of Bruce Springsteen's '80s anthem will have audiences
putting their hands together in no time! Excellent part doubling
means security for less experienced performers, and plenty of
your musicians get to carry this famous tune.
10447290 . . . . . . . . . . . . . . . . . . . . . . . . . . . . ME 65.00
e Born This Way—arr. Michael Brown. Lady Gaga set the
charts on fire with this smash hit in 2011! Here's a sizzling
arrangement for inexperienced bands that's sure to get the
stands jumpin'!
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Brain Stew—arr. Dave Henning. This Green Day hit
translates into a powerhouse marching band arrangement
that will ignite the night! It's time to really let the brass open
up and blow!
10509594 . . . . . . . . . . . . . . . . . . . . . . . . . . . . ME 65.00
e Brick House—arr. Michael Brown. This one needs no
introduction! The percussion section sets up the groove then
the low brass joins in with the bass line. This chart gives you
the option of two endings; a regular "short ending" if needed
in the stands or elsewhere, and an extended "closer ending"
for a big finish to a show. "Mighty, mighty!"
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e Brown Eyed Girl—arr. Paul Murtha. Some songs
never seem to grow old, and this pop classic recorded by Van
Morrison in 1967 is a perfect example. You'll find a multitude
of uses for this solid and well-paced arrangement!
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l Buckjump—arr. Paul Murtha & Will Rapp. The jazz
level will be off the charts when you kick off this hot number
recorded by jazz standout Trombone Shorty. This catchy funk
tune is riff based and features a blend of New Orleans-style
jazz with a contemporary edge that really packs a punch.
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Buddy Holly—arr. Ayatey Shabazz. The single that
launched the rock group Weezer to international fame will
work perfectly for bands at all levels. The writing remains
faithful to the original while being easy to play by all sections.
10509388 . . . . . . . . . . . . . . . . . . . . . . . . . . . . E 65.00
Build Me Up, Buttercup—arr. Paul Murtha. This
tune is destined to join the ranks of the all-time classic
stands charts! A fun shuffle chart from the '60s, it's
enjoying renewed popularity thanks to its use in the hit
movie "There's Something About Mary." Your crowd will
absolutely love this one!
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Bully—arr. Tom Wallace. This heavy-hitting rock song
from Shinedown addresses a hot-button issue with today's
youth and gives encouragement to those affected most. The
arrangement speaks with a strong musical statement that
gives great meaning to a powerful song!
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e Burn—arr. Victor Lopez. Pop singer Ellie Goulding brings
this incendiary tune that's burned up the charts! Just what
you need to fire everyone up, whether they're in the stands or
on the field!
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e Can't Buy Me Love—arr. Michael Brown & Will
Rapp. This tune is more than 50 years old and and still going
strong! One of the Beatles' first big hits features a driving
shuffle groove and an unforgettably upbeat melody. Solidly
arranged for marching band, it includes all the signature
riffs we know and love as well as a short stop-time feature
spot for percussion.
10445632 . . . . . . . . . . . . . . . . . . . . . . . . . . . . E 50.00
Can't Help Falling in Love (Opener)—arr.
Jay Dawson. The King lives on! One of Elvis' most popular
hits will thrill audiences and judges alike in this effective
show opener!
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Can't Hold Us—arr. Ward Miller. This smash hit
recorded by Macklemore is a natural for marching band. The
driving opening pulse and instrumental bridge make this an
exciting tune for the stands or field!
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l Can't Hold Us—arr. Ward Miller. This smash hit
recorded by Macklemore is a natural for marching band either
on the field or in the stands. This pulsating version will have
smaller or developing bands sounding great thanks to the
careful scoring and doubling.
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Carry on Wayward Son—arr. Mike Sweeney.
From progressive rock group Kansas, this chart uses
deep bass lines, strong ensemble phrases and contrasting
softer sections to create a truly powerful statement for the
field or stands!
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e Celebration—arr. Jerry Burns. This may be the ultimate
party tune and this very playable arrangement makes it easy
for bands at all levels to kick off the fun! Fire up this solid,
straight ahead and totally funky tune and party on!
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e Centuries—arr. Ishbah Cox. The first breakout single
from the latest Fall Out Boy album is a driving rock tune that
has a memorable hook audiences love. The compelling pulse
ensures this will be a big hit in the stands or on the field.
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e Centuries—arr. Nick Baratta. The tremendous popularity
of this powerful hit from pop-punk band Fall Out Boy has
caused it to be played all over the airwaves. Its unique style
and the superb scoring makes it a natural on or off the field.
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e Chelsea Dagger—arr. Paul Murtha & Will Rapp. The
title isn't instantly recognizable, but the tune is! Recorded by
The Fratellis, this rock anthem has become a fan favorite in
sports arenas in the US as well as in Europe. The bluesy yet
upbeat shuffle brings enthusiasm to the field or stands!
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Cold Sweat—arr. Allen Gray. Make it funky and bring
some serious soul to your next sporting event with this James
Brown hit. It features a short written tenor sax solo that can be
opened up for improvisation to really jam in the stands.
10509596 . . . . . . . . . . . . . . . . . . . . . . . . . . . . ME 65.00
e Cold-Hearted—arr. Raymond Rolle. Paula Abdul rocked
the pop world in 1989 with this distinctive and energetic hit.
Featured as a part of the "Drumline Live" stage production,
this chart epitomizes their edgy and exciting style.
10088707 . . . . . . . . . . . . . . . . . . . . . . . . . . . . MA 65.00
e Come Go With Me—Clarence Quick/arr. Doug
Adams. Relive one of the great eras of pop music! One of the
most popular songs from the doo-wop era finds a new home
in this playable and well-written arrangement. The crowd will
recognize the tune after the first couple of measures!
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Come Out and Play—arr. Tom Wallace. Pristine
heavy metal from the group The Offspring.
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Come Sail Away—arr. Paul Murtha. It's a genuine rock
anthem and both your band and the crowd will love it! It starts
quietly with trumpet soloist, then builds solidly and pulls out
all the stops to the powerful closing. A great closer!
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Come With Me Now—arr. Matt Conaway & Jack
Holt. Recorded by the South African band Kongos, this
hot single continues to surge in popularity here in the U.S.
The unique style and flavor make it especially attractive for
marching band.
10511045 . . . . . . . . . . . . . . . . . . . . . . . . . . . . M 55.00
4 Confident—arr.Tom Wallace. The brassy, big heavy
swing of Demi Lovato's hit song about empowerment and
confidence is in full display in this explosive setting that's a
natural for any athletic event. Sounding like it was composed
for marching bands, this colorful modern pop song is full of
musical muscle, brass and percussion. A natural choice for
the field or dance line, this chart will do double duty while
entertaining in the stands
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Conga—arr. Victor Lopez. The biggest hit by Gloria Estefan
has been carefully arranged to be easier and more playable by
bands of all levels! This classic will be a welcome addition to
your stands for years to come!
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e Cool Kids—arr. Jerry Burns. The group Echosmith
rocketed to the top of the charts with this huge hit. Carefully
arranged to be very playable with the biggest impact, this
great-sounding chart will be ready to perform today!
10509157 . . . . . . . . . . . . . . . . . . . . . . . . . . . . VE 48.00
e Counting Stars—Ryan Tedder/arr. Matt Conaway
& Jack Holt. This hit from the popular band One Republic
adapts perfectly for marching or pep band in this high octane
arrangement. There's a wide range of dynamics, melody for
the low brass, and a hard-hitting chorus for the full band.
Included is an optional cut for a shorter stands version.
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