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Secular Concert All Voicings medium-easy
H Song for the MiraAllister MacGillivray/Calvert.
Surprisingly easy to learn and sing, and with an
unusually nice oboe or flute obbligato, this is a fine
choice for concert or contest.
4604229 SATB . . . . . . . . . . . . . . . . . . 1.95
1663798 SSA . . . . . . . . . . . . . . . . . . . 1.95
l The Sound of the TreesKathleen Ballantyne.
In this elegant setting of Robert Frost's poem,
vocal lines freely intertwine with a thought-
provoking, metaphorical text about balancing life's
responsibilities with our human tendencies to wish
for better things. A gentle, reflective work with a
meaningful message.
10590544 SATB . . . . . . . . . . . . . . . . . . 2.10
10590545 P/A CD . . . . . . . . . . . . . . . 26.95
n Stars I Shall FindRuth Morris Gray. This artful
setting of the Sara Teasdale poem is a stunning
choice for concert or festival. A lyrical, flowing
accompaniment supports the graceful, beautiful
choral sonorities, with the floating soprano notes
representing the stars in the sky. It is also an
excellent programming choice for graduation.
10512785 SATB . . . . . . . . . . . . . . . . . . 2.10
10509266 Three-Part Mixed or SAB . . . 2.10
10512786 SSA . . . . . . . . . . . . . . . . . . . 2.10
Stars I Shall FindVictor C. Johnson. "There
will be rest, and sure stars shining over the
rooftops crowned with snow, a reign of rest,
serene forgetting, the music of stillness holy and
low." This masterful setting of Sara Teasdale's
picturesque poem sparkles with wonderful musical
imagery! Soaring melodic lines, an artfully crafted
accompaniment, contrasting dynamics, and warm,
colorful harmonies create a magical effect. This is
an extraordinarily good choice for performances all
year! Highly recommended!
10047919 SATB . . . . . . . . . . . . . . . . . . 1.95
10519884 Three-Part Mixed . . . . . . . . . 1.95
10366693 SSA . . . . . . . . . . . . . . . . . . . 1.95
10047922 TTB . . . . . . . . . . . . . . . . . . . 1.95
10047926 P/A CD . . . . . . . . . . . . . . . 26.95
4 Stomp BoxRoger Emerson. Choirs will enjoy
exploring the colors and textures of this exuberant
celebration of sound! Using only vocables to imitate
the timbre of an electric guitar, developing or
smaller choirs will love rehearsing this piece and
the response they receive from the audience!
10567888 SAB. . . . . . . . . . . . . . . . . . . 2.25
10567889 SSA . . . . . . . . . . . . . . . . . . . 2.25
10567890 Teaching P/A CD . . . . . . . . 26.99
H Stopping by Woods on a Snowy Evening
(from "Frostiana")Randall Thompson. Based
on one of the most famous of Robert Frost's
poems, this setting by Randall Thompson is an
excellent choice for men's voices. It has become
a classic in the repertoire.
344978 TBB . . . . . . . . . . . . . . . . . . . 2.80
l SunsetRuth Elaine Schram. Capture the
beauty of a sunset, using various hues and word
painting, in this lush setting for treble ensembles.
Sunset offers a bounty of teaching opportunities to
reinforce syllabic/word stress, tone development,
and intonation. The artful piano accompaniment
sets a wistful tone for this lovely work.
10584800 SSA . . . . . . . . . . . . . . . . . . . 1.95
l Sweet DayRalph Vaughan Williams/arr. Donald
Moore. Originally composed for SATB voices, this
classic Vaughan Williams part song, based on a text
by George Herbert, is now accessible to younger
choirs in this SAB edition with optional piano
accompaniment. "Sweet day! So cool, so calm, so
bright, the bridal of the earth and sky, the dew shall
weep thy fall tonight..."
10586598 SAB. . . . . . . . . . . . . . . . . . . 1.95
n Teach Me with a SongSue McTigue. This
original piece is truly inspired! A heartfelt musical
testament to children with special needs, it is so
singable, so genuine, that it will be a deeply moving
experience for your choir and audience. "Teach
me with a song, and let me sing along. I want to
hear the world sound amazing! Let melody and
harmony last my whole life long, and teach me with
a song..." Highly recommended!
10501201 Two-Part or Three-Part . . . . . 1.95
There is PeaceJim Papoulis. The essence
of this work, in a world of conflict and violence,
is the need for a deep understanding that peace
can come from all of us. After the opening phrase,
"Look in the eyes of the children, feel the touch
of their hands, there is peace," the verse enters,
with a full, yet still gentle sound. The refrain is
more celebratory, followed by a quiet bridge and an
ending which is calm and introspective, much like
the opening.
10519391 SATB/Two-Part . . . . . . . . . . 2.25
10438974 Two-Part . . . . . . . . . . . . . . . 2.10
n There Is Sweet Music HereGreg Gilpin. Your
choir will sound magnificent when they sing this
superb setting of the famous text by Alfred, Lord
Tennyson. "There is sweet music here that softer
falls than petals from blown roses on the grass, or
night dews on still waters..." With very modest
vocal demands, this is perfect for the young choir,
but mature choirs will also appreciate its musicality
and depth. Highly recommended!
10086544 SATB . . . . . . . . . . . . . . . . . . 1.95
10443454 SSA . . . . . . . . . . . . . . . . . . . 1.80
There Will Come Soft RainsRuth Morris
Gray. Sara Teasdale's pensive poem describes
the aftermath of war, when "there will come soft
rains." Haunting harmonies capture the ear in this
perfect marriage of words and music, appropriate
for developing mixed choirs as well as more
advanced ensembles.
10352517 SAB. . . . . . . . . . . . . . . . . . . 1.85
n Things That Never DieVictor C. Johnson.
In this heartfelt setting of Charles Dickens' well-
known poem, lyrical melodic lines contrast with lush
harmonic refrains, all in easy, accessible ranges for
developing voices. The piano accompaniment is
very nice and supportive while giving its own voice
to the ensemble. "The pure, the bright, the beautiful
that stirred our hearts in youth, the impulses to
wordless prayer, the streams of love and truth...
these things can never die."
10443547 Three-Part Mixed . . . . . . . . . 1.95
10584796 SSA . . . . . . . . . . . . . . . . . . . 2.25
4
Think On MeRuth Morris Gray. This sincere
setting of Lady John Scott's timeless poem
is a joy to sing and a delight to hear. Delicate
suspensions and expert choral writing underscore
the meaningful text. "When I no more behold thee,
think on me..."
10580184 SATB . . . . . . . . . . . . . . . . . . 1.90
10580185 SAB. . . . . . . . . . . . . . . . . . . 1.90
10604579 Multi-Song Accomp. CD . . . 44.99
l Think on MeTom Fettke. A classic text
attributed to Mary, Queen of Scots forms the basis
of this elegant setting which is full of contemplative
harmonies and sensitively contoured melodic lines.
Subtle changes in tempo and tonality parallel
the rich, emotion-laden text and provide ample
opportunity for expressive singing. "When I no more
behold you, think on me...."
10590549 SATB . . . . . . . . . . . . . . . . . . 1.95
10590550 P/A CD . . . . . . . . . . . . . . . 26.95
l This World Is Full of BeautyTom Shelton. This
meaningful setting of the poignant Gerald Massey
poem is an excellent concert or festival choice for
treble choirs. Its hauntingly beautiful melody is first
briefly stated by the violin, followed by a soloist, and
then the full choir in unison. The intensity builds
throughout the middle section before ending in
hushed, quiet splendor. A learning resource page
is included.
10602817 Two-Part . . . . . . . . . . . . . . . 2.10
n Though Much Is Taken, Much AbidesVictor
C. Johnson. Images of courage, honor and
bravery abound in this moving and valiant setting
of selected lines from Alfred, Lord Tennyson's
Ulysses. A powerful accompaniment supports the
solid, artful choral writing. This poignant work is a
welcome addition to men's choral repertoire and is
especially ideal for festival choirs.
10512795 TTB or TTBB . . . . . . . . . . . . 2.10
n The Tide RisesCynthia Gray. Cynthia Gray's
sinuous vocal lines mirror the distinguished text in
this piece. Well suited as a contest ballad selection,
The Tide Rises offers numerous teaching moments
for phrase shaping and dynamic contouring. You'll
even hear the sounds of ocean waves in the
accompaniment. Tastefully done!
10498670 SAB. . . . . . . . . . . . . . . . . . . 2.25
l The Tide RisesDave Perry & Jean Perry. "The
tide rises, the tide falls, the twilight darkens, the
curlew calls..." The flowing 6/8 meter and lyrical
melodic lines of this sensitive setting capture the
mood of Longfellow's poem for developing voices.
Work on syllabic stress, harmonic minor, balance
and blend, all while singing with excellent tone. "...
Along the sea-sands damp and brown the traveler
hastens t'ward the town."
10584798 Three-Part Mixed
with opt. C Inst. . . . . . . . . . . 2.25
H
The TigerSherri Porterfield. Musical life is
breathed into William Blake's stunning text.
Intensity builds throughout this well-constructed
work. Sherri captures the excitement, the fear and
the dread of the tiger! Creative yet accessible, this
is a wonderful work for concert, contest or festival!
1810324 Three-Part Mixed . . . . . . . . . 1.85
4 The Tree of SongThomas Juneau. A lovely
poem by Sara Teasdale inspired this tender,
beautiful choral setting, perfect for women's choirs
at the high school level. "I sang my songs for the
rest, for you I am still; the tree of my song is bare
on its shining hill..."
10593294 SSA . . . . . . . . . . . . . . . . . . . 2.25
n Tu Lo SaiGiuseppe Torelli/arr. Thomas Juneau.
This gentle art song is as appropriate for choral
singing as it is for vocal solo or duet. Use this setting
with your high school girls to work on breathing
and support of tone and you'll have a stunning
performance piece. In Italian, with translation and
pronunciation guide.
10500872 SA . . . . . . . . . . . . . . . . . . . . 1.90
l Two Poetic Settings for Treble ChorusTim
Winebrenner. Here is an attractive pair of nature-
inspired texts, set for two-part treble choirs, which
will also work well as vocal duets. I. The Bee Is Not
Afraid of Me, based on a poem by Emily Dickinson,
is pensive; II. The Butterfly, based on a text by
William Lisle Bowles, is spirited. This set will be
most appropriate for two-part women's voices.
10586956 SA . . . . . . . . . . . . . . . . . . . . 1.95
n The VagabondMark Patterson. Mark Patterson's
original setting of The Vagabond for male solo voice
was inspired by Robert Louis Stevenson's poem of
the same name. This vagabond has chosen the
life of the open road: a bed that "looks up to the
stars" and a solitary path where "freedom is his
only companion." This is sure to resonate with
young men.
10443515 TTB . . . . . . . . . . . . . . . . . . . 1.95
H Velvet ShoesRandall Thompson. Now available
for mixed or treble voices, this is a stunning setting
of the famous winter poem by Elinor Wylie. "Let us
walk in the white snow in a soundless space; with
footsteps quiet and slow, at a tranquil pace, under
veils of white lace..." The choral parts sing easily,
and the piano interludes add their own winter
imagery between verses. A reflective selection
that will be a beautifully expressive moment in
your concert!
10097785 SSATTBB . . . . . . . . . . . . . . . 1.95
345603 Two-Part . . . . . . . . . . . . . . . 1.55
Ht Vive L'amourarr. Alice Parker & Robert Shaw.
One of the most well-known and oft-performed
works for male chorus of the last thirty years, this
fun-filled Shaw/Parker arrangement deserves an
active place in any good male chorus library! Enjoy!
1327733 TTBB . . . . . . . . . . . . . . . . . . 1.85
t Wanting MemoriesYasaye M. Barnwell. "I am
sitting here wanting memories to teach me to see
the beauty in the world through my own eyes..."
As recorded by Sweet Honey in the Rock, this
extraordinary a cappella piece speaks to everyone
of the precious gift of life.
3225760 SATB . . . . . . . . . . . . . . . . . . 2.50
We Are the Music-MakersAndy Beck.
Bookended by a majestic choral fanfare, this
contemporary work is a vivid realization of
O'Shaughnessy's famous poem. A dynamic piano
accompaniment fully supports the soaring melodies
and rich harmonies. A brilliant concert opener or
festival selection! "...we are the journey-takers, the
bound'ry-breakers, we are the makers of song!"
10501266 SATB . . . . . . . . . . . . . . . . . . 1.90
10501268 SAB. . . . . . . . . . . . . . . . . . . 1.90
10501269 SSA . . . . . . . . . . . . . . . . . . . 1.90
10515003 Multi-Song Accomp. CD . . . 44.99
l We Can DreamPinkzebra. An uplifting, hopeful,
and inspiring song perfectly suited for graduation
ceremonies and concert programs. Beautiful
melodies and an intuitive arrangement make this
song a quick learn for middle and high school
choirs. Additional string orchestra parts heard in
the demo recording are also available in the String
Pack, which includes the conductor's score.*Please
note that the preview recording is the original studio
version featuring a soloist. It is in a different key
and the arrangement varies slightly.Instrumental
performance/rehearsal accompaniment tracks are
available here: http://www.jwpepper.com/sheet-
music/search.jsp?keywords=pinkzebra
10541018 SATB . . . . . . . . . . . . . . . . . . 2.25
10541019 Three-Part Mixed . . . . . . . . . 2.25
10541020 SSA . . . . . . . . . . . . . . . . . . . 2.25
10541021 Two-Part . . . . . . . . . . . . . . . 2.25
n We Rise AgainLeon Dubinsky & Stephen
Smith. Leon Dubinsky's well-known coal miners'
song was made popular by The Rankins, and this
arrangement by Stephen Smith has been sung
throughout Canada and the US by the men's choir,
Chor Leoni. A great crowd pleaser, this accessible
version tugs at the heartstrings of all who see
children as our hope for the future.
10083893 SATB . . . . . . . . . . . . . . . . . . 2.50
10083894 SSAA. . . . . . . . . . . . . . . . . . 2.50
10065490 TTBB . . . . . . . . . . . . . . . . . . 2.50
n What Maiden Weeping?John Parker & Victor
C. Johnson. "What maiden weeping near the tide
is covered by her falling tears? She's pouring out
her soul inside into the stream of yesteryears..." So
appropriate for women's voices, John Parker's text
is realized through a lyric melody and a beautiful,
plaintive refrain: "Sing me your sadness, cold winds
have blown. Sing me your sadness. Love left me
alone." This will surely touch the hearts of your
singers and audiences!
10443538 SSA . . . . . . . . . . . . . . . . . . . 2.25
4 When Music SoundsVictor C. Johnson.
Composed for the 2016 Florida All-State Men's
Choir, this expressive and lyrical original work
gently flows forward, supported by rich piano
textures. With careful attention to part-writing,
range and tessitura, this very singable work is ideal
for developing sensitivity in your men's chorus and
festival concerts.
10606938 TTBB . . . . . . . . . . . . . . . . . . 2.25
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