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Spirituals & Gospel Selections / Folksongs
4 When the Train Comes Along MedleyGreg
Gilpin. Three popular spirituals: When the Train
Comes Along; This Train and The Gospel Train, make
up this dynamic and rhythmic mini-medley. Packing
tons of energy, it's also a fabulous choice for use
as a closing number or encore. Gilpin's smart piano
accompaniment emulates the rhythmic motion of a
train and provides added interest and excitement.
10602818 SATB . . . . . . . . . . . . . . . . . . 2.10
10602819 SAB. . . . . . . . . . . . . . . . . . . 2.10
10602820 Two-Part . . . . . . . . . . . . . . . 2.10
4t Who's That Knockin'?Greg Gilpin. Don't
miss this extraordinary original a cappella spiritual!
An insistent melody opens the piece in unison,
then fully develops with rhythmic syncopations,
varied choral textures, and dramatic dynamics. A
challenging mixed-meter section and a compelling
descant build anticipation, then terraced dynamics
set up the final, powerful "Should I let him in?"
Highly recommended!
10590237 SSATTB . . . . . . . . . . . . . . . . 1.90
Ht Witnessarr. Jack Halloran. If you are looking
for a spiritual that will really show the musicality
of your choir, try this Jack Halloran SSAATTBB a
cappella setting of this traditional spiritual. Perfect
for concert or festival.
1612530 SSAATTBB . . . . . . . . . . . . . . 2.35
H
WitnessJack Halloran/arr. Dick Bolks. Dick
Bolks has taken this Jack Halloran classic and
made it accessible for accompanied or a cappella
choirs while retaining the enthusiasm of the
original. Now available for mixed, treble or male
choirs, this is guaranteed to be the highlight of your
music year!
3260411 SATB . . . . . . . . . . . . . . . . . . 2.35
3291523 SAB. . . . . . . . . . . . . . . . . . . 2.35
10366147 SSAA. . . . . . . . . . . . . . . . . . 2.35
10458827 TTBB . . . . . . . . . . . . . . . . . . 2.35
n Witnessarr. Victor C. Johnson. Contemporary
harmonies, cool syncopations in the vocal parts,
and a rhythmically supportive accompaniment
grace Victor C. Johnson's high-energy setting of
this favorite spiritual. This work is a marvelous
choice for developing choirs in both concert and
festival settings.
10457297 Three-Part Mixed . . . . . . . . . 2.10
10457299 Two-Part . . . . . . . . . . . . . . . 2.10
10457513 P/A CD . . . . . . . . . . . . . . . 26.95
lt Woke Up This MorningJeffrey Douma. This
traditional freedom song gained special significance
during the Civil Rights movement of the 1960s and
maintains its importance still. This setting, arranged
for the Yale Glee Club, is strong and deliberate with
a declarative text and a "Hallelujah" at the end of the
verse that repeats and builds with joyful intensity.
10610366 SATB . . . . . . . . . . . . . . . . . . 2.10
H
Worthy to Be PraisedByron J. Smith. Opening
rubato, this robust work soon breaks into a driving
gospel feel that will raise the roof! If you're looking
for a piece that will give your audience a rousing
experience, this is definitely worth looking at!
1896430 SATB . . . . . . . . . . . . . . . . . . 1.95
10452930 SSA . . . . . . . . . . . . . . . . . . . 1.95
4 Yonder Come Dayarr. Paul John Rudoi. This a
cappella setting of Yonder Come Day was created
for the 2015 Conference of the National Collegiate
Choral Association. Composer Paul John Rudoi's
music stems from a deeply rooted passion for
connecting innate human values and universal
experiences. Paul John Rudoi's music stems from a
deeply rooted passion for connecting innate human
values and universal experiences. - See more at:
http://www.ncco-usa.org/ncco
10618575 SATB . . . . . . . . . . . . . . . . . . 2.50
10618576 SSAA. . . . . . . . . . . . . . . . . . 1.95
10618577 TTBB . . . . . . . . . . . . . . . . . . 1.95
Folksongs
n All the Beautiful Colorsarr. Mary Donnelly
& George L.O. Strid. An uplifting original melody
and lyrics are partnered with this traditional
folk tune which is widely known throughout the
Spanish-speaking world. The accessible partner
song format of this multicultural selection is
great for teaching part singing and ensuring
success with younger choirs. Spanish lyrics and
a pronunciation guide are included, or you may
sing the entire piece in English.
10512894 Two-Part . . . . . . . . . . . . . . . 1.95
10512895 P/A CD . . . . . . . . . . . . . . . 27.95
All the Pretty Little Horsesarr. Andy Beck.
This innovative arrangement presents the well-
known American folk song with a jazz-waltz feel.
Unexpected, but highly creative, it's something truly
different for concert or jazz groups.
10355941 SATB . . . . . . . . . . . . . . . . . . 1.85
10355942 SAB. . . . . . . . . . . . . . . . . . . 1.85
10355943 SSA . . . . . . . . . . . . . . . . . . . 1.85
10355944 Two-Part . . . . . . . . . . . . . . . 1.85
10355945 P/A CD . . . . . . . . . . . . . . . 27.99
H Amazing Gracearr. Jack Schrader.
Absolutely inspired! Jack's perspective on this
beloved melody is to use a slow, gospel style.
The authentic piano accompaniment has all the
piano licks you could possibly want, and supports
the arrangement just as well as the marvelous
orchestral track. In a creative twist, the last verse
features the instruments on the melody as the
choir acts as "back-up singers" to the piano.
Part of our American heritage, Amazing Grace is
a hymn everyone knows, and this arrangement
adds a richness to the melody that you simply
must hear to appreciate.
3133154 SATB . . . . . . . . . . . . . . . . . . 2.20
3133162 P/A CD . . . . . . . . . . . . . . . 29.95
8020711 Orchestration . . . . . . . . . . . 69.95
n Amazing Gracearr. Bruce Stevenson/ed. Craig
Courtney. "And when this flesh and heart shall fail,
and mortal life shall cease, I shall possess within
the veil a life of joy and peace." This seldom heard
verse provides a poignant climax to a rich, fresh
rendition of the much-loved hymn. The addition of
the cello obbligato adds to the depth and warmth of
this steadfast arrangement for SATB voices.
10094666 SATB . . . . . . . . . . . . . . . . . . 2.00
10094667 Instrumental Parts Cello Part . 2.95
American Folk RhapsodyLinda Spevacek. If
you're looking for a good concert or festival feature,
consider this creative setting of Cindy; Simple Gifts
and Pick A Bale Of Cotton. Accessible to choirs with
limited rehearsal time, it's arranged in a unique, fresh
style, with optional hand claps to add to the fun!
1963867 SATB . . . . . . . . . . . . . . . . . . 2.25
1963875 Three-Part Mixed . . . . . . . . . 2.25
1963883 Two-Part . . . . . . . . . . . . . . . 2.25
10011489 SSA . . . . . . . . . . . . . . . . . . . 2.25
H At the RiverAaron Copland. Powerful and
rhythmic, this number also serves as a classic
example and introduction to contemporary
craftsmanship.
154088 SATB . . . . . . . . . . . . . . . . . . 1.95
153999 SSA . . . . . . . . . . . . . . . . . . . 1.95
n Baloo Baleeriearr. Ruth Elaine Schram. Baloo
Baleerie is a beautiful Scottish lullaby appropriate
for seasonal or general use. The text is in English
with Gaelic subtext, along with an accessible
pronunciation guide. The vowels of the text lend
themselves to teaching beautiful tone. Lovely,
lyrical, and simply beautiful!
10510062 Three-Part Mixed . . . . . . . . . 1.95
n Bandyrowearr. Susan Brumfield. "Way up
yonder above the moon, a bluebird sits in a silver
spoon. Kitty alone and I..." This Irish nonsense
song is a whirling, twirling kaleidoscope of sound
- an excellent showcase for treble choirs in middle
school and up! "To me tat, me tear, me ditt'n o-dill,
Kitty alone and I."
10508727 SSA . . . . . . . . . . . . . . . . . . . 2.25
n Banjo Pickin' Girlarr. Tim Sharp & Andrea
Ramsey. This arrangement of the Appalachian folk
song is tons of fun, with parts for banjo, gourd,
washboard and spoons! It even incorporates
Nobody Knows the Trouble I've Seen with
humorous effect, making it a great showcase for
women's choirs in middle school and up! "If you
ain't got no money, find yourself another honey..."
Highly recommended!
10358629 SSA . . . . . . . . . . . . . . . . . . . 2.25
n Banjo Samarr. Jay Broeker. Based on an
American folk tune from the southern folk tradition
of the early 1900s, this selection is an upbeat
showpiece that incorporates a banjo player, a bit
of non-improvised scat singing, a fun text, and
the option of clog or tap dancers to create both
rhythmic and visual excitement!
10300887 SA . . . . . . . . . . . . . . . . . . . . 2.10
H Bile Them Cabbage Downarr. Mack Wilberg.
A favorite with all-state and regional festivals, this
uniquely charming arrangement for choir and piano
(four hands) is a choral hoedown just waiting to
happen! Add wood block and tambourine, or your
own fiddles and string bass for an unforgettable
concert feature. Now available for male as well as
mixed choirs.
1955491 SATB . . . . . . . . . . . . . . . . . . 2.20
10589931 TTBB . . . . . . . . . . . . . . . . . . 2.50
Bile Them Cabbage Downarr. Steve Kupfer-
schmid. This lively, rhythmic and humorous
arrangement is pure fun from start to finish, not to
mention easy to learn! Hand-clappin', hootin' and
hollerin' and even some barking and howling fill the
verses and choruses key change after key change.
Add some foot-stompin' and a fiddle and you're
ready to "bile them cabbage down!"
10453547 SAB. . . . . . . . . . . . . . . . . . . 2.50
10453552 Two-Part . . . . . . . . . . . . . . . 2.50
10453553 P/A CD . . . . . . . . . . . . . . . 26.99
t Bright Morning Starsarr. Jay Althouse. "Bright
morning stars are rising...Day is breaking in my
soul..." This Appalachian folksong, arranged for
a cappella voices, has a contemplative, spiritual
quality. Opening and closing with a female trio,
it's a wonderful example of the old-time American
music style.
10069050 SATB . . . . . . . . . . . . . . . . . . 1.85
10069051 SSAA. . . . . . . . . . . . . . . . . . 1.85
4 Bright Morning Stars Are RisingAudrey
Snyder. Honest, authentic, heartfelt. These are
the words that come to mind with this plaintive
folk setting for SSA voices. Whether performed
a cappella or accompanied by guitar or piano, this
selection will inspire your audience!
10588916 SSA . . . . . . . . . . . . . . . . . . . 1.90
10605471 P/A CD . . . . . . . . . . . . . . . 26.99
t Bring Me Little Water, Silvyarr. Greg Gilpin.
In this dynamic arrangement of the Huddie
Ledbetter tune, Greg Gilpin has captured the
strong rhythmic pulse and harmonic energy that is
characteristic of the Lead Belly style. To intensify
the driving pulse of the chorus, it is suggested that
percussion instruments (shaker, guiro, high drum
and low drum) and body percussion be added. This
creative programming gem will provide a marvelous
contrast on your next concert or festival.
10512770 SATB . . . . . . . . . . . . . . . . . . 2.10
10512771 SSAB. . . . . . . . . . . . . . . . . . 2.10
10512772 SSAA. . . . . . . . . . . . . . . . . . 2.10
t Bring Me Little Water, Sylviearr. Kirby
Shaw. This soulful a cappella setting of the classic
American folksong has a spiritual feel that is very
effective! If you're looking for something a little
different with a terrific a cappella groove, this is for
you. "Oh, Sylvie, bring me little water, Sylvie, ev'ry
little once in a while..." Highly recommended!
10364662 SATB . . . . . . . . . . . . . . . . . . 1.90
10364663 SSAA. . . . . . . . . . . . . . . . . . 1.90
10364664 TTBB . . . . . . . . . . . . . . . . . . 1.90
BEST
SELLERS
Spirituals &
Gospel Selections
SATB
Buy with confidence! These works, listed in
order of their popularity, are chosen most often
by directors.
Praise His Holy Name—Keith Hampton.
3168358 SATB . . . . . . . . . . . . . . . . . . . . 1.65
I Sing Because I'm Happy—Rollo Dilworth.
10451977 SATB . . . . . . . . . . . . . . . . . . . . 1.95
He Never Failed Me Yet—Robert Ray.
1424092 SATB . . . . . . . . . . . . . . . . . . . . 1.90
1901263 P/A CD. . . . . . . . . . . . . . . . . . 26.99
1939735 Instrumental Parts . . . . . . . . . 30.00
10002660 Orchestration . . . . . . . . . . . . . 55.00
10002660E Orchestration ePrint. . . . . . . . 55.00
Keep Your Lamps—Andre Thomas.
1428499 SATB . . . . . . . . . . . . . . . . . . . . 1.70
City Called Heaven—
arr. Josephine Poelinitz/Leck.
1841709 SATB . . . . . . . . . . . . . . . . . . . . 1.75
Let Everything that Hath Breath—
Jeffery L. Ames.
10017215 SATB . . . . . . . . . . . . . . . . . . . . 2.25
The Storm Is Passing Over—
Charles Albert Tindley/arr. Barbara W. Baker.
3093036 SATB . . . . . . . . . . . . . . . . . . . . 1.95
True Light—Keith Hampton.
3700850 SATB . . . . . . . . . . . . . . . . . . . . 1.95
Take Me to the Water—arr. Rollo Dilworth.
10010513 SATB . . . . . . . . . . . . . . . . . . . . 1.90
Run, Mary, Run—Brian Tate.
10507959 SATB . . . . . . . . . . . . . . . . . . . . 2.50
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