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Sacred Concert All Voicings medium-easy
Ave MariaGiulio Caccini/arr. Liebergen.
Caccini's haunting melody has been recorded by
everyone from Charlotte Church to Andrea Bocelli
and no wonder: it's simply gorgeous. Now available
for SSA groups, this tasteful arrangement allows the
melody and harmonies to speak for themselves. An
optional flute part is included in the octavo.
3285509 SATB . . . . . . . . . . . . . . . . . . 1.85
3285517 SAB. . . . . . . . . . . . . . . . . . . 2.25
10501318 SSA . . . . . . . . . . . . . . . . . . . 1.90
3300748 TTBB . . . . . . . . . . . . . . . . . . 2.25
n Awake My Soul and Sing!Victor C. Johnson.
This celebratory work is solid and rhythmic,
featuring a driving accompaniment that helps to
fuel the excitement. With options to feature a small
ensemble or solo throughout its development, this
piece will make an outstanding concert opener!
10457447 SATB . . . . . . . . . . . . . . . . . . 2.25
10457448 SSA . . . . . . . . . . . . . . . . . . . 2.25
H Battle Hymn of the Republicarr. Peter Wilhousky.
The Wilhousky setting of this 19th century hymn is
possibly the most heartfelt musical pronouncement
of American patriotism. Divisi sections in all parts are
accessible and still richly expressive with harmonic
colors and sweeping dynamic contrasts. Emotional
and highly effective, it is a truly magnificent setting
that may be performed with band or orchestral
accompaniment. It's also the one chosen most often
by U.S. military ensembles.
245076 SSAATTBB . . . . . . . . . . . . . . 2.25
10443554 SAB. . . . . . . . . . . . . . . . . . . 2.50
244897 TTBB . . . . . . . . . . . . . . . . . . 2.25
945436 Concert Band . . . . . . . . . . . 90.00
258038 Full Orchestra . . . . . . . . . . 85.00
The Battle Hymn of the Republicarr. Lon
Beery. Now developing choirs can thrill to the
dramatic impact of this most important sacred
patriotic work! Optional baritone notes for changing
voices and optional notes for high sopranos
guarantee a big, full choral sound. You'll want to
use the recorded track or parts for two trumpets,
trombone and timpani (available separately) to add
sparkle to your performance of this outstanding
arrangement! Highly recommended!
10274314 Three-Part Mixed . . . . . . . . . 2.50
10274315 SSA . . . . . . . . . . . . . . . . . . . 2.50
10274316 P/A CD . . . . . . . . . . . . . . . 26.99
10274317 Instrumental Parts
Brass & Timpani. . . . . . . . . 25.00
H
BenedictusBrian Lewis. Legato lines, close
harmonies, lush suspensions, and a gentle piano
accompaniment make this Latin-text setting seem
to float its way to your audience. A perfect contest
or concert piece for any choir. The vocal lines
almost sing themselves, and your ensemble will
love the sound they create. A must-have addition
to any choral library! Highly recommended!
3300836 SATB . . . . . . . . . . . . . . . . . . 1.85
3300837 SAB. . . . . . . . . . . . . . . . . . . 1.85
10047037 SSAA. . . . . . . . . . . . . . . . . . 1.85
10047038 Two-Part . . . . . . . . . . . . . . . 1.85
4
BenedictusJohann Michael Haydn/arr.
Patrick M. Liebergen. This classical work by a
younger brother of Joseph Haydn features brilliant
melismatic lines and a well-crafted piano reduction
of the original orchestral score. An opening triadic
motive in the sopranos is repeated and developed
through the lower voices in imitative fashion before
coming to a homophonic section and a stately
close. The arranger has done an excellent job
making this accessible to school choirs! Excellent
editor's notes give thorough historical background
on the composer and his work.
10590225 SATB . . . . . . . . . . . . . . . . . . 1.90
10604579 Multi-Song Accomp. CD . . . 44.99
Bring Us Peace (Da Pacem Domine)Melchior
Franck/arr. Spevacek. This lovely, late Renaissance/
early Baroque work is complemented by a new,
contemporary English text for general use by
school choirs, and also a soaring descant which
adds to the emotional impact. The English text,
a powerful call for peace, is not intended to be
a literal translation of the original Latin (which is
also included as a performance option). Whether
performed accompanied or a cappella, this piece
provides a marvelous masterwork experience for
young and developing choirs!
10089726 Three-Part Mixed . . . . . . . . . 1.95
10089727 Two-Part . . . . . . . . . . . . . . . 1.95
10348689 SSA . . . . . . . . . . . . . . . . . . . 1.95
10089729 P/A CD . . . . . . . . . . . . . . . 26.95
lt Cantate DominoClaudio Monteverdi/arr. Jill
Gallina. One of a number of short motets written
by Italian composer Claudio Monteverdi, this was
originally scored for six voices. Now SSA choirs
can enjoy this Late Renaissance - Early Baroque
a cappella work, carefully weaving selected vocal
lines from the original to create a stylistically
authentic sound.
10593043 SSA . . . . . . . . . . . . . . . . . . . 1.90
n Cantate DominoNancy Hill Cobb. Fresh,
singable melodic lines and a logical ABA-Coda
form make this original work by Nancy Hill
Cobb a perfect choice for any two-part choir. A
pronunciation guide for the Latin is written in
the vocal parts, and performance notes are also
included. The melodies have no difficult leaps
or accidentals, which simplifies teaching, sight-
reading and memorization. Educationally, musically
and compositionally solid. An excellent choice.
3192275 Two-Part . . . . . . . . . . . . . . . 1.95
Cantate DominoMark Hayes. Pure energy
from start to finish, this dynamic original
features captivating syncopations, mixed meter,
polyphonic sections, and a dramatic ending.
Crafted in minor mode, it incorporates both Latin
and English lyrics, which are brought to life by the
toccata-like piano accompaniment.
10089736 SATB . . . . . . . . . . . . . . . . . . 2.10
10089738 P/A CD . . . . . . . . . . . . . . . 24.95
n Cantate Hodie! (Sing on This Day!)John
Purifoy. This buoyant original work will be an
excellent and accessible piece for contest, festival
and concert performance, with a rhythmic, lively
refrain contrasted with a somewhat more lyrical
section. The text is a mixture of Latin and English:
"Cantate hodie! Sing on this day! ... Sing with a
jubilant song and be glad!"
10517123 Three-Part Mixed . . . . . . . . . 1.90
10517124 SSA . . . . . . . . . . . . . . . . . . . 1.90
H
Cantate Hodie! (Sing Today)Mary Lynn
Lightfoot. A very impressive opener or contest-
festival piece! Bright, fanfare-like motives, incisive
accompaniment and text in Latin and English work
together to make this work a standout for young
and developing choirs. First-rate music, with real
lift and impact! Highly recommended!
10089750 SATB . . . . . . . . . . . . . . . . . . 2.10
8067124 Three-Part Mixed . . . . . . . . . 2.10
8067138 Two-Part . . . . . . . . . . . . . . . 1.95
10011502 SSA . . . . . . . . . . . . . . . . . . . 2.10
10011503 TTB . . . . . . . . . . . . . . . . . . . 2.10
10089756 P/A CD . . . . . . . . . . . . . . . 26.95
l
Cantate! Sing Alleluia!J.S. Bach/arr. Patrick
M. Liebergen. Tuneful legato lines and an original
text in alternating Latin and English make this a
lovely way to introduce your students to the music
of J.S. Bach. Contrasting melodies pair at the end to
form a partner song. Add the optional trumpet part
for a joyful concert or festival feature!
10604297 Two-Part . . . . . . . . . . . . . . . 1.90
10604579 Multi-Song Accomp. CD . . . 44.99
4 Confitemini DominoAlessandro Constantini/
arr. Russell Robinson. This motet was originally
written for three-part women's voices. Here it has
been adapted for mixed voices, one step lower in
key, and with a piano part that is more than just
a reduction of the voice parts. Perform the work
a cappella as a true motet, or with the piano
accompaniment, to give your choir a good taste of
this Italian Baroque masterwork.
10585378 SAB. . . . . . . . . . . . . . . . . . . 1.95
H Confitemini DominoGreg Gilpin. Lush
harmonies and beautiful melodies distinguish
this strong concert or festival work. An "Alleluia"
section is both lyrical and dynamic and the optional
baritone part adds depth in the final section. This is
expressive writing from Greg Gilpin and an excellent
venue for developing choirs.
3250966 Three-Part Mixed . . . . . . . . . 1.95
10510055 SSA . . . . . . . . . . . . . . . . . . . 1.95
Deo Dicamus GratiasVictor Johnson. Luscious
harmonies, fluid melodies, and a rich piano
accompaniment all come together in this inspiring
and uplifting original work for mixed chorus.
Emotive and so musical at every phrase, this is
an outstanding vehicle to display the expressive
nuances of your choir and we enthusiastically give
it our highest recommendation!
3298343 SATB . . . . . . . . . . . . . . . . . . 1.95
10011521 SSA . . . . . . . . . . . . . . . . . . . 1.95
10011522 TTB . . . . . . . . . . . . . . . . . . . 1.95
10011520 Two-Part . . . . . . . . . . . . . . . 1.95
Dies IraeRuth Morris Gray. This is
appropriately powerful and intense! Angular
phrases and percussive attacks add to the drama
in this contemporary Latin setting of the Day of
Wrath text. A tour de force for intermediate-
level choirs, more easily accessible than classic
settings such as those by Mozart or Verdi.
Highly recommended!
10514815 SATB . . . . . . . . . . . . . . . . . . 1.90
10514816 TTB . . . . . . . . . . . . . . . . . . . 1.90
10515003 Multi-Song Accomp. CD . . . 44.99
t Dominus VobiscumJacob Narverud. Now
available for women's or men's voices, this
powerful, flowing a cappella work in Latin opens
with a unison chant and closes with a quiet "Amen."
It is infused with interesting and varied harmonies,
changing meter, and dramatic dynamics. This will
bring out the musicianship of your a cappella voices
very nicely!
10510012 SSA . . . . . . . . . . . . . . . . . . . 1.95
10584802 TBB . . . . . . . . . . . . . . . . . . . 1.95
Et in Terra PaxMary Lynn Lightfoot. In this
expressive setting of a traditional Latin text,
sweeping melodic lines and rich harmonies
lead to an ending of quiet splendor. Mary Lynn
composes some of the best music available for
school choirs, and this is a prime example of her
work. Highly recommended!
10443055 SATB . . . . . . . . . . . . . . . . . . 2.10
10006358 Three-Part Mixed . . . . . . . . . 2.10
10047261 SSA . . . . . . . . . . . . . . . . . . . 2.10
10006360 Two-Part . . . . . . . . . . . . . . . 1.95
10047262 TTB . . . . . . . . . . . . . . . . . . . 2.10
10047799 P/A CD . . . . . . . . . . . . . . . 26.95
n Festival CantateVictor C. Johnson. Full of
bright syncopation, rhythmic excitement, and lively
melodies, this original work for developing choirs
sparkles with energy! Texts in Latin and English,
a contrasting middle section, and engaging choral
writing all combine to create a dynamic offering for
use throughout the year. Highly recommended!
10513078 SATB . . . . . . . . . . . . . . . . . . 2.10
10307399 Three-Part Mixed . . . . . . . . . 2.10
10307400 P/A CD . . . . . . . . . . . . . . . 26.95
n Festival SanctusVictor C. Johnson. This
triumphant setting of the traditional Latin text
features a bright, energetic accompaniment and
includes a pronunciation and translation guide.
The expressive contrasts between sections and the
canonic interplay among vocal parts are exciting to
sing and hear! Highly recommended!
10590406 Three-Part Mixed . . . . . . . . . 2.10
10457332 TTB . . . . . . . . . . . . . . . . . . . 2.10
Build a bridge
8 STEPS TO
HARMONIZATION
Laying the Foundation for
Successful Part-Singing
Catherine DeLanoy. Lay the
foundation for successful part-
singing with this unique and valuable
resource designed to aid music
teachers by providing a step-by-
step path for teaching young choirs
how to sing harmony, building a
bridge that transitions between
elementary and high school music
reading. Perfect for middle school,
this resource can be easily adapted
for younger and older singers. Each
step in this book offers several songs
that will give choirs the practice
they need to master each type of
harmonization: Unison; Ostinato;
Echo Songs; Descants; Partner
Songs; Rounds; Polyphonic Songs
and Homophonic Songs. The
enclosed CD-ROM includes MP3
recordings of piano accompaniments
and PDFs of the piano/vocal scores
for projection or printing.
10507013 Mixed Voices Reproducible
Book/CD-ROM . . . . . 49.99
BEST
SELLERS
Sacred Concert
SAB/Three-Part Mixed
Buy with confidence! These works, listed in
order of their popularity, are chosen most often
by directors.
Ubi Caritas—Victor C. Johnson.
10512921 Three-Part Mixed . . . . . . . . . . 2.10
10512923 P/A CD. . . . . . . . . . . . . . . . . . 27.95
Three A Cappella Latin Settings—Jerry Estes.
10512811 Three-Part Mixed . . . . . . . . . . 2.10
Prayer of the Children—
Kurt Bestor/arr. Mark Hayes.
10515355 SAB . . . . . . . . . . . . . . . . . . . . . 2.00
10515358 P/A CD. . . . . . . . . . . . . . . . . . 29.99
Eatnemen Vuelie (Song of the Earth)—
Frode Fjellheim/arr. Emily Crocker.
10519310 SAB . . . . . . . . . . . . . . . . . . . . . 2.25
Cantate Canon—Donald Moore.
10510063 Three-Part Mixed . . . . . . . . . . 1.95
Inscription of Hope—Z. Randall Stroope.
3073038 Three-Part Mixed . . . . . . . . . . 2.10
10006345 P/A CD. . . . . . . . . . . . . . . . . . 26.95
10011541 Instrumental Parts . . . . . . . . . 29.95
10011541E Instrumental Parts ePrint. . . . 29.95
Festival Sanctus—John Leavitt.
10047611 SAB . . . . . . . . . . . . . . . . . . . . . 1.85
10047615 P/A CD. . . . . . . . . . . . . . . . . . 27.99
10047616 Instrumental Parts . . . . . . . . . 40.00
Cantate!—Mary Lynn Lightfoot.
10512882 SAB . . . . . . . . . . . . . . . . . . . . . 1.95
10512885 P/A CD. . . . . . . . . . . . . . . . . . 27.95
How Can I Keep from Singing?—Greg Gilpin.
3298161 Three-Part Mixed . . . . . . . . . . 1.95
O Sifuni Mungu
(All Creatures of Our God and King)—
arr. Roger Emerson.
1914183 SAB . . . . . . . . . . . . . . . . . . . . . 2.25
1914217 P/A CD. . . . . . . . . . . . . . . . . . 26.99
1914209 Instrumental Parts . . . . . . . . . 20.00
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