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Multicultural/World Music
Funga Alafia (Song of Welcome)arr. Jill
Gallina. Choreography is included in this joyful
piece, based on a traditional song of welcome sung
in many parts of Africa. Greetings of good health,
blessings, and peace are expressed throughout.
Parts for claves, bongos, and conga enhance the
African feeling, while phrases of vocal speech seem
to invite everyone to join in the celebration!
10190826 Two-Part . . . . . . . . . . . . . . . 2.50
10190827 P/A CD . . . . . . . . . . . . . . . 26.99
t Gabi Gabiarr. William Powell. This a cappella
setting of a traditional South African praise song just
bursts with joyful energy! Full of dynamic contrasts,
exciting percussion and a wide range of layered
vocal textures, this is an exceptional multicultural
selection that we recommend very highly.
3207750 SATB . . . . . . . . . . . . . . . . . . 1.90
3299321 SAB. . . . . . . . . . . . . . . . . . . 1.90
n Gate Gate (Gone, Gone)Brian Tate. Joyful
energy, dance-like rhythms, effective handclaps,
and shifting meters all come together in this
exuberant choral feature that is based on a
Buddhist mantra. Repetitive melodies dance
freely through alternating meters, while the piano
accompaniment provides color and flair. A popular
choice for more capable choirs, it is simply an
unforgettable multicultural selection.
5775374 SATB . . . . . . . . . . . . . . . . . . 2.05
n Gloria from Missa KenyaPaul Basler. This
impressive work is filled with wonderful rhythms.
Featuring African drums and hand claps, it is
composed for tenor solo (performable by soprano)
with choral backup. A joyful, vibrant work!
5439260 SATB . . . . . . . . . . . . . . . . . . 1.85
Gnothi SaftonJim Papoulis/ed. Sophia Miller.
With Gnothi Safton, composer Jim Papoulis
raises the profile of Boomwhackers out of the
elementary classroom and onto the concert
stage. Including an original inspirational text that
urges young people to "know thyself," "seek
beauty, freedom and justice" and "celebrate
virtue, prudence, courage and life," this is the
song that your chorus will ask for every day
before they leave the choir room.
10609885 SATB . . . . . . . . . . . . . . . . . . 2.50
10495646 SSA . . . . . . . . . . . . . . . . . . . 2.50
10494423E SSA ePrint . . . . . . . . . . . . . . 2.50
H Good Night (A Russian Song)Dmitri Kabalev-
sky/arr. Rao. Arranged for unison or two-part
voices, this Russian song, taught to Doreen Rao by
Dmitri Kabalevsky, may be accompanied by piano
or Orff instruments.
1665843 Unison/Two-Part . . . . . . . . . 1.95
4 Got Coffee?arr. Mary Donnelly & George L.O.
Strid. A spirited original melody and lighthearted,
humorous lyrics are partnered with this traditional
Puerto Rican folk song, which is widely known
throughout the Spanish-speaking world. With
its accessible partner-song format, this lively
multicultural piece is terrific for teaching part
singing and ensuring success with young choirs.
Spanish lyrics and a pronunciation guide and
translation are included, or you may perform the
piece entirely in English.
10602827 Two-Part . . . . . . . . . . . . . . . 2.10
H Haidaarr. Henry Leck. Based on a Chassidic
round, this arrangement is excellent to help a
beginning chorus to sing together in parts. First
sung in unison, then in a three-part round, the
music is fun and easily accessible. The word
"Haida" has no specific meaning, but is meant to
be treated much like "lah" in American folk music.
5303532 Unison . . . . . . . . . . . . . . . . . 1.75
H Halle, Halle, Hallearr. Hal Hopson. This
Caribbean tune may well be the most popular
of the new multicultural songs that have found
their way into the choral repertoire. Hal Hopson's
setting of this infectious melody is one that will
have your listeners humming and singing along.
The perfect combination of original verses by
Hal and the easy optional percussion make this
setting irresistibly catching!
3133386 SATB . . . . . . . . . . . . . . . . . . 2.25
3235785 SAB. . . . . . . . . . . . . . . . . . . 2.25
10425480 Two-Part Mixed . . . . . . . . . . 2.25
3133394 P/A CD . . . . . . . . . . . . . . . 29.95
n Haru SugiteVictor C. Johnson. Capturing
the distinctly Asian flavor of this traditional
Japanese text, Victor's haunting setting
provides a marvelous multicultural and creative
programming gem for developing choirs. A
pronunciation guide and translation are provided
for the Japanese lyrics and the middle section
is sung in English. The addition of flute, wind
chimes and triangle will provide unique color and
texture and will enhance any performance.
10512787 Three-Part Mixed . . . . . . . . . 2.10
10512788 Two-Part . . . . . . . . . . . . . . . 2.10
10512789 P/A CD . . . . . . . . . . . . . . . 27.95
H HashivenuNira Chen/arr. Rao. Performable by
unison voices or as either a two or three-part canon,
this Israeli folk song, edited by Doreen Rao, is quite
effective in a variety of performance situations.
1656560 Unison . . . . . . . . . . . . . . . . . 1.95
H
Hine Ma Tovarr. Allan Naplan. Inspired by
Psalm 133, Hine Ma Tov is translated "How good
it is for all of us to dwell together in peace." The
meaning of the Hebrew text is universal, as is the
appeal of the lively music, which cleverly shifts
between major and minor. The delightful "lai lai lai"
refrain will make your audience want to clap along!
10370730 SATB . . . . . . . . . . . . . . . . . . 2.25
1978097 Two-Part . . . . . . . . . . . . . . . 1.95
Hine Ma Tovarr. Lon Beery. Two popular
Jewish folk songs are joined in this creative
medley based on a poignant text, which speaks
of dwelling together in unity and harmony. A cello
part is provided for the TTB voicing, while a violin
part has been included for the three-part mixed
and two-part settings. For any occasion with a
unity or brotherhood theme, this is guaranteed to
be a rewarding experience for your singers and
audiences! Highly recommended!
10303151 Three-Part Mixed . . . . . . . . . 2.50
10303152 TTB . . . . . . . . . . . . . . . . . . . 2.50
10303153 Two-Part . . . . . . . . . . . . . . . 2.50
10295929 Multi-Song Accomp. CD . . . 44.99
n Hisakata (The Gentle Light of Spring)Victor
C. Johnson. This superb setting of a traditional
Japanese text captures the ancient mystery of
Japan through haunting melodies and simple
harmonies. Parts (included) for flute, wind
chimes and triangle add wonderful color and
texture, creating an authentic cultural experience.
A pronunciation guide is included for the four
Japanese words; the middle section is in English:
"Spring has come, and once again the sun shines
in the sky..."
10366646 Two-Part . . . . . . . . . . . . . . . 2.10
10366647 P/A CD . . . . . . . . . . . . . . . 26.95
4t Hlohonolofatsaarr. Daniel Jackson. This
tremendously fun arrangement of a South African
greeting song exclaims, "Iyo hlonolofatsa, Ka lebitso
la ntate," which translates as, "Bless everything
in the name of the Father." Featuring a soloist,
improvised percussion and hand claps, it is very
authentic sounding! Phonetic pronunciation guide
is included.
10593326 SATB . . . . . . . . . . . . . . . . . . 2.25
H Hotaru Koi (Ho, Firefly)arr. Ro Ogura. This
arrangement of the Japanese children's song
continues to be a popular choice for state and
regional festival lists.
1636257 SSA . . . . . . . . . . . . . . . . . . . 1.80
If You Could Hear My VoiceJim Papoulis. Jim
Papoulis is the master of easy-to-sing choral pieces
with a "world music" theme, and this rhythmic,
uplifting song is a superb example of his work! It
proclaims, "there is a voice inside me and I must let
it sing." Highly recommended!
10321115 SSA . . . . . . . . . . . . . . . . . . . 1.95
n Ili, Ili, Tulog Anayarr. Victor C. Johnson.
This charming lullaby from Panay Island in the
Philippines exudes an elegant simplicity and tender,
evocative harmonies. While most of the piece is
sung in the traditional language of Ilonggos, the
middle section features an a cappella verse sung in
English. A violin part enhances the gentle mood and
a pronunciation guide and translation are included.
10512876 SSA . . . . . . . . . . . . . . . . . . . 1.95
10512877 P/A CD . . . . . . . . . . . . . . . 27.95
ImbakwaJim Papoulis. Beautifully melodic,
with a great beat and a great message, this "world
music" piece has a text in Swahili which translates
as, "We have a right." Imbakwa was written for the
score of a film about an organization benefiting
orphans in Tanzania. The organization, called
TunaHAKI, uses the arts to empower children to
have the future they deserve. A hand-drum part is
included in the choral score. Highly recommended!
10340678 SATB . . . . . . . . . . . . . . . . . . 1.95
4t In Meeting We Are BlessedTroy Robertson
& R. Gatsnahos. The part for djembe imparts a
traditional African feeling to this easy, original
a cappella work. The Gatsnahos text, inspired
by John Donne, has a theme of friendship and
unity that all can relate to. "We are met together
and in meeting we are blessed. Peace in coming
and in going, peace in labor and in rest..." This is
accessible to choirs at many levels, and it makes a
wonderful processional!
10589968 SATB . . . . . . . . . . . . . . . . . . 1.90
In This Ancient House (Momoshiki Ya)Ruth
Morris Gray. With its haunting melody and open
fourth and fifth harmonies, this gentle setting of
a traditional Japanese poem captures the mystery
of ancient Japan. The Japanese text alternating
with the English translation is easy to learn and
evokes images of ages past. A pronunciation and
translation guide is included. The finger cymbals
complement the distinctly Asian flavor of this
delightfully evocative piece!
10043514 SAB. . . . . . . . . . . . . . . . . . . 2.10
10043463 Two-Part . . . . . . . . . . . . . . . 2.10
10047872 P/A CD . . . . . . . . . . . . . . . 26.95
H
Inscription of HopeZ. Randall Stroope.
A profoundly moving text, written on a cellar wall
during the rise of Nazi Germany, joins with original
music to create a deeply emotional expression of
hope for all mankind. With brief narration and the
echo of a Russian folk melody, this is an important
contribution to the concert repertoire for more
discerning choirs!
1910504 SATB . . . . . . . . . . . . . . . . . . 2.10
3073038 Three-Part Mixed . . . . . . . . . 2.10
1910512 Two-Part . . . . . . . . . . . . . . . 2.10
10307417 SSA . . . . . . . . . . . . . . . . . . . 2.10
10307418 TTB . . . . . . . . . . . . . . . . . . . 2.10
10006345 P/A CD . . . . . . . . . . . . . . . 26.95
10011541 Instrumental Parts . . . . . . . 29.95
Iro Yearr. Jill Gallina. This lullaby is from the
Republic of Benin, a country in West Africa. The
Mina language of the traditional melody is paired
with an original melody in English, creating a
dreamy partner-style song with optional flute. It's a
simple piece that will make it fun to learn about the
people of Benin.
10499852 Two-Part . . . . . . . . . . . . . . . 2.50
10499853 P/A CD . . . . . . . . . . . . . . . 26.99
n It Takes a VillageJoan Szymko. The familiar
African saying, "It takes a village to raise a child,"
is appropriately set to tribal-sounding music in this
marvelous cross-cultural feature. A great closer,
this piece is a proven audience favorite!
3277274 SATB . . . . . . . . . . . . . . . . . . 2.05
3277266 SSAA. . . . . . . . . . . . . . . . . . 2.05
10423621 TTBB . . . . . . . . . . . . . . . . . . 2.05
l Itsuki Lullaby (Japanese Lullaby)arr. Sheila
Feay-Shaw. This Japanese lullaby is a traditional
song sung by girls far away from home as they
worked as nannies in upper-class households. The
gentle sounds of flute and wind chimes support the
plaintive quality of the melody, presented in canon
and simple harmonization over the arpeggios in the
piano or optional marimba accompaniment.
10564840 SSA . . . . . . . . . . . . . . . . . . . 1.90
Iza NgomsoChristopher Tin. Based on a text
by Longfellow and set in Xhosa, one of the official
languages of South Africa, this joyous movement
from Grammy-winner Christopher Tin's CD, The
Drop That Contained the Sea, was originally recorded
with the Soweto Gospel Choir of South Africa.
10514892 SSATBB . . . . . . . . . . . . . . . . 2.45
10514893 P/A CD . . . . . . . . . . . . . . . 27.99
H J'entends Le Moulinarr. Emily Crocker.
Hear the steady sound of the mill wheel in this
brisk setting of the French Canadian folk ong,
which uses alternate French and English text. "I
hear the windmill, tick-a tick-a tack-a..." Use the
pronunciation guide on the inside cover or the
Teaching P/A CD to practice the French lyrics. This
is easy and fun to sing!
10030298 Two-Part . . . . . . . . . . . . . . . 1.90
10030299 Teaching P/A CD . . . . . . . . 22.99
Ht Jabula JesuStephen Hatfield. Now available
in an SSA voicing, this choral work offers a
taste of layered ostinatos and African polyrhythms
and may be performed a cappella or with two or
more percussionists.
1956614 SATB . . . . . . . . . . . . . . . . . . 1.95
10483839 SSAA. . . . . . . . . . . . . . . . . . 2.10
BEST
SELLERS
Multicultural/
Folk Songs
SAB/Three-Part Mixed
Buy with confidence! These works, listed in
order of their popularity, are chosen most often
by directors.
Bonse Aba—arr. Victor C. Johnson.
10089711 Three-Part Mixed . . . . . . . . . . 2.25
10089725 P/A CD. . . . . . . . . . . . . . . . . . 26.95
Can You Hear?—
Jim Papoulis & Francisco Nunez.
3701106 SAB . . . . . . . . . . . . . . . . . . . . . 1.95
3302311 P/A CD. . . . . . . . . . . . . . . . . . 26.99
3297611 Instrumental Parts . . . . . . . . . 13.50
Stand Together—Jim Papoulis.
10029708 SSAB . . . . . . . . . . . . . . . . . . . . 1.95
10013045 P/A CD. . . . . . . . . . . . . . . . . . 26.99
Singabahambayo—Victor C. Johnson.
10513128 Three-Part Mixed . . . . . . . . . . 2.25
Jambo—
Teddy Kalanda Harrison/arr. Jacob Narverud.
10394008 SAB . . . . . . . . . . . . . . . . . . . . . 2.05
The Cuckoo—Robert Hugh.
10070876 SAB . . . . . . . . . . . . . . . . . . . . . 2.25
Eatnemen Vuelie (Song of the Earth)—
Frode Fjellheim/arr. Emily Crocker.
10519310 SAB . . . . . . . . . . . . . . . . . . . . . 2.25
Inscription of Hope—Z. Randall Stroope.
3073038 Three-Part Mixed . . . . . . . . . . 2.10
10006345 P/A CD. . . . . . . . . . . . . . . . . . 26.95
10011541 Instrumental Parts . . . . . . . . . 29.95
10011541E Instrumental Parts ePrint. . . . 29.95
Al Tambor—arr. Victor C. Johnson.
10307371 Three-Part Mixed . . . . . . . . . . 2.25
10307373 P/A CD. . . . . . . . . . . . . . . . . . 26.95
Bidi Bom—David Eddleman.
3298642 SAB . . . . . . . . . . . . . . . . . . . . . 1.95
