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Vocal Jazz
At LastMack Gordon & Harry Warren/arr.
Althouse. Soul and blues singer Etta James made
this luscious ballad a hit in 1960, although it was
written almost 20 years earlier by the songwriting
team of Mack Gordon and Harry Warren. Since
then it's been recorded by scores of artists. Jay
Althouse's tasteful arrangement really brings out
the beauty and romance of the song for today's
choirs. This will be easy for your singers to sound
great on!
10008167 SATB . . . . . . . . . . . . . . . . . . 1.90
10008168 SAB. . . . . . . . . . . . . . . . . . . 1.90
10008169 SSA . . . . . . . . . . . . . . . . . . . 1.90
10008170 P/A CD . . . . . . . . . . . . . . . 27.99
10008171 Instrumental Parts . . . . . . . 25.00
l At the Zooarr. Paris Rutherford. In the Jazz
Explorations series for developing jazz choirs, this
whimsical song from Simon & Garfunkel is a perfect
introduction to style, technique and blend.
10605436 SAB. . . . . . . . . . . . . . . . . . . 1.95
10605437 SSA . . . . . . . . . . . . . . . . . . . 1.95
10605438 P/A CD . . . . . . . . . . . . . . . 26.99
10605439E Instrumental Parts ePrint. . . 20.00
t Autumn LeavesJoseph Kosma & Johnny
Mercer/arr. Ryan O'Connell. Here's a lush, beautiful
a cappella setting of the old standard tune, with
accessible jazz harmonies and effortless voice
leading. This is a standout ballad for your jazz or
concert choir! Highly recommended!
10363356 SATB . . . . . . . . . . . . . . . . . . 2.50
10363357 SSA . . . . . . . . . . . . . . . . . . . 2.50
l Blue Skiesarr. Ron Caviani. A perfect introduction
to vocal jazz, this Irving Berlin classic gets an updated
treatment that's great for developing style with your
treble choirs. It really swings!
10558325 SSA . . . . . . . . . . . . . . . . . . . 2.25
4 Blue SkiesIrving Berlin/arr. Mark Hayes. Irving
Berlin's much-recorded song from 1926 takes a
sultry and sophisticated turn with this dynamic
jazzy arrangement that includes optional rhythm,
flugelhorn and flute. "Blue days, all of them gone.
Nothing but blue skies from now on." This tasteful,
easy-going chart will sound nice and mellow.
10593054 SATB . . . . . . . . . . . . . . . . . . 1.95
10593055 SAB. . . . . . . . . . . . . . . . . . . 1.95
10593056 SSA . . . . . . . . . . . . . . . . . . . 1.95
10627050 P/A CD . . . . . . . . . . . . . . . 26.99
n Blue SkiesIrving Berlin/arr. Emerson. Irving
Berlin's quintessential song is a classic of swing
style, and this straightforward, singable arrangement
brings Berlin's standard to vocal jazz and show choirs
of any level. The swing groove is established in the
beginning with choral voices accompanied by finger
snaps and bass guitar. Later in the arrangement,
written-out scat solos will encourage younger singers
to try this vocal jazz technique.
1477165 SATB . . . . . . . . . . . . . . . . . . 1.95
3276862 Three-Part Mixed . . . . . . . . . 1.95
3276870 Two-Part . . . . . . . . . . . . . . . 1.70
3276888 P/A CD . . . . . . . . . . . . . . . 22.95
l Blues Back to Backarr. Kirby Shaw. This
combination of Birth of the Blues and Blues in
the Night is filled with all the jazzy nuances you
expect in such golden oldies. Use the recorded
accompaniment track or a live combo to get the
authentic jazz sound.
10604275 SATB . . . . . . . . . . . . . . . . . . 2.10
10604276 SAB. . . . . . . . . . . . . . . . . . . 2.10
10604277 SSA . . . . . . . . . . . . . . . . . . . 2.10
10604278 P/A CD . . . . . . . . . . . . . . . 29.99
t Bumble BeeAnders Edenroth. Vocal jazz choirs
will delight in this musical depiction of bumble bees
in flight! With text of "don no don don no don no
don" sung in varied rhythmic patterns, the choir
sounds like a hive of bees while the higher voices
represent a single bee melodically visiting flowers
in a sunny meadow. As recorded by the famous
Swedish vocal quintet The Real Group, it is a truly
amazing sound experience! Highly recommended!
10090806 SSAATB . . . . . . . . . . . . . . . . 2.45
10305029 SSAA. . . . . . . . . . . . . . . . . . 2.35
10304760 Instrumental Parts Piano . . . . 7.00
Ht Can You Feel the Love Tonight?arr. Mac
Huff. A cappella groups will sound their best on
this captivating ballad from "The Lion King" in a
sonorous arrangement for vocal jazz or concert
choirs! It makes a compelling men's or women's
feature, too. This will take your breath away!
3255700 SATB . . . . . . . . . . . . . . . . . . 1.95
t Chili con CarneAnders Edenroth. You have
to hear this to believe it! As performed by the
sensational Swedish vocal group The Real Group,
this is a cappella vocal jazz with clever lyrics and
delightful syncopations that are much easier to
feel than they look on paper. It will be well worth
the time you put into it, as many satisfied vocal
ensembles have already found out!
10037659 SSATB . . . . . . . . . . . . . . . . . 2.55
10027630 SSA . . . . . . . . . . . . . . . . . . . 2.65
Cry Me a RiverArthur Hamilton/arr. Jay
Althouse. This popular torch song was originally
composed for Ella Fitzgerald, but ended up being
dropped from the film "Pete Kelly's Blues." She
would eventually record it six years later, but in the
meantime, a recording by Julie London introduced
it to the world. Jay's sweet harmonies make for a
bluesy arrangement.
10452961 SATB . . . . . . . . . . . . . . . . . . 1.95
10452963 SAB. . . . . . . . . . . . . . . . . . . 1.95
10452964 SSA . . . . . . . . . . . . . . . . . . . 1.95
10452965 TBB . . . . . . . . . . . . . . . . . . . 1.95
10452967 P/A CD . . . . . . . . . . . . . . . 27.99
10452968E Instrumental Parts ePrint. . . 10.00
4 Don't You Worry 'Bout a Thingarr. Roger
Emerson. This Discovery series edition of Stevie
Wonder's 1973 song packs all the joyful Latin
energy you would want into an accessible
arrangement that is super cool and fun to sing.
Great for building skills and style, the voice-leading
is well crafted for your beginning and developing
jazz/pop groups.
10567899 SAB. . . . . . . . . . . . . . . . . . . 2.25
10567900 Two-Part . . . . . . . . . . . . . . . 1.95
10567901 Teaching P/A CD . . . . . . . . 26.99
DreamJohnny Mercer/arr. Jay Althouse. Singer
Mel Torme called this tune "the national anthem
for group singers." It's been recorded by everyone
from Frank Sinatra to George Shearing, and most
recently by Michael Buble on his CD, Call Me
Irresponsible. This is the quintessential vocal group
number! The voice parts are easy, so it's a great
piece to work on tone and blend for any ensemble
of any size, including beginning vocal jazz groups.
Highly recommended!
10030423 SATB . . . . . . . . . . . . . . . . . . 1.90
10030424 SAB. . . . . . . . . . . . . . . . . . . 2.25
10030425 SSAA. . . . . . . . . . . . . . . . . . 2.25
10030426 P/A CD . . . . . . . . . . . . . . . 27.99
10030427 Instrumental Parts . . . . . . . 25.00
4t Ev'ry Time We Say GoodbyeCole Porter/arr.
Jamey Ray. Smooth and delicious are the words
to describe this a cappella jazz setting of the Cole
Porter standard. A delicate opening "oo" section
gives way to a unison statement of the melody
before melting into rich choral harmony. With no
solo demands, this is singable by any jazz choir.
10604313 SATB . . . . . . . . . . . . . . . . . . 2.10
t Fields of Goldarr. Greg Jasperse. "You'll
remember me when the west wind moves upon
the fields of barley..." You won't find a better a
cappella showcase for your pop or jazz choir than
this! Absolutely stunning, with a light pop ballad
groove and sumptuous choral textures, it will bring
tears to your eyes. Highly recommended!
10049199 SATB . . . . . . . . . . . . . . . . . . 1.95
n Fly Me to the Moon (In Other Words)arr.
Kirby Shaw. People will recall this great jazz
standard as recorded by Tony Bennett, but many
other singers have given their rendition of this tune
as well. Put your own "trademark sound" on this
Latin groove setting that is great for developing jazz
style, diction and ensemble skills. Don't miss it!
3299301 SATB . . . . . . . . . . . . . . . . . . 1.95
3299302 SAB. . . . . . . . . . . . . . . . . . . 1.95
3299303 SSA . . . . . . . . . . . . . . . . . . . 1.95
3299305 P/A CD . . . . . . . . . . . . . . . 26.99
3299304 Instrumental Parts . . . . . . . 25.00
l A Foggy Dayarr. Kirby Shaw. Set in a fast swing
above a walking bass, this Gershwin standard
really cooks! Featuring a wailing group scat chorus,
experienced vocal jazz groups will wow the crowd
in this sensational chart!
10605616 SATB . . . . . . . . . . . . . . . . . . 1.95
10605617 SAB. . . . . . . . . . . . . . . . . . . 1.95
10605618 SSA . . . . . . . . . . . . . . . . . . . 1.95
10605619 P/A CD . . . . . . . . . . . . . . . 26.99
10605620E Instrumental Parts ePrint. . . 20.00
4 I Wish You Lovearr. Kirby Shaw. Heartfelt
lyrics, rich harmonies and a smoldering slow swing
tempo make this a fine choice for a vocal jazz
ballad. Tastefully arranged, this piece is great for
building phrasing and blend!
10605813 SATB . . . . . . . . . . . . . . . . . . 1.95
10605814 SAB. . . . . . . . . . . . . . . . . . . 1.95
10605815 SSA . . . . . . . . . . . . . . . . . . . 1.95
10605816 P/A CD . . . . . . . . . . . . . . . 26.99
10605817E Instrumental Parts ePrint. . . 26.99
4t I'll Be Therearr. Jeremy Fox. With sensitive
lyrics by Alan and Marilyn Bergman, this ballad,
popularized by Rosemary Clooney, lends itself well
to beginning vocal jazz groups. The melody moves
seamlessly from the choir to a featured male
solo, while shifts in dynamics and tempo color
this creative arrangement. "I'll be there with you
whenever the world seems far too wide..."
10604457 SATB . . . . . . . . . . . . . . . . . . 2.00
Play or sing along!
ESSENTIALS OF
JAZZ THEORY
Shelton G. Berg. This resource
is designed for jazz enthusiasts
and musicians who want to have
a better understanding of the
language of jazz. To successfully
navigate this all-in-one jazz theory
course, you should be versed in
basic music theory concepts, such
as those taught in Books 1 and
2 of Alfred's Essentials of Music
Theory. With these books, you will
learn the essentials of jazz music
through concise lessons, practice
your jazz music reading and writing
skills in the exercises, improve your
listening and ear training skills with
the CDs, and test your knowledge
with the review that completes
each unit. You are encouraged
to play and/or sing the musical
examples throughout, at first with
the recording, then on your own.
Welcome to an exhilarating journey
into the world of jazz!
5985359 Book/CD Book 1 . . . . 13.99
5990026 Book/CD Book 2 . . . . 12.95
10005059 Book/CD Book 3 . . . . 12.95
10008027 Book/CD
Complete
Volume with 3 CDs . . 35.95
10025663 Book/CD Answer Key
& 3 CDs . . . . . . . . . . . 39.99
10027584 Book/CD
Complete
Self-Study Course . . . 34.99
Mini voice lessons
JAZZ WARM-UPS
AND VOCALISES
Gary Walth. Here's a great set
of warm-ups for the vocal jazz
ensemble that's designed to
enhance and stimulate the growth
of each member's vocal and choral
ability. Thinking of the warm-up
as a "mini voice lesson," you can
reinforce concepts with consistent
encouragement, criticism, problem-
solving and praise. This practical
volume will help the conductor
provide purposeful leadership and
develop artistry in each individual
through exercises that build styles
such as Swing, Latin and Rock,
using solfege and scat syllables
as well as tone and blend in ballad
style. Each exercise includes a
notated keyboard accompaniment,
with multiple modulations, and a
professional recording of singers
with a rhythm section.
10279923 Choral Book/
CD Pack . . . . . . . . . . . 24.99
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