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CONCERT SELECTIONS
Home on the Range
arr. Mark Hayes.
American music at its best! There are sure to be some misty eyes when you
perform this spine-chilling arrangement. Mark has expertly arranged this
American folk classic to start softly with a harmonica solo and build to rich, lush
choral harmonies that must be experienced to be believed. Now available for
mixed or male choirs, it is a concert showpiece!
1558766 SATB . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 1.90
10589930 TTBB . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 1.90
Hope
Debra Scroggins.
"Hope is the thing with feathers that perches in the soul..." Emily Dickinson's
famous poem is treated with tender care in this dramatic setting, which begins
gently and builds to a soaring climax before its quiet close. "...and sings the
tune without the words, and never stops at all!"
10602882 SATB . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 2.35
Hope
Greg Gilpin & Pamela Stewart.
This powerful and inspirational work sings of "hope" described through the
phases of life, such as a newborn's cry, the laughter of children, the ashes of
the fire of love that has died, the quiet comfort of a dream. Set to haunting and
dynamic music with piano or optional orchestration, the gorgeous work comes
to a moving conclusion: "Hope is not lost; hope is not gone. It is not dead; it still
lives on. Hope will arise!"
10453793 SATB . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 2.50
10453793E SATB ePrint . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 2.50
10453795 SAB . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 2.50
10453795E SAB ePrint . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 2.50
10567904 TTBB . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 1.95
10453799 Orchestration . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 50.00
10453799E Orchestration ePrint . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 50.00
How Doth the Little Crocodile
Mark Burrows.
A delightful musical interpretation of the beloved Lewis Carroll poem, this piece
is easy to put together and is an excellent choice for a choir's first experience
with part singing. The catchy melody transitions to a round in two or three parts,
giving you practical options for your beginning choirs! Highly recommended!
10590425 Two-Part . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 2.25
10618151 Multi-Song P/A CD . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 44.95
How Like a Winter
Ruth Morris Gray.
"How like a winter hath my absence been, like a winter, from thee..."
This artful setting of a text by William Shakespeare works equally well as
a winter piece or as a secular concert work. Sing the liquid phrases with a
beautiful line and observe the tempo nuances to attain the most expressive
performance. Haunting!
10604441 SATB . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 1.90
10604441E SATB ePrint . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 1.90
10274943 SAB . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 1.85
10274943E SAB ePrint . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 1.80
10274944 SSA . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 1.80
10274944E SSA ePrint . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 1.80
How Sweet the Moonlight
Emily Crocker.
A short passage from Shakespeare's The Merchant of Venice provides the lyric
framework for this expressive work that celebrates music. From the ethereal
opening to the sublime and resounding conclusion, your singers will create a
concert moment of sheer magic.
10559177 SATB . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 1.90
10559177E SATB ePrint . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 1.90
Gratias Agimus Tibi
Lon Beery.
This dynamic work, propelled by its rhythmic force and its contrasting lyric
section, is perfect for the young developing ensemble. The syncopated
rhythms are sung in ensemble, so that they can be learned together, and an
optional baritone part is included in the three-part mixed version. The ending
will make your audience sit up and take notice. This is a perfect opener for
your next concert.
3186590 Three-Part Mixed . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 1.95
10585431 SSA . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 1.95
Halle, Hallelujah
D. Farrell Smith.
This piece was conceived as a call for peace and hope for a future in which
love and peace unite us all. Sing, shout, and clap your hands!
10586247 Three-Part Mixed . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 2.25
10192366 SSA . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 1.95
Harvest (The Moon Shines Down)
Jacob Narverud.
Absolutely beautiful, this a cappella original was inspired by the colors and
nostalgia of the Kansas prairie in autumn. Lonely, empty spaces in the fading
landscape evoke conflicting feelings of wistfulness and peace - a time to reflect
on our present surroundings and the deeper meaning of life itself. For a fall
concert or any time of year, this is stunning. Highly recommended!
10586693 SATB . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 1.95
Heaven!
arr. Ruth Elaine Schram.
This bright, upbeat pairing of the spirituals I Ain't Gonna Grieve My Lord No
More and I Got Shoes features call and response and simple harmonies
supported by a fun, rhythmic piano accompaniment. Especially effective as
a concert or festival opener or closer, it is a superb programming choice for
young and developing choirs.
10601732 Three-Part Mixed . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 2.10
10601733 Two-Part . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 2.10
Hey! Ho! Nobody Home!
arr. Russell Robinson.
Dating back to sixteenth-century England, Hey! Ho! Nobody Home! was sung by
carolers who went from door to door to receive food for their singing, although
there is no reference in the lyrics to the Christmas holiday. Presented as a
round, this swing-style arrangement is easy to learn and fun to sing!
10443524 SAB . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 2.25
10585432 SSA . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 2.25
Hlohonolofatsa
arr. Daniel Jackson.
This tremendously fun arrangement of a South African greeting song exclaims,
"Iyo hlonolofatsa, Ka lebitso la ntate," which translates as, "Bless everything in
the name of the Father." Featuring a soloist, improvised percussion and hand
claps, it is very authentic sounding! Phonetic pronunciation guide is included.
10593326 SATB . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 2.25
