65
Order Toll Free! Call 1.800.345.6296 / w: jwpepper.com / e: satisfaction@jwpepper.com
full
orchestra
Go to cart
Classical Selections medium-advanced & advanced /
Original Concert Works easy & medium-easy / medium
Classical Selections
Medium-Advanced
& Advanced
H An American in Paris SuiteGeorge Gershwin/
arr. Whitney. Don't miss this one! Gershwin's
original suite, some 17 minutes in length, is often
too cumbersome to program. This version, edited
and condensed down to 7 minutes, is your solution!
Staying true to the original, it's a wonderful display
of Gershwin's rich and evocative orchestral writing.
Recommended for mature school orchestras and
community orchestras!
2440956 Full Orchestra . . . . . . MA 80.00
Berceuse and Finale (from "The Firebird Suite")
Igor Stravinsky/arr. Merle Isaac. Here is a
classic arrangement being made available to a new
generation of students! The beautiful Berceuse
and exciting Finale of Stravinsky's "Firebird
Suite" are fantastic works of music and will also
be recognized as the climactic finale to Disney's
"Fantasia 2000!" Isaac's meticulous arranging
includes written cues for vital solos to ensure
playability and success. Give your orchestra the
chance to play this masterwork!
129064 Full Orchestra . . . . . . MA 69.00
Dance of the GypsyCamille Saint-Saens/
arr. Kirt Mosier. From the writer of the famous
Bacchanale comes this exotic dance for full
orchestra. It is sure to inspire students with its
mysterious start and exuberant melody. Ample
doubling allows it to be played with fewer parts. A
great opening number for both concert and contest!
10443980 Full Orchestra . . . . . . MA 65.00
l Entr'acte on Themes by Carl Maria von Weber
Gustav Mahler/arr. Clark McAlister. The
spectrum of orchestral color is used to full
advantage in this opening segment to Mahler's
opera. The music is based on themes of Carl Maria
von Weber, but sparkles with the energy that is
uniquely Mahler.
10617952 Full Orchestra . . . . . . MA 80.00
Fanfare for the Common ManCopland/arr.
Longfield. Probably the most famous fanfare ever
written! Now available in a version written for the
level of your orchestra! Technical demands have
been modified; however, this superb adaptation still
maintains all the power and majesty of the original.
10033603 Full Orchestra . . . . . . MA 75.00
n Hoe Down (from "Rodeo")Aaron Copland.
Here's the original full orchestra version of the finale
of Copland's "Rodeo."
973776 Full Orchestra . . . . . . . . A 80.00
H
Procession of the NoblesNicolai Rimsky-
Korsakov/arr. Merle Isaac. This exciting arrangement
of this stirring work by Rimsky-Korsakov is a
powerful way to showcase your orchestra!
955294 Full Orchestra . . . . . . MA 73.00
H
Rhapsody in BlueGeorge Gershwin/arr.
Brubaker. Yes! It is a really big deal! This classic
work is now available for full orchestra, with or
without piano! All solo piano parts are covered within
the orchestra but can also be played with a soloist.
One of the most popular concert works ever, this
transcription for full orchestra will be a new favorite!
It's seven minutes long and includes all the major
themes - for the advanced or community orchestra!
10032785 Full Orchestra
Piano opt. . . . . . . . . . MA 75.00
Romeo and Juliet OvertureP.I. Tchaikovsky/
arr. Brubaker. A lovely transcription with tasteful
reductions that allow the advanced orchestra or
community orchestra to experience Tchaikovsky's
masterpiece in about half the duration of the
original. A must for any library!
10370686 Full Orchestra . . . . . . MA 73.00
l Scottish MarchClaude Debussy/arr. Clark
McAlister. Looking for a piece from Debussy that
sounds totally different than expectations? His
treatment of The Earl of Ross March is the perfect
choice. It is exquisitely scored and highly original.
10617974 Full Orchestra . . . . . MA 100.00
H Symphony No. 5 FinaleDimitri Shostakovich/
arr. Stephen Bulla. One of the most notable
movements from Dimitri Shostakovich is
transformed into this superb new edition that is
well within the reach of most orchestras. Stephen
Bulla's arrangement is appropriately truncated and
carefully altered with key, range and technique,
with orchestration considerations for today's
school, festival and regional orchestras.
10042883 Full Orchestra . . . . . . MA 95.00
ToccataGirlamo Frescobaldi/arr. Kindler.
Girolamo Frescobaldi composed this now-famous
melody in the 1600s. For over 300 years, the
Frescobaldi Toccata has been performed and
loved by generations! This transcription presents
a bold rendition that uses broad harmonic support
for the melody.
134015 Full Orchestra . . . . . . MA 69.00
n Variations on a Shaker Melody (from "Appala-
chian Spring")Aaron Copland. This tuneful
and graceful excerpt from "Appalachian Spring"
is one of Copland's most "American" works,
famous for his use of the Shaker tune, Gift to be
Simple. Written primarily with dancer Martha
Graham in mind, Copland himself describes the
music as being much like Graham herself, "..she's
unquestionably very American: there's something
prim and restrained, simple yet strong, about
her which one tends to think of as American."
Orchestra Set contains strings: 8-8-6-6-6.
169292 Full Orchestra . . . . . . MA 90.00
Original Concert Works
Easy & Medium-Easy
n Ancient Echoes of TimeDouglas E. Wagner.
Expansive harmonies and soaring tunes combine
to present an imaginative musical landscape that
explores the tonal facets of the orchestra. This
dynamic and colorfully scored original is playable
by strings alone or full orchestra.
10522573 String Orch
or Full Orch . . . . . . . . ME 55.00
n Appalachian MorningRobert Sheldon.
Acknowledge the Scottish and Irish pioneers of
Appalachia with a musical walk through the woods
and mountains of the Cumberland Gap. This lovely
composition allows for a moment of reflection and
lyrical expression on any concert program.
10522599 Full Orchestra . . . . . . ME 65.00
n Cumberland CrossCarl Strommen. Sure
to delight, the central portion of this original
piece brings the unrestrained exuberance of
bluegrass fiddling to the orchestra. In a lovely
contrast, the piece opens and closes with a slow
chorale, bringing to mind sunset and sunrise over
the mountains.
10522571 Full Orchestra . . . . . . ME 59.00
Dark AdventureRalph Ford. It's ghostly! It's
creepy! Your orchestra will love it! From the driving
opening motives to the quirky gypsy-sounding
theme, this is haunted-house music at its best! You
can play this with either full or string orchestra, but
the percussion section is really vital and should be
used in both cases. This is recommended and will
thrill and delight your audience! A winner!
2466837 String Orch or Full Orch . . ME 59.00
Engines of ResistanceLarry Clark. You will
want to program this thrilling music often! As the
title implies, there is dramatic tension between
opposing forces in the orchestra: a light ostinato
pattern opposes a heavy, aggressive melody; bursts
of percussion ring out against quieter moments in
the orchestra, and all these conflicting elements
come together for an incredible finish! Can be
performed as strings and percussion, or as a full
orchestra. A contest winner!
2416675 String Orch or Full Orch . . . E 58.00
Medieval LegendMike Story. A striking
fanfare announces this fantasy for orchestra
that conjures up visions of knights and kings,
wizards and sorcerers. Outstanding teaching
opportunities abound in this driving and dynamic
composition. It will be perfect as either a festival
or concert selection. Scored for full orchestra,
this piece is also completely playable by string
orchestra alone, or with any number of added
winds or percussion.
10032407 Full Orchestra . . . . . . ME 65.00
MillenniumRichard Meyer. Winner of
the 1998 N.S.O.A. composition contest, this
contemporary-sounding overture is extremely
powerful and full of emotion from beginning to
end. After a foreboding introduction, the heroic
main theme is introduced by the brass section in
unison, accompanied by the entire orchestra in a
percussive, marcato style. A lyrical subordinate
theme of extreme beauty follows, first stated
by unison cellos, then picked up by the entire
orchestra. The third and final section is a wild and
energetic march, pitting brass against woodwinds
and strings, leading into a final, majestic
restatement of the main theme. Richard Meyer's
colorful and imaginative scoring features every
section of the symphony orchestra, resulting in a
wonderfully mature-sounding, yet playable, tour
de force for the student orchestra.
2397792 Full Orchestra . . . . . . ME 73.00
Second StormRobert W. Smith. Inspired by the
devastating hurricane season during the summer
of 2004, this begins with a melodic "calm before
the storm" introduction; and as the fury of Mother
Nature is unleashed, the work develops using
strong unison impacts with driving rhythmic figures
to capture the intensity of the event in sound. Your
intermediate orchestra will sound big and bold.
2481119 String Orch or Full Orch . . ME 65.00
The TempestRobert W. Smith/arr. McCashin.
The sense of urgency and excitement created
by this wild original composition is nothing
short of awesome! Relentless ostinatos and
striking minor melodies combine and drive a
tense sound that will make your orchestra sound
like the Philharmonic!
2375988 String Orch or Full Orch . . ME 59.00
n Warrior LegacySoon Hee Newbold. Explore
the heroes and warriors of myth and legend in an
epic work for full orchestra. Additional wind parts
are included with the set, making it suitable for
combined strings and full band. The cinematic-type
score features various solos throughout, finishing
with a riveting 12/8 section. Intense!
10366890 Full Orchestra with opt.
Concert Band . . . . . . . ME 95.00
Original Concert Works
Medium
Aboriginal RitualsElliot Del Borgo. Driving
rhythms abound in this original contest work.
Performable by string or full orchestra, the piece is
contemporary in nature and includes a mysterious
section that has the upper strings using natural
harmonics. Full of energy and vitality!
2440766 String Orch or Full Orch . . . 59.00
l Before the FrostWilliam Camphouse. This is
a stunningly beautiful treatment of The Last Rose
of Summer. Technically accessible, it requires the
utmost control and sensitivity.
10617940 Full Orchestra . . . . . . . . . . 55.00
Into the StormRobert W. Smith. What an
appropriate title! This piece vividly presents all
the intensity, fury, and relentless pounding of the
wildest of storms! After a brief "eye at the center of
the storm," the excitement returns in full force. Your
audience will be blown away by this one!
2399376 Full Orchestra . . . . . . . . . . 65.00
n A Pirate's LegendSoon Hee Newbold/arr.
Carl Rydlund. Experience the high seas with this
programmatic work for full orchestra complete
with mystery, adventure, sword battles and buried
treasure. A multitude of effects add to the drama
and intensity, including the unique sound of
glissando cello harmonics simulating the sound
of seagulls on a desert island. Includes optional
parts for your concert band members as well (not
playable by concert band alone).
10454287 Full Orchestra . . . . . . . . . . 90.00
BEST
SELLERS
Full Orchestra
Original Concert Works
All Levels
Buy with confidence! These works, listed in
order of their popularity, are chosen most often
by directors.
Cumberland Cross—Carl Strommen.
10522571 Full Orchestra . . . . . . . . . . . . . . . . . ME 59.00
Appalachian Morning—Robert Sheldon.
10522599 Full Orchestra . . . . . . . . . . . . . . . . . ME 65.00
Warrior Legacy—Soon Hee Newbold.
10366890 Full Orchestra with
opt. Concert Band Parts . . . . . . . . ME 95.00
Ancient Echoes of Time—Douglas E. Wagner.
10522573 String Orch or Full Orch . . . . . . . . ME 55.00
Millennium—Richard Meyer.
2397792 Full Orchestra . . . . . . . . . . . . . . . . . ME 73.00
2397792E Full Orchestra ePrint . . . . . . . . . . . ME 73.00
Engines of Resistance—Larry Clark.
2416675 String Orch or Full Orch . . . . . . . . . . E 58.00
2416675E String Orch or Full Orch ePrint . . . . E 58.00
Second Storm—Robert W. Smith.
2481119 String Orch or Full Orch . . . . . . . . ME 65.00
2481119E String Orch or Full Orch ePrint . . ME 63.00
Dark Adventure—Ralph Ford.
2466837 String Orch or Full Orch . . . . . . . . ME 59.00
2466837E String Orch or Full Orch ePrint . . ME 58.00
