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Classical Selections medium-easy
Classical Selections
Medium-Easy
H Ancient Aires and DancesRespighi/
arr. Brubaker. The noble elegance and beauty
of Respighi's marvelous work shines in this
arrangement of the Balletto Movement from "Suite
No. 1." The feel of early music carries through
in an arrangement that works equally well for
strings alone or with the addition of winds. A great
introduction to Respighi!
10032563 String Orch or Full Orch . . . 55.00
n The Beautiful GalateaFranz von Suppe/arr.
Victor Lopez. Here is a magnificent work from the
operetta also known as "Die schone Galathee." This
arrangement is incredibly playable and offers a new
rendition of the original waltz melody. Playable by
full orchestra or strings with piano.
10522569 String Orch or Full Orch . . . 59.00
Beethoven's Symphony No. 6 "Pastoral"
Ludwig van Beethoven/arr. Vernon Leidig. Give your
students a "Beethoven experience" with this lovely
arrangement of two themes from the "Pastoral"
Symphony. Perfect for working on musicality and
expression as you have them imagine "Country
Life" and "Thankful feelings after the storm."
10280469 Full Orchestra . . . . . . . . . . 65.00
H
Best of BachJ S Bach/arr. Jerry Brubaker.
Bach's familiar Sheep May Safely Graze is set here at
a level perfect for intermediate orchestras. Playable
with just strings or by adding any combination of
winds up to full orchestra instrumentation, this will
be a lovely addition to your concert.
2440733 String Orch or Full Orch . . . 58.00
Capriccio EspagnolRimsky-Korsakov/arr.
Richard Meyer. Hailed by Tchaikovsky as a colossal
masterpiece of instrumentation, Rimsky-Korsakov's
"Capriccio Espagnol" has delighted audiences since
its premiere in 1887. The melodies used in the
piece go back to themes sketched by the composer
for a virtuoso work for solo violin and orchestra.
After changing his mind, Rimsky-Korsakov decided
to make the work a display piece for the entire
orchestra. This arrangement features two sections
of the original capriccio: the Alborada (morning
serenade) and the Fandango of the Asturias, a
dance traditionally played with guitar and castanet
accompaniment. Tastefully arranged by Richard
Meyer, Rimsky-Korsakov's flashy showpiece is now
playable by the less-experienced orchestra.
10015175 Full Orchestra . . . . . . . . . . 59.00
H
The Commencement Suitearr. Jack Bullock.
This great set of selections is a musical "Swiss army
knife," giving you the right music at the right time.
It includes: Fanfare; Pomp and Circumstance; The
Star-Spangled Banner and the Triumphal March
from "Aida." All selections are flexible with optional
repeats. Written for either string or full orchestra,
this is very playable with minimal rehearsal time.
A great value!
2416709 String Orch or Full Orch . . . 63.00
H Dance of the Tumblers (from "Snow Maiden")
Nicolai Rimsky-Korsakoff/arr. Dackow. The title
leaves no doubt as to the character and energy
of this piece! Developing orchestras will sound
as symphonic and colorful as possible, while
more advanced ensembles can add brilliance by
exceeding the indicated tempo marking.
2252443 Full Orchestra . . . . . . . . . . 65.00
n Hungarian Dance No. 5Johannes Brahms/arr.
Phillippe. Here's one of the most famous pieces
of classical music ever written! Brahms arranged
over 20 Hungarian dances, but this one is by far
the most familiar to students and audiences. With
its dramatic tempo changes and exciting switches
from minor to major, this music grabs your attention
and holds it from start to finish.
2466316 Full Orchestra . . . . . . . . . . 75.00
MoldauBedrich Smetana/arr. Meyer. Here
is a programmatic masterpiece arranged at an
intermediate level for your orchestra. Smetana's
own program notes depict how a warm stream and
a cold stream combine into the Moldau. The music
depicts the river's journey, past a forest hunt, a
peasant wedding, and more.
2482133 Full Orchestra . . . . . . . . . . 59.00
Nocturne (from "A Midsummer Night's Dream")
Felix Mendelssohn/arr. Richard Meyer.
Mendelssohn's famous Nocturne is one of the
cornerstones of the orchestral repertoire. Scored
here for developing orchestra, it features the
timeless melody with winds and uses legato hooked
bowings in the strings. Recalling the magic slumbers
of Shakespeare's main characters in the forest, this
lovely transcription will provide a chance to develop
a beautiful, legato playing style while displaying your
orchestra's sensitivity and musicality!
10280409 Full Orchestra . . . . . . . . . . 55.00
Peer Gynt Suite (Selections)Edvard Grieg/arr.
Richard Meyer. This authentic-sounding arrange-
ment includes 6/8 time, legato, staccato and
marcato styles, frequent doublings, a wide variety
of dynamic markings, and one the most famous
accelerandos ever written!
10453661 Full Orchestra . . . . . . . . . . 59.00
n Rhosymedre (Prelude On A Welsh Hymn Tune)
Ralph Vaughan Williams/orch. Foster. This is
an exceptionally "pretty" work which is perfect for
the development and demonstration of a controlled
orchestral sound. (Also playable by strings alone.)
955336 String Orch or Full Orch . . . 35.35
4 Romeo and Juliet OvertureP.I. Tchaikovsky/
arr. Richard Meyer. Enjoy this beautiful arrangement
of the beloved and classic overture perfectly set for
early full orchestra. Includes all the familiar themes
from the original masterpiece.
10594961 Full Orchestra . . . . . . . . . . 59.00
Rosamunde OvertureFranz Schubert/arr.
Richard Meyer. Schubert composed his incidental
music to the Romantic drama "Rosamunde,
Princess of Cypress" in less than three weeks,
finishing just two days before the play's premiere
in December of 1823. Not much time was left
to rehearse the music, and no time at all to
compose an overture. In fact, Schubert never did
compose an overture to Rosamunde, but instead
used an overture already composed for the drama
"The Magic Harp." While Rosamunde survived
for only two performances, Schubert's charming
music lives on. Festive and lyrical themes
abound in this very playable arrangement that
has been carefully crafted to preserve the sound
of the original. A great way to introduce your
students to one of the early Romantic period's
great masters!
10015172 Full Orchestra . . . . . . . . . . 59.00
Russian Sailor's Dance (from "The Red Poppy")
Gliere/arr. Errante. A very playable arrangement
of this Russian folk dance. Starting at a medium
tempo, the excitement is heightened by four further
tempo changes, the final one accelerating to a
feverish presto. Fun to play and listen to!
2054302 Full Orchestra . . . . . . . . . . 67.00
Sleepers WakeJ. S. Bach/arr. Brubaker. The
familiar Johann Sebastian Bach melody will be
loved by one and all. Solidly scored for your strings
or full orchestra, the delicate melody will reinforce
the musicianship of the entire ensemble.
2478060 String Orch or Full Orch . . . 65.00
n The Sorcerer's ApprenticePaul Dukas/arr.
Balent. Here it is! The only selection to be featured
in the original "Fantasia" film and sixty years later
in "Fantasia 2000!" Now it is arranged in a version
your students can play. Playable by string orchestra
or full orchestra, this arrangement avoids much of
the introductory material to get right into the most
familiar parts. An orchestra classic!
2472121 String Orch or Full Orch . . . 65.00
n Symphony No. 2 (Finale)Peter Ilyich Tchaikov-
sky/arr. Dackow. Tchaikovsky's Finale from the
famous "Little Russian Symphony" can be a
dramatic showcase for a developing orchestra.
2201689 Full Orchestra . . . . . . . . . . 60.00
4 Symphony No. 36 (the "Linz")W. A. Mozart/
arr. Richard Meyer. The "Linz" symphony is
included among Mozart's best. The first movement
is cheerful and buoyant in mood yet retains an air
of dignity and poise reflective of a true master of the
genre. Richard Meyer's arrangement of this classic
symphony is carefully arranged to work well with
your full orchestra.
10594971 Full Orchestra . . . . . . . . . . 59.00
Symphony No. 5 FinalePeter Ilyich Tchaikovsky/
arr. Richard Meyer. One of the grandest works
in all of symphonic literature, this finale from
Tchaikovsky's "Fifth Symphony" is positively
electrifying! All of the colors and moods of the
original are retained in this exciting arrangement
that is sure to challenge every section of your
orchestra. This is a great way to introduce your
student musicians to a 19th century masterwork,
and the quintessential closer to any concert!
10280411 Full Orchestra . . . . . . . . . . 59.00
H
Themes from "Scheherazade"Nikolai Rimsky-
Korsakov/arr. Meyer. Rimsky-Korsakov's famous
symphonic suite "Scheherazade" has been a
staple of the symphonic literature since it was
written in 1888. Now your younger students can
enjoy the Russian master's colorful orchestrations
and imaginative themes in this "true-to-the-
original" arrangement that takes just five minutes
to perform. Included are The Sultan's Theme,
Scheherazade's Theme (for solo violin), and the
themes from "The Story of the Kalendar Prince"
and "The Young Prince and the Young Princess."
10092534 Full Orchestra . . . . . . . . . . 59.00
Tragic OvertureJohannes Brahms/arr. Leidig.
All the dark and passionate themes of this great
work are maintained, yet this arrangement is
perfect for intermediate orchestras. Even though
the piece does not have a programmatic theme
beyond that of the title, glimmers of hope dominate
and it seems to end with a victorious feel. Perfect
for festival and contest.
10310616 Full Orchestra . . . . . . . . . . 68.00
H
A Whole Lot of Symphony Themesarr.
Douglas E. Wagner. Your concert audiences will thrill
to twelve of the best-known melodies of all time,
seamlessly arranged in this brilliant 4 1/2-minute
medley: Beethoven's 5th; Mozart's 40th; Dvorak's
9th; Mendelssohn's 4th; Brahms' 1st; Haydn's
94th; Saint-Saens' 3rd; Mahler's 2nd; Schubert's
8th; Tchaikovsky's 6th; Berlioz's "Symphonie
Fantastique" and Beethoven's 9th. There's
tremendous educational and entertainment value in
this musical potpourri of famous themes spanning
nearly two hundred years! Highly recommended!
10280149 Full Orchestra . . . . . . . . . . 59.00
BEST
SELLERS
Full Orchestra
Classical
Medium-Easy
Buy with confidence! These works, listed in
order of their popularity, are chosen most often
by directors.
Sleepers Wake—J. S. Bach/arr. Brubaker.
2478060 String Orch or Full Orch . . . . . . . . . . . . 65.00
2478060E String Orch or Full Orch ePrint . . . . . . 63.00
Ancient Aires and Dances—
Respighi/arr. Brubaker.
10032563 String Orch or Full Orch . . . . . . . . . . . . 55.00
10032563E String Orch or Full Orch ePrint . . . . . . 55.00
Peer Gynt Suite (Selections)—
Edvard Grieg/arr. Richard Meyer.
10453661 Full Orchestra . . . . . . . . . . . . . . . . . . . . . 59.00
10453661E Full Orchestra ePrint . . . . . . . . . . . . . . . 58.00
Dance of the Tumblers (from "Snow Maiden")—
Nicolai Rimsky-Korsakoff/arr. Dackow.
2252443 Full Orchestra . . . . . . . . . . . . . . . . . . . . . 65.00
The Sorcerer's Apprentice—
Paul Dukas/arr. Balent.
2472121 String Orch or Full Orch . . . . . . . . . . . . 65.00
The Beautiful Galatea—
Franz von Suppe/arr. Victor Lopez.
10522569 String Orch or Full Orch . . . . . . . . . . . . 59.00
Hungarian Dance No. 5—
Johannes Brahms/arr. Phillippe.
2466316 Full Orchestra . . . . . . . . . . . . . . . . . . . . . 75.00
Themes from "Scheherazade"—
Nikolai Rimsky-Korsakov/arr. Meyer.
10092534 Full Orchestra . . . . . . . . . . . . . . . . . . . . . 59.00
10092534E Full Orchestra ePrint . . . . . . . . . . . . . . . 58.00
A Whole Lot of Symphony Themes—
arr. Douglas E. Wagner.
10280149 Full Orchestra . . . . . . . . . . . . . . . . . . . . . 59.00
10280149E Full Orchestra ePrint . . . . . . . . . . . . . . . 58.00
Tragic Overture—Johannes Brahms/arr. Leidig.
10310616 Full Orchestra . . . . . . . . . . . . . . . . . . . . . 68.00
10310616E Full Orchestra ePrint . . . . . . . . . . . . . . . 68.00
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