4 Editors' Choice l New Publication H Pepper Basic Library eAvailable via ePrint All Prices in U.S. Dollars & Subject To Publisher Revision
Go to cart
Jazz Rock & Funk
all levels
Absoludicrous—Gordon Goodwin. More
accessible than most Gordon Goodwin charts,
this one is a killer funk tune that is unbelievably
exciting! Your jazz band players and audiences
will dig the poppin' rhythmic figures, the funky
style, outstanding ensemble passages and the
high energy. It lays well at around 120 bpm and
has written or improvised solos for alto/bari,
tenor, trumpet, and trombone. Electric piano will
sound great on the funky piano introduction, the
lead trumpet range is up to written high C, and
optional auxiliary percussion, flute and vibes
parts are included. Highly recommended! It's
Absoludicrous!
10513903 Jazz Ensemble . . . . . . . . . MA 52.00
H Act Your Age—Gordon Goodwin/arr. Peter Blair.
Arranger Peter Blair has taken the hot Gordon
Goodwin chart Act Your Age and revised it for
developing players. "Slick and funky" describes
this very accessible arrangement. There are
written solos for 1st alto (cued for 2nd alto) and a
1st trumpet solo cued in all four trumpet parts. The
lead trumpet has a written A above the staff, but
technically this chart is not difficult and will come
together quickly to earn a spot in your program.
The band will love it, too! Highly recommended!
Optional expanded instrumentation.
10093092 Jazz Ensemble . . . . . . . . . ME 48.00
Africa—Paich & Porcaro/arr. Ralph Ford. Here's
a wonderful take on the group Toto's classic rock
tune from the '80s. It's solidly scored throughout
and sounds amazingly like the original while
remaining accessible for developing jazz bands.
With nice dynamic contrasts, an uncomplicated
melodic line, and a medium rock groove, this
chart is one that younger players can really dig
into, yet it will sound mature when performed by
a more advanced group. More features include:
half-note tempo of 90 bpm; written or ad lib solos
for alto sax 1 and trombone 1; trumpet 1 range to
written G on top of the staff; and optional parts for
flute, clarinet and vibes. Great tune, fine chart!
10513875 Jazz Ensemble . . . . . . . . . ME 48.00
H Aftershock!—Larry Barton.This funky rock chart
sure is easy enough...but we won't tell anyone!It's
bold and contemporary with a big sound and
huge impact, along with reasonable ranges and
technical demands.An open solo section with
written suggested solos and very easy changes
will really build confidence in improvising.And, the
most amazing thing is that such a playable chart
sounds so darn hot!
2347961 Jazz Ensemble . . . . . . . . . ME 45.00
Angel—Wes Montgomery/arr. Les Sabina.
Here's a Wes Montgomery bossa/rock tune
that grooves along at around 145 bpm with the
melody line played by tenor 1 and trumpet 2. With
very playable ensemble sections and hits, this is
a great vehicle for teaching style and ensemble
cohesiveness. The solos are written or ad lib
for tenor sax and piano, the lead trumpet range
is to written E top space, and optional parts
are included for vibes, flute, clarinet and more.
This one is accessible, solid, and includes nice
contrasts. Angel is one you don't want to miss!
10513855 Jazz Ensemble . . . . . . . . . . .E 42.00
Arnge Drank (Orange Juice with Attitude)—
Paul Baker. Wow... orange drink with an attitude!
Texas writer Paul Baker presents an outstanding
funk chart beginning with a piano riff to set up
the rhythm groove before the trumpet and altos
hit with the melody. Trombones and low saxes
support with counterpoint. After the trombones
take it through the bridge the saxes again state
the melody in a dramatic stop time section that
moves into the trumpet and trombone solos. After
a drum solo, the bari and bass trombone shine
as they set the funky foundation for the shout
chorus. A return of the piano riff sets up the final
melodic statement and dramatic coda. Trumpet
range to written High C. Trombone to G. Pure fun,
and highly recommended!
10369423 Jazz Ensemble . . . . . . . . . . M 45.00
Backatown—Troy Andrews/arr. John Wasson.
From Trombone Shorty's acclaimed CD
Backatown, here is the hot title cut arranged for
big band in a funky medium tempo. Combining
the elements of New Orleans second line and
contemporary rock styles, this unique chart
features a blend of catchy riffs, solid ensemble
passages, and stop-time breaks. There are short
written or ad lib solos for trumpet and tenor. This
chart exudes a spirited and unmistakable New
Orleans swagger!
10490289 Jazz Ensemble . . . . . . . . . ME 45.00
l Billy Jean—Michael Jackson/arr. John Berry.
The song that launched Michael Jackson's
famous "moonwalk" was also one of the top-
selling singles of the year in 1983. This chart
features the signature bass line and catchy
melodies and is a great sounding chart for
young ensembles or bands with limited rehearsal
time. This one is playable with optional reduced
or expanded instrumentations and is highly
recommended.
10667352 Jazz Ensemble . . . . . . . . . .VE 40.00
20
JAZZ
ENSEMBLE
SMART & STYLISH
NEW VOCAL FEATURES
These new vocal features are great for adding variety to your performances.
Don't have a vocalist? No worries, most have an optional instrumental solo part.
But Not for Me—George Gershwin/arr. Scott Ragsdale. Here's a superb vocal solo
feature with big-band chart on a great standard. The features include a vocal range from B-flat
below middle C to third space C, a lead trumpet range to A-flat, and the swing tempo is around
134 bpm. Make sure to check out the written trombone solo and the fine sax soli during the
instrumental interlude. Don't have vocalist this year? No problem, optional featured solo parts
are included for any B-flat or E-flat instrument or trombone. This great chart for your vocalist is
highly recommended!
10593787 Jazz Ensemble & Vocalist or Any Instrument. . . . . . . . . . . . . . M 54.00
Do Nothing Till You Hear from Me—Duke Ellington/arr. Victor Lopez. Here's a
wonderful vocal solo feature chart on a timeless Duke Ellington jazz standard! The feel is easy
swing, the tempo is around 96 bpm, the vocal range is A-flat below middle C up to B-flat third
line, and the lead trumpet range is to written F top line. An instrumental interlude showcases
the band before the soloist returns with the great lyrics and swinging melody. If you don't have
a vocalist to feature, there are optional solo parts included for any B-flat or E-flat instrument or
trombone. Superb and swingin,' this one is highly recommended!
10593789 Jazz Ensemble & Vocalist or Any Instrument. . . . . . . . . . . . . . M 54.00
Hello—Adele Adkins & Greg Kurstin/arr. Paul Murtha. Adele's chart-topping song of
the year is skillfully arranged here by Paul Murtha as a power ballad for jazz ensemble and
vocalist. This superb setting can also be used as a feature for an alto saxophone soloist rather
than a vocalist. Beautifully paced, it begins with only a piano accompaniment then gradually
builds in intensity as the full band layers in. This artful and outstanding solo feature is highly
recommended and not to be missed! Vocal key: F minor
10606773 Jazz Ensemble & Vocalist opt. Alto Sax Solo . . . . . . . . . . . . ME 50.00
Lover, Come Back to Me—arr. Mark Taylor. This familiar Oscar Hammerstein and
Sigmund Romberg standard, first popular in the 1920's and 30's, has been revisited over the
years in a variety of styles. Here is an attractive and smooth samba version for vocal or optional
tenor saxophone solo that includes a feature section for the saxes accompanied by the soloist
in a "vocalese" style. A marvelous change-of-pace for any performance! Vocal key: B-flat
10617892 Jazz Ensemble & Vocalist or Tenor Sax. . . . . . . . . . . . . . . . . . M 50.00
Route 66—Bobby Troup/arr. Mark Taylor. Composed in 1946 and recorded by countless
artists over the years, here's a jazz standard that never goes out of style! This medium tempo
chart features a shuffle groove and highlight spots for the band trading phrases with a solo
trumpet. Don't have a vocalist to feature? No worries, there's an optional tenor saxophone solo
part included. Fun for the singer and band alike! Vocal key: F
10617890 Jazz Ensemble & Vocalist or Tenor Sax. . . . . . . . . . . . . . . . . ME 50.00
Who Walks In When I Walk Out?—arr. Rick Stitzel. Famously recorded by Ella
Fitzgerald with Louis Armstrong, here's a medium swinger from the early days of jazz that
makes a perfect showcase for a charismatic vocalist. It also works well as an optional female
and male vocal duet feature. An optional tenor saxophone solo part is included if you don't
have a vocalist. Everyone will have fun with this nostalgic romp that will be a real treat for
audiences! Vocal Key: D minor
10556776 Jazz Ensemble & Vocalist opt. Female & Male Duet . . . . . . . . M 50.00
