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Concert & Festival
4e Composers All Around—Andy Beck & Mark
Burrows. What a fantastic way to teach the
names of famous composers! This ingenious little
piece uses tunes from three traditional rounds to
teach the names of master composers throughout
music history. It's so much fun to sing the names
in rhythm, learning has never been such a
delightful experience! Highly recommended!
10590229 Two-Part. . . . . . . . . . . . . . . . . . . 1.90
10590230 P/A CD . . . . . . . . . . . . . . . . . . . 27.99
4t Connected—Brian Tate. "I am you are me..." This
innovative original uses a clever text and pop-style
music to create an environment of togetherness
among members of the choir. Community - that's
what it's all about. Each vocal part gets its own
statement, and all are sequenced together into a
rollicking chorus, all a cappella, all fun! Complete
with finger snaps and hand claps, this will be a hit
with your high school singers!
10602876 SATB. . . . . . . . . . . . . . . . . . . . . . 2.35
4 A Cowboy's Life—Dan Davison. This is the
perfect feature for middle school boys! The lyrics,
based on a poem by James Barton Adams,
glamorize the life of a cowboy while the music
supports the voices and lays down a solid, riding
beat. There are plenty of short solos to go around,
and the simple chorus will produce a full, masculine
sound. "I sleep beneath the star light and I think of
a pretty gal / With the golden hair who is waiting
there at the bars of the home corral."
10583533 TTB or TB . . . . . . . . . . . . . . . . . . 2.50
4 Crawdad Song—arr. John Leavitt. Accessible
voice parts coupled with hand claps and toe taps
help create this lively, energized arrangement of
an American folk song favorite. Call-and-response
phrases with contrary motion and terraced
dynamics provide interesting variety in vocal
textures. Enhance the fun piano accompaniment
by including the xylophone and string bass parts.
This piece is a terrific choice for festivals, fall or
spring concerts, and end-of-year performances.
10602828 Two-Part. . . . . . . . . . . . . . . . . . . 2.10
10647362 P/A CD . . . . . . . . . . . . . . . . . . . 27.95
4t Danny Boy—arr. Trevor Gomes. This a cappella
setting of Danny Boy by Trevor Gomes is unique
and lovely. Following a stark opening, the piece
grows in richness and vocal parts, with stirring
harmonies and a graceful conclusion. Truly a
sumptuous setting of this beloved folk song.
Appropriate for fine high school choirs, college
and community choirs.
10597454 SATB. . . . . . . . . . . . . . . . . . . . . . 2.35
4t A Day of Joyful Singing—Donald Moore. Here
is a superb easy original madrigal for developing
voices, with optional piano, optional baritone,
a happy text and plenty of "fa la la" passages.
Faithful to the madrigal style of the 16th and early
17th centuries, this has great educational and
performance value. Highly recommended!
10586915 Three-Part Mixed . . . . . . . . . . . . 1.95
4 A Day Upon the Sea—Victor C. Johnson.
Of the many sea-themed pieces available for
male voices, this original is definitely one of the
best. It's a vibrant, melodically-driven setting of
a seafaring poem by Allan Cunningham, with
comfortable ranges for both tenor and bass
parts. The stylistic piano part adds solid support
throughout this robust work. Your guys will love
it! "Oh, give to me a flowing sea, and a wind that
follows fast, and fills the white and rustling sail
and bends the gallant mast..."
10590277 TB . . . . . . . . . . . . . . . . . . . . . . . . 1.95
4 Do-Re-Do (The Interval Song)—Steve Kupfer-
schmid. Teach intervals from DO the fun way!
This snazzy Latin-style song will be a favorite with
young singers as they learn numerous rhythm
patterns while singing intervals and solfege
syllables. Educational and entertaining, this is a
win-win! Highly recommended!
10582872 Unison . . . . . . . . . . . . . . . . . . . . 1.95
t Dominus Vobiscum—Jacob Narverud. Now
available for women's or men's voices, this
powerful, flowing a cappella work in Latin
opens with a unison chant and closes with a
quiet "Amen." It is infused with interesting and
varied harmonies, changing meter, and dramatic
dynamics. This will bring out the musicianship of
your a cappella voices very nicely!
10510012 SSA. . . . . . . . . . . . . . . . . . . . . . . 1.95
10584802 TBB. . . . . . . . . . . . . . . . . . . . . . . 1.95
4 Don't Be Seen—Stuart Chapman Hill. A cut
above the standard fare for three-part mixed
choirs, this is a work of substance for middle
school or high school choirs. With an independent
piano accompaniment, optional cello, a wonderful
boys' part, and a compelling text, it will display
your choir's musicianship in fine style. "Fading
from the light, enveloped in the night, dart
between the stars, don't be seen... Light of the
moon, light of the stars, lead me - give me the
strength to be on my way..."
10589952 Three-Part Mixed . . . . . . . . . . . . 3.25
4e Dona Nobis Pacem (There Is a Better Way)—
Brian Tate. The simple Latin prayer expanded
with additional English lyrics unfolds naturally in a
sweet and open way. This accessible work makes
a wonderful benediction for a concert or service,
and though written for 3-part treble voices it can
easily be adapted to all types of choirs.
10573351 Three-Part Treble Equal. . . . . . . 1.90
4 Dream Land—Kevin A. Memley. A poem by
Christina Rossetti is the inspiration for this
expressive piece for four-part voices and piano.
"Where sunless rivers weep their waves into the
deep, she sleeps a charmed sleep..." Appropriate
for concert, festival, or memorials, this is a work of
emotional depth for intermediate-level choirs.
10602878 SATB. . . . . . . . . . . . . . . . . . . . . . 2.15
10602879 SSAA . . . . . . . . . . . . . . . . . . . . . 2.15
4 Echo—Tom Shelton. This setting of the Christina
Rossetti poem is a wonderful teaching piece!
The melodic line in the opening section evokes
feelings of beauty, loss and remembrance; the
middle section paints a picture of grief, reality, and
the feeling of life spinning out of control. After the
climax of the middle section, there is a return to a
sense of calm, symbolizing that as time passes,
we are able to come to terms with loss.
10593877 SATB. . . . . . . . . . . . . . . . . . . . . . 2.25
H Elijah Rock—arr. Roger Emerson. When it
comes to writing exciting spiritual arrangements
for young and developing voices, Roger Emerson
really knows how to do it right! Now, this incredibly
popular spiritual is available in a singable setting
that your singers are going to sound great on. A
very strong choice for any performance occasion!
10605589 SATB SAT(B) . . . . . . . . . . . . . . . 1.90
3115904 Three-Part Mixed . . . . . . . . . . . . 1.90
3115912 Two-Part. . . . . . . . . . . . . . . . . . . 1.90
4 Et Misericordia—Kim Andre Arnesen. Extrac-
ted from Kim Andre Arnesen's "Magnificat,"
this luscious setting opens with a hauntingly
gorgeous soprano solo. Undulating choral
rhythms and sublime a cappella moments make
this a piece not to be ignored. Meaningful and
artistically rewarding.
10593105 SATB. . . . . . . . . . . . . . . . . . . . . . 2.05
10535983 SSAA . . . . . . . . . . . . . . . . . . . . . 2.05
4t Even When He Is Silent—Kim Andre Arnesen.
Commissioned by the St. Olaf Festival in
Trondheim, Norway, Even When He Is Silent
masterfully expresses the sentiment of the text -
hope in times of despair. Beautifully melodic, with
rich harmonic texture, this is a stunning work for
better a cappella choirs! "I believe in the sun even
when it is not shining..."
10543959 SSAATTBB . . . . . . . . . . . . . . . . . 2.55
10499591 SSAA . . . . . . . . . . . . . . . . . . . . . 2.55
4 The Feller from Fortune—arr. Drew Collins.
This superb arrangement of the traditional
Newfoundland folk song paints a vivid picture of
the fishing industry and the culture that evolved
around it. The accompaniment is meant to
emulate the sounds of indigenous instruments,
such as squeezebox, penny whistle, fiddle,
acoustic guitar, and bodhran (or other low-pitched
frame drum). The conductor may add some of
these instruments in lieu of, or in addition to, the
piano accompaniment. Highly recommended!
10583514 SATB. . . . . . . . . . . . . . . . . . . . . . 2.25
n Festival Sanctus—Victor C. Johnson. This
triumphant setting of the traditional Latin text
features a bright, energetic accompaniment and
includes a pronunciation and translation guide.
The expressive contrasts between sections and
the canonic interplay among vocal parts are
exciting to sing and hear! Highly recommended!
10590406 Three-Part Mixed . . . . . . . . . . . . 2.10
10457332 TTB . . . . . . . . . . . . . . . . . . . . . . . 2.10
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