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Banana!
Todos Quieren la Banana - All the Nations Like Bananas
arr. Nick Page.
This is a wonderful multicultural selection based on a Nicaraguan folk song
that reminds us that all the nations like bananas! With alternating sections of
Spanish and English text, this charming arrangement features multiple ad lib
solo opportunities in a way that encourages personalization and diversity, all
while promoting unity and fun! Suggested percussion rhythms are given for
shakers and claves or woodblock. "You and me like it, everybody like it!"
10751898 SAB . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 1.90
10751899 Two-Part . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 1.90
10751900 P/A CD . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 27.99
Be a Candle of Hope
Becki Slagle Mayo.
A wonderful candle-lighting song for young voices! "Be a candle of hope, be a
candle of light, a beacon of truth in a dark, hopeless night. Share the light with
a friend and watch the flame grow. The more light we give, the more love we'll
know..." This will be especially effective at Christmas or at any time of year as
a closing number.
10028869 SATB . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 2.10
10028869E SATB ePrint . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 2.10
10736715 Three-Part Mixed . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 2.10
8064191 Unison/Two-Part. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 2.10
Beautiful City
Andre J. Thomas.
Incorporating the spirituals Oh, What a Beautiful City and In Bright Mansions
Above, this extraordinary work creates a poignant musical image of heaven.
This is choral writing at its very best, full of wonderful harmonic colors and
dynamic contrasts. The gospel-style piano accompaniment gives it an extra
boost of excitement. Highly recommended! Now available for SSAA.
10006504 SATB . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 2.10
10684722 SSAA . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 2.10
10011499 P/A CD . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 22.95
10047790 Instrumental Parts . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 39.95
10047790E Instrumental Parts ePrint. . . . . . . . . . . . . . . . . . . . . . . . . . 39.95
Become Yourself
Vicki Tucker Courtney.
This arrangement, from Vicki Tucker Courtney's solo of the same title, is set
in a contemporary ballad style. The feel-good, empowering text expresses the
hope that each person will recognize their own special and unique talents.
10735231 Unison/Two-Part. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 1.95
Bile Them Cabbage Down
arr. Steve Kupferschmid.
This lively, rhythmic and humorous arrangement is pure fun from start to finish,
not to mention easy to learn! Hand-clappin', hootin' and hollerin' and even
some barking and howling fill the verses and choruses key change after key
change. Add some foot-stompin' and a fiddle and you're ready to "bile them
cabbage down!" Now available for men's choir!
10453547 SAB . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 2.50
10453547E SAB ePrint . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 2.50
10453552 Two-Part . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 2.50
10453552E Two-Part ePrint . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 2.50
10679581 TB . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 2.10
10679581E TB ePrint . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 2.10
10453553 P/A CD . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 26.99
Bobby Shafto
Ruth Morris Gray.
A rollicking setting of a popular 19th-century British folk song provides a real
change of pace in any program. Easy to learn and fun to sing, with some great
teaching moments, this is a great way to feature a women's ensemble!
10736720 SSA . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 2.10
As the Rain Hides the Stars
Elaine Hagenberg.
"As the rain hides the stars, as the autumn mist hides the hills..." Here is an
exquisite setting of a traditional Gaelic prayer that will enhance the ethereal
beauty of your choral sound. As the clouds finally part, the sun shines clearly
for the first time. "Yet, if I may hold your hand in the darkness, it is enough."
10748271 SATB . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 2.45
10519865 SSA . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 2.45
The Ash Grove
arr. Mark Patterson.
This gentle setting of the beloved Welsh folk tune features a lilting piano
accompaniment and a lovely obbligato part for oboe or clarinet (both parts
are included). With some rhythmic variation and extended cadences from the
original folk song, this lyrical setting presents all the beauty that the text so
aptly describes. With the opportunity to feature a soloist in the opening section,
the texture expands from unison and two-part to a rich choral texture with
warm, pleasant harmonies. This lovely concert selection presents a wonderful
opportunity to teach phrasing and musical expression to developing choirs.
10757127 SATB . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 2.35
10757128 SAB . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 2.35
10757129 SSA . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 2.35
Ave Generosa
Ola Gjeilo.
This setting of Hildegard von Bingen's Ave Generosa text uses a hauntingly
joyful tonality, paying homage to the mysterious story of Mary. A beautiful
middle section is surrounded by contrasting modal beginning and ending
sections. The juxtaposition of sustained and moving moments holds true to the
composer's style, while the harmonic structure and vocal construction offer very
fresh textures. Highly recommended!
10746480 SSAA . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 2.75
Barb'ry Allen
arr. Dan Davison.
Exciting rhythms, an accompaniment that imitates the snare drum, and an original
melody in the Mixolydian mode make this arrangement an attractive choice for
SSA choirs. The uptempo Celtic feel along with a lot of unison and two-part
singing makes this selection appealing to a wide variety of treble ensembles.
10735254 SSA . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 2.25
Babethandaza
arr. Victor C. Johnson.
Exuding sizzling, rhythmic energy, this traditional South African folk song
arrangement is a multicultural programming winner! A cappella, with
percussion parts included for shakers, djembe, and hand drum which add
authentic texture and flavor. With some elements of call and response and
clever layering of parts, it is singable and easily learned. A helpful pronunciation
guide and translation for the Swahili text is also included. Highly recommended!
10757130 SATB . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 2.35
10757162 Three-Part Mixed . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 2.35
10757163 SSA . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 2.35
10757165 TTB . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 2.35
Baloo Baleerie
arr. Ruth Elaine Schram.
This arrangement of a Scottish lullaby features a beautiful melodic line and
wonderful harmonic moments. The text is in English with Gaelic subtext, and an
accessible pronunciation guide is included. Lovely, lyrical, and simply beautiful!
10510062 Three-Part Mixed . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 1.95
10735219 SSA . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 2.25
