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CONCERT SELECTIONS
I Believe
Mark Miller.
A new SSA edition of Mark Miller's bestselling anthem, I Believe. The sentiment
of this anonymous text, "I believe in the sun, even when it's not shining," is a
bold statement of trust and is applicable in any sacred or secular setting. This
anthem truly represents the best of Mark Miller's choral writing and will be
sung by generations to come.
10335690 SATB . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 2.35
10335690E SATB ePrint . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 2.35
10757190 SSA . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 2.25
I Believe in the Sun
Ich glaube an die Sonne
Thomas Juneau.
This poem was discovered in a dark cellar in Cologne, Germany where
thousands of Jews hid from persecution from the Nazis. "I believe in the sun
even when it is not shining... I believe in God, even when He is silent." This
plaintive setting is in both German and English, and may be performed in either
or a combination of both languages. Moving!
10685434 Two-Part or SA . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 2.10
10685434E Two-Part or SA ePrint. . . . . . . . . . . . . . . . . . . . . . . . . . . . . 2.10
I Can See the River Jordan
Jay Althouse.
This original selection combines folk and gospel elements in a laid-back style
in the pattern of a traditional spiritual. A symbolic text leads to crossing the
metaphoric River Jordan as the music recalls songs from early America. The
piece opens with brief solos, builds to a hand clapping bridge, and concludes
only after full choral harmonies fade and voices unite on a single pitch.
10738905 SATB . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 1.90
10738906 SAB . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 1.90
10738907 SSA . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 1.90
I Couldn't Hear Nobody Pray
arr. Victor C. Johnson.
A slow opening section blossoms into a rhythmic, energetic setting of this
traditional spiritual for soloist and choir. A cappella throughout, with a call-and-
response texture between the soloist and the choir, this dynamic concert work
presents an opportunity to teach the historical context and style of the piece in
an exciting arrangement that is sure to energize the singers and audience alike.
Highly recommended!
10757169 SATB . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 2.10
10757170 SSA . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 2.10
I Have Loved the Stars Too Fondly
Heather Sorenson.
Inspired by Sarah Williams' poem The Old Astronomer, the exceptional text in
this new concert work tells of the irony of life's moments. This appealing piece
features an optional cello obbligato which combines with the lovely, flowing
piano part to create a supportive accompaniment. Highly recommended!
10689417 SATB . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 2.25
10689417E SATB ePrint . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 2.25
I Hear Oceans
Robert Bode & Jacob Narverud.
This mysterious and thought-provoking concert work begins with the simple call
of "I hear oceans" and melts into lush choral writing enhanced by interesting
harmonies and textures. This unusual choral will work well as a festival piece or
for an honors choir setting.
10689418 SATB . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 2.10
10689418E SATB ePrint . . . . . . . . . . . . . . . . . . . . . . . . . . 2.10
10737678 SSA . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 2.10
I Want to Be Ready
arr. Howard Helvey.
This beautiful, tender arrangement of the traditional spiritual offers
an opportunity to hear and consider the text in a new way. Slow and
reflective, this piece provides rich textures and glorious harmonies
for a sweet moment in your service or concert.
10757397 SATB. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 2.10
Homeward Bound
arr. McKay Crockett.
After racking up over a million views on YouTube, this unique a cappella
stunner by Brigham Young University's Vocal Point and the All-American
Boys Chorus is now available for SATB divisi choirs. Contemporary a cappella
harmonies and layered choral textures support the soloists during the folk-
like verses and full choral refrains. The familiar Holst melody makes a few
appearances, and a three-part treble chorus (or descant group) is an ethereal
addition at the end. "Bind me not to the pasture; chain me not to the plow. Set
me free to find my calling and I'll return to you somehow." Inspirational!
10738914 SSAATTBB . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 2.35
Hoo Shoo Too Road
John Parker & Patti Drennan.
This modern folk song is whimsical, lively, and fun to sing while providing plenty
of good teaching opportunities. The well-written accompaniment, with optional
parts for fiddle, string bass, banjo and tambourine, adds to the authentic feel.
Very nicely done!
10708677 Two-Part . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 1.95
How Can I Keep from Singing?
Robert Lowry/arr. Russell Robinson.
The well-loved song by Robert Lowry takes on a more reflective and emotional
style in this elegant, simple setting for mixed voices. Accessible choral parts
make this a good choice for developing a cappella singing. A refreshing take on
a beloved work that will program beautifully as an a cappella concert feature or
a poignant opener or closer.
10684069 SATB . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 2.10
10684069E SATB ePrint . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 2.10
10684071 SAB . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 2.10
10684071E SAB ePrint . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 2.10
How Sweet the Sound
Philip Lawson.
A new refreshing setting of such a well-loved hymn, this Amazing Grace was
originally written for The King's Singers and a women's choir. It is mesmerizing
and also challenging. The setting lends itself to be performed in numerous
configurations - antiphonally, in the round, or concert formation.
10748251 SATB . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 2.45
Hushaby
Ellen Gilson Voth.
This arrangement presents the challenge of singing a familiar lullaby with a
freshness and a tender but well-supported tone. The contrasting middle section
is intended to be dreamlike, with cascading images of horses that are moving
quickly then gradually slowing their pace. The ending allows the choir to be
luxurious with time, and to enjoy the final hum fading into silence. A wonderful
artistic arrangement - highly recommended!
10663238 SATB . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 1.95
Hushabye, Nanita Nana
Mary Donnelly & George L.O. Strid.
The gorgeous Spanish lullaby A la Nanita Nana is paired with a new melody in
this creative partner song. This piece may be performed in Spanish or English
and includes a pronunciation guide. Use either the piano accompaniment and
optional flute obbligato, or the beautifully styled accompaniment CD track for
your performance. Equally appropriate for the holidays, or for use throughout
the year. Highly recommended!
10684748 Two-Part . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 1.95
10684750 P/A CD . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 26.95
