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All Is Well—Wayne Kirkpatrick &
Michael W. Smith/arr. Joel Raney.
Joel Raney's
setting of Michael W. Smith's Christmas song was
commissioned by The Agape Ringers in loving
memory of Debbie Perisho, who was with the
ensemble for 13 years before losing her battle to
cancer. This powerful circumstance is reflected in
the depth of this setting. Moving!
10605011 3/6 Octave . . . . . . . . AGEHR-L4 5.50
10605012 Instrumental Parts . . . . . . . . . . . 15.00
Angel Medley—arr. Terry Osman. Terry Osman
weaves together three favorite Christmas tunes:
Angels from the Realms of Glory; Angels We Have
Heard on High and Hark! The Herald Angels Sing
in this charming arrangement. It is perfect for any
occasion during the Christmas season.
10524162 2/3 Octave . . . . . . . . AGEHR-L2 4.95
An Appalachian Christmas—
arr. Tammy Waldrop.
Combine traditional
Christmas carols with a healthy dose of Bluegrass
musical style and you'll have a good idea of the
festive fun waiting in this Christmas arrangement.
Generous use of mallets and offbeat rhythms keep
the medley moving right up to the final measure.
10095902 3/5 Octave . . . . . . . . AGEHR-L2 4.25
Breath of Heaven—Chris Eaton & Amy Grant/
arr. Sandra Eithun.
Amy Grant's poignant and
haunting contemporary Christmas classic has
been set for 3-7 octave handbells and optional
handchimes. The opening suspended mallets create
an ethereal backdrop for this well-known text. An
excellent arrangement of a Christmas classic.
10604989 3/7 Octave . . . . . . . . AGEHR-L3 5.50
Carol of the Bells—arr. Jason W. Krug.
Ring in the Christ Child's birth with this innovative
bell setting of the quintessential Christmas carol.
A touch of drama and intrigue is added by shifting
chords underneath the melody, along with martellato
and pluck at the end of phrases. Opening with the
soft tolling of a single bell, then building to a grand
finale, this wonderful arrangement gives ringers the
opportunity for great expressiveness.
10454998 3/5 Octave . . . . . . . . AGEHR-L2 5.50
10454999 2/3 Octave . . . . . . . . AGEHR-L2 5.50
Chime in Advent and Christmas—
arr. John Behnke.
This flexible collection features
three seasonal arrangements written especially for
handchimes. Perfect for the weeks leading up to
Christmas, these selections use vibrato and swing
techniques and include an optional procession.
Titles: O Come, O Come Emmanuel; The King Shall
Come and Gentle Mary Laid Her Child.
10068154 2/3 Octave . . . . . . . AGEHR-L1+ 4.95
Christmas Angels—Brian Tervo. The Christmas
angels announce the joy of Christ's birth in this
medley of beloved carols! This piece will make a bold
statement at your Christmas services and concerts.
It can be mastered with minimal rehearsal time.
10618097 3/5 Octave . . . . . . . . AGEHR-L3 4.95
A Christmas Lullaby—arr. Anna Laura Page.
This contemplative arrangement weaves together
O Come, Little Children and Still, Still, Still. Well-
suited for youth or beginning choirs, A Christmas
Lullaby is an accessible, must-have selection for a
quiet moment during your Christmas Eve service,
concert or call to worship in the holiday season.
Equally beautiful on handbells or handchimes.
10454996 2/3 Octave . . . . . . . AGEHR-L1+ 4.50
Deck the Halls—arr. Benjamin Tucker.
A real celebration of the season! This energetic
setting of the classic carol is rhythmic and fun.
For interest and to increase the diversity of the
arrangement, it contains a contrasting section in
waltz tempo. Unforgettable!
10617779 3/5 Octave . . . . . . . . AGEHR-L3 4.95
Fantasy on Kingsfold—arr. Dean Wagner &
Michael Glasgow.
Dean Wagner's Fantasy on
KINGSFOLD has been a best-seller since it was
first published in 2000. This dynamic setting, based
on an old English folk tune, moves from intimate to
majestic with colorful harmonies and the optional
use of handchimes. For worship or concert, this is a
tried and proven winner.
3266772 3/5 Octave . . . . . . . . . AGEHR-L2+ 4.95
10316718 Instrumental Parts Orchestration . .69.95
I Heard the Bells on Christmas Day—
arr. Linda Lamb.
The hymn tune rings through in
this straightforward arrangement that is perfectly
suited for small and beginning ensembles.
Mallets, thumb damps, martellato lifts, and shakes
distinguish the charming accompaniment from the
simple melody. A bell change occurs at the key
change. Special!
10618082 2 Octave . . . . . . . . . . AGEHR-L3 4.95
I Wonder as I Wander—John Jacob Niles/
arr. Peggy Bettcher.
The ethereal sound of
singing bells opens this lovely arrangement which
combines two haunting Christmas melodies, the
Appalachian folk tune I Wonder as I Wander and
Coventry Carol. Artistically woven together, this
contemplative composition is a poignant expression
of faith for any Christmas service or program.
10452285 3/5 Octave opt. 3/5 Octave
Handchimes . . . . . . . AGEHR-L2 5.50
In the Bleak Midwinter—arr. Brenda Austin.
Gustav Holst's haunting tune receives a sensitive
treatment from the ever-creative Brenda Austin. The
optional handchimes effectively highlight the melodic
material. This piece, with its flowing accompaniment,
is a perfect tool for working on legato ringing. The
peacefulness and beauty of this setting make it a
great ministry tool.
10618107 3/5 Octave . . . . . . . . AGEHR-L2 4.95
It Came Upon a Midnight Clear—
arr. Jason W. Krug.
The well-known Christmas
tune is given a delicate, introspective arrangement
perfect for a quiet, meditative moment in any church
service or concert. Flowing arpeggios underscore
the piece, and unexpected harmonies shed a fresh
new light on a familiar melody. Captivating!
10618481 3/6 Octave . . . . . . . . AGEHR-L3 4.50
It's the Most Wonderful Time of the Year—
Edward Pola & George Wyle/arr. Joel Raney.
This 1963 pop standard was released by Andy
Williams for his first Christmas record. It focuses
on friends and family, spending time with loved
ones, sledding for children, and kissing under the
mistletoe. A dynamic, jazz waltz setting by Joel
Raney captures the energy and verve deserving
of this Christmas sensation. The optional parts for
Synth & Percussion enliven the presentation. There
are two versions available, a Level 3 and a Level 4.
10604923 3/5 Octave . . . . . . . . AGEHR-L3 5.50
10604924 3/6 Octave . . . . . . . . AGEHR-L4 5.50
10604925 Instrumental Parts for
3/5 Octave Arrangement . . . . . . 15.00
10604926 Instrumental Parts for
3/6 Octave Arrangement . . . . . . 15.00
Let All Mortal Flesh Keep Silence—
arr. John A. Behnke.
The haunting PICARDY
melody is used for this wonderful Advent or general
prelude. The "alleluia" motif begins the piece and ties
together two very contrasting settings of the melody.
Both treble and bass ringers play the melody in the
first stanza. A great addition to the repertoire.
10618437 2/3 Octave . . . . . . . . AGEHR-L2 4.95
Mary, Did You Know?—arr. Anna Laura Page.
Tender and moving, this arrangement of Mark Lowry
and Buddy Greene's popular Christmas song mixes
bells and optional chimes throughout its lyrical
tapestry. Artistic variations on the theme are nicely
penned into the introduction, which then follows
the main melody in gentle symmetry. All ringers
eventually have an opportunity to inherit their own
portion of the original line as it skillfully weaves its
way through a beautifully well formed landscape.
10282219 3/5 Octave . . . . . . . . AGEHR-L3 3.99
Now the Green Blade Riseth—
Kevin McChesney.
The French Carol Noel
Nouvelet has alternate texts which allow it to be
used at Christmas and Easter. This version opens
with malleted rhythms which repeat beneath the
tune, driving it forward. A full sounding arrangement
this one keeps every hand busy yet still is very
workable. An excellent medium level work.
3067717 3/5 Octave . . . . . . . . AGEHR-L3 4.95
10487029 Instrumental Parts
Orchestration . . . . . . . . . . . . . . . 29.95
10487031 Instrumental Parts Concert Band
Accompaniment . . . . . . . . . . . . . 29.95
On Christmas Day in the Morning—
arr. Tammy Waldrop.
The English carol I Saw
Three Ships paints a vivid picture of Christmas
morning: gleaming vessels in full sail, colorful flags
snapping in the crisp air, and bells ringing out from
churches. It was this image that inspired arranger
Tommy Waldrop to use jaunty rhythms, pealing bell
lines and a touch of Celtic style to propel her setting
of this seasonal favorite. Inspired!
10605008 3/7 Octave . . . . . . . . AGEHR-L3 5.25
See Amid the Winter's Snow—arr. Alan Lohr.
This reflective treatment of HUMILITY is perfect for
a reflective moment in your service or concert.
The optional handchime part creates a striking
accompaniment timbre on which the melody can
float during the soft middle section and coda. Lovely.
10618091 3/6 Octave . . . . . . . . . . . . . . . . . . 4.95
Sing We Now of Christmas—
arr. Sondra K. Tucker.
The French carol NOEL
NOUVELET
is given a fresh treatment in this sparkling
setting. The malleted chromatic runs are easily
achieved yet give a harmonic complexity to the
accompaniment. The optional handchimes add
another dimension to the tonal palette. This creative
arrangement will be a joyous addition to any worship
service, concert or festival.
10618475 2/3 Octave . . . . . . . . AGEHR-L3 4.50
10618476 3/5 Octave . . . . . . . . AGEHR-L3 4.50
Still, Still, Still—arr. Sandra Eithun.
Perfect for smaller ensembles, this piece only uses
whole-, half-, quarter-, and eighth-note rhythms and
does not include bell changes. The arrangement can
also be easily adapted for a four-in-hand choir. The
closing chord will leave your congregation with a
sense of wonder.
10618094 2/3 Octave . . . . . . . . AGEHR-L2 4.95
Veni—Jason Krug. The sinuous, meditative
nature of this piece makes it perfect for any Advent
service or Christmas concert. Jason Krug's careful
craftsmanship offers opportunities to work on singing
bell technique, flowing LV patterns, suspended
bells, and a wide range of additional techniques.
An excellent choice to challenge your ensemble.
10618072 3/5 Octave . . . . . . . . . . . . . . . . . . 5.50
We Three Kings—arr. Matthew Compton.
Expose your ringers to a touch of jazz with this
arrangement of We Three Kings. Alternating
between swung and straight eighth notes, this
piece offers a light rhythmical challenge to bass and
treble rings. Audiences and congregations alike will
appreciate this unique setting.
10618070 3 Octave . . . . . . . . . . . . . . . . . . . . 4.95
What Child is This?—arr. Brenda Austin.
Bells, chimes and the singing bell technique are
combined to create a mystical feel at the start and
ending of this well-known carol. This arrangement
involves most ringers throughout in very effective
ways and will draw your audience into this lovely
setting of a traditional favorite.
10607056 3/5 Octave . . . . . . . . AGEHR-L3 4.50
CHRISTMAS for HANDBELLS
More and more school music programs are incorporating handbells and handchimes
in their choral and instrumental performances. Here are Pepper's best-sellers for Christmas!
Visit jwpepper.com for complete information on all styles of handbell music.
