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Secular Concert All Voicings medium
n I Will Be EarthGwyneth Walker. "I will be earth,
you be the flower. You have found my root, you
are the rain..." May Swenson's evocative poem is
wedded to Gwyneth Walker's expressive music in
this choral which has become a popular choice with
festival choirs.
1956739 SSATB. . . . . . . . . . . . . . . . . . . 2.25
3010667 SSA. . . . . . . . . . . . . . . . . . . . . 2.25
4 I Will Remember YouCraig Courtney. Flowing
melodic lines, superb choral writing, and a wonderful
text reflecting on love found, lost, and remembered
combine to make this a significant work for any
ensemble. Alternating women's and men's,
accompanied and a cappella sections all lead to a
heartrendingly beautiful climax. Highly recommend!
10736751 SATB. . . . . . . . . . . . . . . . . . . . 2.10
l If I Could See You WindJ.D. Frizzell. This notable
text by the distinguished American poet Dorothy
Diemer Hendry is set in a descriptive, expressive
style with many wonderful harmonic moments.
An aleatoric section gives rise to an emotional and
poignant ending. This piece abounds with teaching
moments: breathing, working with close harmonies,
intonation, and vocal independence.
10736752 SATB. . . . . . . . . . . . . . . . . . . . 2.10
l If Thou Must Love MeDebra Scroggins.
Highlighted by a gorgeous flowing piano
accompaniment, this classic Elizabeth Barrett
Browning text is given new life with a contemporary
harmonization and flowing melodic lines. Affirming
the everlasting value of love, the lyrical phrases
give your choir an opportunity to reach new levels
of musicality and expression. Commissioned by the
Texas Music Teachers Association, it is sure to be
a satisfying musical experience for both singers and
audiences alike.
10684749 SATB. . . . . . . . . . . . . . . . . . . . 2.10
In Remembrance (from "Requiem")Eleanor
Daley. "Do not stand at my grave and weep, I am
not there, I do not sleep." An evocative and deeply
moving work by Canadian composer Eleanor Daley
is presented with rich harmonic tapestries and
seamless legato melodic lines. Warmly expressive
and hopeful, it continues to appear on concert and
festival programs since its premiere in 1993.
3037793 SATB. . . . . . . . . . . . . . . . . . . . 2.15
l In UmbraPaul David Thomas. Bold, daring
vocals exemplify the translation of the Latin text, "In
the shade, therefore, we will fight." When coupled
with the rhythmic, forceful piano accompaniment,
male ensembles of all sizes will sound fantastic
singing the accessible Latin text. Supportive piano
and compelling text join forces in this exciting
concert piece. Pronunciation guide provided.
10735171 TTB . . . . . . . . . . . . . . . . . . . . . 2.25
The Isle Is Full of NoisesPaul Ayres. Have
you ever awakened from a dream and wished you
could return to it? This work begins with whispering
noises before stating the Shakespeare text,
and later brings some Chinese text into the mix,
by Chinese poet Bai Juyi. The piece closes as it
began, with the whispered motive, "...the isle is full
of noises..."
10602896 SATB. . . . . . . . . . . . . . . . . . . . 2.65
n JabberwockyCarolyn Jennings. What better
way for your choir to take on the Jabberwock
than this rollicking dance in c-minor with rhythmic
melodies, dynamic contrasts and a "galumphing"
piano accompaniment? Sensible vocal layering
make this easy to learn, and the ending bursts
with shouts of "Calooh, Callay!" It's an exceptional
concert or festival choice!
1771492 SSA. . . . . . . . . . . . . . . . . . . . . 2.50
t
JennyRyan Kerr & Nick Myers. Fluid vocal
lines and a sensitive text shine in this powerful,
heartfelt recollection of a lost loved one. Perfectly
capturing the essence of love that lives forever, it
is at the same time both touching and haunting.
For a cappella choirs, this will be warmly received
in concert or memorial performances. "Quietly the
strain falls out of tune. Shadows steal across a
lonely moon. I miss you so..."
10514894 SATB. . . . . . . . . . . . . . . . . . . . 1.90
l The Lark in the Clear AirRobert Sieving. "It is
this that gives my soul all its joyous elation, as I hear
the sweet lark sing in the clear air of the day." This
strophic setting of the Irish folk tune Caislen U Nill
(Castle O'Neill) features alternating accompanied and
a cappella sections with a lovely cello obbligato. The
two against three feel throughout the piece gives an
added sense of longing to the musical fabric. This
gorgeous women's piece is sure to be one of the
most beloved selections at your next concert.
10684771 SSA. . . . . . . . . . . . . . . . . . . . . 2.10
l Les Papillons (The Butterflies)Ernest
Chausson/arr. Mari Esabel Valverde. Brisk and
expressive melodic phrases along with the
piano's fluttering accompaniment reflect images
of the butterfly. Soaring and singable, this will be
a wonderful selection for developing choirs and
established singers. French translation and IPA
pronunciation guide included.
10746403 SSA. . . . . . . . . . . . . . . . . . . . . 2.75
n Letter from a Girl to the WorldAndrea
Ramsey. This remarkable work has become one
of the most popular choices for women's festival
choirs all over the country.
10074607 SSAA. . . . . . . . . . . . . . . . . . . . 2.20
l The Light Dawns on a Weary WorldMack
Wilberg. This short, energetic piece sets words
by contemporary hymn writer Mary Louise
Bringle. The text is full of hope; Wilberg's use of
a 7/8 time signature keeps the verses propelling
forward joyously while undulating notes shape the
refrains. Several key changes are supported by a
continuously rhythmic accompaniment in the form
of piano duet or large orchestra.
10736186 SATB. . . . . . . . . . . . . . . . . . . . 3.75
l Like Dust I Rise: 1. On the Pulse of Morning
Mark Hayes. This is the opening movement
to the choral song cycle Like Dust I Rise. In
1993, Maya Angelou recited this poem at the
inauguration of President Bill Clinton, making her
the first African American and the first female poet
to deliver an inaugural recitation. Subsequently,
Angelou's audio recording of On the Pulse
of Morning won a Grammy Award for "Best
Spoken Word" in 1994. Mark Hayes opens with
a resounding "See Me Rise" choral fanfare before
presenting the hope-filled latter half of the poem
with rhythmic exuberance.
10752154 SATB. . . . . . . . . . . . . . . . . . . . 1.90
10752156 SSAA. . . . . . . . . . . . . . . . . . . . 1.90
10752157 TTBB . . . . . . . . . . . . . . . . . . . . 1.90
10752158 P/A CD . . . . . . . . . . . . . . . . . 29.99
l Like Dust I Rise: 2. Caged BirdMark Hayes.
The second movement from the choral song cycle
Like Dust I Rise is a folk-like setting of Maya
Angelou's empowering poem, which compares
a bird's longing to be liberated with that of all
people. Hayes chooses a minor key with plenty
of harmonic tension and a walking tempo that
suggests the footsteps of those who have come
before. The final Picardy third is the ultimate
symbol of freedom.
10751904 SATB. . . . . . . . . . . . . . . . . . . . 1.90
10751905 SSAA. . . . . . . . . . . . . . . . . . . . 1.90
10751906 TTBB . . . . . . . . . . . . . . . . . . . . 1.90
10751907 P/A CD . . . . . . . . . . . . . . . . . 29.99
l Like Dust I Rise: 3. EqualityMark Hayes.
The third movement from the choral song cycle
Like Dust I Rise. This contemporary gospel-style
rouser denounces oppression and serves as a
choral anthem for equal rights. A confident solo
voice helps deliver a determined message in the
unwavering words of Maya Angelou. If performing
as a set, an alternate ending segues directly into
the closing movement of Like Dust I Rise. When
performing separately, Mark Hayes includes an
upward modulation that propels us to the final,
most spirited refrain.
10751934 SATB. . . . . . . . . . . . . . . . . . . . 2.15
10751935 SSAA. . . . . . . . . . . . . . . . . . . . 2.15
10751936 TTBB . . . . . . . . . . . . . . . . . . . . 2.15
10751937 P/A CD . . . . . . . . . . . . . . . . . 29.99
l Like Dust I Rise: 4. Still I RiseMark Hayes.
The final movement from the song cycle Like Dust
I Rise brings Maya Angelou's most popular poem
about triumph over adversity brilliantly to life in
this vivid setting by Mark Hayes. The bright shuffle
tempo and bluesy piano riffs perfectly embody
Angelou's strength, courage, and determination
to rise above. One of the most uplifting choral
selections of our time!
10752260 SATB. . . . . . . . . . . . . . . . . . . . 2.00
10752261 SSAA. . . . . . . . . . . . . . . . . . . . 2.00
10752262 TTBB . . . . . . . . . . . . . . . . . . . . 2.00
10752263 P/A CD . . . . . . . . . . . . . . . . . 29.99
n The Lobster QuadrilleDavid Eddleman. Here is a
whimsical interpretation of a Lewis Carroll poem from
Alice's Adventures in Wonderland. Excellent diction is
essential in telling this fantastical story, in which Alice
meets the Mock Turtle and the Gryphon, who teach
her to dance. A playful piano accompaniment and
clever vocal writing make this a lively, fun program
feature for any performance occasion!
10352163 SSA. . . . . . . . . . . . . . . . . . . . . 2.50
l
LoreleiClara Schumann/arr. Brandon Williams.
An authentic and representative lied from a
Romantic-era female composer set in an dynamic
arrangement for women's or treble choirs. Clara
Schumann's dramatic setting of the poem Lorelei
was a birthday gift to her husband Robert in
1843. Her mastery of the keyboard is evident in
this exciting and descriptive accompaniment that
features driving eighth-note figures reminiscent
of Schubert's Erlkoenig. A translation and
pronunciation guide is included for the German text.
10685865 Three-Part Treble or SSA . . . . . 2.25
Love's WayJoseph M. Martin. The Word
becomes song in this scripture-based anthem for
choirs seeking an expressive vehicle for worship.
A melodically pleasing gesture with wide intervals
opens simply before taking on a rich and effective
harmonization. A significant developmental B
section explores the color of the choir and builds to
a passionate restatement of the main theme. The
lush orchestration adds greatly to the overall sonic
ambience, making this a stellar choice.
10662909 SATB. . . . . . . . . . . . . . . . . . . . 2.10
10662912 P/A CD . . . . . . . . . . . . . . . . . 26.99
10662914E Orchestration ePrint . . . . . . . . 69.95
n LullabyDaniel Elder. This contemporary concert/
festival piece is truly inspired, in music and text.
"Away, where the sunlight is beaming through a
deep, cloudless blue, and the treetops are gleaming
with a fresh morning dew..." Appropriate for any
occasion, including memorials, it is a stunning work!
10372681 SATB. . . . . . . . . . . . . . . . . . . . 2.35
10500445 SSA. . . . . . . . . . . . . . . . . . . . . 2.35
.n A LullabyRyan Murphy. The poetry of Eugene
Field is captured beautifully in this original work.
The words of the lullaby speak both to a child
falling asleep and to a child who "does not hear
his mother's song." The lilting triple meter and the
movement of the piano accompaniment imitate
rocking. Add the optional strings for a lush effect.
"And as I sing, my sweet, to you, oh, would the
lullaby I sing - the same sweet lullaby he knew
while slumbering on this bosom too - were borne
to him on angel's wing! So hushaby - O hushaby."
Highly recommended!
10513269 SATB. . . . . . . . . . . . . . . . . . . . 2.65
10513271 Instrumental Parts Strings . . . 40.00
t MLKarr. Bob Chilcott. This haunting song by U2,
as recorded on The King's Singers' Good Vibrations
album, is a fitting tribute to Martin Luther King for
a cappella choirs. It continues to be popular for
concerts and festivals year after year.
3018843 SATB. . . . . . . . . . . . . . . . . . . . 2.15
l Morning StarCarson Cooman. "O morning
star, when the night of this world is past, bring to
us the promise of the new dawn's light." Words of
comfort and assurance taken from the tombstone
of the Venerable Bede are directly and elegantly
set to music in this original piece. Lush choral
harmonies over the stark piano accompaniment
create a peaceful moment of beauty that is sure to
inspire your choir and audience alike.
10684752 SSA. . . . . . . . . . . . . . . . . . . . . 1.95
l Mountain StreamErik Whitehill. Over
raging rapids and around sharp bends, here's
an energizing musical trip down a mountain
stream rushing wildly with snow melt. Inspired
by Colorado's 31-mile Boulder Creek, this study
in contrasts sets the nature-inspired text in a
programmatic setting that is sure to thrill and
inspire your choir and audience alike. A syncopated
rhythmic piano part sets the stage while the exciting
lyrics and vocal lines give plenty of opportunity to
teach musicality to young singers.
10684754 Two-Part . . . . . . . . . . . . . . . . . 2.10
Ht Musick's EmpireLloyd Pfautsch. This
remarkable setting of a 17th-century poem by
Andrew Marvell continues to be a popular choice
with contest and festival choirs.
1254218 SATB. . . . . . . . . . . . . . . . . . . . 1.85
t Muusika (Music)Paert Uusberg. A meditation
on the mystery and wonder of music, this Estonian
tone poem is a little gem for a cappella choirs. With
gorgeous harmonies that intensify the text, this
will resonate deeply with your singers. Estonian
pronunciation guide and translation are provided.
10593348 SATB. . . . . . . . . . . . . . . . . . . . 2.40
lt My Grandfather's ClockHenry Clay Work/
arr. MB Krueger. A wonderful a cappella novelty
piece for any men's group. Using vocal clock
sounds to set the scene, the melody passes from
a tenor soloist through the choir and is eventually
reiterated by a low bass solo. A fun piece, great
closer or encore - sure to be an audience pleaser.
10736691 TTBB . . . . . . . . . . . . . . . . . . . . 2.10
n My November GuestJames Baas. "My Sorrow,
when she's here with me, thinks these dark days of
autumn rain are beautiful as days can be..." Robert
Frost's beautifully sorrowful poem is treated with
loving care in this superb setting. Use the optional
cello part to add the finishing touch to this stunning
work. Highly recommended!
10593281 SSA. . . . . . . . . . . . . . . . . . . . . 2.55
t My Spirit Sang All DayGerald Finzi. This choral
classic sings vibrantly through rapid meter changes
with a romantic text celebrating the joys of young
love. It continues to be a favorite with contest and
festival choirs.
1463306 SATB. . . . . . . . . . . . . . . . . . . . 2.15
lt Nightsongarr. Philip Lawson. Five classics from
the Romantic era make this a useful and valued
collection for mixed choruses in schools, colleges
and communities. Includes: Abendlied (Josef
Rheinberger); Abendstndchen (Johannes Brahms);
Die Nacht (Franz Schubert); Nachtlied (Max Reger);
Waldesnacht (Johannes Brahms).
10758787 SATB. . . . . . . . . . . . . . . . . . . . 2.95
Ht Northern LightsOla Gjeilo. Set to the Latin
"Pulchra es amica mea" text from "Song of
Solomon," this a cappella work is inspired by
the beauty of the aurora borealis as seen by the
composer in his native Norway.
10090831 SATB. . . . . . . . . . . . . . . . . . . . 2.75
10606187 SSAA. . . . . . . . . . . . . . . . . . . . 2.55
Practical!
EDUCATING
YOUNG SINGERS
Mary Goetze, Angela Broeker
& Ruth Boshkoff.
Organized
into three sections, Educating
Young Singers offers strategies for
integrating pedagogical and musical
knowledge into your rehearsals
that can help to lay a foundation
for rewarding performances. Each
section provides ideas, processes,
demonstrations, and activities
that will help promote singing and
musicianship in young choristers
and inspire you to find new ways
to bring the joy of learning and
performing music to the young
people in your choirs. Unit one, First
Things First, addresses the steps
taken prior to rehearsal. Unit two,
The Toolbox, provides a vast array
of pedagogical techniques and
materials, and Unit three, Putting It
All Together, offers suggestions for
application. A DVD is included.
10628042 Book/DVD . . . . . . . . . 39.95
