4Editors' Choice (Best of 2017 Publications) lNew for 2017 HPepper Basic Library ♦A Cappella Available via ePrint All Prices in U.S. Dollars & Subject To Publisher Revision
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The Pure in Heart
from "Beatitudes"
Patrick Hawes.
Movement 6 from "Beatitudes" that uses text from Matthew 5:8, "Blessed are
the pure in heart, for they shall see God." Filled with lush harmonies and clever
writing, there is a sense of peace that develops from the piano accompaniment
to the lyrical vocal lines. Excellent for both concerts and church services.
10746477 SATB . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 2.40
Those Who Mourn
from "Beatitudes"
Patrick Hawes.
Movement 2 from "Beatitudes" that uses text from Matthew 5:4, "Blessed
are those who mourn, for they shall be comforted." Beautiful and flowing,
the music perfectly reflects the text to evoke a musically satisfying, peaceful
sensation for the singer as well as the listener.
10746476 SATB . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 2.40
We All Believe in One True God
arr. Matthew Machemer.
Confess the work of the Triune God in this setting of Luther's catechism hymn
for unison choir, congregation, organ, and two instruments. Using the ancient
chant tune, the hymn concertato begins with a prelude by J.S. Bach arranged
for instruments and organ. Stanza 2 features lovely Baroque writing for
instruments and unison choir. The congregation may join on stanzas 1 and 3.
This arrangement of the Creed is useful for any Sunday.
10758738 Unison . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 2.80
When Memory Fades
arr. Eric Nelson.
With the well-crafted and comforting text about dementia by Mary Louise
Bringle and the flowing and tender melody by Jayne Southwick Cool,
Eric Nelson has created something deep, rich and thoughtful. The piano
accompaniment is supportive yet simple and light, allowing the text and
elegant choral writing to be always at the fore. Men and women are each given
moments to shine, and the ensemble writing is solid and nuanced. A much-
needed ministry tool.
10735114 SATB . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 2.50
Why Do You Peer into the Skies?
Jacob B. Weber.
A new text by Lisa M. Clark receives a bold tune and accessible setting for two-
part mixed voices and organ. The piece is stately and straightforward. The treble
range does extend to top-line F. A welcome addition to the Ascension repertoire.
10758723 Two-Part Mixed . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 1.90
Worthy Is the Lamb
from "Revelation"
Patrick Hawes.
Movement 4 from "Revelation," Worthy Is the Lamb is a stunning reflection on
this beautiful and well-known text. A great selection for concert or church choirs.
10746475 SATB . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 2.40
If You Love Me
Philip M. Young.
A reflective a cappella setting of John 14. Thick choral chords, rich in
harmonic texture, create a soothing and meditative experience. Lush, short
and meaningful.
10755601 SATB . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 1.85
The Lord's My Shepherd
Richard Hillert.
Hillert's masterful arrangement of this haunting tune makes it easy to learn and
gives each section of the choir a chance to shine. Well crafted and interesting
throughout. Peaceful and meaningful.
10761134 SATB . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 2.55
Make a Joyful Noise to the Lord
Robert A. Hobby.
This setting of Psalm 100 isn't hard to sing but sounds like it is. Part of that
is due to the prominent and exuberant organ accompaniment. The composer
uses a variety of moods to set the text, creating a very satisfying result. The
vocal divisi is minimal, and there are a few short a cappella measures. Joyous
and impeccably crafted!
10754608 SATB . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 2.25
My Faith, My Hope
Gwyneth Walker.
Based on George Herbert's poem The Call, this original anthem approaches
the text both as a personal expression of faith and as a general statement. The
very tender verse, "Come, my Joy, my Love, my Heart" is set in a lower, gentler
key, with sweet dissonance. The music then rises to the original key for a final,
triumphant statement. Beautiful!
10754612 SATB . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 2.50
My Hope Is Built on Nothing Less
arr. John Ferguson.
Based on the popular hymn tune
MELITA, this work from the sure hands of
John Ferguson expresses trust in God. The text takes on a sturdy sense with
this tune which allows the depth of it to solidly shine through. The arrangement
calls for SATB choir, organ, optional brass, and assembly. Moving and inspiring!
10735738 SATB . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 2.40
O Lord, How Manifold Are Your Works
Alfred V. Fedak.
The text is a compilation of several verses from Psalm 104. The piece begins in
quiet confidence, with smooth flowing lines in the vocal parts.
10754619 SATB . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 2.25
