J.W. Pepper Music Catalog
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21 Order Toll Free! Call 1.800.345.6296 / w: jwpepper.com / e: [email protected] string orchestra Go to cart Classical Selections medium 4 Song of the Indian GuestNikolai Rimsky- Korsakov/arr. Clark McAlister. This beautiful song occurs about midway through the seven-scene opera "Sadko." Sung by an Indian merchant extolling the virtues of his native land, it is a beautiful tableau for string orchestra. 10738749 String Orchestra. . . . . . . . . . . 35.00 10738750 Additional Score. . . . . . . . . . . . 6.00 H Symphony No. 1 in D Major (Movement II) Gustav Mahler / arr. Dackow. This scherzo-like 2nd movement from Mahler's "First Symphony" is a vigorous, exuberant work that evokes rustic good times. Excellent for building confidence and teaching aggressive playing, this is a superb selection for both rehearsal and performance! 2215234 String Orchestra. . . . . . . . . . . 50.00 4 Symphony No. 5 (First Movement)Franz Schubert/arr. Brian Holmes. Although the instrumentation has been condensed from full orchestra to string orchestra, most of the original elements have been preserved. Arranged in the key of G Major instead of the original B-flat Major, it allows greater accessibility for student ensembles. This impressive masterwork offers students great exposure to the late Classical era and to the legendary melodic writing of Franz Schubert. 10696550 String Orchestra. . . . . . . . . . . 52.00 10696551 Additional Score. . . . . . . . . . . . 7.00 Symphony No. 8 "Unfinished" - First Movement Franz Schubert/arr. McCashin. This works beautifully with strings alone! From the mysterious opening, to one of Schubert's best melodies, to the dramatic conclusion, this arrangement captures the essence of Schubert's "Unfinished!" It's like a new addition to the string orchestra repertoire! Your students will enjoy performing this and your audience will be very impressed. 10027377 String Orchestra. . . . . . . . . . . 50.00 10027378 Additional Score. . . . . . . . . . . . 5.00 Symphony No. 104 (Finale)Franz Joseph Haydn/arr. Todd Parrish. This exuberant finale from Symphony No. 104 is Haydn at his best. The memorable theme is given to each section, and edits were made to give high school orchestras the best sound possible. Introduce your students to this master symphony writer to help reinforce Classical style, bow technique, shifting, and dynamics. 10568209 String Orchestra. . . . . . . . . . . 50.00 10568210 Additional Score. . . . . . . . . . . . 7.00 4 Symphony No. 16F.J. Haydn/arr. Brendan McBrien. Boundless enthusiasm permeates this bright opening movement from Haydn's 16th symphony, composed when he was only 25 years old. This Grade 3 arrangement is a prime example of the composer's fondness for using a monothematic structure showing his creative economy in constructing this opening Allegro movement. 10700114 String Orchestra. . . . . . . . . . . 52.00 10700115 Additional Score. . . . . . . . . . . . 6.00 l Themes from "Carmen"Georges Bizet/arr. Carrie Lane Gruselle. This accessible arrangement is based on four well-known themes from Bizet's popular opera: Prelude; Aragonaise; Habanera and Danse Boheme. From the foreboding introduction to the dancing and swirling ending, this spectacular arrangement has it all! 10752906 String Orchestra. . . . . . . . . . . 65.00 10752907 Additional Score. . . . . . . . . . . . 5.00 Themes from "Romeo and Juliet"P.I. Tchaikovsky/arr. Gruselle. Gift your string orchestra these expertly distilled themes from Tchaikovsky's orchestral saga of the most dramatic teenagers in love. This handful of excerpts presents ample expressive material and a grand emotional range found in the most memorable Shakespearian love story. 10307179 String Orchestra. . . . . . . . . . . 55.00 10307180 Additional Score. . . . . . . . . . . . 5.00 Toccata PrimaJohan Ernst Eberlin/arr. Bob Lipton. Originally written for organ, this transcription contains a wide array of musical opportunities. From the rich and broad sections to the softer and lighter moments, the music has interesting passages for every member of the orchestra. It's an excellent change of pace with a full and dramatic ending. 10592173 String Orchestra. . . . . . . . . . . 50.00 10592174 Additional Score. . . . . . . . . . . . 5.00 n Tritsch-Tratsch-PolkaJohann Strauss, Jr./ arr. Clark McAlister. Polkas remain popular after hundreds of years. This famous one by Strauss is both melodic and fun, and a good choice for lighter programming. 10617980 String Orchestra. . . . . . . . . . . 50.00 10617981 Additional Score. . . . . . . . . . . . 6.00 EDITORS' CHOICE Classical • Medium & Medium-Advanced Each year Pepper's Editors review hundreds of new releases and choose the cream of the crop to bear the name, Editors' Choice. You can buy any of these titles with confidence! Allegro from Jupiter—W.A. Mozart/arr. John Caponegro. Containing selected themes from the first movement of Symphony No. 41, this Grade 4 arrangement of Mozart's last symphony clearly shows his brilliance. Mozart's adventurous approach to the material paves the way for Beethoven and other symphonic composers to follow. 10752480 String Orchestra . . . . . . . . . . . . . . . . . . . . . . . . M 52.00 10752481 Additional Score . . . . . . . . . . . . . . . . . . . . . . . . . . . . 6.00 Allegro from Serenade No. 1 in D—W.A. Mozart/ arr. Robert D. McCashin. This delightful Serenade in D was completed in 1769, when Mozart was a mere 13 years of age (an ideal fact to share with young students)! The first movement, even though composed at such a young age, provides challenges for every musician in the ensemble and is musically appealing to players and audience. 10752880 String Orchestra . . . . . . . . . . . . . . . . . . . . . . . . M 60.00 10752880E String Orchestra ePrint. . . . . . . . . . . . . . . . . . . M 60.00 10752881 Additional Score . . . . . . . . . . . . . . . . . . . . . . . . . . . . 5.00 Allegro from Symphony No. 17—W.A. Mozart/ arr. Steven J. Campbell. Mozart's Symphony No. 17 was composed in 1772 when he was just 16 years old. Originally for oboes, horns and strings, this string orchestra arrangement of the first movement has maintained the composition's original spirit while making it more approachable for students. It's a wonderful piece for teachers who are working on Classical style and technique. 10696522 String Orchestra . . . . . . . . . . . . . . . . . . . . . . . . M 52.00 10696522E String Orchestra ePrint. . . . . . . . . . . . . . . . . . . M 52.00 10696523 Additional Score . . . . . . . . . . . . . . . . . . . . . . . . . . . . 7.00 Allegro Moderato from Symphony No. 3—Camille Saint-Saens/ arr. Deborah Baker Monday. This movement of the famous "Organ Symphony" includes two of the most memorable themes ever penned by Saint-Saens. This arrangement includes the highly energetic string theme and the beautiful fugue based on his four-note theme which cycles throughout the entire symphony. The two contrasting sections of this arrangement offer two extremes of bowing style: one requiring heavy strokes at the frog and the other using legato, expressive, full bowing. 10752882 String Orchestra . . . . . . . . . . . . . . . . . . . . . . . MA 55.00 10752882E String Orchestra ePrint. . . . . . . . . . . . . . . . . . . M 55.00 10752883 Additional Score . . . . . . . . . . . . . . . . . . . . . . . . . . . . 5.00 Bachianas Brasileiras No. 4—Heitor Villa-Lobos/arr. Kirk Moss. An expressively slow prelude combines the beauty of Bach with the passions of Brazil. The clearly marked bowings and fingerings in this setting of Bachianas Brasileiras No. 4 will save precious rehearsal minutes and contribute to a more professional sound. 10739921 String Orchestra . . . . . . . . . . . . . . . . . . . . . . . MA 56.00 10739922 Additional Score . . . . . . . . . . . . . . . . . . . . . . . . . . . 10.00 Concerto for Two Violins in D Major—Antonio Vivaldi/ arr. Brendan McBrien. Adapted from Vivaldi's Lute Concerto in D Major, this arrangement for two solo violins and orchestra creates an opportunity to feature your top violinists in the opening movement of this classic work. Your musicians and audience will be charmed by this Italian masterpiece which includes passages for solo cello and optional keyboard accompaniment. 10738936 String Orchestra . . . . . . . . . . . . . . . . . . . . . . . . M 46.00 10738968 Additional Score . . . . . . . . . . . . . . . . . . . . . . . . . . . . 9.00 Dies Irae—W.A. Mozart/arr. Laura Kenney. Originally written for full orchestra and choir, this string arrangement maintains the intensity of Mozart's original Dies Irae from his Requiem. With its dramatic and driving music, off-beat rhythms, and running 16th notes, this work presents a more passionate style of Mozart. Challenging string parts with shifting for all sections will keep your students active and engaged. 10739933 String Orchestra . . . . . . . . . . . . . . . . . . . . . . . . M 58.00 10739934 Additional Score . . . . . . . . . . . . . . . . . . . . . . . . . . . 10.00 Hungarian Rhapsody No. 9—Franz Liszt/arr. Carrie Lane Gruselle. Originally a piano showpiece, this rhapsody is a progression of folk melodies in the form of a czardas, a traditional folk dance that begins slowly and moves toward a fiery conclusion. Students focus on dynamics and articulations, with staccato eighth notes performed off the string. A dynamic and engaging crowd-pleaser! 10752890 String Orchestra . . . . . . . . . . . . . . . . . . . . . . . MA 60.00 10752890E String Orchestra ePrint. . . . . . . . . . . . . . . . . . MA 60.00 10752891 Additional Score . . . . . . . . . . . . . . . . . . . . . . . . . . . . 5.00 Menuetto from Symphony No. 5—Franz Schubert/ arr. Robert D. McCashin. Drawn from one of Schubert's most popular instrumental works, this authentic arrangement features the third movement of his fifth symphony. Though labeled a minuet, it is highly energetic, as much a scherzo as anything. Chock full of great tunes and lighthearted rhythms, this will be a great addition to any concert! 10752896 String Orchestra . . . . . . . . . . . . . . . . . . . . . . . . M 55.00 10752896E String Orchestra ePrint. . . . . . . . . . . . . . . . . . . M 55.00 10752897 Additional Score . . . . . . . . . . . . . . . . . . . . . . . . . . . . 5.00 Nabucco Overture—Giuseppe Verdi/arr. Deborah Baker Monday. Includes all the original themes, especially the popular Va pensiero. All parts have interest, and the various tempos make for an exciting, dramatic performance. 10752505 String Orchestra . . . . . . . . . . . . . . . . . . . . . . . . M 52.00 10752506 Additional Score . . . . . . . . . . . . . . . . . . . . . . . . . . . . 6.00 Pulcinella—Igor Stravinsky/arr. Robert D. McCashin. Featuring the overture of Stravinsky's landmark work, this adaptation was drawn from the original piano/vocal ballet score and retains all of the original, well-known thematic and rhythmic material. This outstanding string arrangement is an ideal way to feature several soloists within the ensemble. 10752902 String Orchestra . . . . . . . . . . . . . . . . . . . . . . . . M 50.00 10752902E String Orchestra ePrint. . . . . . . . . . . . . . . . . . . M 50.00 10752903 Additional Score . . . . . . . . . . . . . . . . . . . . . . . . . . . . 5.00 Serenade for Strings, Op. 22 (First Movement)—Antonin Dvorak/ arr. Jeremy Woolstenhulme. Serenade for Strings, Op. 22, First Movement is presented in its entirety in G major (from the original E major), making it wonderfully accessible to less advanced ensembles. A staple in classical string orchestra literature, this is not to be missed! 10758265 String Orchestra . . . . . . . . . . . . . . . . . . . . . . . . M 52.00 10758266 Additional Score . . . . . . . . . . . . . . . . . . . . . . . . . . . . 7.00 Sinfonia—G.F. Handel/arr. Janice McAllister. This first movement from Handel's great masterpiece "Messiah" is carefully edited to reflect bowings obtained from renowned Baroque specialists. These bowing styles will ensure an interpretation of Sinfonia that is true to the Baroque performance tradition of Handel's time. 10752510 String Orchestra . . . . . . . . . . . . . . . . . . . . . . . . M 52.00 10752511 Additional Score . . . . . . . . . . . . . . . . . . . . . . . . . . . . 6.00 Song of the Indian Guest—Nikolai Rimsky-Korsakov/arr. Clark McAlister. This beautiful song occurs about midway through the seven-scene opera "Sadko." Sung by an Indian merchant extolling the virtues of his native land, it is a beautiful tableau for string orchestra. 10738749 String Orchestra . . . . . . . . . . . . . . . . . . . . . . . . M 35.00 10738750 Additional Score . . . . . . . . . . . . . . . . . . . . . . . . . . . . 6.00 Symphonie Espagnole (First Movement)—Edouard Lalo/ arr. Todd Parrish. Firmly rooted in the standard violin repertoire, Symphonie Espagnole is a brilliant work that showcases the violin's lyrical beauty and technical virtuosity with a Spanish style. After keeping the opening solo passage, the powerful melodies are then passed throughout the orchestra. The first movement is arranged here for string orchestra, shortened and simplified for playability. However, Lalo's original fiery masterpiece comes through clearly. The optional timpani part is highly recommended to achieve the most authentic sound. 10696548 String Orchestra . . . . . . . . . . . . . . . . . . . . . . . MA 52.00 10696548E String Orchestra ePrint. . . . . . . . . . . . . . . . . . MA 52.00 10696549 Additional Score . . . . . . . . . . . . . . . . . . . . . . . . . . . . 7.00 Symphony No. 5 (First Movement)—Franz Schubert/ arr. Brian Holmes. Although the instrumentation has been condensed from full orchestra to string orchestra, most of the original elements have been preserved. Arranged in the key of G Major instead of the original B-flat Major, it allows greater accessibility for student ensembles. This impressive masterwork offers students great exposure to the late Classical era and to the legendary melodic writing of Franz Schubert. 10696550 String Orchestra . . . . . . . . . . . . . . . . . . . . . . . . M 52.00 10696550E String Orchestra ePrint. . . . . . . . . . . . . . . . . . . M 52.00 10696551 Additional Score . . . . . . . . . . . . . . . . . . . . . . . . . . . . 7.00 Symphony in D (First Movement)—Ignaz Pleyel/ arr. Robert D. McCashin. Pleyel's Symphony in D is a delightful yet powerful work. It opens in D minor with a highly dramatic, even operatic overture character, but then moves into a refreshing, spirited D major presto. Primary material has been drawn from the original (1792) string parts, augmented with substantial harmonic function and rhythmic momentum from the woodwind and brass parts. 10696552 String Orchestra . . . . . . . . . . . . . . . . . . . . . . . MA 52.00 10696552E String Orchestra ePrint. . . . . . . . . . . . . . . . . . MA 52.00 10696553 Additional Score . . . . . . . . . . . . . . . . . . . . . . . . . . . . 7.00 Symphony No. 16—F.J. Haydn/arr. Brendan McBrien. Boundless enthusiasm permeates this bright opening movement from Haydn's 16th symphony, composed when he was only 25 years old. This Grade 3 arrangement is a prime example of the composer's fondness for using a monothematic structure showing his creative economy in constructing this opening Allegro movement. 10700114 String Orchestra . . . . . . . . . . . . . . . . . . . . . . . . M 52.00 10700115 Additional Score . . . . . . . . . . . . . . . . . . . . . . . . . . . . 6.00