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Sacred Christmas, Spirituals & Gospel Selections
4 Christmas Canon (Pachelbel's "Canon in D"
with Traditional Carols)—arr. Lon Beery. Three
traditional carol favorites are tastefully arranged and
tied together with Pachelbel's enduring canon. For
added charm, choir members may play sleigh bells
during the canon interludes between Jingle Bells,
Deck the Hall and Jolly Old Saint Nicholas. Festive
and memorable!
10738839 Two-Part . . . . . . . . . . . . . . . . . 1.90
10751881 P/A CD. . . . . . . . . . . . . . . . . . 27.99
l
Christmas Lullaby—Jeffrey Van. This original
composition, created for the Dale Warland Singers,
is perfect for accomplished choirs. With both
a piano and a guitar accompaniment included,
choirs without access to a classical guitar player
still have the ability to perform this wonderful
work. The accompaniment, open parallel fourths,
and pentatonic melodic ideas lend a mystical and
magical atmosphere to this choral gem.
10692810 SATB . . . . . . . . . . . . . . . . . . . . 2.25
H
Christmastime—Michael W. Smith & Joanna
Carlson/arr. Lloyd Larson. Gleaming with energy
and joy, this festive arrangement teams up Michael
W. Smith's popular Christmas song with the
beloved carol Angels We Have Heard on High. The
result is truly marvelous! The optional children's
or unison choir part provides an opportunity to
highlight children or a select group of singers. The
memorable melody will have audiences singing long
after your holiday concert is over!
10028424 SATB with opt. Unison choir. . . 2.25
10067493 SAB with opt. Unison Choir . . . 2.25
10360825 Two-Part Mixed
with opt. Unison Choir . . . . . . . 2.25
10028425 P/A CD. . . . . . . . . . . . . . . . . . 29.95
10360827 Handbell Part 3/5 Octave . . . . . 5.50
10028426 Orchestration . . . . . . . . . . . . . 69.95
4
Cold December's Rose—arr. Nancy Grundahl.
A playful duet by flute and oboe enhances this
delightful setting of a Catalonian carol that will
bring joy to your Christmas concerts. Beautiful
part-writing and voice-leading, with a nod to the
traditional Lo, How a Rose, this delightful setting will
be enjoyed by treble choirs from children through
adult with its interesting compositional techniques
and charming piano accompaniment.
10688237 Three-Part Treble or SSA . . . . . 2.25
Cradle Hymn—Kim Andre Arnesen. Kim Andre
Arnesen's beautifully expressive piece is set to
a poem by the famous hymn writer Isaac Watts.
Featured on the 2013 St. Olaf Christmas concert
broadcast from Norway, this hymn is perfect for
Christmas or any time of the year.
10513182 SATB . . . . . . . . . . . . . . . . . . . . 2.10
H Do You Hear What I Hear?—arr. Emily Crocker
& John Moss. This setting of the perennial Christmas
favorite has a refreshing quality about it with creative
style and key changes. Now available with a new
orchestration by John Leavitt, it is even more ideal
for school, church and community performances.
1873140 SATB . . . . . . . . . . . . . . . . . . . . 2.15
1873157 SAB . . . . . . . . . . . . . . . . . . . . . 2.35
1873165 Two-Part . . . . . . . . . . . . . . . . . 2.25
10759893 P/A CD. . . . . . . . . . . . . . . . . . 26.99
10759894 Orchestration . . . . . . . . . . . . . 55.00
H Do You Hear What I Hear?—arr. Harry
Simeone. This beautiful, haunting melody has been
sung by countless numbers of singers for almost
half a century. Available in multiple voicings, with a
variety of instrumental accompaniment options, it
is full and rich-sounding with choirs of any size. If
your choir has not sung this recently, investigate it
again with a different accompaniment scheme, or
combine adults and children for an unforgettable
addition to your December tradition. It is a true
choral standard!
763292 SATB . . . . . . . . . . . . . . . . . . . . 2.50
763029 SAB . . . . . . . . . . . . . . . . . . . . . 2.50
763110 Two-Part . . . . . . . . . . . . . . . . . 2.50
763201 SSA . . . . . . . . . . . . . . . . . . . . . 2.50
762930 TTBB . . . . . . . . . . . . . . . . . . . . 2.50
10009392 P/A CD. . . . . . . . . . . . . . . . . . 26.99
763383 Instrumental Parts . . . . . . . . . 25.00
10009391 Orchestration . . . . . . . . . . . . . 55.00
Festival First Nowell—arr. Dan Forrest. From
the opening measures, Dan Forrest's massive
setting of this foundational carol implies that
something marvelous is in store. Scored for mixed
voices, brass quintet, organ, timpani and multiple
percussion, this soundtrack for the epic story of
Christ's birth is absolutely extraordinary!
10457364 SATB . . . . . . . . . . . . . . . . . . . . 2.35
10457685 Instrumental Parts
Brass Quintet & Percussion . . 30.00
4 The First Noel—arr. Audrey Snyder. This fresh,
modern take on the traditional English carol is
accessible while being hip and contemporary.
Vibrant rhythms infuse this setting with energy
in a fantastic concert showcase that has piano
accompaniment but can optionally be performed a
cappella. A terrific choice for any choir, this piece will
breathe life into your concert. Highly recommended!
10759945 SATB . . . . . . . . . . . . . . . . . . . . 2.10
10759947 SSA . . . . . . . . . . . . . . . . . . . . . 2.10
4 The First Noel—Andrew Huish. A sweet,
delicate telling of the Noel story in a beautiful new
arrangement for SATB choir, accompanied by piano
and violin. The original W. Sandys Christmas Carols
melody is incorporated into the violin interludes and
in the final choral statement. Perfect for church or
school settings.
10757388 SATB . . . . . . . . . . . . . . . . . . . . 2.25
H The First Noel—arr. Dan Forrest. Dan Forrest's
setting of this beloved carol takes a wonder-filled,
reflective gaze inside the stable. The work takes
its time to savor the beauty and meaning of the
scene, and to communicate directly to the heart of
every listener. Sweeping crescendos and tasteful
piano lines deliver the message of this carol in a
completely unforgettable way. Captivating.
10069886 SATB . . . . . . . . . . . . . . . . . . . . 2.10
10281676 SSA . . . . . . . . . . . . . . . . . . . . . 2.10
10281681 TTB . . . . . . . . . . . . . . . . . . . . . 2.10
10098697 Orchestration SATB . . . . . . . . 80.00
10281678 Orchestration SSA . . . . . . . . . 80.00
10281682 Orchestration TTB . . . . . . . . . 80.00
l
From Starry Skies Descending—arr. Joseph
Joubert & Michael McElroy. A fresh and inspired
take on an Italian favorite. Reminiscent of the gospel
style of the Richard Smallwood Singers, this spirited
arrangement is perfect for school or church choirs
from youth to adult.
10674580 SAT . . . . . . . . . . . . . . . . . . . . . 2.60
10674581 SATB . . . . . . . . . . . . . . . . . . . . 2.60
10682806 Instrumental Parts
Rhythm Section . . . . . . . . . . . 16.95
10689713 Orchestration . . . . . . . . . . . . . 45.00
10689714 Orchestration
Additional Score . . . . . . . . . . . 45.00
t Gaudete!—arr. Michael Engelhardt. From
Piae Cantiones, this setting of Gaudete! is in a
progressive style, yet well suited to the medieval
melody. Its energy is derived from the accented
rhythms and dance-like percussive elements, all
adding to the joyous nature of the piece. Percussion
parts for four players are available separately.
10467505 SATB . . . . . . . . . . . . . . . . . . . . 2.55
10276399 SSA . . . . . . . . . . . . . . . . . . . . . 2.50
10304776 TTBB . . . . . . . . . . . . . . . . . . . . 2.50
10276400 Instrumental Parts 4-Part
Percussion, showing
SSA choral . . . . . . . . . . . . 20.00
H Gloria in Excelsis—Antonio Vivaldi/arr. Martens.
The opening movement from Vivaldi's "Gloria" is a
choral standard that is a recognized masterwork
of the Italian Baroque period. It's a solid choice for
holiday concerts or festival appearances!
662585 SATB . . . . . . . . . . . . . . . . . . . . 2.25
4 Glory to God—G.F. Handel/arr. Michael Ryan.
At long last, this perennial favorite from Handel's
"Messiah" is now available for three-part mixed
ensembles in a simplified yet authentic arrangement
that will enhance the sound of any size choir.
Lowered from the key of D to the key of B-flat, and
with an updated text, this arrangement presents a
great opportunity to introduce choirs to "Messiah"
and to teach Baroque style in an accessible format.
10684743 Three-Part Mixed . . . . . . . . . . . 2.10
Ht Glory, Glory, Glory to the Newborn King—
Moses Hogan/SSAA arr. Kathleen Rodde. In his
inimitable style, and with sweeping dynamic shifts,
Moses Hogan took Go Tell It on the Mountain and
created an unforgettable choral work that will both
challenge the capable choir and captivate those
who hear it in performance. Now available for
SSAA choirs in a dynamic arrangement by Kathleen
Rodde! Captivating!
3259843 SSAATTBB. . . . . . . . . . . . . . . . 2.10
10760092 SSAA . . . . . . . . . . . . . . . . . . . . 2.10
H Go Where I Send Thee—arr. Paul Caldwell &
Sean Ivory. If you have a very talented choir looking
for a challenge, this is an absolutely "must do"
spiritual! Written for either SSA or SATB, both the
piano accompaniment and vocal parts are in the
authentic African-American folk tradition. The use
of the many variants of the text allows the music to
maximize the use of gospel-style modulations and
to give the singers significant one-line reminders of
some of the biblical stories on which the African-
American musical tradition is based.
5775366 SATB . . . . . . . . . . . . . . . . . . . . 1.85
3106614 SSA or SAT . . . . . . . . . . . . . . . 1.75
God Rest Ye Merry, Gentlemen—arr. Wesley
D. Peters. With a delightfully playful rhythmic
interplay between 3/4 and 6/8 meters, this
joyous, fresh setting of the traditional English carol
seizes one's interest from its introduction to its
exuberant conclusion. The mixed meter sections
act as musical bookends to a sensitive a cappella
centerpiece featuring the reassuring angelic
presence at the Nativity. Equally appropriate for
both school and church use.
10601727 SATB . . . . . . . . . . . . . . . . . . . . 2.10
10601728 SAB . . . . . . . . . . . . . . . . . . . . . 2.10
10648375 P/A CD. . . . . . . . . . . . . . . . . . 27.95
H God Rest You Merry, Gentlemen—arr.
Elizabeth Campbell. What a great way to feature
the gentlemen of your middle school, junior high
or high school chorus! Your guys get to imitate the
sound of a swinging, walking string bass as they
lay the foundation for the tune, introduced by the
girls. Then the girls have fun singing the bass line
up an octave while the boys carry the melody.
Also available for TTBB, this is the ultimate men's
novelty feature! Complete with finger snaps and
a whispered "Yeah!" at the end, it is extremely
cool, and is guaranteed to be a huge hit with your
students and audiences!
10352200 SATB . . . . . . . . . . . . . . . . . . . . 2.25
3298644 Three-Part Mixed . . . . . . . . . . . 1.95
10510011 TTBB . . . . . . . . . . . . . . . . . . . . 2.25
