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BROADWAY, MOVIE & TV THEMES
4 The Imperial Suite (from "Rogue One: A
Star Wars Story")—arr. Paul Murtha & Will Rapp.
The epic sci-fi saga continues and Rogue One delivers the
out-of-this-world action-packed story in a big way. The
powerful soundtrack takes on a life of its own in this stellar
field presentation that showcases some of the film's most
dramatic moments.
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James Bond Theme—arr. Victor Lopez. Audiences
will love the three-piece halftime show featuring music from
the ever-popular "James Bond" movie series! The iconic
James Bond Theme opens the show in a sizzling chart that
combines all the great elements of the original with some new
twists. Your band of secret agents will enjoy playing this on
the field and in the stands!
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James Bond Theme—arr. Mike Story. One of the
most recognizable movie themes of all time is now in a great
arrangement for younger players! It's a dynamic production
number for any show, and a super stands tune!
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Jaws/Superman—arr. Johnnie Vinson. This creative
production number starts with the ominous "Jaws" theme,
and then our hero arrives to save the day! Great-sounding
chart for young bands!
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The Jedi Steps and Finale (from "Star
Wars: The Force Awakens")—John Williams/
arr. Paul Murtha & Will Rapp. The poignant and dramatic
final scene of Star Wars: The Force Awakens features the
tender melody of The Jedi Steps. This terrific arrangement
for smaller bands then reprises the rousing main theme with
a powerful ending.
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The Magnificent Seven—arr. Nick Baratta. One of
the greatest and most recognizable movie themes has been
given special attention in this terrific arrangement, and it's
never sounded better! Perfect on the field, in the stands or on
the street, players and audiences will love it no matter where
it's performed.
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March of the Resistance (from "Star Wars:
The Force Awakens")—John Williams/arr. Paul
Murtha & Will Rapp. Bands of all sizes will sound great when
they perform this powerful new theme from the blockbuster
hit "Star Wars: The Force Awakens." Whether you play it on
the field or on the street, everyone will recognize the stirring
music of the good guys by master composer John Williams.
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The Music of the Night—arr. Paul Lavender.
Here is a marvelously paced arrangement of the familiar song
from "The Phantom of the Opera." Opening with a trumpet
solo, it builds impressively to a climax then tapers to a quiet
ending with the distinctively dissonant "phantom" chords.
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The Nightmare Before Christmas - Part 2
—Danny Elfman/arr. Brown & Rapp. This unique production
number starts off with the devious-sounding This Is
Halloween, which includes an alto sax solo and intense full
ensemble punches. The mood shifts dramatically to the
bluesy swing tune Oogie Boogie Song, treated here in a big-
band setting that really wails!
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On My Own/Do You Hear the People Sing?
—arr. Michael Sweeney & Will Rapp. A moving trumpet
solo introduces the melodic ballad On My Own, growing
in intensity before the brass quietly introduce the theme
to Do You Hear the People Sing?. Driving toward a grand
conclusion, this arrangement makes a powerful closing
statement for your "Les Miserables" show!
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One Day More—arr. Jay Bocook & Will Rapp. Several
themes soar simultaneously and conclude with a glorious coda!
Using three optional soloists can add even more drama in this
rousing closer from the hit movie/musical "Les Miserables."
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The Phantom of the Opera—arr. Paul Lavender.
The recent hit movie has stirred renewed interest in this
groundbreaking Broadway classic. The familiar opening
strains are nothing short of stunning! An impressive opener
for the field!
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Pirates of the Caribbean (The Curse of the
Black Pearl)—arr. Paul Murtha. Ahoy matey! Here is the
ultimate in adventure music for the stands or field! Your band
will transport the audience from the bleachers to a ship on the
high seas with this medley from the blockbuster movie "The
Pirates of the Caribbean: The Curse of the Black Pearl!"
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Pirates of the Caribbean, Part 1—arr. Michael
Brown & Will Rapp. Opening with a sense of anticipation, the
lilting woodwind melody is accompanied by vibes and frame
drums. The following majestic and dramatic themes finish out
this powerful arrangement! Titles include: Fog Bound; The
Medallion Calls and The Black Pearl.
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Pirates of the Caribbean, Part 3—arr. Michael
Brown & Will Rapp. The tender One Last Shot provides the
emotionally charged musical climax to the movie and is
beautifully orchestrated in this fantastic closer. The chart is
then brought to a rousing finish with the energetic He's a
Pirate. Fitting for any swashbuckler!
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Raiders March—arr. Mike Story. John Williams' timeless
theme from the "Indiana Jones" saga is now playable by any
band with this effective, yet easy new arrangement! Perfect for
the field or the stands, it's sure to be a crowd favorite!
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Shout It Out—arr. Doug Adams. Direct from the hit
movie "Drumline," this hip tune with the well-known riffs
and drum solos is sure to be a crowd-pleaser!
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Show Me How You Burlesque—arr. Jay
Dawson. A centerpiece of the motion picture "Burlesque,"
this chart provides great material for assembling a fantastic
production for your horn line, percussion and dancers. This
sassy and upbeat jazz-swing tune is scored for small bands
with reduced instrumentation.
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Skyfall—arr. Jay Bocook & Omar Carmenates. Adele co-
wrote this award-winning song for the 2012 James Bond
movie "Skyfall." Mystery, adventure, excitement, and drama
are prevalent throughout this arrangement!
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Soul Bossa Nova—arr. Paul Murtha. Famously used
as the "Austin Powers" theme, this Quincy Jones hit from
1962 is more popular now than ever before! Sure to be
recognized by all, you'll have fun performing this game after
game. Yeah, baby, yeah!
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Star Wars: The Force Awakens, Part 1
—John Williams/arr. Matt Conaway & Jack Holt. The epic
saga continues with this blockbuster film, complete with a
standout score by John Williams. This powerful arrangement
opens with the main title theme that's familiar to generations
of audiences. The evocative Rey's Theme follows; then the
sinister motif of Kylo Ren makes a brief appearance before the
dramatic climax. This will make a powerful field presentation!
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Star Wars: The Force Awakens, Part 2
—John Williams/arr. Matt Conaway & Jack Holt. From the
highly anticipated movie release, this intense arrangement
features March of the Resistance, which is the new theme for
the good guys. Robust and heroic, the music helps raise the
excitement level and re-creates all the suspense of the epic
battle scenes.
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Star Wars (Main Theme)—arr. Mike Story. One
of the most recognizable movie themes ever is arranged for
maximum effect for any size band. Scored for musical power
and sonic impact, this arrangement will really draw attention
as it will make any band sound twice its size!
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Star Wars (Main Theme)/Rey's Theme
(from "Star Wars: The Force Awakens")—
John Williams/arr. Paul Murtha & Will Rapp. The Star Wars
saga continues with the highly anticipated "Star Wars: The
Force Awakens." Scored for reduced instrumentation, bands
of all sizes can experience the incredible music from this epic
series. This setting opens with the resounding main theme
contrasted by the distinctive theme of Rey, the new heroine.
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Star Wars: The Force Awakens, Part 3
—John Williams/arr. Matt Conaway & Jack Holt. Portraying
the poignant closing sequence of the movie, this number
opens peacefully with The Jedi Steps featuring a tender
solo, playable by either baritone, flugelhorn, or alto sax, and
accompanied by keyboard percussion. The Finale features a
reprise of the stirring main theme, enhanced with a suitably
powerful and emphatic ending sequence.
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Superman Opener—arr. Mike Story. The Man of
Steel made a triumphant comeback to the silver screen in
2006 with "Superman Returns." This arrangement of one
of John Williams' most beloved scores begins mysteriously
with the Planet Krypton theme, building to a huge push
before the powerful Superman Theme. A super opening to
your field show!
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Superman Theme—arr. Mike Story. Everyone will
instantly recognize this majestic march from the summer
blockbuster "Superman Returns!" It contains all of the Main
Title themes in a very playable arrangement!
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Theme from Spiderman—arr. Joe Murphy.
Originally composed for the "Spiderman" cartoon series in
the late '60s, Michael Buble released his cover of the tune in
2004, showing his talent by performing it in a variety of styles.
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Time Warp—arr. Tom Wallace. A wild and wacky
dance tune from "The Rocky Horror Picture Show."
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Try Everything (from "Zootopia")—arr. Jack
Holt & Matt Conaway. From the blockbuster animated film
"Zootopia," here is the dynamic hit song recorded by Shakira.
This uptempo chart features a catchy melody and sizzling
percussion groove.
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We Know the Way (from "Moana")—arr. Matt
Conaway & Jack Holt. From the animated movie hit "Moana,"
this showstopper includes a pulsating percussion score that
beautifully complements the anthem-like melodies. Here is a
full and rich-sounding arrangement that sounds great but has
limited technical demands.
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Wicked - Part 2—arr. Richard Saucedo. From the
hit Broadway musical, this production number includes a
light rock treatment of Dancing Through Life and a creative
setting of Defying Gravity. This arrangement has been skillfully
constructed to include musical contrasts and visual impact
points for the field.
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You're Welcome (from "Moana")—arr. Matt
Conaway & Jack Holt. Featuring a medium swing style and
catchy melodies, this song from the animated film is sure
to be a popular change of pace for any occasion. The jazzy
arrangement is unforgettable and is as much fun to play as
it is to hear.
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You've Got a Friend in Me—arr. Paul Murtha &
Will Rapp. Based on the hard-hitting big band version in "Toy
Story 2," here is a swingin' arrangement of Randy Newman's
song for the field or stands. Effectively paced throughout,
this chart includes a brief trumpet solo and concludes with
a dynamic shout chorus.
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