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1999—arr. Ayatey Shabazz. Don't miss out on what may
be the most famous party tune of all time! A straight-up "can't
miss" winner by Prince, everyone will know it's time for the
fun to start when you kick it off.
10593899 . . . . . . . . . . . . . . . . . . . . . . . . . . ME 65.00
25 or 6 to 4—arr. Paul Murtha. Here's the popular, gritty
rock anthem from the early years of Chicago. This arrangement
is designed for younger bands, but is still a powerhouse!
2435659 . . . . . . . . . . . . . . . . . . . . . . . . . . . . E 50.00
Africa—arr. Ralph Ford. Check out this terrific
arrangement of this classic rock tune by Toto. Featuring the
mesmerizing groove that made it famous, it includes a tasty
woodwind/mallet feature that makes it uniquely appealing for
the field or the stands!
10509145 . . . . . . . . . . . . . . . . . . . . . . . . . . . M 65.00
Ain't No Mountain High Enough—arr. Jay
Bocook. Everyone is sure to recognize this huge hit duet by
Marvin Gaye and Tammi Terrell! It's perfect for pep rallies or
the stands and is great for the dance squad or cheerleaders
to perform to!
2477290 . . . . . . . . . . . . . . . . . . . . . . . . . . ME 55.00
Ain't Nothin' Wrong with that—arr. Tom
Wallace. This soul chart from Robert Randolph and the Family
Band brings in the funk! It's loads of fun and there "ain't
nothin' wrong with that!"
10090168 . . . . . . . . . . . . . . . . . . . . . . . . . . . M 65.00
All I Do Is Win—arr. Jay Bocook. Pump up the energy
in your stadium with this driving arrangement of the chart hit
recorded by DJ Khaled. A great style and tempo for dancin'
or groovin'!
10274373 . . . . . . . . . . . . . . . . . . . . . . . . . . . M 55.00
All of the Lights—arr. Ayatey Shabazz. The groove in
this award-winning song from Kanye West will get the stands
pumped up! It's just the stands chart you need for Friday
night games!
10359428 . . . . . . . . . . . . . . . . . . . . . . . . . . ME 65.00
All of the Lights—arr. Tim Waters. This familiar pop
anthem recorded by Kanye West feels natural for marching
band. The powerful cascading opening and driving pulse
make this an exciting tune for the stands or field!
10357096 . . . . . . . . . . . . . . . . . . . . . . . . . . . M 55.00
All Star—arr. Nick Baratta. Everyone knows and loves this
one! This rock hit from the group "Smash Mouth" has been
used in TV commercials, but most people remember it from
the hit movie "Shrek."
2471711 . . . . . . . . . . . . . . . . . . . . . . . . . . ME 58.00
All Star—arr. Mike Story. "Hey now!" It's the song made
famous in the movie "Shrek," arranged for younger bands!
Everyone loves this one and it's ideal for both stands and
the field!
2473934 . . . . . . . . . . . . . . . . . . . . . . . . . . . . E 55.00
Any Way You Want It—arr. Jerry Burns. Fans of all
ages will love this fresh arrangement of one of the biggest
Journey hits! Directors will love how awesome it sounds after
just a few rehearsals!
10302921 . . . . . . . . . . . . . . . . . . . . . . . . . . . VE 50.00
Any Way You Want It—arr. Ralph Ford. The classic
hit from the rock band Journey gets a fresh treatment in this
great chart. This arrangement is big, fat, and full-sounding
and can be used on the field or in the stands!
10066158 . . . . . . . . . . . . . . . . . . . . . . . . . . ME 58.00
Apache—arr. Tim Waters. This instantly recognizable
hit by the Sugar Hill Gang showcased one of the earliest
incarnations of rap music. It's sure to be a blast for the
stands as the crowd joins in with "jump on it!"
10045160 . . . . . . . . . . . . . . . . . . . . . . . . . . ME 55.00
Back in Black—arr. Tom Wallace. The AC/DC rock hit
appeared in the hit movie "Men in Black 2," and Tom Wallace's
intense arrangement is sure get people on their feet!
2472062 . . . . . . . . . . . . . . . . . . . . . . . . . . ME 60.00
Bad Romance—arr. Jay Dawson. Crank up this big
hit from Lady Gaga and watch the fans go crazy!
10090162 . . . . . . . . . . . . . . . . . . . . . . . . . . . M 60.00
Bang Bang—arr. Ishbah Cox. Recorded by Jessie
J, Ariana Grande and Nicki Minaj, this fiery pop tune has
everything you need to light up the stadium with excitement
- a catchy riff, driving pulse, and scored for maximum power!
10492394 . . . . . . . . . . . . . . . . . . . . . . . . . . ME 55.00
Beat It—arr. Dallas Burke. One of Michael Jackson's most
explosive hits, this chart makes the perfect opener to your
Michael Jackson themed field show - or use it to rock the
stands at the end of the game. Bands of any size will sound
big with this playable treatment of the MJ classic!
10358060 . . . . . . . . . . . . . . . . . . . . . . . . . . ME 65.00
Best Day of My Life—American Authors, arr. Brian
Scott. You hear this tune everywhere - TV, the movies, and
numerous commercials - and now you can bring it to the
stands or put it on the field! American Authors' unique groove
is scored for maximum effect and really sets this chart apart
from the rest!
10445675 . . . . . . . . . . . . . . . . . . . . . . . . . . ME 58.00
Billie Jean (Part 1 of the 70s and 80s Hits
Show)—Michael Jackson/arr. Dave Henning. Michael
Jackson was the true King of Pop and this is one of his most
popular and intriguing hits! Musically intense and wildly
thrilling, it makes an outstanding show opener for introducing
your band.
10449436 . . . . . . . . . . . . . . . . . . . . . . . . . . ME 65.00
Bohemian Rhapsody—arr. Richard Saucedo.
Practically a show within itself, this production number based
on Queen's megahit varies in style from a sensitive ballad to
driving rock. A very dramatic statement!
2462596 . . . . . . . . . . . . . . . . . . . . . . . . . . ME 55.00
Bohemian Rhapsody (Queen, Part 3)
—arr. Tom Wallace. With so many musical ideas to work with,
this arrangement provides a tremendous musical extravaganza
for the field. The combination of memorable themes, striking
contrasts and effective pacing creates the opportunity for
outstanding visual effects in addition to the great music.
10522476 . . . . . . . . . . . . . . . . . . . . . . . . . . MA 80.00
Buckjump—arr. Paul Murtha & Will Rapp. The jazz
level will be off the charts when you kick off this hot number
recorded by jazz standout Trombone Shorty. This catchy funk
tune is riff based and features a blend of New Orleans-style
jazz with a contemporary edge that really packs a punch.
10593127 . . . . . . . . . . . . . . . . . . . . . . . . . . ME 55.00
Build Me Up, Buttercup—arr. Paul Murtha. This
tune is destined to join the ranks of the all-time classic stands
charts! A fun shuffle chart from the '60s, it's enjoying renewed
popularity thanks to its use in the hit movie "There's Something
About Mary." Your crowd will absolutely love this one!
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Burn—arr. Victor Lopez. Pop singer Ellie Goulding brings
this incendiary tune that's burned up the charts! Just what
you need to fire everyone up, whether they're in the stands or
on the field!
10445679 . . . . . . . . . . . . . . . . . . . . . . . . . . ME 65.00
Can't Hold Us—arr. Ward Miller. This smash hit by
Macklemore is a natural for marching band. The driving
opening pulse and instrumental bridge make this an exciting
tune for the stands or field.
10447292 . . . . . . . . . . . . . . . . . . . . . . . . . . . M 65.00
Carry on Wayward Son—arr. Mike Sweeney. From
progressive rock group Kansas, this chart uses deep bass
lines, strong ensemble phrases and contrasting softer sections
to create a truly powerful statement for the field or stands!
2317105 . . . . . . . . . . . . . . . . . . . . . . . . . . . M 55.00
Centuries—arr. Ishbah Cox. The first breakout single
from the latest Fall Out Boy album is a driving rock tune that
has a memorable hook audiences love. The compelling pulse
ensures this will be a big hit in the stands or on the field.
10511024 . . . . . . . . . . . . . . . . . . . . . . . . . . ME 55.00
POP TUNES
NEW!
H T off the Press!
TOO
NEW
TO
VIEW!
Brand new releases for the field and stands!
Bye Bye Bye—arr. Tom Wallace.
This famous hit by NSYNC sets a hard-driving groove that never lets up and features one of the most
recognized choruses of all time.
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Chained to the Rhythm—arr. Jay Dawson.
Debuting in a big way at the Grammys, Katy Perry's thought-provoking release became an instant
international hit. With its Latin disco rhythms, it's a perfect choice to feature your dance line or use as a
crowd-rousing pep band chart.
10766826 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . M 75.00
Good Riddance (Time of Your Life)—arr. Tom Wallace.
This mellow Green Day song is a great way to dial back the intensity and create a peaceful contrasting
moment. The contemplative tune is surrounded by warm melodies interjected with brief splashes of sound,
eventually slipping away to a soft, thoughtful ending.
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The Greatest—arr. Tom Wallace.
A striking message of struggle and triumph shines through in this catchy and timely hit from the hugely
talented singer/songwriter Sia.
10766836 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . M 70.00
Happy Together—arr. Tom Wallace.
This carefree hit by The Turtles will give your show a feel-good change-up in style and mood. Everyone will
love the rock-solid scoring of the famous catchy chorus.
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I Can See for Miles/Happy Together—arr. Tom Wallace.
This medley features Tom Wallace's menacing treatment of The Who's big hit paired with the ultimate
contrast, a cheery setting of Happy Together. A skillful transition leads back to the powerful conclusion of I
Can See for Miles.
10766832 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . M 80.00
Still Breathing—arr. Tom Wallace.
Energetic from beginning to end, this smash hit from Green Day provides all the elements needed to fashion
a truly dynamic and showy closer. From the opening percussion intro to the dazzling final flourish, it will cap
off any show with a resounding finish.
10766834 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . M 80.00
White Rabbit—arr. Tom Wallace.
This piece was a key piece of the culture during the Summer of Love, and like the song, this arrangement
captures the mystical, cosmic feeling of that time. Magical sounds emanate from the percussion section
and lead to an ethereal statement of the melody, slowly building to a huge closing climax.
10766838 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . M 80.00
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