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4t Ubi Caritas et Amor—Josu Elberdin. Written in
honor of composer Javier Busto, this a cappella
work attempts to capture in sound the warmth
and blessing of a deep friendship. Typical of
Elberdin's chordal Spanish compositional style,
this joyful work will be a beautiful addition to
any program!
10746398 SATB. . . . . . . . . . . . . . . . . . . . . . 2.75
4e Vidalita—Diana Saez. This lovely arrangement for
SA voices with piano or optional guitar is a sim-
ple setting of a northern Argentinian folk melody.
With a Spanish text, haunting melody and Spanish
feel, this is the perfect choice for an advanced elem-
entary or developing SA ensemble. Translation
and pronunciation guide are provided.
10692817 Two-Part. . . . . . . . . . . . . . . . . . . 2.10
4 Viva! (from "Il re pastore")—W.A. Mozart/arr.
Patrick M. Liebergen. A triumphant Mozart mas-
terwork for today's choirs! This joyful opera finale
opens and closes with a boisterous choral fanfare
that features a brief, expressive vocal duet in the
middle. The text is in Italian with optional English
translation and IPA pronunciation guide included.
The choral parts are supported by an exciting
piano accompaniment for an arrangement that
remains true to the original while being accessible
to school choirs. Not necessarily familiar, but
undeniably fantastic!
10752452 SATB. . . . . . . . . . . . . . . . . . . . . . 1.90
10752453 SAB. . . . . . . . . . . . . . . . . . . . . . . 1.90
4 Wade in the Water—arr. Dan Davison. Written
specifically with developing male choirs in mind,
this piece features comfortable vocal ranges for
young tenors and baritones. This rhythmic setting
abounds with solo opportunities for a variety of
voice types and presents outstanding teaching
opportunities for style and historical context.
Equally appropriate for the concert stage or the
worship service.
10715332 TB . . . . . . . . . . . . . . . . . . . . . . . . 2.50
4t Wade in the Water—arr. Rob Dietz. An aleatoric
sounds and syllables section opens to a rousing
ostinato in this rhythmic a cappella setting. With
superb choral writing and an energy that naturally
grows throughout the piece, this work is a great
choice for honor and festival choirs. This offering
will create an artistic moment that will be long
remembered by singers and audience alike.
10752454 SATB divisi . . . . . . . . . . . . . . . . . 2.00
4t Water—Anders Edenroth. This innovative a
cappella work by Anders Edenroth provides
a poetic and philosophical perspective on the
transparent matter so essential to the survival
of every living creature. This composition goes
beyond music, allowing singers and audiences to
reflect on a deep message. The use of tuned water
bottles provides both an interesting soundscape
and a visual reminder of the importance of water
to human life.
10593288 SATBB . . . . . . . . . . . . . . . . . . . . 2.95
4t Water Is Wide—arr. Russell Robinson. A
favorite American folk classic comes alive in
this musically satisfying arrangement suitable
for choral ensembles of varying sizes and
levels. Sensitive a cappella choral writing with
traditional harmonizations throughout, an uplifting
modulation and a gorgeous final cadence give
a gratifying choral experience for singers and
audiences alike.
10684779 SATB. . . . . . . . . . . . . . . . . . . . . . 2.10
4 We Have a Secret—Mark Burrows. "We have
a secret, just we three, the robin, and I, and the
sweet cherry tree. The bird told the tree and the
tree told me, and nobody knows it but just us
three!" This charming anonymous text captures
much of the essence of childhood - playfulness,
a close connection to nature, and the irrepressible
exuberance which makes keeping juicy secrets
virtually impossible. This delightful setting features
a cheerful melody along with impetuous meter
shifts and playful dynamic contrasts to create an
engaging concert piece for young choirs.
10757016 Two-Part. . . . . . . . . . . . . . . . . . . 2.25
4e We Will Sing the World Whole Again—Mark
Burrows. This song begins by having choir
members state something hurtful that has been
said to them in an overlapping texture that
shows that we have all been affected by pain
and violence, and yet we choose to sing. From
its opening section of cacophony to the powerful
refrain, this original song will inspire your singers
and your audience to rise above their hurt and
the violence in our world. "We will rise from the
senseless pain and violence. Fear will fail and love
will win. And a new song will echo in the silence.
We will sing the world whole again."
10689275 Two-Part. . . . . . . . . . . . . . . . . . . 2.10
4e A Whale of a Tale (from "20,000 Leagues
Under the Sea")—arr. John Leavitt. This classic
from Disney's "20,000 Leagues Under the Sea" will
be a delightful showcase for men's voices. With
clever lyrics, fun handclaps and clever rhythmic
devices, this is sure to be great entertainment
across generations! Includes optional bass and
percussion accompaniment.
10760595 TTB . . . . . . . . . . . . . . . . . . . . . . . 2.15
4 What Do the Stars Do?—Victor C. Johnson. A
delicate piano introduction leads the listener to an
elegant setting of Christina Rossetti's inquisitive
poem. Well-conceived voice-leading makes the
fully realized choral harmony beautifully singable,
and each voice part gets a turn with the melody.
Text painting, lyrical lines, warm suspensions, and
emotional range make this a wonderful teaching
piece for musicality and phrasing. Get ready
to amaze audiences and adjudicators with this
highly recommended piece.
10752462 SATB. . . . . . . . . . . . . . . . . . . . . . 1.90
10752463 SAB. . . . . . . . . . . . . . . . . . . . . . . 1.90
10752464 SSA. . . . . . . . . . . . . . . . . . . . . . . 1.90
4 Where Can I Go?—Paul David Thomas. This
spiritual setting of the Psalm 139 text, supported
by a driving piano accompaniment and optional
tambourine, really rocks! Wonderful harmonic
moments and fun interplay between the voices
provide opportunities to create excitement and
explore expressive singing. Treble choirs of all
levels will enjoy performing this unique spiritual
which will delight audiences at any concert
performance.
10735158 SA . . . . . . . . . . . . . . . . . . . . . . . . 1.95
4e Who Has Seen the Wind?—Christina Rosetti
& Mary Lynn Lightfoot. "Who has seen the wind?
Neither I nor you." Christina Rossetti's mysterious
and intriguing text is presented in a beautiful
setting to create a superb choral work for concert
and contest. Designed for developing voices in
both mixed and treble voicings, the lyrical choral
phrases are supported by an expressive piano
accompaniment to create a musical atmosphere
that lifts and turns like the blowing wind.
10737983 SAB. . . . . . . . . . . . . . . . . . . . . . . 2.10
10737985 Two-Part. . . . . . . . . . . . . . . . . . . 2.10
4 Who Has Seen the Wind?—Jay Althouse. This
text-driven setting of Rossetti's treasured poem
is top-tier. A well-developed choral interlude
sounds like swirling winds with round vowels and
captivating harmonies. The masterful text painting
provides opportunities to work on phrasing and
dynamic contrasts. Artful and haunting.
10738908 SSATB . . . . . . . . . . . . . . . . . . . . 1.90
10738909 SSAB . . . . . . . . . . . . . . . . . . . . . 1.90
10738910 SSA. . . . . . . . . . . . . . . . . . . . . . . 1.90
4t The Wisdom of the Moon—Susan LaBarr. The
Wisdom of the Moon expresses how easy it is to
be happy when things are difficult, but how we
all need to learn how to persevere during difficult
times. A sentiment of hope that is reflected in the
tonality and joyful triple meter. A great chance to
feature a soloist. Exceptional!
10746456 SATB. . . . . . . . . . . . . . . . . . . . . . 2.75
4 Workin' on the Railway (A Partner Song
with Drill, Ye Tarriers, Drill)—Mary Donnelly
& George L.O. Strid. An energetic original melody
is partnered with the American folk song Drill, Ye
Tarriers, Drill in this robust concert offering for
young choirs. Describing the construction of the
American railroads in the mid 1800s and the role of
the tarriers who drilled holes in the rock to blast out
the railroad tunnels, this makes a terrific teaching
piece for historical context. Percussion parts are
included for cowbell and wood blocks which add a
hammering effect to enhance both the introduction
and interludes in this exciting piece.
10756997 Two-Part. . . . . . . . . . . . . . . . . . . 2.25
10801167 P/A CD . . . . . . . . . . . . . . . . . . . 27.95
4tYemaya—arr. Diana Saez. The chant melody
e employed in this work was brought to America
from West Africa via Cuba. Pedal tones in the
bass support the melodic chant and create a
meditative mood. Notated body percussion and
clapping enter midway through the piece, adding
a new texture. Divisi throughout in all voices but
very accessible ranges and rhythm patterns make
this a very exciting and accessible multicultural
work. Pronunciation guide is provided, and a
translation of the text is alluded to in the notes.
Highly recommended!
10734959 SATB Divisi. . . . . . . . . . . . . . . . . 2.25
4e You've Been on My Mind—Audrey Snyder.
Growth, change, love and loss - these are all a
part of growing to adulthood. This gentle original
offers an introspective look at these emotions
with accessible and well-crafted pop-style
harmonies and a lyric that singers will embrace
as their own. Accompanied, or optional a
cappella, for women's choirs.
10760625 SSA opt. A Cappella . . . . . . . . . 2.10
4e Yundah (Hebridean Chant)—Audrey Snyder.
Young singers can discover the sights and
sounds of the Scottish Hebrides and an ancient
chant sung by the people of that remote
location. This setting includes original music that
frames the chant and creates an atmosphere of
imagination and adventure. With Irish flute or any
other C instrument.
10689282 Three-Part Mixed . . . . . . . . . . . . 2.25
10689288 Two-Part. . . . . . . . . . . . . . . . . . . 2.25
10704216 Teaching P/A CD . . . . . . . . . . . 26.99
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