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Ht Good Night, Dear Heart—Dan Forrest. This
stunning piece is based on a simple poem by
Robert Richardson, inscribed on the headstone
of the daughter of Samuel Clemens (Mark
Twain), who died in her youth. Appropriate
for any memorial occasion, the work is brief
and understated, yet powerful. A cappella with
optional piano accompaniment. It will touch every
listener deeply. Highly recommended!
10065541 SATB. . . . . . . . . . . . . . . . . . . . . . 2.15
10503454 SSAA . . . . . . . . . . . . . . . . . . . . . 2.15
10527203 TTBB. . . . . . . . . . . . . . . . . . . . . . 2.15
H The Ground (Pleni sunt caeli)—Ola Gjeilo. This
luscious setting of the traditional Latin text from
the "Mass" is one that will give your high school
choir a big, rich sound without being too difficult.
Thorough performance notes give interesting
insights into the composer's process and his
desired interpretation of the work.
10276430 SATB. . . . . . . . . . . . . . . . . . . . . . 2.75
10297378 Instrumental Parts Strings . . . . 40.00
HtHark, I Hear the Harps Eternal—arr. Alice
e Parker. Now all choirs can enjoy this famous
hymntune arranged by Alice Parker, originally
written for The Robert Shaw Chorale. The strong
walking pulse and juxtaposed motives have made
it exceptionally popular for over 40 years.
4004693 SATB. . . . . . . . . . . . . . . . . . . . . . 1.85
3147212 SSAA . . . . . . . . . . . . . . . . . . . . . 1.85
10047605 TTBB. . . . . . . . . . . . . . . . . . . . . . 1.85
H He Never Failed Me Yet—Robert Ray. With its
driving beat and enormous appeal, this powerful
gospel work has become the definitive selection
in this style for an entire generation. Use one or
two soloists and be prepared for spontaneous,
hand-clapping joy as your group reaches the
finale. Impressive! (The SSA edition is one step
higher, in the key of C.)
1424092 SATB. . . . . . . . . . . . . . . . . . . . . . 2.10
8070839 SSA. . . . . . . . . . . . . . . . . . . . . . . 2.10
10002656 TTBB. . . . . . . . . . . . . . . . . . . . . . 2.25
1901263 P/A CD . . . . . . . . . . . . . . . . . . . 26.99
1939735 Instrumental Parts . . . . . . . . . . 50.00
10002660E Full Orchestra ePrint . . . . . . . . 55.00
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t Hlohonolofatsa—arr. Daniel Jackson. This
tremendously fun arrangement of a South African
greeting song exclaims, "Iyo hlonolofatsa, Ka
lebitso la ntate," which translates as, "Bless
everything in the name of the Father." Featuring
a soloist, improvised percussion and hand claps,
it is very authentic sounding! Phonetic pronun-
ciation guide is included.
10593326 SATB. . . . . . . . . . . . . . . . . . . . . . 2.55
e Homeward Bound—Marta Keen/arr. Althouse.
Homeward Bound, a favorite with choral directors
for many years, is now available for young choirs!
This heartfelt piece is elegant in its simplicity and
memorable in its warmth and sincerity. It has also
become an anthem for soldiers returning home.
Performed as a choral only, or with concert band,
it is guaranteed to create a stirring moment in your
concert! Highly recommended!
1780808 SATB. . . . . . . . . . . . . . . . . . . . . . 1.85
1780816 SSA. . . . . . . . . . . . . . . . . . . . . . . 1.85
3016219 SAB. . . . . . . . . . . . . . . . . . . . . . . 1.85
3285996 TBB. . . . . . . . . . . . . . . . . . . . . . . 1.85
10274940 Two-Part. . . . . . . . . . . . . . . . . . . 1.85
H How Can I Keep from Singing? (A Gospel
Setting)—Greg Gilpin. Greg has taken
the traditional Quaker text and positively
supercharged it with his own gospel-styled music
in this marvelous new look at a timeless American
poem. This one has it all - a wide-open solo for
your best gospel singer, an accompaniment that's
fine as is, or can be embellished at will by your
pianist, and hand claps from the very first measure
that'll quickly spread through your audience or
congregation. Highly recommended!
10352316 SATB. . . . . . . . . . . . . . . . . . . . . . 2.25
3298161 Three-Part Mixed . . . . . . . . . . . . 1.95
10352293 Two-Part. . . . . . . . . . . . . . . . . . . 2.25
10192345 SSA. . . . . . . . . . . . . . . . . . . . . . . 2.25
HL I Believe—Mark Miller. A new SSA edition of
e Mark Miller's bestselling anthem, I Believe. The
sentiment of this anonymous text, "I believe in
the sun, even when it's not shining," is a bold
statement of trust and is applicable in any sacred
or secular setting. This anthem truly represents
the best of Mark Miller's choral writing and will be
sung by generations to come.a
10335690 SATB. . . . . . . . . . . . . . . . . . . . . . 2.35
10335690L SATB. . . . . . . . . . . . . . . . . . . . . . 2.35
10757190 SSA. . . . . . . . . . . . . . . . . . . . . . . 2.25
10757190L SSA. . . . . . . . . . . . . . . . . . . . . . . 2.25
4 I Want to Be Ready—arr. Howard Helvey.
This beautiful, tender arrangement of the tra-
ditional spiritual offers an opportunity to hear
and consider the text in a new way. Slow and
reflective, this piece provides rich textures and
glorious harmonies for a sweet moment in your
service or concert.
10757397 SATB. . . . . . . . . . . . . . . . . . . . . . 2.10
H If Music Be the Food of Love—David
Dickau. The romantic style of this setting is lush,
expressive, and perfectly fashioned for the text. "If
music be the food of love, sing on, sing on, sing
on till I am filled with joy..." The work is a superior
choice as a concert finale or any time a selection
with a "music" theme is appropriate.
5570528 SATB. . . . . . . . . . . . . . . . . . . . . . 1.90
lL Indodana—arr. Michael Barrett & Ralf Schmitt.
t This highly dramatic traditional African song is a
true musical gem, presented a cappella at a slower
tempo. Arranged by two South African composers,
the ethnic flavor is palpable as the women carry
the melody and the men's voices provide the
harmonic underlay in the SATB version, while the
SSA version uses a small ensemble to present the
melody with the remainder of the choir providing
the harmony. Translation and pronunciation notes
are provided.
10457610 SATB. . . . . . . . . . . . . . . . . . . . . . 2.15
10792982 SSAA . . . . . . . . . . . . . . . . . . . . . 2.05
10792982L SSAA . . . . . . . . . . . . . . . . . . . . . 2.05
He Inscription of Hope—Z. Randall Stroope. A
profoundly moving text, written on a cellar wall
during the rise of Nazi Germany, joins with original
music to create a deeply emotional expression of
hope for all mankind. With brief narration and the
echo of a Russian folk melody, this is an important
contribution to the concert repertoire for more
discerning choirs!
1910504 SATB. . . . . . . . . . . . . . . . . . . . . . 2.10
3073038 Three-Part Mixed . . . . . . . . . . . . 2.10
1910512 Two-Part. . . . . . . . . . . . . . . . . . . 2.10
10307417 SSA. . . . . . . . . . . . . . . . . . . . . . . 2.10
10307418 TTB . . . . . . . . . . . . . . . . . . . . . . . 2.10
10006345 P/A CD . . . . . . . . . . . . . . . . . . . 26.95
10011541 Instrumental Parts . . . . . . . . . . 29.95
H J'entends le Moulin (I Hear the Windmill)—
arr. Emily Crocker. Hear the steady sound of
the mill wheel in this brisk setting of the French
Canadian folk song, which uses alternate French
and English text. "I hear the windmill, tick-a tick-a
tack-a..." Use the pronunciation guide on the
inside cover or the Teaching P/A CD to practice
the French lyrics. This is easy and fun to sing!
10030298 Two-Part. . . . . . . . . . . . . . . . . . . 2.10
10030299 Teaching P/A CD . . . . . . . . . . . 22.99
t Jambo—Teddy Kalanda Harrison/arr. Jacob
Narverud. Kenyan composer Teddy Kalanda Har-
rison and his group Them Mushrooms received
world-wide recognition with their platinum-certified
recording of his piece. With a fun percussion
accompaniment, Jacob Narverud brings
the stellar work to school and community choirs!
10551975 SATB. . . . . . . . . . . . . . . . . . . . . . 2.20
10394008 SAB. . . . . . . . . . . . . . . . . . . . . . . 2.15
10423627 SSA. . . . . . . . . . . . . . . . . . . . . . . 2.15
10423628 TBB. . . . . . . . . . . . . . . . . . . . . . . 2.15
n Jubilate Deo—Peter Anglea. This superb setting
of the traditional Latin text from Psalm 100 fairly
dances off the page in joy! Singable, natural-
sounding mixed meter, a memorable melodic line,
and a buoyant feel throughout make this one of
the most appealing and musically satisfying works
you will hear. Highly recommended!
10445795 SATB. . . . . . . . . . . . . . . . . . . . . . 2.45
Ht Keep Your Lamps!—arr. Andre Thomas. This
exciting spiritual, with accompaniment for high,
medium, and low conga drums, is an unusually
appealing number for a wide variety of uses
from smaller choirs through massed choir
performances. Available in SATB and TTBB a
cappella arrangements, as well as in SSA with
piano accompaniment. Highly recommended!
1428499 SATB. . . . . . . . . . . . . . . . . . . . . . 2.15
3303462 SSA with piano. . . . . . . . . . . . . . 2.15
10748272 TTBB. . . . . . . . . . . . . . . . . . . . . . 2.15
4 Kuimba Nafsi Yangu—Jacob Narverud. Kuimba
Nafsi Yangu is a celebratory song derived from
common Swahili phrases of joy: "Sing my soul,
sing my heart. Sing for peace, sing for joy. There
is so much love here, yes!" Intended as a concert
opener or closer, this spirited piece is pure energy
from start to finish as the piano and djembes drive
the momentum forward while the choir sings in
call and response. Highly recommended!
10735191 SSATB . . . . . . . . . . . . . . . . . . . . 2.25
e Kusimama (Stand Tall)—Jim Papoulis. Kusi-
mama is written in a world-music style that
is accessible for choirs, both young and old,
that are just beginning to be exposed to world
rhythms and language - a sort of introduction
to new languages, syllables, body percussion
and style. The text in both Swahili and English is
about standing tall on the earth, not with anger or
aggression, but with hope, strength, acceptance,
and positivity. The voices, along with hand claps,
stomps, djembe, shaker and piano, all combine
for an exciting world-music presentation.
Highly recommended!
10308964 SATB. . . . . . . . . . . . . . . . . . . . . . 1.95
10296741 Two-Part. . . . . . . . . . . . . . . . . . . 2.15
H Let Everything that Hath Breath—Jeffery L.
Ames. It is impossible not to be inspired by this
soul-stirring gospel original. The accompaniment
is rock solid, and the choral parts are incredibly
gutsy, with dramatic dynamic swells and accents
that will shake the rafters! "Magnify the Lord with
me and exalt His name together...Let everything
that hath breath praise the Lord!"
10017215 SATB. . . . . . . . . . . . . . . . . . . . . . 2.25
H Letter from a Girl to the World—Andrea
Ramsey. This remarkable work has become one
of the most popular choices for women's festival
choirs all over the country.
10074607 SSAA . . . . . . . . . . . . . . . . . . . . . 2.30
Ht Light of a Clear Blue Morning—Dolly Parton
e arr. Craig Hella Johnson. Craig Hella Johnson's
a cappella setting of Dolly Parton's Light of a Clear
Blue Morning is infused with light and hopefulness
as it opens with a solo soprano and gradually
builds to a joyful overflowing of sound and vocal
texture, then gently relaxes into a reflective
conclusion. Now available for SSAA choirs!
10092212 SATB. . . . . . . . . . . . . . . . . . . . . . 2.15
10760290 SSAA . . . . . . . . . . . . . . . . . . . . . 2.15
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