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He Stars I Shall Find—Victor C. Johnson. "There
will be rest, and sure stars shining over the
rooftops crowned with snow, a reign of rest,
serene forgetting, the music of stillness holy and
low." This masterful setting of Sara Teasdale's
picturesque poem sparkles with wonderful
musical imagery! Soaring melodic lines, an
artfully crafted accompaniment, contrasting
dynamics, and warm, colorful harmonies create a
magical effect. This is an extraordinary choice for
performances all year! Highly recommended!
10047919 SATB. . . . . . . . . . . . . . . . . . . . . . 1.95
10519884 Three-Part Mixed . . . . . . . . . . . . 1.95
10736802 Two-Part. . . . . . . . . . . . . . . . . . . 1.95
10366693 SSA. . . . . . . . . . . . . . . . . . . . . . . 1.95
10047922 TTB . . . . . . . . . . . . . . . . . . . . . . . 1.95
10047926 P/A CD . . . . . . . . . . . . . . . . . . . 26.95
4 Storm—James DesJardins. A creative depiction
of the frenetic energy of a storm, this piece utilizes
body percussion and drums to mimic the sounds
one might experience during a storm. That,
coupled with the descriptive text, make this piece
worthy of study for your treble or women's choir.
Truly exciting!
10735244 SA . . . . . . . . . . . . . . . . . . . . . . . . 2.25
H The Storm Is Passing Over—Charles Albert
Tindley/arr. Barbara W. Baker. This is a lot of fun!
Even choirs with limited experience singing gospel
music will be able to perform the syncopated
and heavily accented vocal parts with ease. The
final repeated chorus features stunning dynamic
contrasts, hand claps and a dramatic ritard before
the final ending. A very strong choice!
3093036 SATB. . . . . . . . . . . . . . . . . . . . . . 2.15
5467071 SSA. . . . . . . . . . . . . . . . . . . . . . . 2.15
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H Sure on this Shining Night—Morten Lauridsen.
"Sure on this shining night of starmade shadows
round, kindness must watch for me this side the
ground..." In this third movement of his song cycle
Nocturnes, Morten Lauridsen's flowing music
captures all of the beauty and wonder of James
Agee's poem. Set for accompanied SATB voices
(with some divisi), and now for TTBB, this is a
superb composition for better choirs!
3303314 SATB. . . . . . . . . . . . . . . . . . . . . . 1.95
10606833 SSAA . . . . . . . . . . . . . . . . . . . . . 1.90
10083682 TTBB. . . . . . . . . . . . . . . . . . . . . . 1.90
n There Has to Be a Song—Andrea Ramsey.
The text comes to spirited life as this gospel-
style setting lauds the value of a song to
improve the quality of our lives. Chord symbols
are included for the addition of instruments or
improvisation by the accompanist. This is a song
that needs to be sung!
10186970 SATB. . . . . . . . . . . . . . . . . . . . . . 2.15
10186971 SA . . . . . . . . . . . . . . . . . . . . . . . . 2.05
H Three Quotes by Mark Twain—Andrea
Ramsey. This delightfully provocative piece for
treble voices is based on three very short, witty
texts by Mark Twain: The Silent Fool; Telling the
Truth and My Dear Mother. The music changes
with each short section, moving from ragtime to a
waltz and finally to the blues. Great fun for all!
10080294 SA or Two-Part. . . . . . . . . . . . . . 2.05
te Tongo (Polynesian Folk Song)—arr. Greg
Gilpin. This traditional canoe song from Polynesia
sounds very impressive with hand claps and
percussion instruments adding to the choral
texture. The echoing voice parts suggest people
communicating from canoe to canoe as they
travel between islands. The Polynesian text is
simple, and a pronunciation guide is included.
A refreshing change of pace in the multicultural
category, this popular piece is now available for
SAB. Highly recommended!
10752388 SAB. . . . . . . . . . . . . . . . . . . . . . . 2.00
10515746 Two-Part. . . . . . . . . . . . . . . . . . . 1.90
10514270 TB . . . . . . . . . . . . . . . . . . . . . . . . 1.90
H Tres Cantos Nativos—arr. Marcos Leite. This
exciting work is freely based on three melodies
sung by the Kurao tribe - a group of native
Brazilian indians living in the forests of northern
Brazil. Percussive rhythms and vocal layers are
enhanced with live percussion instruments and
effective hand claps to bring unique musical
colors to your concert hall. A popular choice for
festivals and all-state choirs.
5539655 SATB. . . . . . . . . . . . . . . . . . . . . . 1.75
H True Light—Keith Hampton. Opening phrases
of the traditional spiritual This Little Light of Mine
launch this exciting work into Keith Hampton's
original words and music, which feature a sixteen-
measure soprano solo sung to lines from tenth-
century poet Grigor Narekatzi's Book of Mournful
Chants: "Don't let the light that You've given me
die, And don't desert my mind. But let the one
who serves You Praise You again and again." The
repeated responses "He lives in us as True Light"
and "God gave the world True Light" give solid
impact to every phrase. School and church choirs
will revel in the spiritual depth and driving rhythmic
feel of this extraordinarily soulful choral!
3700850 SATB. . . . . . . . . . . . . . . . . . . . . . 1.95
t Tshotsholoza (Go Forward)—Jeffery L. Ames.
Now available for mixed or men's voices, this
rousing arrangement of the popular African
freedom song has become a standard in the
choral repertoire. With call-and-response vocals,
African text, and rhythmic percussion accom-
paniment, it transports the listener to South
Africa, where the song is often referred to as the
"unofficial anthem" of the country. It was used in
the soundtrack of the Oscar-nominated movie
"Invictus," and served as South Africa's "battle
call" at the 2010 World Cup. This is essential
multicultural programming! Highly recommended!
10276407 SATB. . . . . . . . . . . . . . . . . . . . . . 2.45
3304220 TTBB. . . . . . . . . . . . . . . . . . . . . . 2.75
4 Tue, Tue—arr. Ruth Morris Gray. Vocal ostinatos
join one by one in the opening of this rhythmic
arrangement of an authentic Ghanaian folk
song. Unison lines, block triads, and a reset of
the dynamics in the choral bridge are a blast.
Repeated sections make for quick learning and
easy memorization. Plenty of teaching moments
here, along with a nice pulse and groove that
choirs will enjoy. A pronunciation guide is
included, and choreography is available on the
When We Sing! DVD.
10752447 SAB. . . . . . . . . . . . . . . . . . . . . . . 1.90
10752448 Two-Part. . . . . . . . . . . . . . . . . . . 1.90
10752449 SSA. . . . . . . . . . . . . . . . . . . . . . . 1.90
10752450 TBB. . . . . . . . . . . . . . . . . . . . . . . 1.90
10752451 P/A CD . . . . . . . . . . . . . . . . . . . 27.99
10778379 DVD-When We Sing! . . . . . . . . 39.99
H Tundra—Charles A. Silvestri & Ola Gjeilo. Majestic
scenes from Ola Gjeilo's native Norway inspired
Charles Silvestri's text for this contemporary
tone poem. The words and music are fused in a
poignant, lyrical way to convey the intense beauty
of the landscape. An excellent winter feature or
festival choice for mature women's choirs.
10276418 SSAA . . . . . . . . . . . . . . . . . . . . . 2.55
10297376 Instrumental Parts . . . . . . . . . . 45.00
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Ht Ubi Caritas—Ola Gjeilo. Originally published for
mixed voices, this stunning work has reached a
large audience in a very short time, and has been
published in SSAA and TTBB voicings as well,
to meet the growing demand. The reviews are in
— it is an exceptionally strong choice for every
a cappella choir!
10025943 SATB. . . . . . . . . . . . . . . . . . . . . . 2.60
10046201 SSAA . . . . . . . . . . . . . . . . . . . . . 2.20
10067366 TTBB. . . . . . . . . . . . . . . . . . . . . . 2.60
Ht Wana Baraka—arr. Shawn L. Kirchner. This
upbeat Kenyan folk song is a popular choice
for concert and festival choirs. The arrangement
builds with great excitement, leading to an
extensive rhythmic play on the word "alleluya."
3298859 SSATBB . . . . . . . . . . . . . . . . . . . 2.20
3303468 SSA. . . . . . . . . . . . . . . . . . . . . . . 2.05
10054840 TTBB. . . . . . . . . . . . . . . . . . . . . . 2.10
Ht Wanting Memories—Yasaye M. Barnwell.
"I am sitting here wanting memories to teach me
to see the beauty in the world through my own
eyes..." As recorded by Sweet Honey in the Rock,
this extraordinary a cappella piece speaks to
everyone of the precious gift of life.
3225760 SATB. . . . . . . . . . . . . . . . . . . . . . 2.50
He When I Close My Eyes—Jim Papoulis. "When I
close my eyes then I can see that I am not afraid."
This song of confidence and hope for young
voices resonates with positive lyrics, a strong
melody and an expressive accompaniment for
piano and cello. Written in ABA form, the message
is enhanced with the contrasting middle section
that is a clear declaration of belief in oneself. An
enriching choral statement that we recommend
very highly!
3299169 Two-Part. . . . . . . . . . . . . . . . . . . 2.15
10683354 SAB Cello & Piano Accomp. . . . 2.25
10086103 P/A CD . . . . . . . . . . . . . . . . . . . 26.99
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4t Will the Circle Be Unbroken—arr. J. David
Moore. This wildly popular arrangement is a
favorite with choral festivals all over the country.
Beginning in the style of a bluegrass trio, the
piece opens into a four-part gospel celebration
of the power of song to create community.
Often performed with an opening solo refrain.
A favorite for women's choirs, now available for
mixed voices.
10704230 SATB. . . . . . . . . . . . . . . . . . . . . . 2.95
10341993 SSAA . . . . . . . . . . . . . . . . . . . . . 2.95
H Will There Really Be a "Morning"?—Craig Hella
Johnson. This marvelous setting of the famous
Emily Dickinson poem has become a standard
selection on state and regional festival lists.
10015881 SA . . . . . . . . . . . . . . . . . . . . . . . . 1.90
Concert Selections
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