4 Editors' Choice l New Publication H Pepper Basic Library e Available via ePrint
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Pop Charts
H Superstition—Stevie Wonder/arr. Paul Murtha.
Stevie Wonder helped bring funk to mainstream
pop music in the '70s, and this is one of his most
recognizable hits. This arrangement is easy to
learn yet maintains the authentic groove of the
original. Playable by standard jazz ensemble
instrumentation, it will also sound full and complete
with 4 saxes, 3 trumpets, 3 trombones and rhythm.
Optional parts included for flute, 2 clarinets, horn
in F and tuba. Highly recommended!
10041752 Jazz Ensemble . . . . . . . . . . . . . 40.00
n Sweet Caroline—Neil Diamond/arr. Rick Stitzel.
Even before the TV series Glee, this Neil Diamond
classic, first recorded in 1969, had proven its
popularity and staying power. Here is a solid, yet
easy treatment for jazz ensemble that requires
no solos. Sure to be a favorite with students and
parents alike! Optional reduced or expanded
instrumentations.
10098793 Jazz Ensemble . . . . . . . . . . . . . 40.00
4 We Are Family—arr. Paul Murtha. In the height
of the disco era, this tune recorded by Sister
Sledge caught fire on the R&B pop charts in
1979. Here is a great-sounding and funky version
for younger players. There are no solos, all horn
sections get their chance with the melody, and
there's a unique and effective rhythm-section-
only interlude. Playable with optional reduced
or expanded instrumentations. Written-out bass
lines and piano voicings are included. Every
audience will know this familiar tune!
10681401 Jazz Ensemble . . . . . . . . . . . . . 40.00
n Welcome to the Jungle—arr. Rick Stitzel.
Recorded by Guns N' Roses in the 1980s, this
rocker has become a classic and is often heard
in TV and film. Set here for younger players, it
still retains the relentless drive and energy of the
original. There's a short written solo for alto or
tenor sax while the brass carry the signature riffs.
Also playable with optional reduced or expanded
instrumentations, this one will be great fun for
younger players!
10842291 Jazz Ensemble . . . . . . . . . . . . . 40.00
n Yesterday—Lennon & McCartney/arr. Rick
Stitzel. One of the all-time great songs from the
Beatles, Yesterday truly has become a modern
day standard! This well scored arrangement for
young jazz ensembles features a brief tenor solo,
beautiful counterlines, and an overall rich sound
that will be impressive in concert or as a change
of pace chart for festivals. Suggested solo and
scale/chord sheet provided. Optional reduced or
expanded instrumentations. Includes CD. Highly
recommended!
10188524 Jazz Ensemble . . . . . . . . . . . . . 40.00
n You Are the Sunshine of My Life—Stevie
Wonder/arr. Paul Murtha. This is one of Stevie
Wonder's signature hits from the 1970s, and here
is a masterfully arranged easy version in a light
bossa style. The trombones grab the spotlight in
the beginning and again at the end. In between,
the saxes and trumpets take turns with the
melody, and there are short written or ad lib solos
for trumpet and alto sax. Playable with optional
reduced or expanded instrumentations, this one
also includes bass lines and piano voicings that
are completely written. It's great for programming
variety, and it's highly recommended!
10522946 Jazz Ensemble . . . . . . . . . . . . . 40.00
4
You Can't Stop the Beat (from "Hairspray")—
arr. John Berry. From the hit musical "Hairspray,"
here is the show-stopping production number in
a dynamic arrangement for younger ensembles.
Featuring a fast-paced rock groove and hard-
hitting brass figures, this is sure to sound
impressive with almost any jazz band. It's a bright
rocker filled with fun, excitement and attitude.
There are no solos and the bass line is pure fun
to hear and play. Playable with optional reduced
or expanded instrumentations, this chart is
highly recommended!
10667348 Jazz Ensemble . . . . . . . . . . . . . 40.00
m e d i u m - e a s y
H Ain't No Sunshine—Bill Withers/arr. Rick Stitzel.
Originally recorded in the 1970s, Bill Withers'
distinctive slow rocker has become a classic. The
minor mode adds to the flavor, and this version
for younger players skillfully passes the melody
from section to section. Also included is a solo for
tenor sax. A suggested solo is included along with
chord/scale sheets in all keys. Soulful groove!
10283144 Jazz Ensemble . . . . . . . . . . . . . 45.00
4 At Last—Harry Warren/arr. Dave Mills. This
beautiful ballad made famous by the great Etta
James makes a perfect change of pace for any
concert. Featuring a sultry tenor saxophone solo
sprinkled with melodic replies from other sections
and lush chords, this one really dazzles. There are
improvised solos for piano and tenor sax before
the full ensemble returns to close out this dreamy
ballad. Highly recommended!
10752061 Jazz Ensemble . . . . . . . . . . . . . 65.00
4 The Bare Necessities (from "The Jungle
Book")—arr. John Wasson. From "The Jungle
Book," this timeless classic appeared in the
original movie as well as the latest blockbuster hit.
With a jaunty 2-beat swing style and well-known
melody, this one is impossible not to like. This
carefully crafted arrangement requires no solos,
but features every section of the band with the
trombones first, followed by the saxes and finally
trumpets. Smart, stylish and pure fun!
10617908 Jazz Ensemble . . . . . . . . . . . . . 45.00
16
Jazz
Ensemble
Africa—Paich & Porcaro/arr. Ralph Ford. Here's a wonderful take on the group Toto's
classic rock tune from the '80s. It's solidly scored throughout and sounds amazingly like the
original while remaining accessible for developing jazz bands. With nice dynamic contrasts, an
uncomplicated melodic line, and a medium rock groove, this chart is one that younger players
can really dig into, yet it will sound mature when performed by a more advanced group. More
features include: half-note tempo of 90 bpm; written or ad lib solos for alto sax 1 and trombone
1; trumpet 1 range to written G on top of the staff; and optional parts for flute, clarinet and vibes.
Great tune, fine chart!
10513875 Jazz Ensemble . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 48.00
Autumn Leaves—Joseph Kosma/arr. Peter Blair. This is a great old tune! Except...
there's nothing "old" sounding about it. It's a medium swing version of a marvelous, of-
ten-played standard that opens with an alto and trumpet duet and is filled with tight ensemble
punches. The saxes are featured on a chorus and there is a written or ad lib solo for piano.
2406361 Jazz Ensemble . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 45.00
Buckjump—Andrews & Ballard/arr. John Wasson. Recorded by Trombone Shorty on his
2011 album For True and featuring the Rebirth Brass Band and 5th Ward Weebie, this hot tune
has a funky New Orleans style groove with a moderate tempo and catchy riffs. The trombones
get the spotlight to start with, followed by tight ensemble playing and later space for an impro-
vised or written trombone solo. This chart is cool, confident and colorful! Highly recommended!
10556780 Jazz Ensemble . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 45.00
Chameleon—Herbie Hancock/arr. Victor Lopez. Herbie Hancock for the developing
band? Yes! From Hancock's famous Headhunter recording, here is a great opportunity to play
the biggest jazz-rock hit of all time. The melody is first played by alto, tenor, trumpet and trom-
bone, then the trumpet section. Next up is a flexible, open solo section with a solo line written
for all the winds so anybody or everyone can solo! The top note for lead trumpet is written G on
top of the staff. Super-cool chart! Optional expanded instrumentation.
10071885 Jazz Ensemble . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 48.00
Watermelon Man—Herbie Hancock/arr. Mike Kamuf. Oh yeah! This is a crowd pleaser
and a band pleaser... a win-win! Fun, funky, hip, groovy — call it what you want, this chart is
excellent in every way... and if you have a decent bari player, he or she will really love this one.
There are written solos for alto and tenor sax, a stop-time without rhythm section for the saxes,
a fantastic interlude section, a monster shout chorus, and some short drum fills... what's not to
like!? Very highly recommended! Optional expanded instrumentation.
10071893 Jazz Ensemble . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 48.00
TOP SELLERS at the MEDIUM-
EASY
Grade Level!
"
I am most grateful to you for your supersonic
service."
— Pete Williams, Bass Trombonist, Henley-on-Thames, England
