Original Concert Works
4 Harvest Moon—Larry Clark. Here is an exciting piece that uses a light spiccato style and tuneful melody to depict, in sound, the harvest moon. The spiccato accompaniment sets the mood as the main theme is stated in the first violins. The melody builds to the B section where it is treated to a more lush accompanying harmony. Thick open fifths in the lower strings provide a strong sense of tension that is finally released by a climactic return of the main theme in a lush and majestic treatment. Great writing for young string players! 10308804 String Orchestra ...... E 47.00
l Heart of Fire—Lauren Bernofsky. Packed full of rhythmic charge and excitement with scalar passages and beautiful solo lines for contrast. A cello solo portion really makes this original sing. 10307183 String Orchestra .....ME 55.00
4 Hyperdrive—Ralph Ford. The term hyperdrive refers to a device which allows a vehicle in space to travel faster than the speed of light. This highly energetic original by Ralph Ford is full of exciting rhythms, double stops, and 'jazz-like' articulations, which will surely propel students and audiences into hyperdrive! 10310303 String Orchestra .....ME 45.00
4 Koneko—Keiko Yamada. Koneko uses a simple pentatonic tune to depict the innocent and playful nature of a little kitten. The piece uses very limited musical and technical material for the players. The pentatonic tune begins with the first violins only, and then the tutti orchestra. A secondary theme is added with the celli taking the lead line. Different variations of the main tune are developed, and the lower strings get a chance with some important melodic material. A spectacular piece for beginners! 10308777 String Orchestra ... B-VE 40.00
4 Legacy—Sean O'Loughlin. This piece creates a lasting legacy by the use of a dramatic tone that conjures up legendary stories from days gone by. The dramatic, aggressive tone is stated immediately and is developed through use of articulation variations and dynamics contrasts. A measure of silence creates much anticipation for the return of the main melody and a dramatic ending. A very solid work for young players! 10308794 String Orchestra ...... E 47.00
n March of the Shadows—Brian Balmages. A dark and spooky way to introduce young players to Bb and Eb. Smart and edgy with unexpected harmonic and rhythmic twists, program this one for fall concerts for spine-tingling encores! 10277874 String Orchestra ...... E 45.00
n Medieval Kings—Soon Hee Newbold. A majestic masterpiece for beginning-level strings! Medieval Kings boasts bold, open-5th intervals, terraced dynamics, and prominent parts for lower strings. Truly a feast for players, and sure to become a repertoire favorite for years to come! 10091952 String Orchestra, Perc Optional ..... B-VE 40.00
4 Orion and the Scorpion—Soon Hee Newbold. Tension sets in with the opening cello solo, swathed in mysticism and an omen for the adventure to come. Ethereal harmonic colors of the night sky where Orion was imprisoned give way to a high energy, 6/8 main theme, depicting the conqueror's epic journeys that made him a legend. This one packs lots of cinematic thrill for performers and audiences to enjoy! 10307189 String Orchestra .....MA 65.00
4 Pepperoni Pizza Rock—Brian Balmages. A mouth-watering teaching piece that introduces common rhythmic phrases and a little improvisation (complete with guide notes)! Doubled voices and simple optional drum set make a comfortable groove for students, while taking their creativity "off the page." 10307084 String Orchestra, Perc Optional ....... VE 40.00
4 A Pioneer's Tale—Alan Lee Silva. The Americana flavor of A Pioneer's Tale captures the spirit of past adventures in U.S. history as explorers pushed out West to discover new frontiers. The folk song-like melody stated by the 1st violins depict a long pioneer as he sets out on his journey. Quickly joined by other adventurers, violin 2 and viola create a harmonic outline with open-string double-stops. The ensemble soars with energy as the melody is heard over punctuated figures depicting the new excitement in the West. A final vigorous and fiddle-like phrase in the high strings over open fifths in the low strings concludes the piece with intensity. This one is very spirited! 10308798 String Orchestra ...... E 47.00
4 Mystic Caravan—Soon Hee Newbold. Dusty travelers and their ancient color-swept caravans fill this weighty original for young players. Easy optional percussion keeps the beat and underpins the ensemble's staccato notes and emphasizing accents. Your group will
enjoy digging into this nomadic adventure! 10307088 String Orchestra, Perc Optional ....... VE 40.00
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4 Q and A—Richard Meyer. Get your audience involved in this fun, interactive piece designed to break the "fourth wall" that divides performers and listeners. Fresh and hip-sounding,
creative selection is a clap, stomp and snap "call-and-response" between the conductor (or student leader) and the audience. It's also an easy introduction to the key of C minor and lowered finger patterns. Add the cool hi-hat part and you've got the most unique piece on your concert, performed by everyone in the auditorium! 10310571 String Orchestra .....ME 48.00
this 4Editors' Choice lNew Publications 2012 HPepper Basic Library eAvailable e-Print
n O Magnum Mysterium—Morten Lauridsen/ arr. Dackow. First it was the choral masterpiece from Lauridsen. Then it took the instrumental world by storm as a concert band arrangement, and even a brass ensemble. But it has never been available for strings, until now! Sandra Dackow's arrangement makes this wonderful piece available for your string players! A serene and expressive composition, the fluid lines and lovely harmonies will both challenge and engage your performers. We are proud to give this our highest recommendation. 10023619 String Orchestra ......M 75.00
4 The Octavator—Michael Hopkins. Composed to help students tune octave intervals with open strings and develop bowing skill with string crossings, but your students will just plain enjoy playing this fast and lively new work. Parts are playable in first position, with some third position playing in the double bass and violin 1 parts. It is also great for teaching bow placement, short crisp bow strokes, and ensemble precision. A great contest work! 10302982 String Orchestra ...... E 40.00
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4 Salamander Samba—Lauren Bernofsky. This creative original samba utilizes only open strings and pizzicato, making it especially accessible for beginners. The piano part is essential as it sets up the samba style. A really fun piece that will engage students and audiences alike! 10312094 String Orchestra with Piano ........... B 40.00
e Spider Dance—Michael Hopkins. An energetic and spooky scherzo in g minor, this is a great piece for teaching the key of g minor to a young orchestra. It features a melody based on a scale in broken thirds with short, fast bow strokes. All the instruments get the melody and the double basses get lots of interesting material. Some shifting to 3rd position for first violin and bass is included, as well as 2nd position for cello. Perfect for developing trills, dynamics and bow distribution,
includes several poco ritards and fermatas for teaching tempo changes. This is wonderful fun - a shining, creative program piece! 10280134 String Orchestra .....ME 45.00
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4 Sprites—Almon C. Bock II. A sprite is a small or elusive supernatural being such as an elf or pixie. This piece is evocative of just such beings. It is playful in character, portraying images of these beings as they dance about and frolic in their own spaces, be that wood, water, fields or even in our imagination. These sprites invite you to play with them as you listen to the music. Frolicking fun for all! 10310535 String Orchestra .....ME 48.00
e Terra Nova—Richard Meyer. From the opening measures to a driving finish, this exceptional work keeps everyone's attention and gives your developing group a new level of maturity! Featuring a contemporary, "hip" sound, infectious modal melodies and changing meter signatures, this also gives every section a chance in the spotlight. Teaching opportunities abound as your students explore low finger patterns (Bb and F naturals), dynamic contrast, accents, syncopation, balance, and rhythmic independence. An excellent choice! 10280288 String Orchestra .....ME 42.00
4 Twilight Trax—Deborah Baker Monday. Get ready to ride the rails as this creative original uses harmonic glissandos, tremolos and a brake drum to simulate a train! This haunting, often sinister work is programmatic and sure to be a favorite among players and audiences alike! 10304003 String Orchestra .....ME 50.00
4 Valley Mist—Robert Longfield. Here is a fresh approach to the beginning level overture. The easy, unique string and special effects will give your students wonderful exposure to programmatic-style music and orchestration. A great work that comes highly recommended! 10295424 String Orchestra ...... E 35.00
4 Viva Los Conquistadores!—Deborah Baker Monday. Long live the conquistadors! The adventure, excitement and romance of this historic time is once again brought to life with a pulsing Latin undercurrent that never stops. The Coda gives the listener and performer the feeling of victory and glory - a suitable finish! 10310586 String Orchestra .....ME 48.00
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STRING ORCHESTRA
