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BLUES & SWING medium-easy
Jazz Superset No. 5: The Patriotic Collection—
arr. Mike Lewis. Every jazz ensemble should have
this wonderful patriotic collection in their library!
Mike Lewis offers complete arrangements of our
nation's most familiar songs in stirring arrangements
useful for a variety of performance needs. Titles
include: America; America The Beautiful; The Star
Spangled Banner (with optional lyric sheet); The
Battle Hymn Of The Republic; God Bless The U.S.A.
and American Patrol. Very highly recommended!
2471393 Jazz Ensemble . . . . . . . . . . 60.00
Jump, Jive an' Wail—arr. Roger Holmes. Grab
a partner and start cuttin' the rug! This is the tune
of the jump swing craze, and it smokes! Originally
a big hit for Louis Prima, guitarist Brian Setzer
has re-made the tune for his Dirty Boogie album.
With reasonable ranges and lots of tutti section
writing, this arrangement will heat up fast without
a lot of effort! There are only two short solos -
tenor and trumpet - and they can be played as
written or ad lib.
2408417 Jazz Ensemble . . . . . . . . . . 45.00
H
Jumpin' at the Woodside—Count Basie/arr.
Rich DeRosa. This one just builds and builds! Rich
DeRosa keeps this Count Basie signature tune
swinging all the way and includes two optional tag
endings to keep the Basie style intact. The solos
are written out for piano, tenor sax, trumpet and
trombone and the lead trumpet range is to written
G on top of the staff with an A on the optional tag
ending. Optional parts are included for expanded
instrumentation. One of the Count's finest!
10028198 Jazz Ensemble . . . . . . . . . . 52.00
EDITORS' CHOICE
Blues & Swing • Medium-Easy
Each year Pepper's Editors review hundreds of new releases and choose the cream of the crop to bear the name, Editors' Choice. You can buy any of these titles with confidence!
Bad to the Bone—George Thorogood/arr. Allen Gray.
This was a big hit for George Thorogood and the Destroyers,
and this down n' dirty, bluesy shuffle version is the perfect
vehicle for showing some attitude and flexing your band's
blues muscles. With big brass hits and a melody your crowd
will instantly recognize, this chart roars. The improvised solo
sections are in everyone's favorite solo keys of B-flat and E-flat.
This is definitely one to check out!
10881452 Jazz Ensemble
. . . . . . . . . . . . . . . . . . . . . . . 65.00
Birk's Works—Dizzy Gillespie/arr. Mark Taylor.
This classic minor blues by Dizzy Gillespie is set in a comfortable
medium swing style. A small group is featured at the top using the
distinctive stylings and articulations of the original recording. Nice
and accessible passages for the full ensemble as well as a satisfying
shout chorus are featured along with solo space for trumpet and
tenor saxophone.
10908988 Jazz Ensemble . . . . . . . . . . . . . . . . . . . . . . . 45.00
Blueberry Jam—Rick Stitzel.
What a tasty-sounding swing original by Rick Stitzel! This
minor blues chart features a catchy melody, solid ensemble
writing, and a perfect solo setting for just about any player.
Chord/scale sheets in all keys are included and there's a nice sax
soli section along with effective unison ensemble passages.
10908996 Jazz Ensemble
. . . . . . . . . . . . . . . . . . . . . . . 45.00
Blues of a Kind—Mark Colby/arr. Doug Beach.
This swinging blues chart in 3/4 meter is a nod to Miles Davis'
classic All Blues. Doug Beach's arrangement frames the tune with
influences from both Davis and the composer's own improvised
lines. While the chart has plenty of full-ensemble work, there is
also an open solo section that will provide a great showcase for
your talented soloists. Sample solos are included, and there's a
wonderful section where the individual horn sections alternate
with the full ensemble. Very nice and highly recommended!
10882588 Jazz Ensemble . . . . . . . . . . . . . . . . . . . . . . . 52.00
Blues You Can Use—David Springfield.
This medium swing original for developing groups is a riff-
based blues in the tradition of the Count Basie and Duke
Ellington bands. Blues You Can Use begins with the rhythm
section setting the groove before a small group of alto, tenor,
trumpet and trombone present the melody along with effective
full ensemble backgrounds. The solo section is playable by any
instrument with solo sheets provided in all keys, along with
scales to assist improvisation. Featuring flexible scoring for 9-17
players, each set includes a guitar chord chart and optional flute,
clarinet, horn in F, tuba, and vibes parts.
10879763 Jazz Ensemble . . . . . . . . . . . . . . . . . . . . . . . 48.00
Don't Let Up—Erik Sherburne.
As the title suggests, Don't Let Up, doesn't let up. A groovin'
shuffle bass line starts it off and then the band kicks it and it's
show time! Each section gets its moment in the spotlight followed
by a solo section with straight-ahead blues changes that can
be opened up to feature individual players. A sample solo is
scored in the alto sax 1 part with chord changes in all parts. A
great opener to get the crowd going! Also published in a flexible
instrumentation small group format, Pepper number 10882366.
10882378 Jazz Ensemble . . . . . . . . . . . . . . . . . . . . . . . 50.00
The Golden Striker—John Lewis/arr. Paul Murtha.
Formed in 1952, the Modern Jazz Quartet influenced the
landscape of contemporary jazz for over 40 years. With
elements of classical music blended with cool jazz and blues,
The Golden Striker epitomizes their elegant brand of jazz. This
hard-swinging chart features the unique counterpoint of the
original along with feature spots for the bass and saxes. There's
also an optional open solo section with suggested solos and
chord/scale sheets in all keys included. Impressive!
10842285 Jazz Ensemble . . . . . . . . . . . . . . . . . . . . . . . 45.00
Hangin' with Uncle Geoff—Neil Yorke-Slader.
Catchy melody lines, classic swing nuances, and accessible solo
chords are features of this relaxed, medium-tempo swing chart.
Hangin' with Uncle Geoff is one of those charts that plays easily
and will appeal to your band and its audiences. Appropriate
for almost any performance occasion, it will be a reliable
teaching vehicle for developing ensembles. With its open solo
section over accessible changes it provides opportunities for
highlighting the talents of your soloists. An optional clarinet part
is included to enhance the big band sound if desired. The rhythm
section parts are fully notated and the brass ranges are C6 for
trumpet and Ab4 for trombone. Memorable and impressive! . . .
10876860 Jazz Ensemble
. . . . . . . . . . . . . . . . . . . . . . . 50.00
Heat Index—Matt Morey.
Based on the chord changes for the Gershwin standard
Summertime, this nifty swinger combines the hallmarks of other
tunes such as Cantaloupe Island and the Get Smart TV Theme to
create a hard-swinging chart that's fun for everyone. The melody
is carried by the trumpets and alto saxes while the lower voices
provide rhythmic support. Written solos for trumpet and alto sax
are provided along with the chord changes, and the trumpet range
is to written G on top of the staff. A rousing shout chorus builds
to the finish. A very fine chart for developing jazzers!
10882933
Jazz Ensemble
. . . . . . . . . . . . . . . . . . . . . . . 45.00
Kick It—Kris Berg.
Welcome to Mardi gras, y'all!! Kick It is a New Orleans
style swinger with a funky second line groove over a blues
progression. Appealing ensemble trades with the drummer add
more excitement to this already attractive chart. Suggested
solos are included for players of choice, and it's playable with
optional reduced or expanded instrumentations. This chart roars
to a big ending and thunderous applause as your audience enjoys
marchin' down the aisles!
10882602 Jazz Ensemble . . . . . . . . . . . . . . . . . . . . . . . 48.00
Love That Swing—Les Aldrich.
Love That Swing is a grooving, laid-back swinger featuring a
trumpet and alto sax duet on the melody before the band starts
blowing. The solo section features written or improvised choruses
for alto sax and trumpet before a soulful shout chorus. Finally, the
trumpet and alto duet returns with the melody before the big close
out to finish this chart. Great for developing players!
10881472 Jazz Ensemble . . . . . . . . . . . . . . . . . . . . . . . 50.00
Oscar's Blues—George Shutack.
Wow! This tribute to jazz legend Oscar Peterson is a wonderful
way to expose developing players to one of the icons of jazz
history. Blues-based changes help to make this chart accessible
while the melody and the voicings capture the feel of Peterson's
music. The open solo section allows for soloists of choice with
written or ad lib solos. Featuring mostly full ensemble playing,
it also has some very cool trades between soloists and the band.
All this, and it's playable with optional reduced or expanded
instrumentations. Highly recommended!
10882584
Jazz Ensemble
. . . . . . . . . . . . . . . . . . . . . . . 48.00
Riggs!—Paul Baker.
This chart is a fun tribute to Regents Professor Emeritus, Jim
Riggs of the Univerity of North Texas. In the Nestico style, it
captures his personality and sense of humor while providing a
focus on the saxophone section. The chart begins in the key of F
and modulates to B-flat. Written solos are provided for alto sax
and trumpet and/or piano, and the trumpet range is to written G on
top of the staff. A swinging shout chorus drives to a restatement
of the melody before bringing everything to a close with the
ensemble. A great sounding chart for an exceptional saxophonist,
teacher, and friend. A wonderful teaching and performance
vehicle for developing bands! Highly recommended!
10882935
Jazz Ensemble
. . . . . . . . . . . . . . . . . . . . . . . 45.00
River City Blues—Dave Mills.
Here's a medium-tempo, blues shuffle chart in B-flat that fits right
in the pocket! The features include the rhythm section with an
ad lib piano solo setting the mood in the introduction followed
by some bluesy riffs in the saxes and then a very cool, laid-back
ensemble section before the solos start. The solo section features
written or improvised solos for alto, tenor, trumpet or trombone.
You'll love this swingin' blues chart that is highly recommended!
10881476 Jazz Ensemble
. . . . . . . . . . . . . . . . . . . . . . . 50.00
Scarborough Fair—arr. Paul Murtha.
Using the traditional English folk song as a basis, Paul Murtha
found a creative treatment as an up-tempo jazz waltz! With a
natural flowing groove, this swinging chart opens with a trio of
alto, trumpet and trombone on the main theme. There's also great
scoring for the entire ensemble along with suggested or improvised
solos for the three featured players. Uniquely effective!
10842287 Jazz Ensemble . . . . . . . . . . . . . . . . . . . . . . . 45.00
South Side Shuffle—Doug Beach.
With a driving groove from the rhythm section, a strong melody
and blues-based harmonies, South Side Shuffle can be either a
great opener or closer on any program. All the sections and the
full ensemble have ample opportunities to get in on the action
in this infectious shuffle chart. The solos are open with sample
solos included for help with the improvisation, and a huge shout
chorus leads to a dramatic conclusion. A swinging free-for-all,
and highly recommended!
10882594 Jazz Ensemble . . . . . . . . . . . . . . . . . . . . . . . 52.00
What Is This Thing Called Love?—Cole Porter/arr. Paul Baker.
First of all, it's Cole Porter, and secondly it's Paul Baker! This
swinger on the great Cole Porter standard features outstanding
sectional interplay. Every section has solis, especially the saxes, and
there are great tutti passages for the entire ensemble. Add written
or ad lib solos for trumpet and tenor, a tempo around 160 bpm, and
you have an exceptional chart. Our highest recommendation!
10867424 Jazz Ensemble . . . . . . . . . . . . . . . . . . . . . . . 48.00
Won't You Be My Neighbor? (It's a Beautiful Day in the
Neighbor-hood)—Fred Rogers/arr. Paul Murtha.
One of the truly iconic songs for television, the opening to
Mister Rogers' Neighborhood resonates with all generations.
This is a terrific setting for aspiring jazz players in a moderate
tempo swing style. This one works in any neighborhood!
10908992 Jazz Ensemble . . . . . . . . . . . . . . . . . . . . . . . 45.00
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