J.W. Pepper Music Catalog
Issue link: http://read.jwpepper.com/i/1171136
47 Order Toll Free! Call 1.800.345.6296 / w: jwpepper.com / e: satisfaction@jwpepper.com JAZZ ENSEMBLE Go to cart LATIN medium 4 Hop, Skip 'nda Jump—Erik Sherburne. With a catchy melody, jazzy call-and-response licks, and a fun Latin feel, Hop, Skip 'nda Jump really bounces off the page. It initially features trumpet and alto, then layers in the rest of the band to "hop, skip 'nda jump" their way into a great performance. The solo section is open with straight-ahead changes or with written solos for alto sax, tenor sax, trumpet, and trombone, with accessible backgrounds. Then, a bridge gives each section a chance to leap up and take their turn. It ends with a big shout chorus, and even with the modest brass ranges, it's scored so it sounds full and exciting. Plus, it's playable with optional reduced instrumentation. Very creative! 11002325 Jazz Ensemble . . . . . . . . . . . .50.00 H I Wanna Be Like You—Sherman & Sherman/ arr. John Wasson. What happens when one of the hottest swing bands in the land cuts loose on a Disney classic? Cranked up excitement! Big Bad Voodoo Daddy takes a mambo spin on I Wan'na Be Like You from "The Jungle Book," and with lots of tutti writing, your band will get a real powerhouse sound! 2433704 Jazz Ensemble . . . . . . . . . . . .50.00 It Don't Mean a Thing (If It Ain't Got That Swing) —Duke Ellington/arr. Ralph Ford. You may think this very clever chart is all swing, but it begins as Latin then alternates with a swing feel. The tempo is bright at around 190-200 bpm with suggested solos for trumpet and tenor sax, a few piano montunos, and a big shout chorus leading to a huge ending closing this fine chart appropriately. Additional wind parts and a vibes part are included for optional expanded instrumentations. Highly recommended! 10756380 Jazz Ensemble . . . . . . . . . . . .48.00 Just Friends—John Klenner/arr. Scott Ragsdale. The jazz classic Just Friends is set here as a trombone section feature with a samba groove. This superb chart with a lyrical melody also features written or ad lib solo space for trombones 1 and 2, excellent and accessible trombone solis, and a lead trumpet range to written A above the staff. Give the 'bones some of the spotlight with this exceptional arrangement! 10311435 Jazz Ensemble . . . . . . . . . . . .52.00 4 La Cumparsita—arr. Chris Sharp. With varied tempos, and several Latin styles, this is a tour-de- force treatment of the world's best-known tango in the style of Bill Holman's epics for the Stan Kenton band. A flamenco-style fanfare opens the chart, followed by a ballad treatment of the B section. Then the main tune, in its familiar tango mode, is followed by an up-tempo samba version closing with an all-out, fiery ensemble ending. In true Holman style, this passage is interrupted by a short swing section. There are solos featured for tenor sax 1, suggested or with changes, and guitar with changes only. Super for festival or concert finales! 10999377 Jazz Ensemble . . . . . . . . . . . .75.00 Let's Get Loud—Estefan & Santander/arr. Rich Woolworth. As written by Gloria Estefan and Kiki Santander, this Latin pop tune was a huge hit for Jennifer Lopez. Here, in the hands of Rich Woolworth, it translates into an extremely awesome jazz band chart. With tons of Latin flair in the rhythm section and tasty horn licks, this one will be lots of fun to play and perform before your adoring audiences! 10752081 Jazz Ensemble . . . . . . . . . . . .65.00 Mambo Over the Mountain—Rick Hirsch. This catchy mambo is built almost entirely on the rhythmic figure clapped in the first two bars. Its authentic mambo flavor is a blast to play. After two bars of hand claps, it's winds only, then the rhythm section is layered in. Nice combinations of instrumental textures keep things interesting throughout. The solos can be opened up for as many players as desired, there are optional parts included for expanded instrumentations, and don't miss the highly effective drum/percussion-only interlude near the end! This is a great chart with a lot of substance. 10734986 Jazz Ensemble . . . . . . . . . . . .60.00 H Manteca—Dizzy Gillespie/arr. Mike Tomaro. Dizzy Gillespie was a master of combining Latin influences with the jazz idiom. This medium tempo arrangement of one of his best-known compositions really sizzles for jazz ensemble. 2384543 Jazz Ensemble . . . . . . . . . . . .55.00 Manteca—Dizzy Gillespie/arr. Steve Owen. Wow! Who would have thought you could play a Dizzy Gillespie chart with such young players? A hot Latin chart tinged with some of Dizzy's outrageous ideas, it's a great opportunity to introduce more than just standard swing music to your students. Designed to be playable with reduced instrumentation, this one will work with as few as 3 saxes, 2 trumpets and 1 trombone! 2432417 Jazz Ensemble . . . . . . . . . . . .45.00 4 Manteca (Little Big Band)—Dizzy Gillespie/arr. Mike Tomaro. One of the earliest examples of Afro-Cuban elements into jazz, Dizzy Gillespie's classic composition is updated here in a little big band format (3 saxes, 2 trumpets, trombone and rhythm section). Based on Tomaro's popular big band chart, some new material has been added just for fun! Optional additional parts are included for alto, tenor and trombone. This is one you will not want to miss! 11100188 Jazz Ensemble (Little Big Band). . . . . . . . . . . .45.00 EDITORS' CHOICE Latin • Medium-Easy & Medium Each year Pepper's Editors review hundreds of new releases and choose the cream of the crop to bear the name, Editors' Choice. You can buy any of these titles with confidence! Hop, Skip 'nda Jump—Erik Sherburne. With a catchy melody, jazzy call-and-response licks, and a fun Latin feel, Hop, Skip 'nda Jump really bounces off the page. It initially features trumpet and alto, then layers in the rest of the band to "hop, skip 'nda jump" their way into a great performance. e solo section is open with straight-ahead changes or with written solos for alto sax, tenor sax, trumpet, and trombone, with accessible backgrounds. en, a bridge gives each section a chance to leap up and take their turn. It ends with a big shout chorus, and even with the modest brass ranges, it's scored so it sounds full and exciting. Plus, it's playable with optional reduced instrumentation. Very creative! 11002325 Jazz Ensemble . . . . . . . . . . . . . . . . . . . . . . . . . . . . .M 50.00 La Cumparsita—arr. Chris Sharp. With varied tempos, and several Latin styles, this is a tour-de-force treatment of the world's best-known tango in the style of Bill Holman's epics for the Stan Kenton band. A flamenco-style fanfare opens the chart, followed by a ballad treatment of the B section. en the main tune, in its familiar tango mode, is followed by an up-tempo samba version closing with an all-out, fiery ensemble ending. In true Holman style, this passage is interrupted by a short swing section. ere are solos featured for tenor sax 1, suggested or with changes, and guitar with changes only. Super for festival or concert finales! 10999377 Jazz Ensemble . . . . . . . . . . . . . . . . . . . . . . . . . . . . .M 75.00 e Late Night Llama—Roger Schmidli. e Late Night Llama is a driving Latin composition with a catchy piano riff that's central to this chart, featuring dynamic horn lines and a short rhythm section. e written or improvised solos are for trombone, trumpet, tenor sax and alto sax. Plus, it's playable with optional reduced or expanded instrumentation. Exciting! 11100445 Jazz Ensemble . . . . . . . . . . . . . . . . . . . . . . . . . . . ME 55.00 Mamacita—Joe Henderson/arr. Terry White. All sections and the full ensemble are in the act with this Joe Henderson classic set as a medium tempo Latin chart with a bit of swing feel. At about 150 bpm, the opening statement is played by tenor 1 and trumpet 1 with written suggested solos for each. e trumpet 1 range is to written F top line, and there are options for reduced or expanded instrumentations with the included optional parts. Easy to play and rehearse, it's highly recommended! 10997184 Jazz Ensemble . . . . . . . . . . . . . . . . . . . . . . . . . . . ME 42.00 Manteca (Little Big Band)—Dizzy Gillespie/arr. Mike Tomaro. One of the earliest examples of Afro-Cuban elements into jazz, Dizzy Gillespie's classic composition is updated here in a little big band format (3 saxes, 2 trumpets, trombone and rhythm section). Based on Tomaro's popular big band chart, some new material has been added just for fun! Optional additional parts are included for alto, tenor and trombone. is is one you will not want to miss! 11100188 Jazz Ensemble (Little Big Band) . . . . . . . . . . . . . .M 45.00 Mofongo de Mama—Michael Philip Mossman. "Mofongo" is a popular Puerto Rican menu item, and mama's version must be a particularly spicy dish! Set in a moderate mambo style, this catchy tune cruises along with feature spots for the brass and alto saxes. Solo space is provided for any combination of alto, tenor or trumpet, and a short montuno section sets up the sizzling full ensemble chorus. Spicy, indeed! 11105113 Jazz Ensemble . . . . . . . . . . . . . . . . . . . . . . . . . . . . .M 55.00 e Mooche—Duke Ellington/arr. Mark Taylor. Composed in 1928, Ellington's e Mooche was characterized as "jungle style" at the time thanks to the unique instrumentation and rhythmic style. Mark Taylor's outstanding version for developing players alternates between the Latin styles of salsa and mambo, and features solo space for tenor sax and trombone. Unique and effective, this one is highly recommended! 11100162 Jazz Ensemble . . . . . . . . . . . . . . . . . . . . . . . . . . . ME 45.00 Pantalones Malos—Steve Shanley. Build a stronger understanding of Latin jazz with this exciting and authentic cha-cha with a Cuban flair and laid-back feel. Pantalones Malo features plenty of auxiliary percussion, an accessible solo section, clear articulations, and interesting parts for all. e solo section has suggested note choices included in each instrumental part. Playable with optional reduced instrumentation, this is ideal as change-of-pace programming! 11002293 Jazz Ensemble . . . . . . . . . . . . . . . . . . . . . . . . . . . ME 50.00 Recorda Me (Remember Me)—Joe Henderson/arr. Mike Kamuf. Joe Henderson's familiar jazz standard is set here in a Latin groove played at about 156 bpm. e melody is handled by tenor sax, trumpet and guitar with written solos provided for tenor and trumpet. A clever interlude followed by a dynamic shout chorus with some drum fills sets this chart apart. e lead trumpet range is to G top of staff, and optional parts are included for expanded instrumentations. Truly a first-class chart! 10997200 Jazz Ensemble . . . . . . . . . . . . . . . . . . . . . . . . . . . . .M 48.00 Road Song—Wes Montgomery/arr. Mark Taylor. Composed by jazz legend Wes Montgomery, here is a moderate Latin/ rock treatment of this popular standard that features a tuneful melody over great changes. A call and response style is used throughout, first with smaller group scoring and later the entire ensemble. Suggested or improvised solos are included for trumpet and tenor sax. 10960660 Jazz Ensemble . . . . . . . . . . . . . . . . . . . . . . . . . . . ME 45.00 Spring Break—Kris Berg. Kris Berg's Spring Break is an exciting samba chart that moves right along at a brisk pace. At around 210 bpm, it features an exciting melody and an accessible solo section over the provided changes. Don't miss the interesting rhythm section and auxiliary percussion-only sections leading into and out of the solo section. Featuring nice textual variety, this one is great for festivals or any performance situation! 11002329 Jazz Ensemble . . . . . . . . . . . . . . . . . . . . . . . . . . . . .M 55.00 EDITORS' CHOICE All the best new music. All in one place. JWPEPPER.COM/EC