J.W. Pepper Music Catalog
Issue link: http://read.jwpepper.com/i/1171144
42019 Editors' Choice lNew for 2019 HPepper Basic Library ePrint All Prices in U.S. Dollars & Subject To Publisher Revision 20 STRING ORCHESTRA Go to cart CLASSICAL medium Brook Green Suite—Gustav Holst. A longtime favorite in the string repertoire, this three- movement classic continues to dominate festival performances. Holst created this masterwork with student players in mind during his tenure at St. Paul's Girls School, where his career also flourished in music education. As an added feature, four optional woodwind parts (flute, oboe, clarinet and bassoon) created by Holst have been included in the publication. I. Prelude II. Air III. Dance (G. Schirmer edition ). 4907952 String Orchestra . . . . . . . . . . .45.00 Capriccio Espagnol—Rimsky-Korsakoff/ arr. Sandra Dackow. This immortal work is now available for string orchestra! Sandra Dackow's expert arrangement for intermediate strings deserves a permanent place in your library. It's a selection you'll want to program again and again! 2236115 String Orchestra . . . . . . . . . . .80.00 Carmen Suite—Georges Bizet/arr. Todd Parrish. This three-movement suite of Bizet's masterpiece "Carmen" is carefully arranged to work well with your high school string orchestra. Each movement is musically interesting and preserves the passion of the original score. Use the optional percussion part for added intensity. Includes Aragonaise, Habanera, and Les Toreadors. 10568179 String Orchestra . . . . . . . . . . .55.00 10568180 Additional Score . . . . . . . . . . . .8.00 Claire De Lune—Claude Debussy/arr. Bob Lipton & J. Cameron Law. Your string students can finally experience performing Debussy's masterpiece. This arrangement still contains all of the impressionistic beauty with only the pianistic arpeggios removed. With its very intuitive change of tempos and dynamics, you will be astounded at how sensitively your students can play. 10460669 String Orchestra . . . . . . . . . . .50.00 10460670 Additional Score . . . . . . . . . . . .8.00 Concerto for Two Violins in D Major— Antonio Vivaldi/arr. Brendan McBrien. Adapted from Vivaldi's Lute Concerto in D Major, this arrangement for two solo violins and orchestra creates an opportunity to feature your top violinists in the opening movement of this classic work. Your musicians and audience will be charmed by this Italian masterpiece which includes passages for solo cello and optional keyboard accompaniment. 10738936 String Orchestra . . . . . . . . . . .46.00 10738968 Additional Score . . . . . . . . . . . .9.00 Concerto Grosso in D Major (for Soloists and String Orchestra)—G.P. Telemann/arr. Robert D. McCashin. Showcase your strong players in this arrangement that features solo quartet passages throughout. The music is exciting and engaging without overtaxing the rest of the ensemble, yet everyone remains involved. This is pure Telemann, sure to delight your audience. 10877033 String Orchestra . . . . . . . . . . .55.00 10877034 Additional Score . . . . . . . . . . . .5.00 Concerto Grosso Op. 6, No. 8 (Christmas Concerto)—Arcangelo Corelli/arr. Todd Parrish. Subtitled Fatto per la notte di Natale, or "made for the night of Christmas," Corelli's Christmas Concerto stands as one of the finest concerti grossi of the Baroque era. All solo parts have been incorporated into a string orchestra version that retains the original key signatures. This collection contains three of the movements in fast, slow, fast format. 10594937 String Orchestra . . . . . . . . . . .56.00 10594938 Additional Score . . . . . . . . . . . .9.00 H Concerto in B Minor (Four Solo Violins with String Orchestra Accompaniment)—Antonio Vivaldi/arr. Ralph Matesky. Vivaldi's multi- movement masterpiece will serve as a real inspiration for the mature string orchestra. Beautifully scored, Ralph Matesky's arrangement will be perfect for four outstanding soloists with your string orchestra. 2202851 String Orchestra 4 Violins and Orch. . . . . . . . . .62.00 10312570 Additional Score 4 Violins and orch . . . . . . . . . .11.00 Coriolan Overture, Op. 62—Ludwig van Beethoven/arr. Jeremy Woolstenhulme. When a full orchestra is not a possibility, this phenomenal arrangement provides string players an open door to the rich music of Beethoven. The original Beethoven key is in C minor, this arrangement is in D minor. 10523449 String Orchestra . . . . . . . . . . .52.00 10523450 Additional Score . . . . . . . . . . . .7.00 l Dance of the Blessed Spirits (from "Orpheus") —Christoph von Gluck/arr. Joseph Goodwin. A charming addition to the literature for string orchestra and an excellent way to present operatic favorites in your program. 10998532 String Orchestra . . . . . . . . . . .45.00 Danse Macabre—Camille Saint-Saens/arr. Percy Hall. There are very few cuts made in this eerie, phantasmal tour de force. At least two solo violinists are needed because of unusual tuning. A very effective work perfect for a Halloween program. Be ready for a frightened audience! 10316845 String Orchestra . . . . . . . . . . .48.00 10316846 Additional Score . . . . . . . . . . .18.00 Danse Macabre—Camille Saint-Saens/arr. Carrie Lane Gruselle. The clock strikes midnight, a ghostly fiddler plays eerie tones, and skeletons dance until the rooster crows at dawn. Perfect for Halloween or as a change of pace for any time of year! 10512560 String Orchestra . . . . . . . . . . .50.00 10512561 Additional Score . . . . . . . . . . . .5.00 Dies Irae—W.A. Mozart/arr. Laura Kenney. Originally written for full orchestra and choir, this string arrangement maintains the intensity of Mozart's original Dies Irae from his Requiem. With its dramatic and driving music, off-beat rhythms, and running 16th notes, this work presents a more passionate style of Mozart. Challenging string parts with shifting for all sections will keep your students active and engaged. 10739933 String Orchestra . . . . . . . . . . .58.00 10739934 Additional Score . . . . . . . . . . .10.00 English Folk Song Suite—Ralph Vaughan Williams/arr. Stephen Bulla. One of Vaughan Williams' most revered works for band and orchestra has been tastefully adapted for strings. This edition includes appropriate key and length adjustments to make this charming suite ideal for today's string orchestras. I. Seventeen, Come Sunday II. My Bonny Boy III. Folk Song from Somerset (Boosey & Hawkes edition). 2481831 String Orchestra, Percussion Required . . . . . . . .50.00 10004230 Additional Score . . . . . . . . . . . .7.50 l Entry of the Gladiators, Op. 68—Julius Fucik/ arr. Clark McAlister. Who says only bands can play a march? An optional percussion section is included, but not required for performance. Your orchestra will feel they are under the big top with this classic march in C and F major. 10998536 String Orchestra . . . . . . . . . . .50.00 4 Fanfare pour preceder "La Peri"—Paul Dukas/ arr. Deborah Baker Monday. Originally composed for brass, this extraordinary prelude is now available for string orchestra! Dukas wrote it to precede the beginning of his ballet "La Peri" to help patrons settle into their seats for the opening of the ballet. A stunning opener for any concert. 11000015 String Orchestra . . . . . . . . . . .52.00 11000032 Additional Score . . . . . . . . . . . .7.00 Fantasia on a Theme by Thomas Tallis—Ralph Vaughan Williams/arr. Jamin Hoffman. This string masterpiece rose in popularity after it was used in the film Master and Commander: The Far Side of the World. The simple, elegant theme from Elizabethan church composer Thomas Tallis was later expanded and modernized by Vaughan Williams. This lush arrangement adapts and simplifies the original version into a work that is ideal for developing string students. Doubled octaves and divisi writing make this ideal for large orchestras. 10016075 String Orchestra . . . . . . . . . . .45.00 10028389 Additional Score . . . . . . . . . . . .5.00 H Fantasia on Greensleeves (What Child Is This?)—Ralph Vaughan Williams/arr. Deborah Baker Monday. Rescored for strings, harp (keyboard) and two violin soloists, this ethereal setting of Vaughan Williams' stellar opus retains the form and texture of the original while bringing it to a student-friendly level for more players to enjoy. Melodic material is passed effortlessly from one section to another as Vaughan Williams intended. The first violin solo includes some third position work while the second solo only requires first position. For large or small performing groups, this is a rich setting of a classic work appropriate for concerts, Christmas presentations, and festivals throughout the year. 10092446 String Orchestra . . . . . . . . . . .49.00 10092518 Additional Score . . . . . . . . . . . .7.00 H Farandole (from "L'Arlesienne Suite No. 2")—Georges Bizet /arr. Merle J. Isaac. This spirited, well-loved work by Georges Bizet is an absolutely delightful work for both rehearsal and performance! Recorded by Michigan State University Orchestra on the CD, Teaching Music Through Performance in Orchestra Volume 1 - Pepper #5973728. 2038313 String Orchestra . . . . . . . . . . .62.00 Finale from Firebird—Igor Stravinsky/arr. Jamin Hoffman. A unique format to this iconic work allows multiple groups to be combined for a powerful concert finale. Parts for both intermediate and developing groups are carefully arranged to be used as a spectacular showcase for your string program. 10500885 String Orchestra, Percussion Optional . . . . . . . .55.00 10500886 Additional Score . . . . . . . . . . . .5.00 Finale from "Symphony No. 5"—Ludwig van Beethoven/arr. Deborah Baker Monday. This masterpiece should be played by every string player, and now they can with this arrangement. Students will love experiencing the energy and power of one of the greatest musical geniuses of all time, Beethoven! 10608534 String Orchestra . . . . . . . . . . .56.00 10608546 Additional Score . . . . . . . . . . . .6.00 l Fingal's Cave—Felix Mendelssohn/arr. Robert D. McCashin. Written after Mendelssohn visited Fingal's Cave off the coast of Scotland, this music showcases the composer's comment that it is "in pictures, ruins and natural surroundings that I find the most music." Throughout the overture, one feels the undulation of the sea, the swirling waters washing up onto the formation, and the mesmerizing enchantment of his experience. 10995991 String Orchestra . . . . . . . . . . .60.00 10995992 Additional Score . . . . . . . . . . . .5.00 H For Unto Us—G.F. Handel/arr. Robert S. Frost. Handel's "Messiah" holds a special place of importance in the concert repertoire, being frequently performed not only at Christmas, but also at Easter and other times of the year. This arrangement is an important addition to the medium-easy orchestra library because it allows students to perform this wonderful chorus without full symphonic instrumentation. Third position is required of first violin, with limited position work in the cello and bass parts; some upper string parts are divisi as well. Students will enjoy having the opportunity to perform this well-known and beloved chorus. 10059457 String Orchestra . . . . . . . . . . .56.00 10084937 Additional Score . . . . . . . . . . . .6.00 H Four Royal Dances—Eric Ewazen. Students will love performing this dance suite where each of the four movements represents a figure in the royal court: The Lord; The Lady; The Jester and The Knight. Recorded by Michigan State University Orchestra on the CD, Teaching Music Through Performance in Orchestra Volume 1 - Pepper #5973728. 2253961 String Orchestra . . . . . . . . . . .65.00 Fugue (from "L'estro Armonico")—Antonio Vivaldi & J.S. Bach/arr. Bob Lipton. The combination of Vivaldi and Bach is true magic. The same can be said of this arrangement of the fugue from the first movement of "L'estro Armonico," No. 11, which Bach arranged for his "Organ Concerto in D Minor." Combining the best of both versions, this arrangement explores some brilliant contrapuntal writing. 10512566 String Orchestra . . . . . . . . . . .50.00 10512567 Additional Score . . . . . . . . . . . .5.00 Hoe Down (from "Rodeo")—Aaron Copland/arr. Stephen Bulla. Everyone knows this one! Hoedown has become a classic American symphonic work, and its unique sound has become a trademark of composer Aaron Copland. This fine edition has been carefully crafted for string orchestra, allowing developing groups to experience the joy of performing one of the most popular works of the 20th century. 2481832 String Orchestra . . . . . . . . . . .50.00 10008732 Additional Score . . . . . . . . . . . .5.00 H Hungarian Dance No. 5—Johannes Brahms/ arr. Merle J. Isaac. Great fun and a whole lot more! This exciting, familiar work will give new life to your rehearsals and will be a standout at any concert. Enjoy! 2115814 String Orchestra . . . . . . . . . . .62.00 BEST SELLERS String Orchestra Classical Medium Buy with confidence! These works, listed in order of their popularity, are chosen most often by directors. Hungarian Dance No. 1— Johannes Brahms/arr. Carrie Lane Gruselle. 10877043 String Orchestra. . . . . . . . . . . . . . . . . . . . . 55.00 10877044 Additional Score . . . . . . . . . . . . . . . . . . . . . 5.00 Waltz No. 2— Dimitri Shostakovich/arr. Paul Lavender. 10081471 String Orchestra. . . . . . . . . . . . . . . . . . . . . 50.00 10095995 Additional Score . . . . . . . . . . . . . . . . . . . . . 5.00 Overture from "The Thieving Magpie" (La gazza ladra)— Gioachino Rossini/arr. Carrie Lane Gruselle. 10877051 String Orchestra. . . . . . . . . . . . . . . . . . . . . 55.00 10877052 Additional Score . . . . . . . . . . . . . . . . . . . . . 5.00 Concerto Grosso in D Major (for Soloists and String Orchestra)— G.P. Telemann/arr. Robert D. McCashin. 10877033 String Orchestra. . . . . . . . . . . . . . . . . . . . . 55.00 10877034 Additional Score . . . . . . . . . . . . . . . . . . . . . 5.00 Symphony No. 7 in D Minor (Third Movement)— Antonin Dvorak/arr. Todd Parrish. 10872155 String Orchestra, Percussion Optional . . . . . . . . . . . . . . . . . 49.00 10872156 Additional Score . . . . . . . . . . . . . . . . . . . . . 9.00 Serenade for Strings, Op. 22 (Second Movement)— Antonin Dvorak/arr. Jeremy Woolstenhulme. 10908744 String Orchestra. . . . . . . . . . . . . . . . . . . . . 52.00 10908759 Additional Score . . . . . . . . . . . . . . . . . . . . . 7.00 Danse Macabre— Camille Saint-Saens/arr. Carrie Lane Gruselle. 10512560 String Orchestra. . . . . . . . . . . . . . . . . . . . . 50.00 10512561 Additional Score . . . . . . . . . . . . . . . . . . . . . 5.00 Symphony No. 2 (Fourth Movement)— Alexander Borodin/ arr. Deborah Baker Monday. 10906091 String Orchestra. . . . . . . . . . . . . . . . . . . . . 56.00 10906092 Additional Score . . . . . . . . . . . . . . . . . . . . . 6.00 Serenade for Strings— P.I. Tchaikovsky/arr. Richard Meyer. 10310655 String Orchestra. . . . . . . . . . . . . . . . . . . . . 56.00 10310657 Additional Score . . . . . . . . . . . . . . . . . . . . . 9.00 Concerto Grosso Op. 6, No. 8 (Christmas Concerto)— Arcangelo Corelli/arr. Todd Parrish. 10594937 String Orchestra. . . . . . . . . . . . . . . . . . . . . 56.00 10594938 Additional Score . . . . . . . . . . . . . . . . . . . . . 9.00