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VOCAL JAZZ
lD Everything But You—arr. Kirby Shaw. Here is a
1945 Duke Ellington and Ella Fitzgerald tune that
is an easy shuffle. The lyrical hook is fun to sing,
and the background harmonies are really tight.
There's a short section of choral scat in the middle,
and both the upper and lower voices are featured
throughout the arrangement.
11306522 SATB . . . . . . . . . . . . . . . . .M 2.25
11306524 SAB . . . . . . . . . . . . . . . . . .M 2.25
11306523 SSA . . . . . . . . . . . . . . . . . .M 2.25
11348253 P/A CD . . . . . . . . . . . . . . . . . .26.99
11306568E Instrumental Parts ePrint . . . . .20.00
D Favorites from "The Rat Pack"—arr. Ryan
O'Connell. Frank Sinatra, Dean Martin and Sammy
Davis Jr. were among the great stars that made the
"rat pack" name famous. Each has numerous hit
songs individually, but together they established a
whole new style of music. Part popular music, part
jazz, and with stellar vocal delivery, these classic
songs are perennially popular for singers and choirs
alike. The medley includes You're Nobody 'Til
Somebody Loves You; Everybody Loves Somebody
and Come Fly with Me.
11175613 SATB . . . . . . . . . . . . . . . . .M 2.15
11175614 SAB . . . . . . . . . . . . . . . . . .M 2.15
11175615 TTB. . . . . . . . . . . . . . . . . . .M 2.15
11198747 P/A CD . . . . . . . . . . . . . . . . . .26.99
11194467E Jazz Band Parts ePrint . . . . . .40.00
N E W F O R 2 0 2 1
E D I T O R S ' C H O I C E
D Fly Me to the Moon—Bart Howard/arr. Roger
Emerson. Written back in 1954, this famous
song has become a part of the Great American
Songbook, with the Frank Sinatra version being
the standard. This accessible arrangement brings
plenty of unison, well-placed harmonies, and a
section of choral scat that young singers will really
enjoy learning and performing.
11341723 Three-Part Mixed . . . . . . .ME 2.75
11341722 Two-Part. . . . . . . . . . . . . .ME 2.75
lL I Only Have Eyes for You—Harry Warren/arr.
Mark Hayes. This swingin' standard has been
recorded by artists from Art Garfunkel to Michael
Buble. The big-band-style arrangement includes
simple jazz harmonies, great instrumentation, and
notated scat singing towards the end which make
it perfect for developing jazz choirs or a fun concert
selection for any choir.
11343547 SATB . . . . . . . . . . . . . . . .ME 2.25
11343548 SAB . . . . . . . . . . . . . . . . .ME 2.25
11343549 SSA . . . . . . . . . . . . . . . . .ME 2.25
11343550 P/A CD . . . . . . . . . . . . . . . . . .29.99
11343551 Jazz Band Parts . . . . . . . . . . .50.00
HD In My Life—Lennon & McCartney/arr. Steve
t
Zegree. A superb a cappella setting of the Beatles
favorite, this will be a fine showcase for pop, jazz
and concert groups.
10010151 SATB . . . . . . . . . . . . . . . .ME 2.15
10455768 SSAA . . . . . . . . . . . . . . . .ME 2.15
10455769 TTBB . . . . . . . . . . . . . . . .ME 1.95
N E W F O R 2 0 2 1
E D I T O R S ' C H O I C E
L It's All Right—Curtis Mayfield/arr. Robert T.
Gibson. Jon Batiste's cover of the 1963 Impressions
hit in Disney/Pixar's "Soul" brings this early Curtis
Mayfield song to a whole new generation. Built on
a soulful groove, jazzy twists, and a feel-good vibe,
this choral arrangement is based on the Batiste
version from the film. Accessible to choirs of all
ages in a variety of voicings, it's sure to be a hit at
your next concert!
11347551 SATB . . . . . . . . . . . . . . . .ME 2.25
11347552 SAB . . . . . . . . . . . . . . . . .ME 2.25
11347553 Two-Part or SSA . . . . . . . .ME 2.25
11347554 P/A CD . . . . . . . . . . . . . . . . . .29.99
D It's Only a Paper Moon—Harold Arlen/arr. Paris
Rutherford. This jazz standard has been recorded
by Ella Fitzgerald, Benny Goodman and many
others. This arrangement begins with the choir
in unison for the first two verses, establishing an
easy swing style. The bridge keeps swinging with
tight harmony, followed by a dynamite choral scat
section including a couple of scat solos. Add to the
appeal with the optional rhythm parts.
11171461 SATB . . . . . . . . . . . . . . . .ME 2.15
11171583 P/A CD . . . . . . . . . . . . . . . . . .26.99
11166223E Instrumental Parts ePrint . . . . .20.00
N E W F O R 2 0 2 1
E D I T O R S ' C H O I C E
D It's You I Like—Fred Rogers/arr. Paris Rutherford.
Set in a easy swing style, this classic tune from
Mister (Fred) Rogers is presented in an arrangement
that your jazz or concert choir will love. The music
from Mr. Rogers' Neighborhood is both iconic and
charmingly positive, with plenty of jazz influence -
and this song is true to form. Fresh and fun!
11171375 SATB . . . . . . . . . . . . . . . .ME 2.15
11348322 SSA . . . . . . . . . . . . . . . . .ME 2.15
11171579 P/A CD . . . . . . . . . . . . . . . . . .26.99
11167039E Instrumental Parts ePrint . . . . .20.00
N E W F O R 2 0 2 1
E D I T O R S ' C H O I C E
t Lift Every Voice and Sing—John Rosamond
Johnson/arr. Jarrett Johnson & Alvin Chea, ed.
Michael Geiger. Stellar a cappella harmonies
shine in this song also known as the Black
national anthem. James Weldon Johnson's text
is highlighted in this modern arrangement for solo
and divisi choir with the jazz and R&B influence
that you'd expect from Take 6, of whom Chea is
a member. This original arrangement went viral on
YouTube and was nominated for a Grammy - it has
now been transcribed so that choirs everywhere
can enjoy singing this fantastic setting.
11355174 SATBB divisi . . . . . . . . . . .MA 2.55
HD Linus and Lucy—Vince Guaraldi/arr. Philip Kern.
t
This is amazingly cool! It's the famous jazz piano
piece by Vince Guaraldi, as heard on the animated
Peanuts television specials, arranged with "dah dah
dot" syllables for a cappella voices! Every a cappella
choir will want to do this, at Christmas or any other
time of year!
10088509 SATB . . . . . . . . . . . . . . . . .M 2.50
10363400 SSAB . . . . . . . . . . . . . . . . .M 2.50
10363401 SSAA . . . . . . . . . . . . . . . . .M 2.50
10363402 TTBB . . . . . . . . . . . . . . . . .M 2.50
t Love—Michael Engelhardt. This stunning work for
mixed choirs has its roots in jazz. The repetition of the
word "love" throughout allows singers and audiences
to focus on its various meanings and implications.
A challenging work with an incredible impact.
11200612 SATB divisi . . . . . . . . . . . . .M 2.85
D
Mister Rogers' Neighborhood—Fred Rogers/
arr. Roger Emerson. Mister (Fred) Rogers and
his television neighborhood were a familiar and
comforting companion to generations of young
people. The music was an important part of each
episode and helped reinforce the lessons being
taught. Now, a new generation of singers can
explore his music with this choral medley that
features favorite tunes Won't You Be My Neighbor?;
You Are Special; Did You Know?; There Are Many
Ways and It's Such a Good Feeling.
11001777 SATB . . . . . . . . . . . . . . . .ME 3.50
11001778 SAB . . . . . . . . . . . . . . . . .ME 3.50
11001780 Two-Part. . . . . . . . . . . . . .ME 3.50
11001782 P/A CD . . . . . . . . . . . . . . . . . .54.99
11001784E Instrumental Parts ePrint . . . . .30.00
D
Moonlight in Vermont—John Blackburn
& Karl Suessdorf/arr. Darmon Meader. Lush,
warm contemporary jazz harmonies define this
arrangement, with each vocal line featured as if
they were soloists. Chord symbols are included for
the accomplished jazz pianist, but the realized piano
part is a worthy rendition. This is a nostalgic swing
ballad that will leave your audience breathless.
10954032 SATB . . . . . . . . . . . . . . . . .M 2.15
10954033 P/A CD . . . . . . . . . . . . . . . . . .26.99
10954070E Instrumental Parts ePrint . . . . .20.00
My Blue Heaven—Walter Donaldson/arr. Rosana
Eckert. Taking a well-known Ziegfeld Follies song
from 1927, noted jazz vocalist and arranger
Rosanna Eckert guides young singers through
harmony, syncopation, and a written-out choral
scat section in this fantastic arrangement. A terrific
way to expose singers to the style, this fun-to-sing
arrangement is a sure path to success!
11195434 Three-Part Mixed . . . . . . .ME 2.25
11195435 Two-Part. . . . . . . . . . . . . .ME 2.15
11195436 Teaching P/A CD. . . . . . . . . . .26.99
D My Favorite Things—Rodgers & Hammerstein/
arr. Roger Emerson. What could be more pleasant
than singing this favorite song from the classic
1959 Broadway musical in a delightful jazz waltz
setting? Accessible and fresh, this arrangement of
the very familiar tune is a great way for young choirs
to explore the style and hone their sound. Perfect
for the holidays, or any time of year!
11171306 Three-Part Mixed . . . . . . .ME 2.25
11171307 Two-Part. . . . . . . . . . . . . .ME 2.15
11190116 Teaching P/A CD. . . . . . . . . . .26.99
L Nature Boy—eden ahbez/arr. Anders Edenroth.
t "The greatest thing you'll ever learn is just to love
and be loved in return." This beautiful song was
written by eden ahbez and made famous by Nat
King Cole. This dynamic arrangement was created
for The Real Group and translates well to full choir
that loves a challenge!
11195773 SSATB . . . . . . . . . . . . . . . .M 2.85
N E W F O R 2 0 2 1
E D I T O R S ' C H O I C E
t Old Friends—Paul Simon/arr. Fred Sturm. New
York Voices hit a home run with their beautiful and
poignant rendition of this song. This arrangement is
an excellent singable adaptation for choirs featuring
very close harmonies that reflect the closeness of
the friendship in the lyrics.
11348347 SATB . . . . . . . . . . . . . . . . .M 2.25
D
On the Sunny Side of the Street—Jimmy
McHugh/arr. Rosana Eckert. A jazz standard in every
sense, this has received countless performances
and cover recordings since 1930, including the
likes of Louis Armstrong, Ella Fitzgerald, and Frank
Sinatra. Versatile and lively, this arrangement
captures the original's penchant for both chromatic
and leaping phrasing within a single phrase.
Conservative ranges, a short section of notated
choral scat, and a great track make this highly
accessible for developing mixed or treble choirs.
10980653 Three-Part Mixed . . . . . . .ME 2.25
10980650 Two-Part. . . . . . . . . . . . . .ME 2.15
11001809 Teaching P/A CD. . . . . . . . . . .26.99
BEST
SELLERS
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Pop, Jazz, Stage & Screen
These bestsellers are chosen most often by
directors! Look online for the most current
information on recordings, instrumental parts,
large print and digital edition availability.
Take Me Home, Country Roads—
John Denver/arr. Roger Emerson.
11166230 TB . . . . . . . . . . . . . . . . . . . . . . . . . E 2.15
I'll Make a Man out of You
(from Disney's "Mulan")—
Matthew Wilder/arr. Roger Emerson.
10605827 TBB . . . . . . . . . . . . . . . . . . . . . . ME 2.15
Tell My Father
(from "The Civil War: An American
Musical")—Frank Wildhorn/
arr. Andrea Ramsey.
10042175 TTB . . . . . . . . . . . . . . . . . . . . . . . M 2.15
Stand by Me—arr. Roger Emerson.
10567943 TB . . . . . . . . . . . . . . . . . . . . . . . . . E 2.15
In the Still of the Night—
Fred Paris/arr. Roger Emerson.
10980654 TB . . . . . . . . . . . . . . . . . . . . . . . ME 2.15
I'm Still Standing—arr. Pete Schmutte.
10868766 TTBB . . . . . . . . . . . . . . . . . . . . . ME 2.15
Happier—arr. Jacob Narverud.
11123539 TTB . . . . . . . . . . . . . . . . . . . . . . ME 2.50
Hamilton Men—
Lin-Manuel Miranda/arr. Lisa DeSpain.
11196248 TTB . . . . . . . . . . . . . . . . . . . . . . ME 2.50
Glory—Eugene Rogers.
10715769 TTBB Bass & Drum Part Incl.
with Octavo . . . . . . . . . . . . . . . . . M 2.95
Sweet Caroline—arr. Kirby Shaw.
10092887 TTB . . . . . . . . . . . . . . . . . . . . . . ME 2.15
The Lion Sleeps Tonight—
arr. Roger Emerson.
10811192 TB . . . . . . . . . . . . . . . . . . . . . . . . . E 2.25
Dear Theodosia (from "Hamilton")—
Lin-Manuel Miranda/arr. Andy Beck.
10993636 TB . . . . . . . . . . . . . . . . . . . . . . . ME 2.25
Bridge Over Troubled Water—
Paul Simon/arr. Kirby Shaw.
3701797 TTBB . . . . . . . . . . . . . . . . . . . . . ME 2.50
High Hopes—arr. Alan Billingsley.
10997441 TB . . . . . . . . . . . . . . . . . . . . . . . ME 2.35
Proud of Your Boy (from "Aladdin")—
Alan Menken/arr. Jonathan Palant.
11174463 TBB . . . . . . . . . . . . . . . . . . . . . . ME 2.25
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