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VOCAL JAZZ
L Over the Rainbow—Harold Arlen/arr. Gene
t
Puerling. Vocal jazz groups need to check this
one out! Gene Puerling, famed vocal performer,
arranger, and director of The Hi-Lo's and The
Singers Unlimited, originally wrote this arrangement
for Linda Ronstadt. Available for the first time, this
newly discovered jewel is masterfully crafted with
luscious a cappella jazz harmonies that bring a full
spectrum of colors to the classic tune from "The
Wizard of Oz."
11197478 SATB . . . . . . . . . . . . . . . . .M 2.10
D
Oye Como Va—Tito Puente/arr. Kirby Shaw. This
arrangement is hot, hot, hot! The classic Latin jazz
song by the great Tito Puente was rocked out in
Carlos Santana's ultra-popular 1970 recording.
There is a very cool stacking section of choral
harmony in the middle, and your sopranos will
adore their sky-high lines. The Spanish lyric "Bueno
pa gozar" means "It's good for having fun," and that
is exactly what your choir and jazz band will do with
this arrangement!
11001856 SATB . . . . . . . . . . . . . . . .ME 2.15
11001859 SAB . . . . . . . . . . . . . . . . .ME 2.15
11001860 SSA . . . . . . . . . . . . . . . . .ME 2.15
11001862 P/A CD . . . . . . . . . . . . . . . . . .26.99
11001866E Instrumental Parts ePrint . . . . .25.00
D
Papa Loves Mambo—Al Hoffman, Dick Manning
& Bix Reichner/arr. Mark Hayes. Direct from the
1950s comes this well-known standard arranged
for mixed, treble or tenor-bass choirs with an
optional accompaniment for your band. Add a
little mambo-inspired movement and you'll have
a timeless concert highlight that will be fun and
appealing to all ages.
11198816 SATB . . . . . . . . . . . . . . . .ME 2.15
11198817 SAB . . . . . . . . . . . . . . . . .ME 2.15
11198818 Two-Part. . . . . . . . . . . . . .ME 2.15
11198819 SSA . . . . . . . . . . . . . . . . .ME 2.15
11198820 TTB. . . . . . . . . . . . . . . . . .ME 2.15
11198821 P/A CD . . . . . . . . . . . . . . . . . .26.99
D
Pick Yourself Up—arr. Rosana Eckert. This
great swing tune by Jerome Kern from the 1936
hit movie "Swing Time" was originally recorded by
Fred Astaire but was also performed by many other
jazz greats such as Ella Fitzgerald, Nat King Cole,
and Frank Sinatra. It has been carefully arranged
for developing choirs with limited ranges, positive
lyrics, and notated scat sections so that even
beginning or concert choirs can explore this style
with a jazz standard.
10845535 Three-Part Mixed . . . . . . .ME 2.25
10845521 Two-Part. . . . . . . . . . . . . .ME 2.15
10909743 Teaching P/A CD. . . . . . . . . . .26.99
D
Sing, Sing, Sing—Louis Prima/arr. Mark Brymer.
Here is one of the most famous tunes from the big
band era in a contemporary vocal jazz/show choir
setting. This is an extraordinary feature, especially
when you use the hot horns-and-rhythm backup on
the recorded accompaniment track!
10455127 SATB . . . . . . . . . . . . . . . .ME 2.25
10455128 SAB . . . . . . . . . . . . . . . . .ME 2.25
10455129 SSA . . . . . . . . . . . . . . . . .ME 2.25
10455130 P/A CD . . . . . . . . . . . . . . . . . .26.99
10455131E Instrumental Parts ePrint . . . . .25.00
D Sir Duke—Stevie Wonder/arr. Paul Langford.
t
Here's Stevie Wonder's 1977 hit song like you've
never heard it before! Tight and rhythmically
precise harmonies set this arrangement up in an
a cappella setting that will appeal to vocal jazz and
a cappella groups. Reminiscent of Take 6's style,
these jazzy vocables will challenge your singers
and thrill your audience.
11198941 SATB divisi . . . . . . . . . . . .MA 2.25
lD Spring Can Really Hang You Up the Most—
Fran Landesman & Tommy Wolf/arr. Paris
Rutherford. This ballad is a beautiful jazz standard
with a lyrical feel on a spring theme. Feature a
soloist on the melody, and the accompanying
choral harmonies are sweetly written and not overly
complex. Instrumentation for piano, drums, and a
bowed string bass complete the soothing effect.
11313864 SATB . . . . . . . . . . . . . . . .ME 2.15
11348362 P/A CD . . . . . . . . . . . . . . . . . .26.99
11313913E Instrumental Parts ePrint . . . . .20.00
D
Summertime—arr. Roger Emerson. Unlike the
original ballad heard in the operetta, this is an
easy swing choral rendition placed in a key that
is comfortable for developing voices, with careful
attention to range and accessibility. The middle
section with a written-out scat solo can be easily
repeated for those choirs learning to improvise,
while the familiar melody creates a memorable
hook that choirs and audiences will really love.
10833244 Three-Part Mixed . . . . . . .ME 2.25
10833223 SSA . . . . . . . . . . . . . . . . .ME 2.25
10910204 Teaching P/A CD. . . . . . . . . . .26.99
VOCAL JAZZ for
YOUNG VOICES
More and more young choirs have been getting into
singing vocal jazz, so here's a convenient list of new and
best-selling vocal jazz charts for young voices!
Blue Moon—Lorenz Hart & Richard Rodgers/
arr. Roger Emerson. Developing mixed and treble choirs
will enjoy performing this jazz-inflected doo-wop song,
written in the 1930s but made popular in 1961 by the
Marcels. With careful attention to range and voice-leading,
this pop standard is a perfect selection for teaching blend,
style, swing rhythms and articulation. A quick learn, with
a great track that features many additional teaching
resources. A pleasing concert selection!
10689147 Two-Part . . . . . . . . . . . . . . . . . . . . . . . . .E 2.15
HD Blue Skies—Irving Berlin/arr. Roger Emerson.
Irving Berlin's quintessential song is a classic of swing
style, and this straightforward, singable arrangement
brings Berlin's standard to vocal jazz and show choirs of
any level. The swing groove is established in the beginning
with choral voices accompanied by finger snaps and bass
guitar. Later in the arrangement, written-out scat solos will
encourage younger singers to try this vocal jazz technique.
3276862 Three-Part Mixed. . . . . . . . . . . . . . . . . ME 2.15
3276870 Two-Part . . . . . . . . . . . . . . . . . . . . . . . ME 2.15
D Blue Suede Shoes—Carl Perkins/arr. Kirby Shaw.
Accessible, authentic and fun, this arrangement of the
famous Carl Perkins song that helped catapult Elvis to
stardom features solo opportunities (including a notated
scat solo) and a vocal stacking section. Add the jazz
combo or the backing track for even more sizzle.
11203666 Three-Part Mixed. . . . . . . . . . . . . . . . . ME 2.25
11203667 Two-Part . . . . . . . . . . . . . . . . . . . . . . . ME 2.25
L
Cuppa Cappuccino—Andy Beck.
Frothy fun for caffeine lovers everywhere! From the
swingin' echoed phrases of the catchy chorus to the tasty
"with extra foam" ending, this creative chart is equal parts
education and fun. Extend the learning by trading bars to
create a solid introduction to the jazz style and beginning
scat singing for developing mixed or treble choirs.
10983405 Three-Part Mixed. . . . . . . . . . . . . . . . . ME 2.05
10984607 Two-Part . . . . . . . . . . . . . . . . . . . . . . . ME 2.05
HD Don't You Worry 'Bout a Thing—Stevie Wonder/
arr. Roger Emerson. This Discovery Jazz series edition
of Stevie Wonder's 1973 song packs all the joyful Latin
energy you would want into an accessible arrangement
that is super cool and fun to sing. Great for building
skills and style, the voice-leading is well crafted for your
beginning and developing jazz/pop groups.
10567900 Two-Part . . . . . . . . . . . . . . . . . . . . . . . ME 2.15
l Fly Me to the Moon (In Other Words)—Bart Howard/
D
arr. Roger Emerson. Written back in 1954, this famous
song has become a part of the Great American Songbook,
with the Frank Sinatra version being the standard. This
accessible arrangement brings plenty of unison, well-
placed harmonies, and a section of choral scat that young
singers will really enjoy learning and performing.
11341723 Three-Part Mixed. . . . . . . . . . . . . . . . . ME 2.75
11341722 Two-Part . . . . . . . . . . . . . . . . . . . . . . . ME 2.75
l It's All Right (from "Soul")—Curtis Mayfield/
L
arr. Robert T. Gibson. Jon Batiste's cover of the 1963
Impressions hit in Disney/Pixar's "Soul" brings this early
Curtis Mayfield song to a whole new generation. Built on
a soulful groove, jazzy twists, and a feel-good vibe, this
choral arrangement is based on the Batiste version from
the film. Accessible to choirs of all ages in a variety of
voicings, it's sure to be a hit at your next concert!
11347553 Two-Part or SSA . . . . . . . . . . . . . . . . . ME 2.25
D
Mister Rogers' Neighborhood (Choral Highlights)—
Fred Rogers/arr. Roger Emerson. Mister (Fred) Rogers
and his television neighborhood were a familiar and
comforting companion to generations of young people.
The music was an important part of each episode and
helped reinforce the lessons being taught. Now, a new
generation of singers can explore his music with this choral
medley that features favorite tunes Won't You Be My
Neighbor?; You Are Special; Did You Know?; There Are
Many Ways and It's Such a Good Feeling.
11001780 Two-Part . . . . . . . . . . . . . . . . . . . . . . . ME 3.50
My Blue Heaven—Walter Donaldson/
arr. Rosana Eckert. Taking a well-known Ziegfeld Follies
song from 1927, noted jazz vocalist and arranger Rosanna
Eckert guides young singers through harmony, syncopation,
and a written-out choral scat section in this fantastic
arrangement. A terrific way to expose singers to the style,
this fun-to-sing arrangement is a sure path to success!
11195434 Three-Part Mixed. . . . . . . . . . . . . . . . . ME 2.25
11195435 Two-Part . . . . . . . . . . . . . . . . . . . . . . . ME 2.15
D My Favorite Things (from "The Sound of Music")—
Rodgers & Hammerstein/arr. Roger Emerson. What
could be more pleasant than singing this favorite song
from the classic 1959 Broadway musical in a delightful
jazz waltz setting? Accessible and fresh, this arrangement
of the very familiar tune is a great way for young choirs
to explore the style and hone their sound. Perfect for the
holidays, or any time of year!
11171306 Three-Part Mixed. . . . . . . . . . . . . . . . . ME 2.25
11171307 Two-Part . . . . . . . . . . . . . . . . . . . . . . . ME 2.15
D
On the Sunny Side of the Street—
Jimmy McHugh/arr. Rosana Eckert. A jazz standard in
every sense, this has received countless performances and
cover recordings since 1930, including the likes of Louis
Armstrong, Ella Fitzgerald, and Frank Sinatra. Versatile and
lively, this arrangement captures the original's penchant
for both chromatic and leaping phrasing within a single
phrase. Conservative ranges, a short section of notated
choral scat, and a great track make this highly accessible
for developing mixed or treble choirs.
10980653 Three-Part Mixed. . . . . . . . . . . . . . . . . ME 2.25
10980650 Two-Part . . . . . . . . . . . . . . . . . . . . . . . ME 2.15
D
Papa Loves Mambo—Al Hoffman, Dick Manning &
Bix Reichner/arr. Mark Hayes. Direct from the 1950s
comes this well-known standard arranged for mixed, treble
or tenor-bass choirs with an optional accompaniment for
your band. Add a little mambo-inspired movement and
you'll have a timeless concert highlight that will be fun and
appealing to all ages.
11198818 Two-Part . . . . . . . . . . . . . . . . . . . . . . . ME 2.15
D
Pick Yourself Up—arr. Rosana Eckert.
This great swing tune by Jerome Kern from the 1936
hit movie "Swing Time" was originally recorded by Fred
Astaire but was also performed by many other jazz greats
such as Ella Fitzgerald, Nat King Cole, and Frank Sinatra.
It has been carefully arranged for developing choirs with
limited ranges, positive lyrics, and notated scat sections so
that even beginning or concert choirs can explore this style
with a jazz standard.
10845535 Three-Part Mixed. . . . . . . . . . . . . . . . . ME 2.25
10845521 Two-Part . . . . . . . . . . . . . . . . . . . . . . . ME 2.15
D
Summertime (from "Porgy and Bess")—
arr. Roger Emerson. Unlike the original ballad heard
in the operetta, this is an easy swing choral rendition
placed in a key that is comfortable for developing voices,
with careful attention to range and accessibility. The
middle section with a written-out scat solo can be easily
repeated for those choirs learning to improvise, while the
familiar melody creates a memorable hook that choirs and
audiences will really love.
10833244 Three-Part Mixed. . . . . . . . . . . . . . . . . ME 2.25
H Swingin' with the Saints—arr. Mark Hayes.
Swing Low, Sweet Chariot and When The Saints Go
Marching In really belong together in this dynamic, soulful
setting, which contrasts the two classic spirituals in such
an exciting way that your choir won't want it to end!
3701799 Two-Part . . . . . . . . . . . . . . . . . . . . . . . ME 2.50
D
What You Say (And What You Do)—Rosana Eckert.
"It's not the color of your hair, it's what you say and what
you do!" These inspirational lyrics roll off the tongue with
bluesy vocal lines in this original jazz piece for developing
choirs. With a fully notated choral scat section in the
middle and some optional cued notes for your baritones,
this accessible selection is a perfect vehicle to introduce
vocal jazz to your young mixed choir.
11205635 Three-Part Mixed opt. baritone. . . . . . ME 2.10
