2021 Editors' Choice lNew for 2021 HBasic Library L Large Print Edition ♦A Cappella Available via ePrint D Downloadable All Prices in U.S. Dollars & Subject To Publisher Revision
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In That Great Gettin' Up Mornin'!
arr. Greg Gilpin.
This rhythmic and lively two-part arrangement of a beloved
spiritual is a great teaching piece. With many dynamic points
and rhythmic phrases to explore and interpret, it is certain to
lead to a satisfying and exciting performance.
11370908 Two-Part . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .ME 2.25
In Time of Silver Rain
Sarah Quartel.
A lilting melodic line, lots of unison and simply harmonized
vocals, and an effective piano part combine to create a very
beautiful and accessible setting of a Langston Hughes poem.
11315645 SAB . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .ME 3.00
11338762 Unison . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .ME 2.60
10990222 SA. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .ME 2.60
11372354 TB . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .ME 2.60
Inveniam Viam
Ryan Main.
When legendary Carthaginian general Hannibal was told that
his endeavor was impossible, this was his response: "I will either
find a way or make one." This text, set here in Latin, is brimming
with confidence and determination that is mirrored in the driving
musical setting. Easy to learn and impressive in performance, this
is a showpiece that choirs will love!
11370392 SATB . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .ME 2.95
11374072 SSAB . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .ME 2.95
11374074 SAB . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .ME 2.95
11374073 SSA . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .ME 2.95
11374075 TTB . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .ME 2.95
Lux Aeterna from "Requiem"
Michael John Trotta.
Lt
Incorporating elements of the ancient and the modern, this
stunning a cappella original presents a lush harmonic palette
with tight cluster harmonies and a statement of the Requiem
chant tune. The peaceful, luminous quality of the work contrasts
beautifully with the driving and rhythmic Dies Irae, both extracted
from Trotta's larger work "Requiem." A beautiful choice.
11372324 SATB . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . M 2.50
Nothing Is Gonna Stop Me
Pinkzebra.
Portraying an air of confidence and a drive to succeed, these
empowering lyrics are set in a driving rock setting that concert
and show choirs will enjoy. An ideal choice for any kind of
celebratory occasion from award ceremonies to graduations or
year-end concerts, this powerful song about inner determination
will make a strong statement.
11372792 SATB . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .ME 2.25
11372795 SAB . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .ME 2.25
11372797 Two-Part . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .ME 2.25
11372796 SSA . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .ME 2.25
Omnia Vincit Amor
Michael John Trotta.
Dt
This energetic original work is a testament that "Love
conquers all, therefore let us surrender to love!" In Latin, with
pronunciation guide and translation included, this festival
work may be performed a cappella or with the optional
piano accompaniment, presenting flexibility and educational
opportunity for teaching blend and musicality.
11370925 SATB . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .ME 2.20
11162401 Three-Part Mixed . . . . . . . . . . . . . . . . . . . . . . .ME 2.25
10944960 SA. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .ME 1.65
10871930 TB . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .ME 2.10
Go Down, Moses
arr. Judy Arthur.
This arrangement moves! Rhythmic drive, vocal energy, and
articulate piano lines distinguish this setting from others, and your
choir will really sound impressive when they sink their teeth into
it! Dynamic!
11370909 SATB . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .ME 2.25
3282365 TTB . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .ME 1.95
Hlohonolofatsa
arr. Daniel Jackson.
HDLt
This tremendously fun arrangement of a South African greeting
song exclaims, "Iyo hlonolofatsa, Ka lebitso la ntate," which
translates as, "Bless everything in the name of the Father."
Featuring a soloist, improvised percussion and hand claps, it is
very authentic sounding! Phonetic pronunciation guide is included.
10593326 SATB . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . M 2.55
10873383 SSAA . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . M 2.65
11372822 TTBB . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . M 2.65
Ho Boys, Can't Line 'Em
arr. Anthony Trecek-King.
Lt
This work song portrays the conditions in which African
Americans found themselves living and working during the post-
Civil War reconstruction. This incredibly dynamic work is written
in a call-and-response style with rhythms that imitate the task of
lining out a railroad track.
11372824 SATB . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . M 2.95
11190113 TTBB . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . M 2.75
Hold On
arr. Dan Davison.
In this spiritual arrangement, accented rhythms in the vocal lines
and the supportive piano part drive the energetic vitality, while
counterpoint and a pianissimo staccato section provide vocal
contrast. Ranges are accessible for choirs in the middle and
developing high school levels. Add the optional brake drum for
greater effect.
11198198 SATB . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .ME 2.50
11370913 SSA . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .ME 2.50
How Can I Keep from Singing?
A Gospel Setting Greg Gilpin.
HD
Here's a supercharged gospel-style setting of a traditional
Quaker text - a marvelous new look at a timeless American
poem. This one has it all - a wide-open solo for your best gospel
singer, an accompaniment that's fine as is or can be embellished
at will by your pianist, and handclaps from the very first measure
that'll quickly spread through your audience!
10352316 SATB . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .ME 2.25
3298161 Three-Part Mixed . . . . . . . . . . . . . . . . . . . . . . .ME 1.95
10352293 Two-Part . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .ME 2.25
10192345 SSA . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .ME 2.25
11370904 TTB . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .ME 2.25
3298923 Multi-Song Accompaniment CD . . . . . . . . . . . . . 25.00
How Can I Keep from Singing?
Robert Lowry/arr. Sarah Quartel.
Dt
This is a lively reimagining of the 19th-century American folk
hymn that opens with a solo verse then proceeds with a soaring
top melody supported by the rhythmic vocal accompaniment of
the lower voices, with occasional alternation between 4/4 and
7/8 meter. Together, these elements capture both the gentle
hope and the profound joy of the text.
10879525 SATB . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . M 3.35
10817931 SSAA . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . M 3.35
11372351 TTBB . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . M 3.35
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