Editors' Choice lNew for 2022 HBasic Library L Large Print Edition ♦A Cappella Available via ePrint D Downloadable All Prices in U.S. Dollars & Subject To Publisher Revision
CHILDREN'S CHOIR
70
Family—Mark Burrows. When we look at our
neighbors, what do we see? This endearing two-
part piece celebrates the wonderful diversity of
our communities and neighborhoods, with a
gentle challenge to see one another as God
sees us: beautiful children of the world. Set in
both English and Spanish, this accessible piece
extends a hand of welcome and embrace,
asserting that "we are more than neighbors,
we are family." Includes the composer's
thoughtfully updated text for Jesus Loves the
Little Children. A perfect selection for elementary
and middle school choirs!
11347641 Two-Part. . . . . . . . . . . . . . 2.10
Festival Alleluia—Allen Pote. This sparkling,
rhythmic Festival Alleluia is an excellent
selection for young voices looking for a very
attainable challenge.
1497270 Unison/Two-Part . . . . . . . . 1.95
D
Glorious—Stephanie Mabey/arr. Masa
Fukuda. This inspiring song is about
discovering the uniqueness that lies within
each of us, embracing it, and letting it ring out
for the whole world to hear. We are all truly
glorious! A MIDI accompaniment rehearsal
track, which includes a full orchestra consisting
of 15 instruments, is available separately.
11176040 SSA or SAT . . . . . . . . . . . . 3.50
D
God Be in My Head—Andrea Ramsey. This
lovely work for treble voices and piano is a
lyric, fluid rendering of the familiar text from
the Book of Hours (1541). Elegantly simple,
it offers the opportunity for young choirs to
explore tone, blend, and musical sensitivity
while offering a message of comfort. An ideal
way to close a concert or service.
10098665 SA or Two-Part . . . . . . . . . 2.10
DL
God Is Here Today—arr. Tom Trenney.
Earnest and reassuring, this anthem is a
true reflection of the man honored in its
dedication - Fred M. Rogers. Tom Trenney's
lovely arrangement features a beautiful partner
melody and an opportunity for congregational
singing. The ending phrase certainly captures
the essence of this song, as well as Mister
Rogers' legacy: God is love.
11202721 Unison/Two-Part . . . . . . . . 2.10
L
God Is Our Refuge—Robin Wolaver/arr.
James DaSilva. A memorable melody and
supportive accompaniment are featured in
this earnest anthem for unison voices. "God
is our refuge and strength, and so we will not
fear!" Incorporate the full orchestration for an
exhilarating statement of faith. Joyous!
11166910 Unison . . . . . . . . . . . . . . . 2.55
L
God Shall Direct Thy Paths—Greg Gilpin.
Composer Greg Gilpin combines two well-
known scriptures for this lovely, lyrical anthem.
Gilpin's accessible writing allows young treble
choirs the opportunity to hone part-singing
skills. A separate edition is available for two-
part mixed voices, a wonderful choice for small
adult choirs.
11166894 Unison/Two-Part . . . . . . . . 2.10
L
God Will Provide—Mark Patterson. Based
on the story of Elijah in 1 Kings 17-18,
this hopeful message of God's care and
faithfulness is expressed in a memorable
melody in the perfect range for treble
voices. Children will write this message on
their hearts: "God will provide bread for the
journey... God will sustain me all the days of
my life." An accessible anthem for children of
any age, and a beautiful addition to worship!
11317586 Unison/Two-Part . . . . . . . . 2.10
l God's Word Is Like a Seed—Elizabeth Gage.
A youth anthem based on the parable of the
sower, the engaging melody is complemented
with a memorable and singable chorus. The
first verse tells the story, then the second
verse personalizes the story as a prayer for
understanding and personal growth. Optional
harmony is available on the last two chords of
the ending for this otherwise unison anthem.
11373705 Unison . . . . . . . . . . . . . . . 2.10
HD
Goliath—Joseph Martin. "Goliath was a
mighty man, he stood over ten feet tall.
Goliath was a mighty man, he had a lot of
gall. He laughed at David and David's God,
He made fun of old King Saul. Goliath was a
mighty man, but you should have seen him
fall." The beloved story of David and Goliath
comes to life in this playful offering. The quirky
accompaniment and finger snaps just add to
the fun! A musical story for all ages!
1918853 Two-Part. . . . . . . . . . . . . . 2.10
D
Harps and Wheels—arr. Joseph M. Martin.
Two treasured spirituals, Little David, Play on
Your Harp and Ezekiel Saw the Wheel, partner
in a veritable dance with a lighthearted piano
accompaniment. Expertly crafted for two-part
mixed voices, it is ideal for young singers or for
"slim Sundays."
11165954 Two-Part Mixed. . . . . . . . . 2.50
D
Hava Nashira—John Leavitt. Haunting
is the word to best describe this Israeli
folksong, scored here as a three-part canon
with piano and optional clarinet, finger
cymbals and bass. Perfect for teaching
legato singing, this lovely setting presents
the traditional melody and its simple Hebrew
text very tastefully and reverently.
10048652 Three-Part Treble . . . . . . . 2.10
t
Hitch a Ride—Mary Donnelly / arr. George
Strid. Mary Donnelly and George Strid wrote
this exciting spiritual exclusively for 3-part
mixed choirs. It has a limited boys' range,
but the guys get the melody (which practically
sings itself). The piece is built on the
percussive sound of the title: 'Hit-ch a ride on
the glory train.' Optional piano, but intended
to sung a cappella.
1827567 Three-Part Mixed . . . . . . . 2.25
Hope in Me—Terre Johnson. This adaptation
of Isaiah 40:21 is in the first person, so
it appears as if God's reassuring voice is
speaking through the choir. Easy SATB writing
is complemented by the piano, and the violin
and clarinet alternately support and soar above
the choir. This anthem is especially appropriate
for the fifth Sunday after Epiphany, Year B.
11164389 Unison . . . . . . . . . . . . . . . 2.25
HD How Can I Keep from Singing?—arr.
Ginger Littleton. This Quaker song is one of
the strongest pentatonic melodies and texts
ever written. In this beautiful unison setting,
the melody is surrounded by a flowing yet
supportive accompaniment that heightens the
expressive text without overshadowing it. An
outstanding arrangement!
3251238 Unison . . . . . . . . . . . . . . . 1.95
HD
Hush! Somebody's Callin' My Name—arr.
t
Brazeal W. Dennard. This is the most appealing
arrangement of a spiritual that has been done
in a long, long time! The beginning employs
a unique treatment of the word "hush" that
emphasizes the last two letters of the word in
a remarkably effective way. Including dramatic
unison passages and a short solo section
with characteristic background figures, this
is exceptionally easy to put together. It's
guaranteed to become a favorite of your choir
and a highlight of any performance!
1782622 SAB . . . . . . . . . . . . . . . . . 2.50
L
I Am a Lamb—Erik Whitehill. This charming
anthem tells the story of the lost sheep in a
delightful way! Whimsical verses offer the
story's details, and the memorable refrain
assures us that Jesus will always look after
us, even when we wander. Optional flute and
finger cymbal parts add to the charm of this
unison anthem, and the score also includes
chords for guitar accompaniment.
11166898 Unison . . . . . . . . . . . . . . . 2.25
l
I Am but a Little Child—Jim Ailor. A
delightful piece for children's choir or solo,
this anthem conveys the important message
that even though a child may be small, "the
Kingdom of Heaven belongs to such as
these" (Matt. 19:14). Versatile and easy, the
anthem may be accompanied by just piano, or
combined with flute, harp, and/or strings.
11324955 Unison/Two-Part . . . . . . . . 2.00
11324957 Instrumental Parts. . . . . . 25.00
lL I Love to Tell the Story—Greg Gilpin.
This timeless hymn text is set using a
new complementary melody for the verse
and the original hymn tune (HANKEY)
for the
refrain. Written in an accessible range for
two-part or SAB voices, choirs and small
ensembles of all ages will enjoy singing
this thoughtful adaptation. An easy-to-learn
selection for Lenten midweek services or
throughout the year.
11375581 Two-Part. . . . . . . . . . . . . . 2.25
l I'm Gonna Sing—arr. Brad Nix. Handclaps
and "amens" add fun to this arrangement,
while the optional second part adds a layered
effect and texture. The ending features strong
dynamic contrast that produces a dramatic
effect. Fun!
11346993 Unison/Two-Part . . . . . . . . 1.95
D
If We Wait for the Lord—Ralph Manuel &
David William Hodges. Gently flowing in triple
meter, this anthem reminds us that by trusting
in God we will find strength. The lovely piano
accompaniment supports the unison vocals,
which offer a two-part option. A short quotation
of the traditional hymn, I Love Thee, and an
optional C instrument descant add interest.
11190315 Unison/Two-Part . . . . . . . . 2.10
BEST
SELLERS
Children's Choir
General Anthems
Chosen most often by directors! Look
online for the more information.
Wade in the Water —arr. Dan Davison.
10990226 SA . . . . . . . . . . . . . . . . . . . . . . . 2.25
How Can I Keep from Singing? —
arr. Ginger Littleton.
3251238 Unison . . . . . . . . . . . . . . . . . . . . 1.95
You Are Loving, You Are Loved —
Mark Burrows.
10953265 Unison/Two-Part . . . . . . . . . . . . 2.25
Festival Alleluia —Allen Pote.
1497270 Unison/Two-Part . . . . . . . . . . . . 1.95
God Be in My Head —Andrea Ramsey.
10098665 SA or Two-Part. . . . . . . . . . . . . . 2.10
Pie Jesu —Mary Lynn Lightfoot.
3025996 Two-Part . . . . . . . . . . . . . . . . . . 2.05
Hush! Somebody's Callin' My Name —
arr. Brazeal W. Dennard.
1782622 SAB . . . . . . . . . . . . . . . . . . . . . . 2.50
Goliath —Joseph Martin.
1918853 Two-Part . . . . . . . . . . . . . . . . . . 2.10
Alleluia! Sing Alleluia —
J.S. Bach/arr. John Leavitt.
10683003 Unison/Two-Part . . . . . . . . . . . . 2.10
The Journey —Joseph M. Martin.
8069443 Two-Part . . . . . . . . . . . . . . . . . . 2.10
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