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H Basic Library t A Cappella L Large Print Edition ePrint D Download (MP3s, PDFs & more)
D Keep Me Fully Glad—Mark Sirett. With a joyful
and serene text by Bengali poet, composer, and
philosopher Rabindranath Tagore, this expressive
work for mixed choir with piano and string quintet
is a musical journey through lyricism and flowing
harmonic lines. The voice leading matches the
expression of the text, and the momentum of
the accompaniment propels the piece towards a
peaceful resolution.
11348336 SATB . . . . . . . . . . . . . . . . . . . . . 3.10
The Language of the Stars—Katerina Gimon.
Asymmetrical and mixed meter with twinkling
eighth-note patterns in the accompaniment set
the stage in this epic concert work about the
stars. The text by Martha Lavinia Hoffman speaks
of a longing to understand the vast universe while
still being tethered to the earth. The shifting meter
feels perfectly at rest in this well-crafted work that
rises to glorious heights before descending back
to the ground.
11348342 SATB . . . . . . . . . . . . . . . . . . . . . 2.25
Lt Last Kind Words—Paul John Rudoi. An exciting
concert work for tenor-bass choirs, this piece is
conceived with driving, chant-like a cappella
choral lines accompanied by notated body
percussion and parts for shaker and drum(s).
The text, from poet Rabindranath Tagore's own
English translation of his Gitanjali, celebrates
life's most meaningful moments such as closing
a chapter with hearts full and excitement for the
future. A unique and powerful work!
11372835 TTBB . . . . . . . . . . . . . . . . . . . . . 3.00
t Leonora—Vera Lugo. A whimsical, catchy piece,
this is a fantastical story that alternates between
comical moments and the profundity of youthful
imagination. The hocketed harmonies and scale
patterns are an opportunity for singers to practice
ensemble unity while the melody bounces from
part to part, giving each singer an opportunity to
enjoy the lyrical lines. This is a fun, theatrical work
for advanced ensembles.
11379489 SATB divisi . . . . . . . . . . . . . . . . . 3.50
Lt Lie Still, Lie Still, My Breaking Heart—
Stephen Chatman. In this fragment from Christina
Rossetti's poem Mirage, the poet commands her
breaking heart to "lie still and break," the grief of
a lost love changing her life and the world forever.
This harmonically rich homophonic setting
concludes with an intense reprise and features a
floating soprano solo descant that soars above
the second half of the piece.
11373319 SATB . . . . . . . . . . . . . . . . . . . . . 2.05
D
A Life Well Lived—Braeden Ayres. Based on
the Edgar Albert Guest poem Compensation,
the text of this original concert work asks us to
consider what we would like to be able to say
about our lives when we look back in our old age.
The melody has a familiar folk song feel, and the
addition of a pennywhistle or flute enhances the
warm, comfortable tone of the piece.
11358234 TBB. . . . . . . . . . . . . . . . . . . . . . . 2.10
Light Beyond Shadow—Dan Forrest. Dan's
setting, written during the events of 2020, of Paul
Wigmore's exquisite text invoking Light, Joy,
Love, Peace, and Hope, for SATB choir, piano,
and optional string quartet.
11364962 SATB . . . . . . . . . . . . . . . . . . . . . 2.50
11364963 Instrumental Parts . . . . . . . . . . 40.00
L Light the World—Connor Koppin. With text
from the inaugural addresses of three former
presidents (FDR, JFK, and Obama), this very
inspirational and dramatic selection will be a
great concert piece for more advanced tenor-
bass choirs. Featuring a variety of sections, this
song in mixed meter includes a brief a cappella
section toward the end and has a challenging
piano accompaniment that your pianist will enjoy.
11345234 TTBB . . . . . . . . . . . . . . . . . . . . . 2.25
Little Willow—Paul McCartney/arr. Susan
Brumfield. Written after the passing of a
friend, this simple and eloquent expression of
tenderhearted friendship, love, and grief brings
hope for brighter days ahead. "Sleep, little willow,
peace gonna follow. Time will heal your wounds.
Grow to the heavens, now and forever always
came too soon."
11356743 SATB . . . . . . . . . . . . . . . . . . . . . 2.25
Lt Lux Aeterna—Michael John Trotta. Incorpora-
ting elements of the ancient and the modern,
this stunning a cappella original presents a lush
harmonic palette with tight cluster harmonies
and a statement of the Requiem chant tune. The
peaceful, luminous quality of the work contrasts
beautifully with the driving and rhythmic Dies
Irae, both extracted from Trotta's larger work
"Requiem." A beautiful choice for concerts and
services.
11372324 SATB . . . . . . . . . . . . . . . . . . . . . 2.50
L Lux Brumalis—Nathaniel Adams. Translated
as "Wint'ry Light," this is a beautiful multi-
movement cycle for choir and piano. Depicted
in four movements that total about nine minutes,
the thematic material continues throughout
the work with a subtle and warm musical
portrayal of the first nights of early winter. The
piano accompaniment includes interludes
and opportunities for improvisation that add
to the minimalistic feel of the work. A perfect
soundscape for the pristine winter season.
11372832 SATB . . . . . . . . . . . . . . . . . . . . . 3.10
Memento Vivere—Michael Bussewitz-Quarm.
The final movement from Where We Find
Ourselves, this exuberant piece features lyrics
about honoring the past while living in the present
and celebrating each day. Let us sing to the
mystery of life!
11346470 SATB . . . . . . . . . . . . . . . . . . . . . 2.85
Missa Deus Nobiscum—Philip W. J. Stopford.
This beautiful work is a setting of the Latin Mass
appropriate for both worship and concert use. The
text is that of the Ordinary of the Mass excluding
the Credo, with the Gloria being divided into four
movements. The Kyrie has a noticeably Celtic
flavor. Soprano Solo, SATB divisi and keyboard
or orchestra. 30 minutes. Note: Benedictus, for
treble voices, is available as a separate octavo.
11373298 SATB Choral Score divisi . . . . . 9.95
L Mother Goose Gems—Stephen Shewan. Using
rhymes from Mother Goose, this major work in
six short movements is similar to a song cycle.
Movements: Hey, Diddle, Diddle!; Starlight, Star
Bright; Old King Cole; Georgie Porgie; Sleep,
Baby, Sleep and Diddle Diddle Dumpling. Varying
in voicing from treble to tenor-bass to mixed
voices, this set is a concert in itself. Playful and
challenging, this work is a unique choice that will
stand out at your next concert.
11342349 Multiple Voicings Choral Score
SATB, SSA and TTB . . . . . . . . . 9.99
2
CONCERT WORKS
ADULT
COMMUNITY
CHOIR
MAJOR WORKS
for ADULT
COMMUNITY
CHOIRS
Magnificat a 4 —
Johann Christian Bach/ed. Gunter Graulich.
11220752 SATB Vocal Score. . . . . . . . . . . . . . . . . . . . . . . 11.35
Everyday Wonders (The Girl from Aleppo)—
Cecilia McDowall.
10952514 SATB Vocal Score. . . . . . . . . . . . . . . . . . . . . . . 16.95
Three Shakespeare Songs —
Ralph Vaughan Williams.
4824223 SATB Vocal Score. . . . . . . . . . . . . . . . . . . . . . . . 4.25
Circlesong —Bob Chilcott.
11193320 SATB Choral Score. . . . . . . . . . . . . . . . . . . . . . 16.50
Mother Goose Gems —Stephen Shewan.
11342349 Multiple Voicings Choral Score
SATB, SSA and TTB . . . . . . . . . . . . . . . . . . . . . . 9.99
Where We Find Ourselves —
Michael Bussewitz-Quarm.
11346481 SATB Vocal Score. . . . . . . . . . . . . . . . . . . . . . . 11.50
You Are Enough: A Mental Health Suite —
Aron Accurso.
11347721 TTBB Choral Score divisi . . . . . . . . . . . . . . . . . . 5.95
The Lost Words (for Upper-Voice Choir and
Orchestra or Piano)—James Burton.
11349080 Treble Voices Vocal Score. . . . . . . . . . . . . . . . . 11.95
The Sacred Veil —Eric Whitacre.
11312301 SATB Choral Score divisi . . . . . . . . . . . . . . . . . 16.95
Considering Matthew Shepard: A Choral Suite —
Craig Hella Johnson.
11203886 SATB Choral Score. . . . . . . . . . . . . . . . . . . . . . . 8.95
This is the easiest way for
me to get music for my
choir, especially love that
the majority of the music is
offered in ePrint.
– CM
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