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34
String
Orchestra
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Classical medium
4 Pique DameFranz von Suppe/arr. Ralph Ford.
This lovely example of Viennese opera is now
available, for the first time, in a form accessible for
the student musician. Many opportunities to work
on articulations, slurs, and phrasing are provided.
10453866 String Orchestra . . . . . . . . . 48.00
n Prelude for String OrchestraGerald Finzi.
Long a staple of state contest lists, this Finzi
movement for strings has been a favorite of
directors for years. Once again available in this new
printing, your orchestra can enjoy the music of this
20th-century English composer.
10288419 String Orchestra . . . . . . . . . 71.00
4 Procession of the NoblesNikolai Rimsky-
Korsakov/arr. Deborah Baker Monday. This
famous processional will bring a sense of regal
pomp to your next special event. It features all the
glorious fanfares, gallant melodies, and dulcet
lyricism of the original, while also keeping a keen
pedagogical eye on the needs of young string
players. Ideal for school assemblies, graduations,
and other important functions requiring a little
extra pageantry.
10458743 String Orchestra . . . . . . . . . 52.00
n Queen of the Night's Aria (from "The Magic
Flute")W.A. Mozart/arr. Lipton. Depicting a
vengeful fit of rage, the Queen of the Night aria
from Mozart's "The Magic Flute" is considered one
of the most famous opera arias ever written. This
arrangement uses a violin solo for the coloratura
section, capturing the drama and fury of the
original setting.
10366862 String Orchestra . . . . . . . . . 50.00
Recuerdos de La Alhambra (Memories
of the Alhambra)Fransisco Tarrega/arr.
McCarrick. Here is one of classical music's
most hauntingly beautiful melodies! This
arrangement of Tarrega's beloved guitar work
takes full advantage of your string orchestra's
capabilities. The melody begins using a quartet
of soloists over a pizzicato accompaniment that
recreates the guitar sound of the original. Next,
your quartet of soloists becomes an octet, and the
sound grows until finally all strings come together
as the music dramatically moves from minor key
to major key. Your first violins will use some third
position as this lyrical piece passes the melody
from high strings to low and back again. This is
one you'll want to perform again and again!
10031708 String Orchestra . . . . . . . . . 55.00
H The Red PonyAaron Copland/arr. Morales.
The mere mention of the name Copland suggests
American music, and in many cases the American
West. Most familiar is his ballet suite "Rodeo," but
his film score to the movie "The Red Pony" is just as
enjoyably characteristic. "The Red Pony" is based
on a novel by John Steinbeck, and this version is
taken from the suite Copland created out of his
film score. Included are the following sections:
Morning On The Ranch; dream March; Walk To
The Bunkhouse and Happy Ending. Don't miss this
chance to let your students play the music of one of
America's greatest composers!
2438083 String Orchestra . . . . . . . . . 65.00
Requiem (The Fifth)Ludwig van Beethoven/
arr. Phillips. As performed by the Trans-Siberian
Orchestra in their live concert tour titled Beethoven's
Last Night, now your orchestra can play Beethoven
and Mozart in a whole new way. Add the rhythm
section for maximum impact. An optional electric
violin/guitar part provides the perfect spot to feature
an electric instrument. This one really rocks!
10310465 String Orchestra . . . . . . . . . 64.00
The Rite of Spring ThemesIgor Stravinsky/
arr. Lipton. When "The Rite of Spring" was first
performed in Paris in 1913, it created shock waves
not only in the theater where it was performed,
but throughout the world of music. It is one of the
most revolutionary and significant pieces of music
of the 20th century. This arrangement tries to stay
as close to Stravinsky's vision as possible while
allowing the opportunity for students to perform a
piece which sounds just as fresh today as it did
almost a century ago.
10053860 String Orchestra . . . . . . . . . 50.00
n Romanian Folk DancesBela Bartok/arr.
Monday. This arrangement features four of the
six dance movements as first arranged by Bartok.
Joc Cu Bata; Buciumeana; Poarga Romanesca and
Marunte are exotic-sounding and dramatic. These
are perfect for the medium level orchestra ready for
concert, contest, or just "wowing" the audience.
2478286 String Orchestra . . . . . . . . . 48.00
n Rondo (from "Incidental Music for Abdelazer")
Henry Purcell/arr. Stroud. This noble theme
is the Purcell tune that Benjamin Britten used
as the basis for his Young Person's Guide to the
Orchestra. Douglas Stroud has fashioned a short
Rondo for strings, using additional dance music
from Purcell's suite. Rich, full bowing within the
3/2 meter offers many teaching opportunities when
rehearsing this exceptional music.
10283748 String Orchestra . . . . . . . . . 40.00
n Russian Sailors DanceReinhold Gliere/arr.
Caponegro. Grade 4 groups will enjoy this well-
arranged piece from Reinhold Glire's classic ballet
"The Red Poppy". Using a theme and variation
form, John Caponegro has included all the tempo
changes that are idiomatic to this characteristic
dance. Three optional percussion parts are
included. Duration 3:15.
2479427 String Orchestra,
Percussion Opt. . . . . . . . . . 52.00
Russlan and LudmillaMikhail Glinka/arr.
Sieving. The audience may not know who Glinka
was, but they will know the themes from this ever-
popular Russian overture! Whether played as an
opener or closer, concert or contest, this piece
really shows what your string players can do!
Arranged with careful attention to the original, all
parts are playable in first and third positions.
10026988 String Orchestra . . . . . . . . . 65.00
l SarabandeJ.S. Bach/arr. Lee Aronson. A
sarabande is a slow and stately dance popular in
the Baroque era. This piece is from the second of
six English Suites thought to have been composed
in 1715 by J.S. Bach. Since this Sarabande is
contrapuntal, each part has an important melodic
role. Elevate your students' musical sensibilities by
performing this profound music from the greatest
Baroque master.
10460693 String Orchestra . . . . . . . . . 40.00
n ScheherazadeRimsky-Korsakov/arr. Gruselle.
Students finally have the opportunity to play this
Romantic masterpiece by Rimsky-Korsakov,
inspired by the story of "1001 Arabian Nights."
Incorporating themes from all four movements, this
arrangement provides study opportunity for young
string students in a wide variety of keys, tempi,
articulations, accidentals, rhythmic challenges, and
expressive styles. As is the case in the original, a
violin soloist is featured as the narrator of the tales.
No shifting is required for the second violin and
viola. Excellent!
10027371 String Orchestra . . . . . . . . . 55.00
Allegro Moderato—W.A. Mozart/arr. Robert D. McCashin.
The first movement from Mozart's "Symphony No. 29" contains
that delicate balance between his graceful lyricism and his signature
tempestuous energy. This shockingly authentic arrangement allows your
string students to experience all the intensity of the original without
having to bring in wind players.
10454282 String Orchestra . . . . . . . . . . . . . . . . . . . . . . . . . MA 60.00
Allegro Molto—W.A. Mozart/arr. Douglas E. Wagner.
These familiar uplifting themes, written for 13 wind instruments, can
now be enjoyed by strings in this first-time arrangement. This is a true
showpiece with many teaching opportunities.
10453865 String Orchestra . . . . . . . . . . . . . . . . . . . . . . . . . . .M 55.00
Concerto in D—G.P. Telemann/arr. Katie O'Hara LaBrie.
This Baroque masterpiece, made up of four short movements, provides
everyone a chance to play the melody! It's perfect for when lower string
players are ready to shift into upper positions.
10453870 String Orchestra . . . . . . . . . . . . . . . . . . . . . . . . . . .M 59.00
Coronation 1727—G.F. Handel/arr. David Giardiniere.
Very close to the original, this lovely setting will allow audiences and
players to experience the pomp of a royal event!
10453861 String Orchestra . . . . . . . . . . . . . . . . . . . . . . . . . . .M 48.00
Cosi Fan Tutte—W.A. Mozart/arr. Todd Parrish.
This piece features a slow, lyrical opening followed by an exuberant journey
through major and minor tonalities. Students practice Classical style along
with multiple slurred notes, scale-like passages, and accidentals.
10453653 String Orchestra . . . . . . . . . . . . . . . . . . . . . . . . . . .M 60.00
Dance of the Comedians—Bedrich Smetana/arr. Louis Bergonzi.
With its tuneful and contrasting sections, lively tempo, syncopated
rhythms in 2/4, and "big finish," this is a great piece to close or open a
concert. Flexible parts are included allowing this piece to be performed by
an ensemble containing students of varied skill levels.
10453869 String Orchestra . . . . . . . . . . . . . . . . . . . . . . . . . . .M 59.00
Impresario Overture—
Wolfgang Amadeus Mozart/arr. Steven Frackenpohl.
Experience firsthand all the power and grace of Classical music. This work
is set at an energetic tempo and features the stylistic elements of Mozart's
mature opera period.
10439375 String Orchestra . . . . . . . . . . . . . . . . . . . . . . . . . MA 52.00
Inverno (Scenes from Vivaldi's "Winter")—
Antonio Vivaldi/arr. Todd Parrish.
This work uniquely transforms the beauty of the second movement of
Vivaldi's famous "Winter" Concerto and weaves it into the excitement of
the first movement. The perfect selection for your winter concert!
10444015 String Orchestra . . . . . . . . . . . . . . . . . . . . . . . . . . .M 50.00
10444015E String Orchestra ePrint. . . . . . . . . . . . . . . . . . . . . .M 50.00
L'estro Armonico—Antonio Vivaldi/arr. Bob Lipton.
Originally written as a concerto for two violins, cello and strings, the piece
was later arranged by Bach as a concerto for solo organ. This thoughtful
arrangement draws on both versions and showcases the genius of these
two giants.
10454281 String Orchestra . . . . . . . . . . . . . . . . . . . . . . . . . MA 50.00
March from "Second Suite"—
Gustav Holst/Bob Lipton & J. Cameron Law.
Initially written for military band, the first movement of Holst's "Second
Suite in F" is comprised of three British folk tunes which were originally
performed on string instruments. The key has been changed here to D
major for ease of fingerings, and the cellos and violas will delight in long,
extended melodies where they can shine. This superb arrangement is a
great way for your students to experience playing the music of Holst.
10460687 String Orchestra . . . . . . . . . . . . . . . . . . . . . . . . . . .M 50.00
Minuetto—Giovanni Bolzoni/arr. Johannes Dietrich.
This delightful Italian minuet is a spectacular option for the lighter portion of
any program. Featuring a carefree interplay between the various instruments,
the music dances off the page and right into the heart of the listener.
10454276 String Orchestra . . . . . . . . . . . . . . . . . . . . . . . . . . .M 50.00
Music from "The Royal Fireworks"—
G.F. Handel/arr. John Caponegro.
This three movement suite includes a minuet and a finale in their entirety,
of the original seven-movement suite. The remaining movement, the
"Overture," contains a skillful grouping of themes from the original.
10454941 String Orchestra . . . . . . . . . . . . . . . . . . . . . . . . . . .M 52.00
New World Symphony—Antonin Dvorak/arr. Deborah Baker Monday.
The intensity and powerful themes are provided in an accessible
adaptation which stays true to the original. Not only an excellent vehicle
for teaching, but also a top-notch selection for festival performances.
10454944 String Orchestra . . . . . . . . . . . . . . . . . . . . . . . . . . .M 52.00
Nocturne—Alexander Borodin/arr. Andrew H. Dabczynski.
In this arrangement of one of the most popular tunes in all of Classical
music, the marvelous melodies, counterpoint, and textures of Borodin's
original composition remain, but are technically approachable, with
options to accommodate varied abilities.
10453647 String Orchestra . . . . . . . . . . . . . . . . . . . . . . . . . . .M 45.00
Pique Dame—Franz von Suppe/arr. Ralph Ford.
This lovely example of Viennese opera is now available, for the first time,
in a form accessible for the student musician. Many opportunities to work
on articulations, slurs, and phrasing are provided.
10453866 String Orchestra . . . . . . . . . . . . . . . . . . . . . . . . . . .M 48.00
Procession of the Nobles—
Nikolai Rimsky-Korsakov/arr. Deborah Baker Monday.
This famous processional will bring a sense of regal pomp to your next
special event. It features all the glorious fanfares, gallant melodies, and
dulcet lyricism of the original, while also keeping a keen pedagogical eye on
the needs of young string players. Ideal for school assemblies, graduations,
and other important functions requiring a little extra pageantry.
10458743 String Orchestra . . . . . . . . . . . . . . . . . . . . . . . . . . .M 52.00
Viola Concerto (Second Movement)—
Georg Philipp Telemann/arr. Todd Parrish.
Not just for the viola section! Both violins and violas get the exuberant
melody in this very playable arrangement of the Baroque classic.
Violists will appreciate the opportunity to showcase the beauty and power
of their instrument.
10444035 String Orchestra . . . . . . . . . . . . . . . . . . . . . . . . . . .M 50.00
10444035E String Orchestra ePrint. . . . . . . . . . . . . . . . . . . . . .M 50.00
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