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jazz
ensemble
SOPRANO
SAX FEATURES
4 God Rest Ye Merry Gentlemen—
arr. Rich DeRosa.
Rich DeRosa provides yet
another wonderful Christmas arrangement to the
big-band repertoire. This delightful contemporary
setting of God Rest Ye Merry Gentlemen has a
moderate samba feel and features the soprano
saxophone throughout. Originally arranged for
the WDR big band (Germany), this chart has very
reasonable brass ranges, an optional brief piccolo
double for alto sax 2, and some solo space for
drums. Highly recommended!
10607213 Jazz Ensemble . . . . . . . . . . MA 60.00
H
Grace—Jones & Lubbock/
arr. Quincy Jones & Sammy Nestico.
From the acclaimed CD Basie & Beyond comes this
emotional ballad for tenor or soprano sax that will
touch the hearts of performers and audiences alike.
Lush chords and a tender piano introduction set the
mood, and the rest is simply sensational. Nice!
2454171 Jazz Ensemble . . . . . . . . . . MA 60.00
4
Summer Solstice—Erik Sherburne.
Summer Solstice is a soulfully cool ballad that
features either a trumpet, flugelhorn or soprano
saxophone soloist with solo parts included for each.
Beautifully relaxed in straight eighth-note style, it's
well-crafted with the solo parts entirely written with
optional improvisation opportunities. The solo part
offers interesting chord changes while the ensemble
is more than a simple accompaniment. Nice, unique
and more contemporary than most solo features!
10607110 Jazz Ensemble . . . . . . . . . . . M 48.00
ALTO SAX FEATURES
H After Sunset—Larry Neeck. This tasty rock
ballad will feature your budding alto saxophone
or trumpet star in the best possible way. The fully
scored ensemble sections compliment the gorgeous
theme, and provide a solid foundation for your
soloist. The solo part requires no improvisation
and the chart is playable with optional reduced
instrumentation. A perfect concert or contest choice
to showcase the lyrical side of your jazz ensemble!
10280821 Jazz Ensemble . . . . . . . . . . ME 45.00
Angel Eyes—arr. Carl Strommen. Oh, yes!
This is a superb setting of the iconic jazz ballad that
features the alto sax star in your band. The alto solo
is mostly written with opportunities to improvise
around the melody, and the ensemble gets their
chance in the spotlight with some fine full-band
passages. The trumpet 1 range is to written E top
space with some optional octave-up sections if
desired. At 76 bpm, this chart will allow your alto
soloist to shine!
10513881 Jazz Ensemble . . . . . . . . . . ME 48.00
H
As If to Say Goodbye—Larry Neeck.
Beautifully melodic and very approachable, this
lush ballad features your star trumpet or alto sax
soloist. A beautifully written melody and fully
scored backgrounds make this a perfect chart
for a young soloist, as well as a great vehicle for
a more experienced player. It will also sound full
and complete with a reduced instrumentation of 3
saxes, 3 trumpets, 1 trombone and 3 rhythm on up
to a full band. For that change-of-pace moment in
your concert, this flexible solo feature is the perfect
choice! Highly recommended!
10032001 Jazz Ensemble . . . . . . . . . . . . E 45.00
At the End of the Day—Paul Clark. At the End
of the Day is an exceptional ballad solo feature for
alto sax or trumpet/flugelhorn. The solo and rhythm
section parts are completely written and the ranges
are modest with the trumpets never leaving the staff.
The lush background parts are supportive for the
soloist and the key change near the end adds just
the right touch to this beautiful chart. Very nice!
10457905 Jazz Ensemble . . . . . . . . . . . . E 45.00
H
Autumn Mist—Larry Neeck. Autumn Mist
features your aspiring trumpet/flugelhorn or alto
sax soloist in a gorgeous rock-ballad setting. The
solo parts are entirely notated, and the ensemble
sections provide contrast by featuring lush playing
by the full band with lots of teaching moments
in lyrical style. On your next concert, showcase
the softer, lyrical side of your band with this tasty
change of pace. Highly recommended! Optional
reduced instrumentation.
10071410 Jazz Ensemble . . . . . . . . . . . . E 45.00
Body and Soul—Johnny Green/
arr. Dave Wolpe.
There's no better way to feature
your alto soloist than with this arrangement! It's one of
the most important ballads in the jazz repertoire, and
Dave's chart brings out all of its lush beauty. A big,
expansive double-time section gives your soloist a
chance to improvise before returning to ballad tempo
for the dramatic ending. Highly recommended!
2472239 Jazz Ensemble . . . . . . . . . . . M 60.00
4
Closer Than You Think—Bret Zvacek.
Looking for a perfect change-of-pace for your next
program or festival? This beautiful ballad gives you
the opportunity to showcase either your alto sax,
trumpet or flugelhorn soloist. The pensive melody
is beautifully supported by the rich ensemble
writing. The entire solo is written out, however the
soloist may take tasteful liberties with the melody
when appropriate. The entire ensemble is well-
exposed as well as the melodically beautiful and
lyrical solo part. This is a style every developing
jazz musician should learn!
10604642 Jazz Ensemble . . . . . . . . . . ME 52.00
4
Going Home—arr. Paul Clark. Here is a beautiful
and creative adaptation of the familiar theme from
Dvorak's "New World" Symphony. This arrangement
is just what you need for that ballad spot for any
performance. Written as a trumpet or flugelhorn solo
feature, it works equally well if you want to feature
an alto saxophone soloist. The frequently changing
harmonies and flowing counter lines keep things
interesting, and the limited ranges and easy rhythms
keep things simple. No worries here, this one is
highly recommended!
10607076 Jazz Ensemble . . . . . . . . . . . . E 48.00
Goodbye My Heart—Mike Smukal.
A haunting lyrical melody, lush voicings and dynamic
contrasts are but a few of the winning features of
this alto sax feature. This ballad at an accessible
grade level also has some spots where the full band
really sparkles and a chorus where the lead trumpet
shines and gives the soloist a little break. The solo
is entirely notated and changes are provided for
embellishment or improvisation if desired. This chart
is a winner! Highly recommended!
10011928 Jazz Ensemble . . . . . . . . . . ME 48.00
Harlem Nocturne—Earle Hagen/
arr. Mike Tomaro.
This standard from the 1940s
has been recorded countless times and remains a
staple in the jazz literature. Mike Tomaro's creative
treatment shines new and invigorating light on the
tune, with a contemporary shuffle groove and fresh
harmonies. Solos for alto sax and piano will round
out your performance with class and style!
2472884 Jazz Ensemble . . . . . . . . . . . M 50.00
Isfahan—Ellington & Strayhorn/
arr. Alan Baylock.
This is the alto sax ballad feature
you have been looking for! Put together the brilliant
composers Billy Strayhorn and Duke Ellington with
superb arranger Alan Baylock, and you will have an
outstanding musical experience. This chart is not
technically difficult, but it's lush and full of moving
lines and nuances. The lead trumpet range is to
written A above the staff, there is no improvisation for
the alto soloist, just the beautiful Strayhorn melody!
Optional expanded instrumentation.
10071902 Jazz Ensemble . . . . . . . . . . . M 48.00
Jeannine—Duke Pearson/arr. Mike Dana.
A great jazz standard played around 178 bpm, this
swing chart features alto sax with a suggested written
solo provided, and a drum solo played in between
band hits. The lead trumpet range is to written high C.
An optional vibraphone part is included.
10452154 Jazz Ensemble . . . . . . . . . . MA 60.00
Lifelong Friends—Kris Berg. Kris Berg has
composed a beautiful, sensitive and mature solo
feature for B-flat, E-flat instruments or trombone.
The ensemble is equally important in this setting
at around 74 bpm that transitions from the ballad
style to a double-time section with the soloist
and then back to the ballad style. While the solo
part is written, there are ample opportunities for
improvisation. The lead trumpet range is to written
high C. This is an outstanding chart and ideal vehicle
for your advanced soloist.
10513940 Jazz Ensemble . . . . . . . . . . MA 60.00
Living in a Dream—Doug Beach.
With a haunting melody and lush ensemble
voicings, here is the perfect showcase for your
trumpet, alto sax or trombone soloist. This
beautiful ballad will also provide a perfect change
of pace at your next concert and will be a perfect
feature chart for developing soloists. The solos and
the rhythm section parts are completely notated.
Highly recommended!
10068887 Jazz Ensemble . . . . . . . . . . ME 52.00
Misty—Errol Garner/arr. Mike Lewis.
You'll want to have this timeless standard in your
library! A gentle opening builds to an unforgettable
climax, with your alto and trumpet soloists getting to
share the solo spotlight. Powerful ensemble scoring
makes the big band sound come alive. Great for
working on phrasing and style.
2442994 Jazz Ensemble . . . . . . . . . . ME 48.00
My Foolish Heart—Victor Young/
arr. Dave Rivello.
My Foolish Heart is a gorgeous
ballad feature for alto saxophone. This chart is lush
with beautiful textures but very accessible to the
medium grade level. Lead trumpet range is to written
A above the staff, and everything is written out for
the alto sax soloist with changes provided for some
improvisation or ornamentation. A nice modulation
leads to a more improv-like section for the soloist
and a piano solo break leads to a full band feature
section. Highly recommended!
10011959 Jazz Ensemble . . . . . . . . . . . M 52.00
H
My Funny Valentine—Richard Rodgers/
arr. Bill Holman.
As originally recorded by
the great Charlie Mariano with the Stan Kenton
Orchestra, this is a must-have ballad feature for alto
saxophone. Let your alto player (or trumpet...parts
provided for either) shine on this popular standard!
Instrumentation: 5-5-5-4.
10076371 Jazz Ensemble . . . . . . . . . . MA 55.00
Night Mist—Larry Neeck. With a haunting
melody, this minor-key ballad is the perfect feature
for promising alto saxophone or trumpet/flugelhorn
soloists. The featured solo part is fully written,
although some embellishment by the soloist is an
option. The well-scored ensemble provides solid
support for the soloist, and the band also has
its moment in the spotlight with a lush interlude.
Sophisticated, yet accessible!
10518279 Jazz Ensemble . . . . . . . . . . ME 48.00
SOLO FEATURES
Looking for the right chart to feature your best players? Take a look at these outstanding
arrangements that are specifically designed to highlight your best players with a solo feature.
More than just a few measures, these charts make your soloist the center of attention all the way
through. Solo features do so much...they build confidence, reward your soloists for their hard work
and provide change-of-pace programming. Your audiences will be talking about your top musicians
all the way home from the concert! See more solo features with jazz ensembles at jwpepper.com.
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