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Jazz Ensemble with Vocal Solo
Jazz Ensemble
with Vocal Solo
All Levels
l Ain't That a Kick in the Headarr. Nelson
Riddle. This is one of the most famous vocal studio
orchestra arrangements, recorded by Dean Martin
in 1960. This is the authentic and swinging version
that Nelson Riddle created to showcase Martin in
his typical, easy-going vocal style. An optional
synthesizer part has been included that may be
used in place of the strings. There are no saxophone
doubles and the vocal key is D throughout. This is
oh, so nice! Instrumentation: five saxes (AATTB),
four trumpets, three tenor trombones, bass
trombone, three violins, viola, two celli, guitar, piano,
bass, drums, and optional synthesizer.
10558966 Jazz Ensemble & Vocalist
with Strings . . . . . . . . MA 50.00
n All of Mearr. Rick Stitzel. Reminiscent of the
classic version by Count Basie, here is a terrific
medium swing setting of this familiar standard
for vocal solo with jazz ensemble. In the event a
vocalist is not available, an optional solo part is
included for tenor saxophone. Vocal in F.
10522920 Jazz Ensemble & Vocalist
or Tenor Sax . . . . . . . ME 50.00
All the Things You AreJerome Kern/arr. Roger
Holmes. Here's Jerome Kern's fabulous standard
in a swinging arrangement by Roger Holmes. With
tasty accompaniment figures and a relaxed feel,
your vocalist will have a blast singing this chart,
and sound great too! Vocal in A-flat.
2203909 Jazz Ensemble & Vocalist
or Tenor Sax . . . . . . . . M 50.00
America the Beautiful (with Vocal or Alto Sax
Soloist)Samuel A. Ward/arr. Mike Tomaro.
This soulful arrangement of the patriotic favorite,
skillfully crafted by Mike Tomaro, is perfect for jazz
concerts! Written to feature either a vocal or alto sax
soloist, it gives you plenty of flexibility and a great
gospel feel the audience will love! Vocal part in Bb.
2471430 Jazz Ensemble & Vocalist
or Alto Sax . . . . . . . . . . M 50.00
H
As Time Goes ByHerman Hupfeld/arr. Mike
Carubia. Play it again, Sam! This one can be used
as a vocal solo or vocal group feature (SATB or
SSAA). The voice leading is just right, and the band
gets a spot to open up, too. Vocals in C/Db.
2303386 Jazz Ensem & Vocal Group
or Vocal Solo . . . . . . . ME 54.00
H
At LastHarry Warren/arr. Dave Wolpe. At Last
is the ever-popular, bluesy, vocal ballad feature as
arranged by Dave Wolpe. The chart is arranged in
two keys to suit the needs of all vocalists. Substitute
instrumental solos are included, with a written tenor
sax solo in the low female key and a written alto sax
solo in the high male key. The vocal ranges are:
low female in the key of G, high male in the key of
B-flat.
10093215 Jazz Ensemble
& Vocalist
or Tenor Sax . . . . . . . . M 62.00
n Baby, It's Cold OutsideFrank Loesser/
arr. Paul Murtha. Perhaps no popular Christmas
standard has the instant recognition than that of
Frank Loesser's Baby, It's Cold Outside! Often
performed as a vocal duet for a girl and guy, this
versatile arrangement will also work as a vocal
solo with tenor sax playing the guy's vocal part.
In addition, optional parts are included allowing
the duet to be performed using flugelhorn and
tenor sax. This familiar classic is sure to be a hit
for holiday or winter performances. Vocal key of C.
Highly recommended!
10522926 Jazz Ensemble
& Vocalist . . . . . . . . . ME 50.00
Bei Mir Bist Du SchonSholom Secunda/arr.
Dave Wolpe. This swinger will be a hit! Arranged
in two keys for flexibility, it's a bright swing vehicle
for vocalist and big band at around 160 bpm. The
low key is F with vocal range from A below middle
C to 2nd space A, and the high key is A-flat, with
vocal range from middle C to 3rd space C, treble
clef. The lead trumpet range goes to written high
C. There are no horn solos, just swingin' ensemble
and vocal all the way!
10355574 Jazz Ensemble
& Vocalist
or Tenor Sax . . . . . . . . M 62.00
The Best Is Yet to ComeCy Coleman/arr.
Scott Ragsdale. Sung recently by Michael Buble
and many others, this chart is a medium tempo
swinger for vocal soloist and jazz ensemble. In the
key of F, the vocal range is from A below middle
C to middle line B. The lead trumpet range is to
written A above the staff. A true standard from the
Great American Songbook!
10311457 Jazz Ensemble
& Vocalist . . . . . . . . . . M 62.00
BewitchedRichard Rodgers/arr. Mark Taylor.
This Rodgers and Hart standard has been recorded
countless times and remains a popular choice for
singers and instrumentalists alike. Mark Taylor's
lush setting can also be used as a tenor sax feature
and includes a brief double-time swing section. This
one is just a natural solo feature for any vocalist!
10098764 Jazz Ensemble & Vocalist
or Tenor Sax . . . . . . . . M 50.00
Blue MoonRichard Rodgers/arr. Victor Lopez.
Looking for an easy-to-play vocal chart? Here is
an excellent vocal with big band chart on a familiar
standard that has the ensemble arranged at the
medium-easy level by Victor Lopez. A slow swing
chart with no solos, lots of full ensemble, a shout
chorus - and it's all easy to rehearse and perform.
The vocal range is from G below the staff to second
line G, treble clef. Scored for five saxes, eight brass
and four rhythm, plus optional substitute parts
for the vocal for B-flat, E-flat and trombone. An
excellent and very accessible arrangement.
10277800 Jazz Ensemble
& Vocalist . . . . . . . . . ME 54.00
4 But Not for MeGeorge Gershwin/arr. Scott
Ragsdale. Here's a superb vocal solo feature with
big-band chart on a great standard. The features
include a vocal range from B-flat below middle C
to third space C, a lead trumpet range to A-flat,
and the swing tempo is around 134 bpm. Make
sure to check out the written trombone solo and
the fine sax soli during the instrumental interlude.
Don't have vocalist this year? No problem, optional
featured solo parts are included for any B-flat or
E-flat instrument or trombone. This great chart for
your vocalist is highly recommended!
10593787 Jazz Ensemble & Vocalist
or Any Instrument. . . . . M 54.00
n Chega de Saudade (No More Blues)Antonio
Carlos Jobim/arr. Mark Taylor. What better way
to feature your vocal soloist than with this classic
bossa nova? With its lyrical melodic style and
terrific sounding band accompaniment, this is truly
a standout feature for vocal soloist. Smooth and
sophisticated describes this classy chart! Vocal in
C minor.
2481659 Jazz Ensemble & Vocalist
or Tenor Sax . . . . . . . ME 50.00
H Christmas Time Is HereVince Guaraldi/arr.
Roger Holmes. Vince Guaraldi's touching ballad
from "A Charlie Brown Christmas" will feel as
familiar as an old friend. This feature for vocal
soloist makes a simply wonderful addition to your
holiday concert! Vocal in C.
2470804 Jazz Ensemble & Vocalist
or Tenor Sax . . . . . . . . M 50.00
H
Come Fly with MeJimmy Van Heusen/arr.
Quincy Jones/ed. Tomaro. The swingin' Quincy
Jones arrangement of this standard was a Frank
Sinatra signature tune. Here's the authentic version
edited and adapted for today's bands by Mike
Tomaro. Key: B-Flat.
10072767 Jazz Ensemble
& Vocalist . . . . . . . . . MA 60.00
Cry Me a RiverArthur Hamilton/arr. Victor Lopez.
Featuring a vocalist with big band, this gorgeous
ballad is played around 74 bpm. The vocal range
is G below middle C to third space C, and the lead
trumpet range is to F-sharp top line. Included are
optional solo parts for B-flat, E-flat, and Bass Clef
instruments to be used in place of the vocal feature.
It's an accessible chart for the band and a great way
to feature a vocalist or instrumentalist!
10452150 Jazz Ensemble & Vocalist
or Any Instrument. . . . ME 54.00
The Days of Wine and RosesHenry Mancini/
arr. Dave Wolpe. Dave Wolpe gives us a fine vocal
feature chart on this wonderful Henry Mancini
standard treated in a moderate swing style.
Arranged in two keys for flexibility, the low female
key is C and the vocal range is G below middle
C to third line B. The high male key is F and the
range is middle C to top space E treble clef. The
lead trumpet range is to written B above the staff.
An optional written tenor sax solo is included if you
want to use this as a tenor sax feature instead of a
vocal feature.
10452144 Jazz Ensemble & Vocalist
or Tenor Sax . . . . . . . . M 62.00
4 Do Nothing Till You Hear from MeDuke
Ellington/arr. Victor Lopez. Here's a wonderful
vocal solo feature chart on a timeless Duke Ellington
jazz standard! The feel is easy swing, the tempo
is around 96 bpm, the vocal range is A-flat below
middle C up to B-flat third line, and the lead trumpet
range is to written F top line. An instrumental
interlude showcases the band before the soloist
returns with the great lyrics and swinging melody.
If you don't have a vocalist to feature, there are
optional solo parts included for any B-flat or E-flat
instrument or trombone. Superb and swingin,' this
one is highly recommended!
10593789 Jazz Ensemble & Vocalist
or Any Instrument. . . . . M 54.00
Don't Get Around Much AnymoreDuke
Ellington/arr. Dave Wolpe. Duke Ellington's great
chart really swings in this potent Dave Wolpe
arrangement! The vocal solo is backed by all sorts of
tasty little fills, and the full band gets to shout a bit,
too. Ad lib fills can be handled by the vocalist or the
pianist. Either way, this is sure to be a hit! Vocal in F.
2381952 Jazz Ensemble & Vocalist
or Tenor Sax . . . . . . . . M 54.00
H Don't Know WhyJesse Harris/arr. Paul Murtha.
Award-winning pop singer Norah Jones made this
tune climb the charts, and it's easy to see why so
many people like it. The haunting, beautiful melody
and smooth harmonies make it an incredibly
appealing chart to use with either vocal, trumpet or
tenor sax soloist. Vocal in Bb.
2473701 Jazz Ensemble & Vocalist
or Tenor
Sax or Flugelhorn . . . . ME 50.00
Embraceable YouGeorge Gershwin/arr. Dave
Wolpe. Dave Wolpe has done a masterful job with
Gershwin's romantic favorite, setting it in two keys
for both male and female vocal solo, including a
lyrical trombone feature, even building it up to a
big band shout before the lovely closing. This will
be a highlight in any performance! Male vocal in F,
female vocal in C.
2468031 Jazz Ensemble & Vocalist
or Tenor Sax . . . . . . . . M 62.00
H
Everybody's Waitin' for the Man with the Bag
arr. Rick Stitzel. Composed in the '50s, this
entertaining holiday tune has been recorded
notably by Kay Starr, and more recently by the Brian
Setzer Orchestra. For vocalist and big band, this is
a dynamic and swingin' addition to any holiday
performance! Vocal in A-flat.
10283028 Jazz Ensemble
& Vocalist
or Tenor Sax . . . . . . . . M 50.00
l Luck Be a Lady—arr. Billy May & Quincy Jones. Among the many
arrangements that have been frequently requested by singers and enthusiasts,
the music written for Frank Sinatra and the Count Basie Orchestra is high on the
list. This original version was arranged by Billy May and later adapted by Quincy
Jones. The primary difference is that the Jones version eliminated the string parts.
Beginning with the verse slowly and freely stated, it blasts into a swing style at
around 200 bpm. The only instrumental solo is alto saxophone filling behind the
vocalist in the first chorus. With the ensemble wailing at its best, this is a must-
have! Highly recommended!
10607196 Jazz Ensemble & Vocalist Male Vocal . . . . . . . . . . . . . . . . .A 65.00
l
Nice 'n' Easy—arr. Nelson Riddle. Here is the brilliant title track from Frank
Sinatra's 1960 Capitol album. Arranged by Nelson Riddle, this publication has
been prepared from the original set of parts and is not a transcription. Featuring
all the signature Riddle techniques, this chart swings from the start. The
instrumentation calls for a full big band with harp and string section. Included in
this publication is an optional synthesizer part that may be used in place of the
strings. The vocal key is C and there are no saxophone doubles.
10607200 Jazz Ensemble & Vocalist with Strings . . . . . . . . . . . . . . . M 65.00
NEW ADDITIONS
TO THE AUTHENTIC
FRANK SINATRA
VOCAL SERIES
Going to contest
or festival?
Don't forget judges' copies.
