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Psalm 118
Robert W. Parker.
A powerful and majestic fanfare for voices, organ, and optional brass and
percussion. Psalm 118 is sure to be a festive and joyous addition to any service
or concert.
10599926 SATB . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 1.95
10599927 P/A CD . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 25.00
10599928 Orchestration . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 35.00
Set Me as a Seal
Jordan Black.
This profound ancient (Old Testament) expression of ardent love is warmly
embraced by a handsome melody and enriched by the resonant choral
harmonies throughout this sensitive setting. Delicately interwoven choral lines
abound as the words lead the music to an exquisitely satisfying conclusion. The
tessitura and ranges of this stunning yet accessible concert work are within the
ability of most medium to advanced choirs.
10601726 SATB . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 2.10
The Spirit of the Lord
Tony Way.
Tony Way's musical setting of a text from the book of Wisdom, is equally
brilliant yet straightforward to learn and perform. Clean vocal lines soar over
altered chords to a dramatic burst of sound at the end.
10608520 Two-Part . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 1.90
The Spirit of the Lord
Zebulon M. Highben.
The traditional baptismal blessing adapted from Isaiah 11:2 is set here in
a sweet, gentle motet appropriate for baptisms, services of confirmation,
affirmation of baptism, the season of Advent, or as a general benediction.
10607534 SATB . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 1.50
Thee We Adore, O Hidden SAvior
arr. Matt Machemer.
Reflect on the gifts God gives in the Sacrament of Holy Communion with
this hymn concertato by Matthew Machemer. Scored for two-part voices,
congregation, organ, and one or two treble instruments on the tune
ADORO TE
DEVOTE with text by Thomas Aquinas, it features brief quotations of "Lamb of
God, Pure and Holy" in both the choral and instrumental parts.
10607745 Two-Part . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 2.30
Up to the Hills I Lift My Eyes
Normand Gouin.
In this very useful anthem, the composer's own metrical version of Psalm 121
is set for two-part mixed voices, with the option for the congregation to join
in for one or more verses. Changing meters, judicious chromaticism, and the
lyrical rise and fall of the melody make this accessible piece satisfying to sing,
with a modulation and descant adding a bit of drama to the final verse.
A reproducible congregation page is included.
10606186 Two-Part Mixed . . . . . . . . . . . . . . . . . . . . . . . . . . . 1.70
Walk in Light
Karen Marrolli.
Here is a message of peace expressed through soothing, peaceful
music. The part for violin, oboe or clarinet is reserved for the middle of
the piece and carries the
DIVINUM MYSTERIUM tune, later echoed by the
choir. The folk-like original music weaves seamlessly with the ancient
melody before coming to a delicate close. Reproducible instrumental
parts are included. Highly recommended!
10606188 SAB . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 1.95
Now Thank We All Our God
arr. Kevin Hildebrand.
Written with the average church choir and instrumentalist in mind, this
engaging setting of the familiar chorale
NUN DANKET ALLE GOTT is scored for
SATB voices, congregation, organ, and uses a solo trumpet or brass quartet.
The second stanza places the melody in the instrument while the choir sings a
countermelody. Raise grateful hearts in this Thanksgiving hymn setting.
10607735 SATB . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 2.80
O Gracious Light
Timothy Sharp & Edwin M. Willmington.
This beautiful a cappella arrangement of the Phos Hilaron prayer of light is
skillfully written by the Executive Director of the American Choral Directors
Association, Tim Sharp. The piece is especially poignant for Evening Prayer
or Epiphany. The octavo also includes an additional a cappella antiphon, Lux
Christi, by Edwin M. Willmington. Both pieces are strictly SATB with no divisi
and engaging yet achievable settings for liturgical choirs.
10599573 SATB . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 1.95
O Sacrum Convivium
Hugh Benham.
Hugh Benham brings the lofty English cathedral style into this lovely a cappella
anthem. Fitting for both concert and worship, the vocal parts flow with dignity
and beauty. Worshipful and sensitive, the harmonies are fresh and touching.
10598867 SATB . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 1.95
O Sing to the Lord
Jeffrey Blersch.
Psalm 98 is set for SAB choir and organ, with an optional congregational
refrain interspersed throughout. The verses creatively punctuate the text always
coming back to the strong refrain. Use this anytime for praise and adoration,
especially at times of special celebration.
10607737 SATB . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 2.80
Out of Darkness into Light
James Biery.
With a text that calls us to stand with our church community, Out of Darkness
into Light is a gratifying anthem that your choir will sing with conviction. The
elegant and attentive writing for organ supports and gives unique colors to the
piece as well.
10608515 SATB . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 2.25
Praise, My Soul, the King of Heaven
arr. Howard Helvey.
This majestic and stately setting of the beloved nineteenth-century hymn
LAUDA ANIMA, is colorful and unique. The brass and choir begin quietly with the
opening verses of Psalm 103. This sets-up an exhilarating key change and the
stately entrance of the congregational hymn. The third stanza is a cappella and
includes rich harmonies. This extended hymn concertato is scored for SATB
choir, brass quartet, and organ.
10589936 SATB . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 2.20
