Keyboard Music
4Editors' Choice (Best of 2017 Publications) lNew for 2017 HPepper Basic Library ♦A Cappella Available via ePrint All Prices in U.S. Dollars & Subject To Publisher Revision
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l Holy, Holy, Holy Lord God AlmightyMark
Thallander/arr. Kevin McChesney. The inspiring
organ arrangement of this well-known tune
has been skillfully set for handbells by Kevin
McChesney. This version can also function to
accompany the singing of the hymn. An extra ossia
optional staff has been included to add variety in the
offering of this hymn. Joyful and inspiring!
10692643 3/6 Octave. . . . . . AGEHR-L3 4.95
l Hope and a FutureRon Mallory. Based on
Jeremiah 29:11, Ron Mallory's energetic original
composition provides ample challenge for your
advanced ringers. Flowing freely between harsh
dissonance and reassuring consonance, the piece
continually surprises the listener harmonically while
still providing a memorable and enchanting theme.
A delightful addition to the handbell repertoire!
10757909 3/6 Octave. . . . . . AGEHR-L4 5.50
How Can I Keep from SingingRobert Lowry/
arr. Cathy Moklebust. Particular attention is paid to
the word "singing" through rhythmic and chordal
punctuation, and through use of the Singing Bell
technique, in this perfect choice for any worship
service. Both versions of the tune are used:
Robert Lowry's original lyric version in 3/4 meter,
which uses plenty of LV and the optional use of
handchimes; and the more contemporary version
which is written in a rhythmic, energetic 4/4 meter,
employs the use of malleted bells, and features
the hymn tune played in a round. Editions for 2-3
octaves and 3-5 octaves are available, and they are
compatible for massed ringing.
10452276 2/3 Octave opt.
Handchimes . . . . AGEHR-L3 4.95
10452277 3/5 Octave opt.
Handchimes . . . . AGEHR-L3 4.95
I Love to Tell the StoryWilliam Fischer/arr.
Patricia Hurlbutt. Flowing eighth notes and tender
expression characterize this arrangement of the
beloved HANKEY hymn tune. This piece will be a
favorite of your ringers as they have the opportunity
to express musicality and beautiful phrasing. The
arrangement call for bass handchimes from C4-C5.
Beautiful harmonization paired with this text make
this an excellent choice for any worship service.
10667416 3/5 Octave. . . . . . AGEHR-L3 4.50
I Want Jesus to Walk with Mearr. Tammy
Waldrop. This popular spiritual is given a
rhythmic, soulful treatment, with staccato sections
contrasting with smooth, sustained passages, and
featuring optional chimes. Performance should take
into account the dynamic visual aspect of the piece,
with its gyros, pluck lifts, martellato lifts, mallets,
shakes and vibrato. It will be a memorable musical
and visual event!
10341864 3/6 Octave. . . . . AGEHR-L2+ 4.95
I Want to Walk as a Child of the LightKathleen
Thomerson/arr. Cathy Moklebust. The latest addition
to the Flexible Favorites series for bells and optional
instruments, Kathleen Thomerson's popular hymn
tune
HOUSTON has been treated simply and delicately
with minimal bell changes and techniques, making
this a very accessible arrangement. A short original
melody comprises the introduction, interludes and
ending. In the second stanza, the upper treble bells
are played with mallets, while the hymn tune is
played by the lower treble and bass. The optional C
or Bb instrument makes a lovely addition and adds
a complementary warmth and depth to the whole
performance, and since 2-3 and 3-5 octave editions
are available, this piece is perfect for festival use as
well as for worship.
10424232 2/3 Octave. . . . . . AGEHR-L2 4.95
10424233 3/5 Octave. . . . . . AGEHR-L2 4.95
I'll Fly AwayAlbert Edward Brumley/arr. Cathy
Moklebust. This beloved country gospel song is given
a peaceful, soothing treatment. Simple melodic lines
and harmonies, random ringing and LV combine
to create an ethereal, flowing style. The use of
handchimes is optional, but they will greatly enhance
the gentle feel. This arrangement will be a beautiful
and thoughtful addition to memorial services or
concerts of remembrance, hope, or peace.
10605015 3/5 Octave. . . . . . AGEHR-L3 5.50
Immortal, Invisible, God Only Wisearr. Dan
R. Edwards. A stunning arrangement of the hymn
tune
ST. DENIO, this piece is happy and bright,
enhanced with optional triangle and tambourine
parts. Featuring fun techniques that your ringers are
sure to enjoy including martellatos, thumb damps,
swings, echos, and malleting, this is an excellent
choice for your worship service or for massed
ringing events.
10668245 2/3 Octave. . . . . . AGEHR-L2 5.50
10668246 3/5 Octave. . . . . . AGEHR-L2 5.50
In Christ There Is No East or Westarr. Anna
Laura Page. This is a jubilant arrangement combining
two different hymn tunes that are associated with
the familiar hymn text. This setting is appropriate for
general worship as well as special occasions, and it
promises to keep all ringers busy with fun rhythms
and articulations throughout. Published in compatible
editions for 2-3 and 3-5 octaves.
10618478 2/3 Octave. . . . . . AGEHR-L2 4.50
10618479 3/5 Octave. . . . . . AGEHR-L2 4.50
4 In Christ There Is No East or Westarr. John
A. Behnke. This grace-filled piece reflects the blues
of sin and the rhythmic joy of God's forgiveness!
As a hymn focused on Christian unity, it is useful
throughout the entire church year. The arrangement
makes use of chimes, key changes, mart lifts, and
mallets to create many timbres that both ringers
and listeners will enjoy.
10759004 3/5 Octave with opt. 3/5 Octave
Handchimes . . . . AGEHR-L3 4.25
4 In Christ There Is No East or Westarr. Lloyd
Larson. Lloyd Larson's arrangement of the hymn
tunes
ST. PETER and MCKEE is easily accessible
to intermediate ensembles while also providing
enough musical interest for advanced groups.
An opening peal gives way to the theme, first
accompanied by chords in the bass, then by floating
treble arpeggios. A brief key change in the middle
provides harmonic interest before a return to the
original key for the triumphant final verse.
10757911 3/5 Octave. . . . . AGEHR-L2+ 4.50
Intonations of PraiseJason Krug. This
commissioned original begins with a nine-measure
free processional with numerous optional repeats
that segues into a joyous theme accompanied by
active eighth notes. Chimes are used to color the
middle minor section, then the piece closes with
the return of the opening active theme. An exciting
piece to play and hear.
10607126 3/6 Octave. . . . . . AGEHR-L3 5.50
l InvocationMichael W. Joy. Evoking all the
various emotions implied by the title, the work
opens quietly with singing bells in the bass and
malleted, suspended bells in the treble and grows in
intensity through various techniques only to return
to the contemplation of the singing bells again at
the end.
10738383 5/7 Octave. . . . . AGEHR-L3+ 5.50
4 Jesus Lover of My Soularr. Linda R. Lamb.
Linda Lamb's hauntingly beautiful arrangement of
the Welsh hymntune
ABERYSTWYTH is sure to find
ample use with your ensemble throughout the
church year. Flowing arpeggios underscore the
opening verse of the melody while the optional flute
soars above with a delicate countermelody line. The
melody returns in bass handchimes for a glorious,
sonorous effect. A key change at the end paints
the now-familiar melody in an entirely new light.
A gorgeous masterpiece!
10757912 3/5 Octave. . . . . . AGEHR-L3 5.50
Jesus Loves Mearr. Brian Childers. Both joyous
and reflective, this arrangement of the beloved
children's song will be a wonderful addition to
your handbell repertoire. The optional chimes
add a special touch, moving in and out of the
arrangement. Your ringers will enjoy learning and
playing Jesus Loves Me, and your congregation will
love listening to the familiar tune.
10669494 3/5 Octave. . . . . AGEHR-L3+ 4.95
4 Jesus Loves Mearr. Ron Mallory. Ron Mallory
takes a fresh look at one of the most popular
Christian songs ever written. After a common-time
intro, Mallory puts the melody in 3/4 time and the
piece dances. Don't miss the opportunity to take
this song to your community!
10761759 3/5 Octave. . . . . AGEHR-L1+ 4.95
4 Jesus Shall Reignarr. Bill Ingram. This flexible
and solid level 1 arrangement is playable by 2-5
octave handbell or handchime groups, making it
an excellent choice for choirs ringing with some
absentees. The stately hymn tune
DUKE STREET is
enhanced by a variety of techniques which can
easily be adapted for handchimes.
10757896 2/5 Octave. . . . . . AGEHR-L1 4.95
Joshua Fit the Battlearr. Tom Gregory. This
fun-filled setting is ideal for a smaller ensemble
of six or seven ringers, staying within the three-
octave range using only 14 bells from D4 to G6.
This clever arrangement sacrifices nothing of the
musical integrity with its limited bell usage. Bell
assignments are included for either six or seven
ringers. This is a wonderful piece for any concert or
worship setting. Highly recommended!
10669690 3 Octave . . . . . . AGEHR-L2+ 4.95
Joy and DelightBrenda Austin. This aptly
named original is a fun and energetic piece that
will keep your ringers busy and your audience or
congregation engaged. This is an outstanding
teaching piece for developing ringers who are
learning stopped techniques like malleting and
martellato. This well-constructed piece gives
careful consideration to structure and individual
bell assignments and includes additional optional
bell recommendations to expand your 2-3 octave
choir for a huge, full sound. Highly recommended!
10668242 2/3 Octave. . . . . AGEHR-L1+ 4.95
10668243 3/5 Octave. . . . . AGEHR-L1+ 4.95
4 JoyanceRon Mallory. Joyance is the winner of
the Handbell Musicians of America Area 2 Festival
Conference Composition Contest. For 3-5 octave
handbells and optional 3 octave handchimes, this
catchy and rhythmic original piece is a festive
prelude for any church service. Exciting!
10683170 3/5 Octave with opt. 3 Octave
Handchimes . . . . AGEHR-L3 4.95
l Joyful Acclamationarr. Mitchell Eithun.
A rhythmic and syncopated original piece with
alternating 8/8 and 4/4 meters. It's a ringers'
delight from a composer who has grown up ringing
in excellent ensembles. Tuneful and fun, you will
enjoy the challenge of Joyful Acclamation.
10756507 3/5 Octave with opt. 3/5 Octave
Handchimes . . . AGEHR-L3+ 4.95
l Joyfully Rejoicearr. Terry Osman. Lift the spirits
of your congregation with this dynamic medley of
three beloved hymn tunes,
HYMN TO JOY; MARION
and DARWALL's 148TH. Whether the piece is played
on handbells or handchimes, it will establish a joyful
worship experience that everyone can appreciate.
10756867 3 Octave . . . . . . . AGEHR-L2 4.95
JubilateLloyd Larson. Perfect for use in any
service or concert setting, this original presents
wonderful opportunities for teaching various
techniques, including swing, LV, thumb damp,
malleted bass, and ring touches.
10554980 3/5 Octave. . . . . . AGEHR-L2 4.50
Just as I Amarr. Cathy Moklebust. Cathy
Moklebust's tender rendering of
WOODWORTH is a
beautiful selection for worship and festivals. The
flowing LV accompaniment patterns in both treble
and bass bells lead to a dynamic closing statement
of the melody and peaceful conclusion. Serene.
10669467 3/5 Octave. . . . . . AGEHR-L2 4.95
The King of Glory ComesHart Morris. The
traditional Israeli melody
PROMISED ONE is arranged
by Hart Morris for 3-5 octave handbells and optional
3-4 octave handchimes, with optional B-flat clarinet
and string bass. Level III. The key may be minor, but
this tune is joyful! The composer conveys this joy as
well as energy through the use of the clarinet and
bass. A slower middle section brings a change of
pace, and the use of optional handchimes sets an
even more mellow tone. The final stanza returns to
the original upbeat feel for a delightful finale. This
piece is great for Advent, Palm Sunday, End Times,
and Christ the King Sunday.
10608079 3/5 Octave. . . . . . AGEHR-L3 5.50
Kingsfoldarr. Anna Laura Page. Don't overlook
this great English tune! Not only is it a splendid
Advent selection (O Sing a Song of Bethlehem),
but
KINGSFOLD also connects to several other hymn
texts throughout the church year. Anna Laura Page
skillfully arranged this piece with a charming middle
section that employs a light handchime melody and
LV accompaniment.
10669495 3/5 Octave. . . . . . AGEHR-L3 4.95
l Kum Bah YahBenjamin A. Tucker. This
introspective take on the familiar spiritual is
a legato-lover's dream. With thick, resonant
harmonies, suspended malleting over handchime
melody, and gentle ostinato, this setting provides
a stand-alone piece perfect for worship, and also
functions as a middle movement, along with its
sister songs Children, Go Where I Send Thee and
Wade in the Water as a Spiritual Suite suitable for
concert performance.
10757924 3/5 Octave. . . . . . AGEHR-L2 4.95
The LambSandra Eithun. Quietly reflecting
Gerald P. Coleman's meaningful and heartfelt text,
Sandra Eithun has arranged The Lamb (
WINTER) for
3-6 octave handbells, optional handchimes, and
optional solo or unison voices. Level II+. Lyrical
lines are enhanced by the use of the handchimes
and create a lovely, flowing pattern as the backdrop
for the touching melody. Each stanza increases in
emotion and intensity to match the passion of the
text. A reproducible vocal part is included to give the
option of using a choir or soloist. An ideal choice for
worship year-round, but especially during Lent, Holy
Week, or communion.
10608085 3/6 Octave. . . . . AGEHR-L2+ 4.75
Let All Mortal Flesh Keep Silencearr. John
A. Behnke. The haunting
PICARDY melody is used
for this wonderful Advent or general prelude. The
"alleluia" motif begins the piece and ties together
two very contrasting settings of the melody. Both
treble and bass ringers play the melody in the first
stanza. A great addition to the repertoire.
10618437 2/3 Octave. . . . . . AGEHR-L2 4.95
l Let Our Praise ResoundBrian Childers. Let
Our Praise Resound is a light and ethereal original
work by Brain Childers. Varied techniques,
including martellato, martellato lifts, malleting,
LVs, and shakes, make this joyful and melodic
piece enjoyable during worship, concert, or mass
ringing events.
10756922 3/5 Octave. . . . . AGEHR-L2+ 4.95
l Let Us Break Bread TogetherBrenda E.
Austin. Beautiful in its simplicity, this tender
arrangement combines two beloved spirituals,
Let Us Break Bread Together, and Lord, I Want to
Be a Christian. Its expert construction gives equal
weight to each tune, weaving themes together
seamlessly and providing extra interest with the
optional handchimes.
10757925 3/5 Octave. . . . . . AGEHR-L2 4.95
l Let Us Break Bread Togetherarr. Jason W.
Krug. From a slow, simple opening, Jason Krug's
celebration of Holy Communion builds in power
throughout the arrangement. A fantasia-like middle
section features brief snippets of other communion
hymns, adding a degree of aural interest. Beautiful!
10757915 3/5 Octave. . . . . . AGEHR-L3 4.50
Living WatersMichael Mazzatenta. Beautiful
contrasting sections establish the texture in this
original work that is equally appropriate for concert
or worship settings. The flowing eighth-note
pattern with LV in the opening section is revisited
in the final section, while the middle section gives
a chordal treatment replete with echos and colorful
harmonies. This piece gives an opportunity to
showcase your bell ensemble's musicality with itss
beautiful phrasing throughout.
10669468 3/5 Octave. . . . . AGEHR-L2+ 5.50
The Lord's My Shepherd, I'll Not Want
(Psalm 23)arr. Alex Guebert. This lush setting
of
BROTHER JAMES' AIR features a flowing handbell
texture with optional flute solo. The sweeping
musical phrases employ good use of LVs and
musicality while ebbing and flowing in perfect
concert with the well-known text of Psalm 23 .
The arrangement builds to a final cadence where
ethereal, unusual harmonies give way to a serene
resolution, symbolizing heaven as a final resting
place referred to in the text.
10668238 3/7 Octave. . . . . AGEHR-L3+ 5.50
4 Love Vast as the Oceanarr. Karen Lakey
Buckwalter. The tune
DIM OND JESU by Welsh-
American composer Robert Lowry appeared in
older Welsh hymnals paired with the text Praise the
Lord, ye heav'ns adore Him. This lovely, lyrical tune
for handbells is appropriate for worship and also
provides a quiet change of pace in concert settings.
If desired, it may be played along with a 36-string
harp, which has a separate but compatible score.
10757886 3/5 Octave. . . . . AGEHR-L2+ 4.95
10757887 Instrumental Parts Harp . . . . . . 6.95
Make Me a Channel of Your PeaceSebastian
Temple/arr. Jeffrey Honore. This simple setting is
designed for a beginning bell or chime choir to
sound full and accomplished through a conscious
effort to keep all the ringers busy and happy.
As a bonus, this arrangement can also be used
as an accompaniment to the singing of the
hymn. A suggested additional option is to use
the first four measures as a bell processional,
then proceed to the rest of the arrangement.
Highly recommended!
10669696 3 Octave . . . . . . AGEHR-L1+ 5.50
"
I like your
breakdown of the
categories of
church selections."
— Dick Henk,
Handbell and Choir Director
