J.W. Pepper Catalogs

2017 Midyear Band

J.W. Pepper Music Catalog

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1 Go to cart Order Toll-Free! Call 1-800-345-6296 / FAX 1-800-260-1482 / Internet jwpepper.com / E-mail satisfaction@jwpepper.com Concert Marches e Mad Dash—Timothy Loest. Step back in time with this thrilling circus galop composed in the style of Karl L. King. Experience an evening inside the Big Top, complete with capricious clowns, amazing aerialists, enormous elephants, and a superlative spectacle of downright death- defying feats. Get ready, you're about to make a mad dash! 10607776 Band Set & Score . . . . . . . . . . 55.00 10607777 Additional Score . . . . . . . . . . . 7.00 4e Power—Harold Bennett/arr. Larry Clark. This is one of Harold Bennett's (pseudonym of Henry Fillmore) lesser-known marches that falls into the "hidden gem" category. It's a tuneful 6/8 march from the original Bennett Band Book that's written in standard march form but is unique in that it includes a rousing break strain. A great way to reinforce march style to younger students as they prepare for the more challenging marches of Fillmore, Sousa, and others. 10759717 Band Set & Score . . . . . . . . . . 70.00 10759718 Additional Score . . . . . . . . . . 10.00 le The River Kwai March—Malcom Arnold/arr. Robert Longfield. From the classic World War II film from 1957, "The Bridge on the River Kwai," here is the world-famous march that incorporates Kenneth Alford's Colonel Bogey March along with Malcolm Arnold's original counterline melody. The whistling part is optional, but adds a unique and authentic touch. 10681419 Band Set & Score. . . . . . . . . . 50.00 10681420 Additional Score . . . . . . . . . . . . 7.50 4e Southampton March—Robert Sheldon. The charm and style of a British-style march is brought front and center in this delightful concert march for young band. The tuneful melodies are reminiscent of English folk tunes and create a tasty international palette with which to open a concert or festival performance. 10739115 Band Set & Score . . . . . . . . . 49.00 10739116 Additional Score . . . . . . . . . . . . 8.00 4 Spirit of '44—Bob Cotter. Toward the end of World War II, both sides had amassed a great number of prisoners who were used as labor to build roads and bridges. To keep morale high they made up songs that made the work go faster and to communicate secret messages. This original march was written in honor of those valiant men and women, and the catchy melody is sure to raise everyone's spirits. 10758943 Band Set & Score . . . . . . . . . . 60.00 10758944 Additional Score . . . . . . . . . . . 10.00 10766470 Additional Oversized Score . . 25.00 medium-easy Aces of the Air (March)—Karl King/arr. Swearingen. From the always popular collection of Karl King marches has come another great work of masterful writing. All the colorful ingredients of a traditional march can be found in this fun to perform piece by the preeminent composer of circus music. His timeless pieces are performed around the world and this exciting march will hopefully find its way into the music folders of your students. 10280589 Band Set & Score . . . . . . . . . . 65.00 10280590 Additional Score . . . . . . . . . . . . 7.00 H Alamo March—Karl L. King/arr. Swearingen. When it came to writing marches that sounded great with bands at all grade levels, Karl King had no peer. Dedicated to the heroes of The Alamo, this very playable march has that certain quality which made it one of King's favorites at the easy grade level. With a full concert band instrumentation, along with subtle changes in the instrumental scoring and percussion lines, James Swearingen's arrangement enhances its charm even further. A guaranteed winner! 2231751 Band Set & Score . . . . . . . . . 60.00 2231769 Additional Score . . . . . . . . . . . . 5.00 4 The American Red Cross March—Louis Pan- ella/arr. David Butler. Once you hear this terrific march you'll wonder why it's not better known or performed more often. Composed by Louis Pan- ella, this fine march was meant to honor the human- itarian work of the Red Cross during World War I. A stellar example of the American march tradition, it shows why the composer is considered one of Pittsburgh's most revered musicians. 10738804 Band Set & Score . . . . . . . . . 48.00 10738805 Additional Score . . . . . . . . . . . 10.00 e Amparito Roca—Jaime Texidor/arr. Fagan. This classic Spanish march has been expertly re-cast in an authentic-sounding edition for younger players. Brass ranges and the instrumentation have been modified while all the charm and energy of the original remain. A most welcome addition to band repertoire. 10052942 Band Set & Score . . . . . . . . . . 65.00 10052943 Additional Score . . . . . . . . . . . 7.50 Big Four March—Karl L. King/arr. Swearingen. Here's one of Karl King's most outstanding marches! Lively and upbeat, this stellar arrangement by James Swearingen is not to be missed. It's a real classic march in a very classy arrangement. You'll want to program this one again and again. We are proud to give this our highest recommendation! 2472470 Band Set & Score . . . . . . . . . . 60.00 2472471 Additional Score . . . . . . . . . . . . 6.00 H Coast Guards—Karl L. King/arr. Swearingen. Any time you see a James Swearingen arrangement of a Karl L. King march, pay close attention! This is one of King's best, in a playable arrange- ment that is accessible to school bands every- where. A strong choice for concert or contest. Highly recommended! 2247344 Band Set & Score . . . . . . . . . . 60.00 2247351 Additional Score . . . . . . . . . . . . 6.00 Flying Cadets—Karl L. King/arr. James Swearingen. Another classic march from the vault of musical treasures by the great Karl King, masterfully arranged. It goes without saying that King was a master at creating tuneful marches that have certainly stood the test of time. As with all his marches you can be assured that this edition is certain to be another real crowd pleaser of monumental proportions. 10609509 Band Set & Score . . . . . . . . . . 68.00 10609510 Additional Score . . . . . . . . . . . . 8.00 e March of the Belgian Paratroopers—Pierre Leemans/arr. Swearingen. Moderate in tempo and light in style, this appealing and unique march is now available for developing players in this masterful arrangement. The skillful scoring and modest technical demands ensure success with this time-tested march classic. 10033483 Band Set & Score . . . . . . . . . . 60.00 10033484 Additional Score . . . . . . . . . . . . 7.50 e March of the Trolls (from "Lyric Suite", op. 54)—Edvard Grieg/arr. Beck. Here's a terrific transcription that provides a contrasting selection for concert programs. The soft but intense opening builds in intensity and draws the listener in as it grows in energy and volume. A welcome work that bands at all levels will want to perform. 10093405 Band Set & Score . . . . . . . . . . 78.00 10093406 Additional Score . . . . . . . . . . 11.00 e Marche Diabolique—Brian Balmages. This sinister-sounding march is perfect for directors looking for something completely different. Using elements from a traditional march set in a contemporary framework, the music is based on tritone intervals surrounded by expansive, dark harmonic language. A wealth of percussion adds great color to the unsettling character of the music. Quite effective and intriguing! 10459831 Band Set & Score . . . . . . . . . 55.00 10459832 Additional Score . . . . . . . . . . . . 7.00 H Midway March—John Williams/arr. Moss. This is the tuneful John Williams march written for the W.W. II era movie, "Midway." In this very playable version, Williams' lilting 6/8 style and shifting key centers give the march format a fresh and stirring feel. 2306553 Band Set & Score . . . . . . . . . 60.00 CONCERT BAND Now in Print! MAKING MUSIC MATTER #2 Frank Ticheli & Gregory B. Rudgers. Book Two continues to elevate the traditional goals of second-year students. As with Book One, this book skillfully presents lessons that develop creativity and performance skills. 10796811 Flute . . . . . . . . . . . . . . . . 11.95 10796812 Oboe . . . . . . . . . . . . . . . 11.95 10796813 Clarinet. . . . . . . . . . . . . . 11.95 10796814 Bass Clarinet . . . . . . . . . 11.95 10796815 Bassoon . . . . . . . . . . . . . 11.95 10796816 Alto Sax . . . . . . . . . . . . . 11.95 10796817 Tenor Sax. . . . . . . . . . . . 11.95 10796818 Baritone Sax . . . . . . . . . 11.95 10796819 Trumpet . . . . . . . . . . . . . 11.95 10796820 F Horn . . . . . . . . . . . . . . 11.95 10796821 Trombone . . . . . . . . . . . 11.95 10796822 Baritone BC . . . . . . . . . . 11.95 10796823 Baritone TC . . . . . . . . . . 11.95 10796824 Tuba . . . . . . . . . . . . . . . . 11.95 10796825 Percussion . . . . . . . . . . . 14.95 10796826 Piano . . . . . . . . . . . . . . . 11.95 10796827 Conductor . . . . . . . . . . . 49.95

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