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CONCERT
MUSIC
4 Nino Precioso—arr. Rosephanye Powell.
Traditionally, Nicaraguan mothers sang this lullaby
to their children as they rocked them to sleep. This
up-tempo arrangement is in the style of a Spanish
dance, complete with hand percussion parts,
included in the octavo. The piece is sung in Spanish,
with phonetic pronunciation given below the text.
It's a wonderful multicultural selection for general
concert use and appropriate for the holiday season
as well.
10846371 Two-Part or SA. . . . . . . . . . . . . . . . 2.25
4
Now Spring in All Her Glory—Emily Crocker.
The beauty and freshness of spring bursts into
being with this exuberant original for treble voices.
A vibrant theme lends itself to call and response,
imitation and variation over a buoyant piano
accompaniment contrasting with a more subdued
middle section. An ideal spring concert or festival
selection for developing treble choirs.
10909721 Three-Part Treble or SSA . . . . . . . . 2.25
4t
Obswisana—arr. Victor C. Johnson.
This not-to-be-missed a cappella setting of
a Ghanian folksong sparkles with energy and
excitement for treble choirs. Strong vocal pairings,
hand claps and active percussion parts for shakers,
djembe, and Bass drum combine with the call and
response texture creating a full choral experience
accessible for any choir.
10846394 Two-Part. . . . . . . . . . . . . . . . . . . . . 2.25
4t
Omnia Vincit Amor—Michael John Trotta.
This energetic original work for tenor-bass choirs
is a testament that "Love conquers all, therefore let
us surrender to love!" In Latin, with pronunciation
guide and translation included, this festival work may
be performed a cappella or with the optional piano
accompaniment, presenting flexibility and educational
opportunity for teaching blend and musicality.
10871930 TB opt. Piano Accomp . . . . . . . . . . 2.10
4
Psallite Hodie—David Waggoner. "Sing out a
jubilant, joyful new song!" Latin text is interspersed
with English text in this upbeat original that will make
a dynamic concert opener or festival selection for
developing choirs. A contrasting section offers a
gorgeous new motive with the opportunity for a solo,
followed by a rich choral harmonization. The return
to the original theme is heightened by a soaring
descant, which develops into an exciting finish.
10875737 SATB . . . . . . . . . . . . . . . . . . . . . . . 2.20
10881851 Multi-Song Accomp. CD . . . . . . . 44.99
4
The Railway Train—Ruth Morris Gray.
This up-tempo setting of Emily Dickinson's
imaginative text captures the spirit of a train while
providing plenty of teachable moments. The
chanting of the train clacking is great for teaching
complex rhythms and the train whistle is an
opportunity to work on vocal fall offs. Very creative!
10845166 Three-Part Mixed . . . . . . . . . . . . . . 2.25
4
Shout Out Your Joy—Laura Farnell. The joy
of making music with one another is celebrated in
this rhythmic and energetic new composition. With
moderate ranges and strong support from the piano
accompaniment, this is a perfect festival or concert
selection for young treble choirs.
10843726 SSA . . . . . . . . . . . . . . . . . . . . . . . . 2.25
4
Sing, Sing! (Cantate Domino)—
Sally K. Albrecht.
Antiphonal cries of "Sing,
sing!" open this dynamic selection for developing
treble choirs. Two accented melodies stand alone
before combining into an exuberant choral duet. A
contrasting middle section provides the opportunity
to sing briefly in Latin before returning to the
celebratory opening theme. A wonderful concert
opener or festival selection!
10873074 Two-Part. . . . . . . . . . . . . . . . . . . . . 2.05
10881852 DVD-Movin'! Choral Movement . . 39.99
4
Singabahambayo—Victor C. Johnson. Fun to
sing and surprisingly rehearsal-friendly, this South
African musical celebration of freedom and hope is
sure to have instant appeal. Lending itself to simple
stage choreography, and with an exciting, driving
beat throughout, choirs and audiences alike will find
themselves enthralled by this Victor Johnson original.
10882886 Two-Part with Piano Accomp . . . . 2.10
4
Sisi Ni Moja—Jacob Narverud. Ever clever,
composer Narverud came up with a highly rhythmic
celebratory composition. The title translates "We are
one", the theme being that all human beings have
much in common. The energetic djembe sets the
tone, the piano adds its own rhythmic design, and
the singers dramatically deliver the message.
10860605 TBB . . . . . . . . . . . . . . . . . . . . . . . . 2.25
4t
Sivela KwaZulu (We Are from the Zulu
Kingdom)—arr. Bernard Kruger.
With insightful
program notes, an easy-to-read pronunciation
guide, notes on using the percussion, and an
elegant score, here is a wonderful introduction for
your tenor-bass choir to sing a high-energy folk
song from Africa. Though it is listed as four-part,
the piece begins in unison and adds one harmony
line on each repetition, eventually culminating in
four parts. A quick learn that sounds impressive for
young tenor-bass choirs.
10833225 TTBB . . . . . . . . . . . . . . . . . . . . . . . 2.10
4
The Slender Moon—Greg Gilpin. Inspired by the
descriptive text found in poet Joseph S. Cotter, Jr's
poem "Night Winds," the lyrical melody and soothing
harmonic texture capture the mystery of the slender
moon. A captivating selection for treble voices!
10846399 SSA . . . . . . . . . . . . . . . . . . . . . . . . 1.95
4
Sweet Music—Cristi Cary Miller.
Composer Lowell Mason is often regarded as the
father of public school music education. In this early
song by him we sing of the power, beauty and joy
that music brings to our lives. A message that rings
true in our music classrooms as much today as ever.
10843653 Three-Part Treble . . . . . . . . . . . . . . 2.10
10910205 Teaching P/A CD . . . . . . . . . . . . . 22.99
4
There Will Come Soft Rains—Laura Farnell.
"There will come soft rains and the smell of the
ground, and swallows circling with their shimmering
sound...and not one would mind, neither bird nor
tree, if mankind perished utterly..." Sara Teasdale's
profound words are the inspiration for this hauntingly
beautiful piece. An elegant choice for concert or
festival performance.
10846404 Three-Part Mixed . . . . . . . . . . . . . . 2.25
4t
Thina Singu (We are a Burning Fire)—
arr. Mark Burrows.
Thina Singu is a popular Zulu
folksong in Lesotho and South Africa whose title
translates to "We are a burning fire ... burn." This
energetic a cappella arrangement utilizes percussion
for shakers, cowbell, congas and djembe to
establish the festive feeling. This is a programming
must for developing mixed or treble choirs!
Pronunciation guide and translations are included.
10871907 Three-Part Mixed . . . . . . . . . . . . . . 2.25
4t
True Colors—arr. Jesse Hampsch. "Don't be
afraid to let your true colors show!" A message that
all of us need to hear. This iconic song by pop/rock
legend Cyndi Lauper is timeless. This fresh, new
arrangement relies on the strong heritage of the
original while bringing new sensitivities that reflect
the times we live in.
10834871 Three-Part Treble or SSA . . . . . . . . 2.25
4
Tue Tue—arr. Brian Hiller & Don Dupont.
This exciting, rhythmically driven arrangement of a
traditional Ghanaian folk song features lots of unison
singing with simple harmony as well as ostinato
and canon, perfect for developing choirs. Maracas,
claves, bongos, and conga join the piano in
providing a supportive accompaniment for singers,
as well as a whole lot of fun! Pronunciation guide is
available from publisher.
10882919 Three-Part Treble . . . . . . . . . . . . . . 2.10
10882911 P/A CD-Two Part Ap Pack . . . . . 44.95
4
Tumbalalaika—arr. Audrey Snyder. The title
of this Yiddish folk song informs us that a Balalaika
will at least be inferred in the music. This wonderfully
authentic arrangement does just that. It also includes
a clarinet obligato (included in the back of the
octavo) which is a tip of the hat to the Klezmer band.
A Yiddish phonetic and English text are provided in
the music allowing you to perform this work in any
combination of Yiddish or English.
10843662 Three-Part Mixed . . . . . . . . . . . . . . 2.25
10910244 Teaching P/A CD . . . . . . . . . . . . . 26.99
4
Tumekuja Kuimba (We Have Come to
Sing!)—Lynn Zettlemoyer.
This vibrant,
percussive original a cappella work uses both
Swahili and English text to create a dynamic
multicultural feature that works great as an opener
or processional. The theme of "coming together
to sing" allows for a wealth of programming
opportunities. The piece is filled with musical
learning using language, rhythm, independent
singing and harmonic expression. A very cool riff,
lots of repetition and simple ranges make it a joy to
rehearse and perform! Now available in three-part
mixed and two-part. Highly recommended!
10868791 Three-Part Mixed . . . . . . . . . . . . . . 2.10
4
The Voice That I Hear—Jim Papoulis.
Young people often know how to speak to the heart
of matters more clearly than adults. Here, in the
words of seventh graders, we hear that we all have
voices singing to us, inspiring us and leading us
to evolve. We learn that our own individual voices
are important, make us creative, make us unique,
and deserve to be celebrated. The music is vintage
Papoulis in rhythmic elements and world style, and
is accessible for younger voices.
10910969 SA. . . . . . . . . . . . . . . . . . . . . . . . . . 2.25
4
Wake, Awake!—Lynn Zettlemoyer.
Bright syncopations and catchy melodies are paired
with hopeful lyrics that celebrate the positive power
of music and song in a festive concert work for
developing mixed voices. Independent melodies are
layered in the middle section creating an accessible
partner song format, while the limited ranges and
ample unison lines make it a snap to learn for middle
school choirs. An exciting concert or festival opener!
10906218 Three-Part Mixed . . . . . . . . . . . . . . 2.25
10906220 P/A CD . . . . . . . . . . . . . . . . . . . . . 27.95
4
We Stand With P.R.I.D.E.—John Jacobson
& Mac Huff.
This piece was composed with the
goal of writing a song that would motivate people
to celebrate their differences and stand together
with P.R.I.D.E. Written for the World Arts Festival
of Freeport, IL with a mission stating that "art and
creativity are tools for building a better future," this
is a song with a world music feel, a powerful drum
beat, and music that is as upbeat as the message.
10865800 Three-Part Mixed . . . . . . . . . . . . . . 2.35
10881068 P/A CD . . . . . . . . . . . . . . . . . . . . . 26.99
4
Windy Nights—Greg Gilpin. Rich with
anticipation and mystery, and overflowing with
rhythmic energy, this creative setting of the Robert
Louis Stevenson text is an excellent choice for
concert or festival. Interesting triplets and dotted
rhythm passages repeat in the choral parts and the
piano accompaniment as they represent the sound
of horses' hooves as they "gallop about" through the
windy night. Exciting!
10906224 SAB . . . . . . . . . . . . . . . . . . . . . . . . 2.25
10906227 P/A CD . . . . . . . . . . . . . . . . . . . . . 27.95
4
Wishing Star—Beth Bolton/
arr. Laura Farnell.
"Shining and shimmering up in
the sky..." Wishing Star is a text reminiscent of the
Star Light, Star Bright nursery rhyme. Beth Bolton
and Laura Farnell's use of mixolydian mode and
compound meter create a sense of longing with
an endearing, whimsical quality. Treble choirs will
appreciate the challenge of the compound meter
and independence of line that creates the beautiful
quality of this concert piece.
10846390 Two-Part. . . . . . . . . . . . . . . . . . . . . 1.95
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