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The Wide Missouri
Shenandoah with The Water is Wide
arr. Ruth Elaine Schram.
A fresh paring of two beloved American folk songs, which will offer a moment
of peaceful reflection on your concert or festival. The fluid accompaniment
ties the two songs together, both culturally and geographically, with a flowing
texture that represents the movement of the water. A helpful Learning Resource
Page is included to tie the piece to the National standards and present cross-
curricular opportunities.
10906207 SATB . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 2.25
10906207L SATB Large Print . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 2.25
10906208 Three-Part Mixed . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 2.25
10906208L Three-Part Mixed Large Print . . . . . . . . . . . . . . . . . . . . . . . 2.25
10906209 SSAA . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 2.25
10906209L SSAA Large Print . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 2.25
10906210 P/A CD . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 27.95
Will the Circle Be Unbroken
arr. J. David Moore.
This wildly popular arrangement is a favorite with choral festivals all over the
country. Beginning in the style of a bluegrass trio, the piece opens into a
four-part gospel celebration of the power of song to create community. Often
performed with an opening solo refrain. A favorite for women's choirs, now
available for mixed or tenor-bass voices.
10704230 SATB . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 2.95
10341993 SSAA . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 2.95
10905701 TTBB . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 2.95
Windy Nights
Greg Gilpin.
Rich with anticipation and mystery, and overflowing with rhythmic energy, this
creative setting of the Robert Louis Stevenson text is an excellent choice for
concert or festival. Interesting triplets and dotted rhythm passages repeat in
the choral parts and the piano accompaniment as they represent the sound of
horses' hooves as they "gallop about" through the windy night. Exciting!
10906224 SAB . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 2.25
10906224L SAB Large Print . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 2.25
10906226 Two-Part . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 2.25
10906226L Two-Part Large Print . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 2.25
10906227 P/A CD . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 27.95
Wishing Star
Beth Bolton/arr. Laura Farnell.
"Shining and shimmering up in the sky..."
Wishing Star is a text reminiscent of
the Star Light, Star Bright nursery rhyme. Beth Bolton and Laura Farnell's use
of mixolydian mode and compound meter create a sense of longing with an
endearing, whimsical quality. Treble choirs will appreciate the challenge of the
compound meter and independence of line that creates the beautiful quality of
this concert piece.
10846390 Two-Part . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 1.95
Ye Banks and Braes
arr. Russell Robinson.
This thoughtful setting of a traditional Scottish melody features text by Robert
Burns, a harp-like piano accompaniment, and a lilting flute obbligato (included),
giving it a Celtic feel. Like so many folk songs of this region, the melody is
beautifully singable and richly rewarding.
3296097 Two-Part . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 1.80
10872479 TB . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 2.50
Zum Gali Gali
arr. Victor C. Johnson.
When developing choirs delve into this fresh a cappella setting of the
Israeli folk song, they can be assured of enjoying a successful rehearsal
and performance experience! The only accompanying instruments are
hand drums and finger cymbals, which add authentic flavor and texture.
Fun to sing and perform! A helpful Learning Resource Page is included for
connection to the National standards.
10906228 Three-Part Mixed . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 2.10
10906228L Three-Part Mixed Large Print . . . . . . . . . . . . . . . . . . . . . . . 2.10
Wake Me a Song
Victor C. Johnson.
This arrangement for SATB voices with piano captures the mystery and nuance
of the bittersweet poem, Wake Me a Song, by American poet, Abram Joseph
Ryan. Nuances, text painting, and rich harmonic ideas paired with intertwining
textures make this a challenging and noteworthy addition to any program.
The perfect vehicle for teaching lyrical singing.
10872203 SATB . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 2.25
We Are the Voices
Jim Papoulis.
"In every heart there is a place that shows us who we are." The opening phrase
presents the challenge that unfolds in this significant song: bringing our inner
voice to expression. Bound to be the highlight of a program, this piece builds to
a grand ending with the rhythmic beat of a djembe adding to the excitement.
10874650 SATB . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 2.35
10500447 SSAA . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 2.35
We Stand with P.R.I.D.E.
John Jacobson & Mac Huff.
This piece was composed with the goal of writing a song that would motivate
people to celebrate their differences and stand together with P.R.I.D.E. Written
for the World Arts Festival of Freeport, IL with a mission stating that "art and
creativity are tools for building a better future," this is a song with a world
music feel, a powerful drum beat, and music that is as upbeat as the message.
10865800 Three-Part Mixed . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 2.35
10865836 Two-Part . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 2.35
10881068 P/A CD . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 26.99
10865832E Instrumental Parts ePrint. . . . . . . . . . . . . . . . . . . . . . . . . . 25.00
When Dreams Take Flight
Rollo Dilworth.
Based on the poem
Dreams by Paul Laurence Dunbar, one of the first African
American poets to gain national prominence and recognition. Sing of the power
of dreams and how they take flight to higher heights of hope and inspiration.
10837793 SATB . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 2.25
When You Are Old
Matthew Erpelding.
Sensitive vocal lines and embracing harmonies highlight and enhance the
subtle nuances of this beloved poem by William Butler Yeats. "When you are
old and gray and full of sleep... murmur a little sadly how love fled and paced
upon the mountains overhead, and hid his face amid a crowd of stars."
A poignant and deeply musical experience for performers and audiences alike.
10882922 SATB . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 2.10
10882922L SATB Large Print . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 2.10
Where Your Bare Foot Walks
David N. Childs.
This romantic work, written for the composer's bride, is built around fragments
of Sufi poetry by Rumi, for a truly emotional setting. It requires a larger choir
with a mature sound and careful attention to bringing out the words of the
poem. Newly arranged for treble or tenor-bass choirs!
10067237 SATB . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 2.35
10873382 SSAA . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 2.75
10873382L SSAA Large Print . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 3.75
10882571 TTBB . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 2.65
10882571L TTBB Large Print . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 3.65
