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SECULAR All Voicings medium-easy / medium
Wide Open Spaces—Sarah Quartel. Comm-
issioned for the 2015 National Conference of the
American Choral Directors Association, Wide Open
Spaces reflects on the journeys and adventures to
be found in the wide open spaces within ourselves
and in the world around us. The uplifting melody is
passed from the upper voices to the lower voices
before the piece opens out into an expansive texture
with rich harmonies. A playful episode of scat singing
is introduced before a resolute final chorus brings this
evocative piece to a peaceful and serene close.
10479646 SATB . . . . . . . . . . . . . . . . . . 3.25
10616213 TTBB . . . . . . . . . . . . . . . . . . 3.25
l Will the Rain Fall Down?—Braeden Ayres.
Will the Rain Fall Down tells the story of a "Dust
Bowl" (1930s) era farmer who, after years of
discouragement, still retains hope for the future.
The musical story-telling style is haunting, made
more so by the addition of optional percussion.
Written for tenor-bass choirs of all sizes and
abilities, the TB1, TB2 or TB(B) flexible voicing
option is sure to meet the needs of any tenor-bass
ensemble. A great cross curricular musical work!
10872503 TB or TB(B) . . . . . . . . . . . . . 2.25
l Will There Really Be a Morning?—John
Leavitt. This beautiful and thought provoking text
by Emily Dickinson is a wonderful vehicle for poetry
discussions. A lush piano accompaniment and fluid
vocal lines will shine through in your choral concert.
10835238 SATB . . . . . . . . . . . . . . . . . . 2.15
10835239 SAB. . . . . . . . . . . . . . . . . . . 2.15
10835240 SSA . . . . . . . . . . . . . . . . . . . 2.15
10910431 P/A CD . . . . . . . . . . . . . . . 26.99
10910432E Instrumental Parts ePrint. . . 25.00
Will There Really Be a Morning?—Ruth Morris
Gray. This delightfully fresh, creative setting of the
beloved Emily Dickinson poem is joyful, hopeful
and dramatic with anticipation. Complemented by
a bright, driving accompaniment and accessible
ranges, this is an exceptional choice for concert or
festival use. A learning resource page is included.
10512796 SAB. . . . . . . . . . . . . . . . . . . 2.10
10512797 Two-Part . . . . . . . . . . . . . . . 2.10
10512798 P/A CD . . . . . . . . . . . . . . . 27.95
l Will You Take My Hand—Jim Papoulis/ed.
Sophia Papoulis. There is a desire among children
from all countries and all walks of life to be aware
and listen carefully to those around us and who
are different than us. This song, commissioned
by the International School of The Hague, reflects
the international relationship of all peoples by using
English, Dutch, French, Swedish, and Spanish texts
as well as a hip world musical style. A wonderful
selection for a unity or peace-themed concert.
10907472 SA . . . . . . . . . . . . . . . . . . . . 2.10
Will You Teach Me?—Victor C. Johnson.
A poignant, inspiring anonymous text is perfectly
wedded to the music in this beguiling setting.
This is a piece that your students will hold dear to
their hearts as they sing their very best. "Will you
teach me how to dream, to face the future sight
unseen? ... Will you teach me how to soar, to see
things never seen before? But most importantly of
all, will you teach me how to be the only thing I
can be... Me?" An optional oboe part is included
in the octavo, to give the gently flowing music even
greater emotional depth. Highly recommended!
10090075 SATB . . . . . . . . . . . . . . . . . . 2.10
10068335 Three-Part Mixed . . . . . . . . . 2.10
10068338 SSA . . . . . . . . . . . . . . . . . . . 2.10
10068337 Two-Part . . . . . . . . . . . . . . . 2.10
10068340 P/A CD . . . . . . . . . . . . . . . 26.95
lL The Wind Gives Voice to the Trees—Greg
Gilpin. Exuding mystery and modal nuances, this
concert or festival showpiece features an original
text surrounded by word painting and rich imagery.
Rich harmonies and haunting melodies are
supported by an interesting accompaniment which
weaves a wind-like pattern in this piece with an
important message about how all of nature works
together. A valuable Learning Resource Page is
included for connection to the national standards.
10906211 SATB . . . . . . . . . . . . . . . . . . 2.25
10906211L SATB Large Print . . . . . . . . . 2.25
10906212 SAB. . . . . . . . . . . . . . . . . . . 2.25
10906212L SAB Large Print . . . . . . . . . . 2.25
10906213 Two-Part . . . . . . . . . . . . . . . 2.25
10906213L Two-Part Large Print . . . . . . 2.25
10906214 P/A CD . . . . . . . . . . . . . . . 27.95
Windy Nights—Cynthia Gray. A dramatic poem
by Robert Louis Stevenson is the inspiration for this
intense, exhilarating work, which portrays the poet's
childhood fear of storms. The music aptly captures
the sound and excitement of a stormy, windy night,
which the text likens to a riding horseman and the
pounding of his horse's hooves. Excellent editorial
notes provide fascinating background about this
poem and its famous author. This is wonderful
poetry and music for developing choirs!
3701035 Three-Part Mixed . . . . . . . . . 2.10
3301353 Two/Three-Part . . . . . . . . . . 2.10
t The Wisdom of the Moon—Susan LaBarr. The
Wisdom of the Moon expresses how easy it is to be
happy when things are difficult, but how we all need
to learn how to persevere during difficult times. A
sentiment of hope that is reflected in the tonality
and joyful triple meter. A great chance to feature a
soloist. Exceptional!
10746456 SATB . . . . . . . . . . . . . . . . . . 2.75
4 Wishing Star—Beth Bolton/arr. Laura Farnell.
"Shining and shimmering up in the sky..."
Wishing Star is a text reminiscent of the Star
Light, Star Bright nursery rhyme. Beth Bolton
and Laura Farnell's use of mixolydian mode and
compound meter create a sense of longing with
an endearing, whimsical quality. Treble choirs will
appreciate the challenge of the compound meter
and independence of line that creates the beautiful
quality of this concert piece.
10846390 Two-Part . . . . . . . . . . . . . . . 1.95
t With a Lily in Your Hand (from "Three Flower
Songs")—Eric Whitacre. "Little widow of my
single star, I find you... after a thousand years are
gone, you'll see me, o my night love!" Frederico
Lorca's poignant text receives a dramatic a cappella
treatment from Eric Whitacre. This is the 2002
revision, which remains a favorite of festival and
all-state choirs. Beautiful!
1949130 SATB . . . . . . . . . . . . . . . . . . 2.05
H
You Are My Music—Laura Farnell. "You are the
earth, you are my sky..." Two beautiful poems,
by Sara Teasdale and Zoe Akins, are lovingly
interwoven for the text of this lyrical, expressive
setting. Rubato phrases ebb and flow over a
romantic, arpeggiated accompaniment in this
superb concert showcase for young and developing
women's choirs! Highly recommended!
10351270 SSA . . . . . . . . . . . . . . . . . . . 2.10
Ht You Are the New Day—John David/arr. Peter
Knight. One of the most requested songs from the
repertoire of The King's Singers, this a cappella
SATB arrangement, with just a couple of divisis,
gives you an excellent feel for the artistry and
appeal of this amazing vocal group.
1855360 SATB . . . . . . . . . . . . . . . . . . 2.15
lL You Guided Me—Michael John Trotta.
t
A heartfelt expression of thanks for guidance, this
a cappella work speaks to seeking and finding a
loving presence that is all around us. This text from
Rabindranath Tagore is expressively set with gently
moving harmonies and a soaring optional descant
or solo. "You guided me all day long. Let all the
strains of joy now mingle in my song."
10874715 SATB . . . . . . . . . . . . . . . . . . 2.25
10874715L SATB Large Print . . . . . . . . . 2.25
You've Been on My Mind—Audrey Snyder.
Growth, change, love and loss - these are all a part
of growing to adulthood. This gentle original offers an
introspective look at these emotions with accessible
and well-crafted pop-style harmonies and a lyric that
singers will embrace as their own. Accompanied, or
optional a cappella, for women's choirs.
10760625 SSA opt. A Cappella . . . . . . . 2.10
Zephyr—Amy F. Bernon. Opening with a whimsical
piano motif, this gentle, aptly named piece breezes
its way through the thoughtful lyrics with beautiful
voice-leading. Lyrical, yet with a subtly shifting
rhythmic feeling between two and three, Zephyr
sets an ethereal tone that will be very effective in
a concert setting. A learning resource page to apply
this piece to the teaching standards is also included.
10757023 Three-Part Mixed . . . . . . . . . 2.25
10757024 Two-Part . . . . . . . . . . . . . . . 2.25
10757025 SSA . . . . . . . . . . . . . . . . . . . 2.25
10792980 P/A CD . . . . . . . . . . . . . . . 27.95
Secular Concert
All Voicings
Medium
H Adiemus—Karl Jenkins. Although this is an
original work, the words, which simulate a tribal
language, give it a world-music feeling. In fact,
the chant-like character of the piece almost makes
you feel as though you are taking part in a tribal
ritual. A compelling work that has become popular
in festivals and regional choral activities. Now
available in SA voicing.
3165875 SATB . . . . . . . . . . . . . . . . . . 2.50
3118460 SSAA. . . . . . . . . . . . . . . . . . 2.50
10609878 SA . . . . . . . . . . . . . . . . . . . . 1.95
lL The All-American Hometown Band—Carol
Noona & Walter Noona/arr. Mark Weston. Introduce
the instruments to your students, and gain a crowd-
pleasing concert piece in the process! Upbeat, with
melody lines, text and rhythmic patterns ideal
for teaching diction and accuracy, this A-B-A
arrangement is practical and fun to learn. Listen for
the snippet of The Stars and Stripes Forever, and
perform with the track for added pizzazz!
10843355 Two-Part . . . . . . . . . . . . . . . 2.10
10843355L Two-Part Large Print . . . . . . 2.10
10882439 P/A CD . . . . . . . . . . . . . . . 26.95
l
Along the Western Railroad—Matthew Emery.
The text of this piece welcomes the long-awaited
arrival of the railway system and the benefits it
will bring. This arrangement has a folk-inspired
sound while making use of modern harmonies and
syncopation. Your accompanist will enjoy the piano
part which adds interest while providing a stable
foundation for the choir.
10907464 SATB . . . . . . . . . . . . . . . . . . 2.25
An Die Musik—Franz Schubert/ed. Craig
Courtney. These transcriptions, for mixed, treble
and male choirs, of this famous Schubert song
offer the perfect material for teaching free, bel
canto-style singing, German diction, and "arch and
taper" phrasing. With its strophic form and relatively
simple melody, the piece can be easily learned,
allowing time to focus on and develop expressive
phrasing and musicality. English translation is
included in this wonderful introduction to Schubert
Lieder for high school choirs! Highly recommended!
10606980 SATB . . . . . . . . . . . . . . . . . . 2.00
10606981 SSAA. . . . . . . . . . . . . . . . . . 2.00
10606984 TTBB . . . . . . . . . . . . . . . . . . 2.00
4 And Sure Stars Shining—Z. Randall Stroope.
Embracing the hope that dreams may someday
become a reality, this musical setting is actively
stirring, with stunning harmonic and melodic
moments. It seeks to capture that internal ecstasy
and “beyond this world utopia” that
was the reality Sara Teasdale so wanted, and
seemingly never achieved.
10861901 SATB . . . . . . . . . . . . . . . . . . 2.10
Animal Crackers—Eric Whitacre. Here are three
whimsical settings of Ogden Nash poems that are
sure to appeal to Eric Whitacre fans: The Panther;
The Cow and The Firefly. For mixed choirs, this is a
novelty selection with sophistication and class!
10025930 SATB . . . . . . . . . . . . . . . . . . 2.95
Animal Crackers (Volume II)—Eric Whitacre.
Here are three whimsical settings of Ogden Nash
poems that are perfect for a lighter portion of
your program or as an encore. The long-awaited
sequel to Whitacre's first Animal Crackers, this is
a musical treat. Includes: The Canary; The Eel and
The Kangaroo.
10086978 SATB . . . . . . . . . . . . . . . . . . 2.95
As the Rain Hides the Stars—Elaine Hagenberg.
"As the rain hides the stars, as the autumn mist hides
the hills..." Here is an exquisite setting of a traditional
Gaelic prayer that will enhance the ethereal beauty of
your choral sound. As the clouds finally part, the sun
shines clearly for the first time. "Yet, if I may hold your
hand in the darkness, it is enough."
10748271 SATB . . . . . . . . . . . . . . . . . . 2.45
10519865 SSA . . . . . . . . . . . . . . . . . . . 2.45
H Ballade to the Moon—Daniel Elder. "...Come
sing with me! The twinkling sky casts forth its tune:
O must I leave thy charms so soon? I weep with joy
beneath the moon." Marked Adagio Misterioso, this
evocative work has been appearing on festival lists
all over the country, and for good reason - it is an
important contribution to the choral repertoire.
10283255 SATB . . . . . . . . . . . . . . . . . . 2.65
10527161 TTBB . . . . . . . . . . . . . . . . . . 2.55
t Behold, How Good—Michael John Trotta.
Inspired by Psalm 133, composer Michael John
Trotta has written a lovely a cappella piece that
celebrates the unity of brotherhood among all
people. This calm, sonorous work is the perfect
choice for a concert finale, signature piece, encore,
or worship benediction.
10461315 SATB . . . . . . . . . . . . . . . . . . 1.95
Beneath the African Sky—Paul Caldwell & Sean
Ivory. Inspired by a young girl's experience living in
refugee camps in Africa, this melancholy original is
a top choice for festival choirs. "Sing, little girl, and
don't cry..."
10295656 SA . . . . . . . . . . . . . . . . . . . . 3.00
10295658 Instrumental Parts
Oboe Obbligato . . . . . . . . . . 5.00
4t The Bird's Lullaby—Sarah Quartel. Inspired by
the text of poet E. Pauline Johnson, Sarah Quartel
has created an energetic and fun piece for SSAA
a cappella voices. The melody is shared between
first and second sopranos. Concert music with a
contemporary a cappella feel, it will appeal to good
high school or collegiate women's choirs.
10879553 SSAA. . . . . . . . . . . . . . . . . . 2.90
H Birdsong—Paul Read. This touching work is
inspired by a poem written by an unknown child in
the Terezin Concentration Camp in Czechoslovakia
during World War II. The poem's positive, uplifting
message about the beauty of life is all the more
striking when placed against the backdrop of war
and the loss of personal freedom. A strong choice
for concert, contest or festival!
5562566 SA . . . . . . . . . . . . . . . . . . . . 2.25
Ht A Boy and a Girl—Eric Whitacre. A tender,
delicate, exquisite poem by Octavio Paz is the
inspiration for this superb a cappella piece by Eric
Whitacre. "Stretched out, stretched out on the
grass, a boy and a girl savoring their oranges, giving
their kisses like waves exchanging foam..."
3301920 SATB . . . . . . . . . . . . . . . . . . 2.50
Cantamos! (We Sing!)—James M. DesJardins.
This energetic and fun piece for SA or two-part
treble voices with mixed English and Spanish
text celebrates the power of singing. The spicy
and rhythmic accompaniment moves every line
forward in a lively dance until the very last "Sing!"
Singers and audiences alike will love this piece.
Highly recommended!
10683352 Two-Part . . . . . . . . . . . . . . . 2.25
4L Canticle of Love—David N. Childs. Sara
Teasdale is renowned for her romantic poems often
flavored with a touch of sadness, and this setting
complements the text with beautiful harmonies over
mixed and changing meters and beautiful vocal lines.
This love song will challenge your ensemble both
musically and vocally, but will be well worth the effort.
10795118 SSA . . . . . . . . . . . . . . . . . . . 2.20
10795118L SSA Large Print . . . . . . . . . . 2.20
l
Carry Me—Don MacDonald. The poetry, in the
form of a chant, traces the journey of a droplet of
rain and supposes that we might join on that journey.
The music uses "hocketing," where one voice fills in
the rests left by another over a constantly evolving
minimalist piano accompaniment. Suitable for an
intermediate- to advanced-level youth or treble
voice choir.
10911581 SA . . . . . . . . . . . . . . . . . . . . 2.50
H Ching-A-Ring-Chaw—Aaron Copland/arr. Fine.
This classic work, adapted by Aaron Copland, is a
continually popular contest/festival selection.
155796 SATB . . . . . . . . . . . . . . . . . . 2.25
155705 SSAA. . . . . . . . . . . . . . . . . . 2.15
l Cloths of Heaven—Rene Clausen. Dense
harmonies, flowing piano and colorful word
painting combine with this Yeat's poem tp create
a centerpiece for any concert. Passionate and
emotional choral writing demands the same from
the singers, while the ranges, harmonies, shifting
meters and tonalities, along with the constant divisi
will demand constant attention even from the most
accomplished choir.
10911582 SATB divisi. . . . . . . . . . . . . . 2.25
Cloths of Heaven—Z. Randall Stroope. The text is
by William Butler Yeats, an Irish poet. In this setting
the music compliments the words by following the
natural rhythm of the text. Rich in symbolic imagery,
"Had I the heavens' embroidered cloths, Enwrought
with gold and silver light, I'd spread the gold and
silver cloths under your feet: Tread softly, you tread
on my dreams." This piece is on many state and
regional contest lists.
1589696 SATB . . . . . . . . . . . . . . . . . . 1.85
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